Tag: The Mystery of the Pharaoh’s Treasure

Strawberry Wine

Sunday morning and I do hope all is well with you, Constant Reader! It rained overnight, so it’s a bit chillier this morning than it was yesterday (yesterday was a beautiful day, sunny and in the low seventies); the cold weather comes in tonight around bedtime. How lovely! I slept late this morning, and Sparky let me, for the most part, cuddling rather than trying to get me up most of the time. Yesterday was, for its part, mostly quiet and restful. I didn’t push myself to get things done the way I had hoped, but Paul didn’t have his trainer yesterday and decided to hang out rather than go to the office, so I spent most of the dat in my chair watching television with Paul. I watched two more French history documentaries–this time, histories of the Capet and Bourbon dynasties. We also watched Caught Stealing with Austin Butler, which was different than what we were expecting. The previews made it seem like a black comedy, and yes, there were moments of black humor in the movie, but it was more of a thriller than anything else. My primary takeaway was that Austin Butler is incredibly beautiful (which I’ve known since The Shannara Chronicles), and has the kind of charisma that is very hard to stop watching. It was one of those ‘endless nightmare’ movies, where doing a punk neighbor a favor takes the main character down a path of violence and endless, deadly mess. It also has an insanely good cast, too–Regina King, Zoe Kravitz, Liev Shrieber, etc.–and of course, was directed by Darren Aronofsky.

I did finish scanning my notes from my journal yesterday, which felt like a win, and I did some cleaning and organizing, too. The house feels very snug this morning–warm and cozy–which is really nice, and means I will get to spend some more time in my chair this morning reading and watching another history documentary; I found one on Louis XIII yesterday–the King of The Three Musketeers–who has always been overshadowed in French history by his father and son, as well as his chief minister, Cardinal Richelieu, who remains one of my favorite people in history. (I never could have picked an era of history to concentrate on had I become an historian…) The reign of Louis XIII is a very interesting period in French history, and that could very well be because of The Three Musketeers and my fervent desire to write the story from Milady’s perspective. That’s probably a pipe dream because I’ll never have the time to research and write the story, but it’s always there in the corner of my mind, like an annoying splinter that nags at me from time to time.

Today is going to be only slightly less relaxing from yesterday. I do need to clean and organize some more, and I do need to both read and write today. I also finished my old journal and started a new one this morning (and I put the date in it this time; I had a sense of time in the old ones based on the notes on short stories and novels I was actively working on at the time I was recording things in the journals, but the date will be ever so much more helpful, you know?). I also found a safe, out of the way place to store them going forward. I will continue to have to periodically do this with them, as I move on to other projects I’ve taken voluminous notes on in them–as well as short story and essay ideas that never moved from there to the active files–but it’s kind of fun to scan the pages and label them and put them away in the computer files. (That OCD thing never has gone completely away, and probably never will. Yay for chemical imbalances that are useful!)

The new season of Percy Jackson has dropped, too, which I am also looking forward to watching. I loved the world of Percy Jackson, and those are the books you should be giving your kids, not that other unoriginal and entirely ripped off fantasy series for kids whose author is raw sewage on a good day and a fiend from hell on bad ones. I greatly enjoyed reading the Percy Jackson books, and Rick Riordan’s other mythology based juvenile series are really the best, most engaging books. I would have loved them when I was a kid, because I loved ancient history and mythology growing up (thanks to Time-Life’s Great Ages of Man series, which my parents got for me). I’ve been trying to unpack my childhood and my life-long interests, and where those interests came from. Egypt, of course, is my favorite ancient empire; I’ve always had an affinity for Egypt and have always been drawn to it. (I’ve recently started another essay series about my Egyptian interests…beginning with the Time/Life Ancient Egypt book, a juvenile book called Cleopatra of Egypt and another one that was a mystery, The Mystery of the Pharaoh’s Treasure–and others along the way, including Amelia Peabody and Robin Cook’s Sphinx.)

And well, on that note, I am going to head into the spice mines for the day. I have to run to the grocery store, which I am going to do this morning, methinks, before coming back here and getting cleaned up and get that all over with…but first I am going to watch that documentary on Louis XIII while drinking coffee, eating breakfast and waking up completely. Have a lovely Sunday, wherever you find yourself, Constant Reader.

These lights–from the former human trafficking site Houmas House–are gorgeous.

