Tag: The Sultan’s Palace

Not Fade Away

And here it is, Sunday morning already, and where did my weekend go? I am not sure, but somehow yesterday managed to get away from me somehow, and I didn’t get nearly what I had hoped done–or at least looked at, at any rate. I allowed myself to sleep in yesterday–today too–and it felt really nice. I got some things done around the house and then ran my errands. When I returned, I realized I had something to do that I’d forgotten about–I remembered right when I was leaving to run the errands (okay, I saw the reminder email before I left to run those errands)–and so I had to prepare something to eat. A friend had offered to let me guest blog at Mystery Lovers’ Kitchen, where you promote yourself and your new book by sharing a recipe. No problem, I thought, forgetting that I don’t really use recipes after the first or second time I make something, and then I never ever make it the same way twice again. I love cooking, I really do, and I think I’m good at it. I’m not a chef by any means–I cannot identify flavors by taste, and I am not familiar enough with tastes and textures to think of combinations that would work together into something delicious without a reference or a starting place. And truth be told, I subscribe very heavily to the notion that if you base your cooking in the basics of Louisiana-style food, it’s always going to be delicious. You can never go wrong with anything that starts with a roux as the base, let’s be honest. Many years ago I had a recipe in the Mystery Writers of America Cookbook, which was way fun; it was a recipe I’d been making for years and years and years and tinkered with a lot, going through many delicious and delightful variations–so I knew I had it written down somewhere. But after I got the reminder email I looked at what was required–and saw to my horror that I also needed pictures. I am not one of those people who regularly documents their food preparation, so I realized that I was going to have to actually make it so I could take the needed pictures; and there were things I would need from the market as I didn’t have them on hand. I also found the recipe and realized I’d improved on it quite a bit since I wrote it down for the cookbook, and I had to rewrite and revise it.

Constant Reader, those meatballs were goddamned delicious.

And I documented their making, as well as took a photo of the plated end product.

LSU got beaten yesterday, 50-30, in the SEC championship game. Georgia was better, as I expected, and none of the breaks really went LSU’s way; and for them to win, they needed all the breaks they could get, Georgia to not play well, and the Tigers needed to play out of their ass. Back-up quarterback Garrett Nussmeier looked amazing, frankly–the future of LSU football clearly on display; a little more control and better chemistry with his receivers and he could become Joey Burrow 2.0. Am I disappointed? Sure, a little, but mostly I am proud of this team and have far they have come since last January and that bowl game, or how far they’ve come since the start of the season. But they won the toughest division in college football, and did some things no one could have predicted. The future looks bright, and LSU is going to be elite again, very soon. (And a shout out to Tulane for winning their conference and winning a trip to the Cotton Bowl. No one saw that coming, either.) TCU lost, which, along with USC’s loss, will cause enough of the chaos I was hoping to see this weekend…although I do think Georgia and Michigan are without question the two best teams in the country, and there’s really no need for a third or fourth place seed. Now we just have to see which bowl game LSU ends up in, and the season is over–far better than anything I had any reason to expect back in August, so thanks again, Tigers. It was an interesting, up and down and exciting season, with some amazing games.

Today I have to go pick up the groceries I ordered; I think the meatballs will get me through the week for lunches, and so I don’t think I need to cook anything else today. I’ll probably have to stop at the market on the way home from work on Monday, after I get a better sense of what we need after putting everything away today (don’t ask, it makes sense in my fevered brain)–I may want to get a salad, or the produce necessary to make one.

As I have been writing my Blatant Self-Promotion posts for A Streetcar Named Murder I have also been realizing that a feeling I’ve been having for quite some time isn’t actually accurate. I have posted a few times over the last few years about feeling disconnected from New Orleans in some weird way, that something had changed and I wasn’t sure what it was, if it was the city itself–which has changed–or something in me or some combination of the two. But in writing these posts about New Orleans, I find myself smiling as I write them–I certainly was smiling when I was writing that guest post the other day for the Wickeds blog, “The Orange Cone” (which could also be the seeds of a longer comic essay about life in New Orleans)–that what has actually shifted is that I’ve kind of gone native. For years, I wrote about the wackiness and silliness and delicious little ironies of life in New Orleans, the eccentricities and oddities, because they stood out to me. They no longer do. I take that stuff for granted now, and it doesn’t even register with me anymore because I’ve become so accustomed to it. Writing about potholes and orange cones, and how they are easily not only in the Top 5 for conversation material between total strangers in the city made me laugh, made me shake my head at the wackiness and strangeness, and well–the whole New Orleans of it. That’s the thing. I never thought I would get to the point where the oddities of New Orleans life would become so commonplace as for me to pay it no mind, but here I proverbially am.

