Tag: The Seventies

I’m Gonna Make You Love Me

I’ve always considered myself to be a child of the seventies.

Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)

I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.

It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…

I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.

As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.

I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?

All I Know About You

Well, home again and back to reality. Sigh.

I had a lovely time this past weekend. I drove up to Birmingham Friday afternoon for Murder in the Magic City, a lovely event at the Homewood Library (this was my third visit in five years, I think) organized by Margaret Fenton, and the drove down to Wetumpka for Murder on the Menu, a fundraising event for the Wetumpka Public Library organized by Tammy Lynn. I always have a great time whenever I go, and there’s inevitably friends invited that I already know, and then I get to come home having made some new friends (and more books to be added to the TBR pile). For some reason, these two particular audiences respond very nicely to me–which is lovely, and in my post “just turned the book in” malaise, was exactly what I needed. Everyone is just so kind, and they buy and read my books and like them and they like to tell me how much they enjoy my books and when I am on stage; it’s just really, really, lovely.

Who doesn’t love being told they’re wonderful?

But as always I had trouble sleeping in the hotel–I did get some sleep, but not much–and so my own bed, after the slightly less than five hour drive (it would have been even less had there not be highway construction on I-10 at the Mississippi/Louisiana border that brought traffic to a screeching halt and when it started moving again, it was at a snail’s pace). I listened to Lisa Lutz’ The Passenger on the road coming and going (finished it right around that traffic slowdown, so while I was stopped I cued up Lisa Unger’s longer short story “All My Darkest Impulses,” which I didn’t finish by the time I got home), and it was amazing. I had read and loved her book The Swallows (which was fan-fucking-tastic; her latest is sitting on my end table next to my easy chair), so I thought “Everyone loved The Passenger, I should listen to it on this drive” and boy, am I glad I did. (There will be more on that later.) I also read a book called The Seventies: The Great Shift in American Culture, Society, and Politics by Bruce J. Schulman, which I greatly enjoyed (but didn’t always agree with) and there will be more on that later as well.

As always, I loved listening to other writers talking about writing and ideas and their own work; it’s always inspiring, and of course I was madly scribbling notes as ideas popped into my head while I listened (I also was getting ideas on the drive, like I always do)–titles and characters and thoughts about the story I have to finish writing today, “The Rosary of Broken Promises”–it’s due today; I’d hope to do some work on it over the weekend but I was so tired from not sleeping–not to mention how draining being “on” is for me (public appearances cause me a great deal of anxiety and there’s always nervousness and stress and worry)–that whenever I made it back to my room I just lay down on the bed and opened my book. When I got home last night, my easy chair felt so amazing–I watched some of the Olympic team figure skating event (the US got silver! USA! USA! USA!)–and unpacked and did the laundry and went to bed; oh how marvelous did my bed feel! I slept deeply and well and comfortably, and didn’t really want to get up this morning, to be honest. (Even now I am resisting the siren song of my bed and blankets; today may be a “sit in the chair and make condom packs” kind of work-at-home day while my batteries continue to recharge–or I may burn another vacation day; I haven’t really decided yet. I hate that trips require a recovery day for me now.) It’s always hard readjusting back to reality when I come home from a writing event, but it’s even harder from these two events because the audiences are so warm and kind and lovely to me that I kind of want to stay in that bubble for a little while longer, you know?

And now I have a gazillion emails to deal with, a house to get in order, day job duties to get done, and a story to write. Back to the daily grind, back to reality, back to my usual every day existence.

So, I need to head into the spice mines here. Have a lovely Monday, Constant Reader!