After the Event

I’ve loved, and been fascinated, by ancient Egypt ever since I was a kid. I don’t remember when, precisely, Egypt became so lodged into my brain; but for as long as I can remember, the ancient history of one of our oldest civilization has intrigued me, and held my interest. I’m hardly an expert–not even close–but I remember pestering my parents to subscribe to the Time-Life Great Ages of Man series; the very first volume of which was, naturally,  Ancient Egypt (for the record, I still have my entire set of those books). Cleopatra, of course, also interested me; I’m not sure if my Egyptian interest came before or after watching the Elizabeth Taylor version of Cleopatra on television. (I still am terribly interested in Cleopatra; the court intrigues and politics of the Ptolemy dynasty makes the Borgias and the Medici look like pikers. I always wanted to write a book about–of all things–Cleopatra’s older sister Berenice, who briefly overthrew their father and took the Egyptian crown. The Romans sent legions to support her father, so her reign was very brief. Her younger sister, Arsinoe, who fought Cleopatra for the throne–only to be defeated by Caesar, also interests me.) I’ve always been interested in Akhenaten (loved Allen Drury’s two books about the Amarna revolution, A God Against the Gods and Return to Thebes), Tutankhamun (of course), and Hatshepsut (I read a great Scholastic mystery set during her reign called The Mystery of the Pharaoh’s Treasure, and I think I bought a copy from eBay a while back; I may have the name wrong.)

But as much as I love Egypt, I didn’t love it enough to read Norman Mailer’s Ancient Evenings. I borrowed it from the library, and couldn’t get through the first chapter.

Sorry not sorry.

As a teenager who loved mysteries, I gravitated towards women authors once I’d fairly exhausted the canons of Ellery Queen, Agatha Christie, and Erle Stanley Gardner primarily because I couldn’t relate or identify with the crime novels being written by men at the time. Grim and hard-boiled and toxic masculinity wasn’t a combination I was terribly interested in at the time; I did appreciate noir (discovering James M. Cain when I was about nineteen was wonderful), though–but that was because I associated it with all those great movies I used to watch with my grandmother. I eventually came around, and started enjoying John D. MacDonald and Hammett and Chandler as I got older.

But when I saw this book on the paperback rack at the grocery store in Emporia, I had to get it. It was a mystery; blurbed by one of my favorite writers, Phyllis A. Whitney, and of course, that was the Sphinx on the cover. I bought it, read it, loved it–and forgot about Elizabeth Peters for about a decade or so (I came back to Barbara Michaels in my mid-twenties, and when I discovered she was also Elizabeth Peters, it didn’t register with me.) Then one day I was in the Waldenbooks and More on Dale Mabry Highway in Tampa when I saw a book on the end cap that called to me: The Last Camel Died at Noon, plus an unmistakably Egyptian scene on the cover. The title and the cover alone sold me–and I also knew by then that Elizabeth Peters was the same writer as Barbara Michaels. I bought it and when I got home, I opened to the first page and started reading….about a page in I stopped. Wait, Emerson and Peabody? I turned back to the beginning of the book and there it was, on the BY THE SAME AUTHOR page: THE AMELIA PEABODY SERIES, and the first title was Crocodile on the Sandbank! 

You can only imagine my delight. I loved those characters, loved that first book, and to find out now there was a series? I read The Last Camel Died at Noon cover to cover in about twenty-four hours, and the next day I went back to Waldenbooks and More and bought the entire series, and settled in to get reacquainted with two of my favorite fictional characters of all time.

crocodile on the sandbank

When I first set eyes on Evelyn Barton-Forbes she was walking the streets of Rome–(I am informed, by the self-appointed critic who reads over my shoulder as I write, that I have already committed an error. If those seemingly simple English words do indeed imply that which I am told they imply to the vulgar, I must in justice to Evelyn find other phrasing.)

In justice to myself, however, I must insist that Evelyn was doing precisely what I have said she was doing, but with no ulterior purpose in mind. Indeed, the poor girl had no purpose and no means of carrying it out if she had. Our meeting was fortuitous, but fortunate. I had, as I always have, purpose enough for two.

I had left my hotel that morning in considerable irritation of spirits. My plans had gone awry. I am not accustomed to having my plans go awry. Sensing my mood, my small Italian guide trailed behind me in silence. Piero was not silent when I first encountered him, in the lobby of the hotel, where, in common with others of his kind, he awaited the arrival of helpless foreign visitors in need of a translator and guide. I selected him from amid the throng because his appearance was a trifle less villainous than that of the others.