And I kind of love that for me. I love this city. I am by no means an expert on New Orleans; what I do not know about this city, its people, its history and its legends and lore could fill the Great Library at Alexandria. I continue to learn more every day, and with the more I learn the more I realize I don’t know and that I will never become expert, no matter how much I learn and read and absorb and experience. I always kind of smile to myself when people say that I am an expert on all things New Orleans because I am all too aware of how little I actually do know. I don’t know that I will ever stop writing about New Orleans. Writing that historical Sherlock Holmes story set here was so much fun to write and research–and I’ve also discovered an enormous flaw in my research and writing for that story since writing it, which serves as yet another example of the limits of my knowledge and how much deeper you have to go when researching a period of history here (one of the biggest hurricanes to ever hit New Orleans came through the year before the story’s setting; no commentary on rebuilding or about the disaster is a glaring omission). I want to write about Madame La Laurie; I want to write about the Sultan’s Palace and the trunk murders and the kidnapping of that little boy back in the late nineteenth century. I want to write about Storyville and musicians and Prohibition and bootleggers. I want to write about the Axeman, and the grinch, and other legends and lore; every time I find something new in a history or an a New Orleans history website, I immediately start thinking of ways to write about it. I will never run out of material to write about here, never.

And on that note, I am heading into the spice mines for the day. I am going to read for a little while as I drink coffee and wake up, and then I am going to write until it’s time to go get the groceries…and then come home to write some more. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

O Holy Night

The last day of 2018. I can hear the garbage trucks outside getting the trash, which means I’ve actually woken up at a relatively decent hour. Today is our annual lunch at Commander’s Palace with Jean and Gillian, which means very inexpensive martinis and all that entails. I also registered for Dallas Bouchercon yesterday and booked my hotel room. So much getting things done! I also worked on my technology issues yesterday–yes, they continue, Mojave is the stupidest thing Apple has ever done as an operating system–and have also been trying to update my phone, which doesn’t seem to be working. I really don’t want to have to get a new phone, but it seems as though this is what Apple is pushing me to do, which is infuriating.

But the desktop seems to be working the way it’s supposed to. Hmmm.

I read a lot of books last year, but I also judged for an award so I really can’t talk much  about any books that were actually released in 2018; which is unfortunate. I really enjoyed The Gates of Evangeline by Hester Young (for a book not published in 2018). I also read a lot of short stories. The Short Story Project was originally inspired, and intended, for me to read a lot of short stories and work as kind of a master class for me as far as writing short stories are concerned. As a project, I originally began it in 2017, but didn’t get very far with it. As a result, I decided to give it another try in 2018 and was much more successful with the project. Not only was I reading short stories, I wrote a lot of them. Some of those stories were actually sold; “This Town” to Murder-a-Go-Go’s, “The Silky Veils of Ardor” to The Beating of Black Wings, “Neighborhood Alert” to Mystery Tribune, “Cold Beer No Flies” to Florida Happens, and “A Whisper from the Graveyard” to another anthology whose name is escaping me at the moment. I also pulled together a collection of previously published and new stories, which will be released in April of 2019 but will be available for Saints and Sinners/Tennessee Williams Festival, Survivor’s Guilt and Other Stories. I also wrote another Scotty (I really need to finish revising it), which will also be out in the new year I think but I don’t have a release date yet. That was pretty productive, and I also managed eight chapters of a young adult novel, the current WIP.

Not bad, coming from someone who wrote practically nothing in 2017. So, on that score, I am taking 2018 as a writing win.

I also edited the Bouchercon anthology for the second time, Florida Happens, and read a shit ton of short stories for that as well. I was very pleased with how that book turned out, in all honesty, and it looks absolutely gorgeous.

I also published my first ever Kindle Single, “Quiet Desperation,” and also finally got the ebook for Bourbon Street Blues up for Kindle. At some point I do hope to have a print edition for sale as well, but I am happy to have the ebook available. I also have to finish proofing Jackson Square Jazz so I can get that ebook up as well.

So, writing and publishing wise, 2018 was a good comeback of sorts; I managed to get back into the swing of writing again, and started producing publishable work, which was absolutely lovely. I started to say I got my confidence back, but that wouldn’t be true; I’ve never had much self-confidence when it comes to  my writing. I also started writing in journals again in 2017, which was enormously helpful in 2018. (I actually went through my most recent one last night–the one I am currently using–and found a lot of stuff that I thought I’d lost in the Great Data Disaster of 2018; things I shall simply need to retype and of course will back-up immediately.