I was well aware of the propensity of these fellows to bully, cheat, and otherwise take advantage of the victims who employ them, but I had no intention of being victimized. It did not take me long to make this clear to Piero. My first act was to bargain ruthlessly with the shopkeeper to whom Piero took me to buy silk. The final price was so low that Piero’s commission was reduced to a negligible sum. He expressed his chagrin to his compatriot in his native tongue, and included in his tirade several personal comments on my appearance and manner. I let him go on for some time and then interrupted him with a comment on his manners. I speak Italian, and understand it, quite well. After that, Piero and I got on admirably. I had not employed him because I required an interpreter, but because I wanted someone to carry parcels and run errands.

My God, that incredible, incredible voice.

By the end of the second page, I was madly in love with Amelia Peabody; by the end of the third, I wanted to be Amelia Peabody. How could you not love her? She’s fiercely intelligent, even more fiercely independent, spoke her mind, got straight to the point, and had no desire whatsoever to deal with frivolities, sentimentality, and so forth. The youngest child and only daughter of a classics scholar, her six older brothers got married and left her home to take care of their father. She speaks four languages fluently, and frequently curses the accident of birth that left her a female. Her father died and left her everything–which her brothers thought was fair, until it turned out he was a lot richer than anyone thought and had left her half a million pounds, which was an insane amount of money in the late nineteenth century. Unmarried at thirty-two, she considers herself to be too plain, too old, and too sharp-tongued to ever marry, and has decided she is going to die a spinster. (I could never respect a man who would allow his wife to dominate him, but at the same time I could never allow any man to dominate me.) She decides to use her fortune to travel to visit the places she’s always dreamed of and read about in books–which is what brings her to Rome, along with her paid companion–whom she doesn’t care for, and just chance puts her in the forum at the same time as Evelyn, who faints and Peabody, of course, takes charge. She decides to help Evelyn–who was seduced away from her wealthy family and “ruined”, as well as cut off, and she’d come to Rome with the man she thought she loved only to be abandoned by him, with no clothes but what she is wearing and not a penny to her name. Peabody and Evelyn hit it off, she sends the paid companion back to England and engages Evelyn as her new companion, and they depart for Egypt.

So, now two of our players are now in place; it’s time to meet the other two. Once they are all checked in at Shepheard’s in Cairo, Peabody is quickly besotted with Egypt, and pyramids, in particular–and reading Peabody’s descriptions of the country, you cannot help but fall in love with it, too (not a problem for me; I was already there before I read the book). They go to the Antiquities Museum one afternoon–the director was a friend of Peabody’s father–and Peabody is put off by how disheveled and disorganized–and dusty–everything is. She picks up a dusty pot and begins to wipe the dust from it, only to have an enormous man explode with rage at her. They give each other what-for–they are suitably matched in that regard–and this is Emerson, archaeologist with a passion for discovery and knowledge and preserving the past. Emerson’s brother makes apologies, and a spark is lit between Walter and Evelyn. Soon, the Emersons are off to their dig at Amarna, and Peabody and Evelyn rent a sailboat–a dahabeeyah, to be exact–and begin their trip down the Nile.

Naturally, they stop at Amarna, and stumble into quite a bizarre mystery, which includes an animated mummy and several attempts on our troop’s lives. But the four are definitely up to the task–there are times when I laughed out loud–and hilariously, while both Peabody and Emerson become quite irritated with Walter and Evelyn, who can’t see that the other is madly in love with them; Peabody and Emerson are also falling in love, and refuse to see it, bickering and fighting and–oh, it’s just wonderful and charming, and I know I am failing to do the magnificent Ms. Peters’ work any kind of justice. Amanda is just so, so wonderfully fearless and courageous and pure, and doesn’t even worry about her own safety when those she loves are in danger. The book has a most satisfying resolution, and I remember putting it down that first (much as I do every time I reread it) with a happy smile on my face. The Peabody and Emerson books bring me a lot of joy.

I devoured the entire series, loving them all–the way Peters deftly ages her characters and deepens their relationships, and of course the children…one thing that will always make The Last Camel Died at Noon special for me was that was also the adventure that introduced our merry band of archaeologists to Nofret–and therein lies another tale, for yet another time.

I am so, so delighted I reread Crocodile on the Sandbank. If you’ve not read this series, you really should treat yourself to it, because it is just that: the most amazing gift you can give yourself.