Yesterday, while electronic equipment repaired itself and made itself usable again–we’ll see how usable it is as the days go by–I watched two movies–The Omega Man and Cabaret on Prime, as well as the documentary Gods of Football (I highly recommend this one for eye candy potential; it’s about the shooting of a calendar in Australia to raise money for breast cancer charities, starring professional rugby players in the nude, and yes, the eye candy is delectable). I watched a lot of good movies and television shows over the course of the year–The Haunting of Hill House and Schitt’s Creek probably the best television shows–so it was a very good year for that. (I have some thoughts on both The Omega Man and Cabaret, but will save those for another post at another time.)

I also got my first New Orleans Public Library card this past year, and began reading New Orleans histories, which were endlessly fascinating, which led me into another project, Monsters of New Orleans, which is another short story collection about what the title says, crime stories based on real cases in New Orleans but fictionalized. And there are an incredible amount of them. I read the introduction to Robert Tallant’s Ready to Hang: Seven Famous Murder Cases in New Orleans, and while I am aware that Tallant’s scholarship is questionable (I figured that out reading Voodoo in New Orleans), his books are always gossipy, which makes them perfect for New Orleans reading. What is real, what is true, and what is not is always something one has to wonder when reading anything about New Orleans history; some of it is legend, which is to be expected, and unprovable; some of it is very real and can be verified. Some of the stories in this collection, which I am going to work on, off and on, around other projects, will inevitably be complete fictions; but others will be based on true stories and/or legends of the city, like the Sultan’s Palace and Madame LaLaurie and Marie Laveau. It’s an exciting project, and the more I read of New Orleans history the more inspiration I get, not only for this project but for other Scotty books as well…which is a good thing, I was leaning towards ending the series with Royal Street Reveillon, but now that I’m finding stories that will work and keep the series fresh…there just may be a few more Scotty novels left in me yet.

My goal of losing weight and getting into better physical condition lasted for only a few months, and didn’t survive Carnival season–it was too hard to get to the gym during the parades, and between all the walking, passing out condoms, and standing at the corner, I was simply too exhausted to make it to the gym, and thus never made it back to the gym. I began 2018 weighing 228 pounds, the heaviest I’ve ever been, and have managed, through diet and portion control, to slim down to a consistent plateau of 213. This is actually pretty decent progress; not what I would have wanted to report at the end of 2018, but I am going to take it and put it into the win column, and we’ll see how 2019 turns out.

The day job also had some enormous changes; we moved out of the Frenchmen Street office, after being there since 2000 (I started working there in 2005) and into a new building on Elysian Fields. This also caused some upheaval and change in my life–I’m not fond of change–and it wasn’t perhaps the smoothest transition. But I’m getting used to it, and making the necessary adjustments in my life.

Now we are on the cusp to a new year. Tomorrow, I’ll talk about new goals for the new year. It is, of course, silly; it’s just another day and in the overall scheme of things, a new year really doesn’t mean anything is actually new; but we use this as a measure of marking time, and new beginnings. I’ve always thought that was rather silly; any day is a new day and a new beginning; why be controlled by the tyranny of the calendar and the societally created fiction of the new year?

But it is also convenient. If you set new goals every new year, you then have a way of measuring success and failure as it pertains to those goals. I am not as black-and-white as I used to be with goals–which is why I use goals instead of resolutions, as there is also a societal expectation that resolutions are made in order to not succeed–and a goal is merely that, a goal, and not something that is fixed in stone. The endgame we all are playing with these goals and resolutions is to effect change in our lives and make them, in theory at least, better. So, any progress on a goal is a way of making your life better.

I didn’t get an agent this year; that was on my list of goals yet again. I am not certain what my own endgame with the agent hunt is; I need to come up with a book idea that is commercially viable for an agent to want to represent, and that isn’t easy. Most of my book-writing decisions were made, not with an eye toward the commercial, but with an eye toward I want to see if I can write this story. Was that the smartest path to take as a writer? Perhaps not. I don’t know what’s commercial. The manuscript I was using to try to get an agent never worked as a cohesive story for me, and in this past year I finally realized why; I was trying to make a story into something it wasn’t. If I ever write what I was calling the WIP but is in reality ‘the Kansas book’, I have to write it as I originally intended it, not as what I am trying to make it into. And that’s something that is going to have to go onto the goal list for 2019.

On that note, I am heading back into the spice mines. Have a happy New Year, everyone.

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