Tag: The Ghost Orchid

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

The Power of Goodbye

I got home last night around eight o’clock. I am very glad I went up there this weekend; it meant a lot to Dad and it was kind of helpful for me as well. I am still kind of in shock that I was able to sleep in the motel room on Saturday night; I actually slept better that night than I did at home on Sunday, but here we are. I am composing an entry about the First Sunday in May; I started writing it last night when I got home but don’t want to finish it while I’m sleepy or foggy from sleep. It needs a clearer head, to be certain. It was hot and humid yesterday, and I have a bit of a sunburn on my scalp from the incredibly bright hot sun as we went from cemetery to cemetery.

I am very tired this morning, but am really glad I went this weekend. I feel like some of the darkness has receded–perhaps not for good, make that most likely–I have long since learned to know that once the constant darkness starts to recede that there are still going to be bad days in the weeks and months to come, but that first wave of grief that I’ve been living with seems to be over. Stay tuned, and keep your seatbelt fastened; there’s still more turbulence to come.

I didn’t finish listening to Carol Goodman’s marvelous The Ghost Orchid in the car, but I can finish listening while doing some chores around the office that always need to be done. It’s really fantastic; with DNA from Dark Shadows, Mary Stewart, and Elizabeth Peters; another one of those books that make you think why do I even bother? But Carol’s one of my favorite writers (and favorite people) so I prefer to enjoy her work than beat myself up over not being able to write books as well–there’s no point in that kind of thinking in the first place.

I do feel like the cathartic feel from this weekend might help me buckle down and get back on top of everything. I am so behind on everything that it’s not even funny. I do have an eye appointment this Saturday–just getting my prescription checked; will order new glasses from Zenni if they are needed (and I suspect they are)–and hopefully I will be able to get deeper into the book this week and maybe–just maybe–get all caught up by the end of this coming weekend. I need to go over my to-do list and come up with a new one; I won’t be able to take books to the library sale because of the eye appointment but I should take a box down from the attic this week to get started on the ultimate purge, and hopefully think ahead and plan as much as I can while this good feeling lasts.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Erotica

Work at home Friday, woo-hoo! The excitement really never stops, does it? Ah, well.

Yesterday was a pleasant enough day, despite my complete exhaustion by the time the afternoon rolled around. I was fine in the morning, focused and getting things done, but once I went back to seeing clients after my lunch break, I was physically and mentally fatigued. I also had to pick up the mail on my way home–the traffic wasn’t nearly as terrible as it had been the day before; I do NOT know what that was all about, nor do I want to know, frankly. I came home, did some things, and then collapsed into my easy chair. We started watching that new HBO MAX show about the Watergate burglars starring Woody Harrelson and Justin Theroux (and if you would have told me in 1989 that Woody from Cheers would become one of our best character actors, I wouldn’t have stopped laughing until 1992), but while it’s exceptionally well done, E. Howard Hunt and G. Gordon Liddy aren’t the kind of people I want to know better or see anything about as the lead characters of anything. It was eerie how well they reproduced suburban life in that period (also having Cersei Lannister playing Mrs. Hunt was an interesting twist), but again…I couldn’t get a sense of whether this was parody or striving for accuracy (which shows how insane Hunt and Liddy both are/were), so after one episode we tapped out and switched over to The Diplomat, which is amazing. I fell asleep during the second episode (I’ll rewatch it to get caught up at some point) because I was, simply stated, completely exhausted from a week of working and not sleeping well and emotional upset, I suppose. Last night I slept like a rock–completely dead to the world all night, and even slept for nearly ten hours before rising this morning rested and refreshed. It is quite lovely, frankly, and I feel terrific for the first time all week. Of course tomorrow I have to drive to Alabama (and back again on Sunday) but I have already selected Carol Goodman’s The Ghost Orchid to listen to on the ride to and fro, and I am kind of excited at the chance to listen to yet another brilliant book by one of my current favorite authors.

I’ve not had a chance to pick up Lori Roy’s brilliant Let Me Die in His Footsteps, which I was reading on the way home from Malice last Sunday and loving every word. Despite the fact she has two Edgars and another nomination from her first three books (which is pretty amazing on every level), I think her more recent work is even better than her earlier work. This book is also pretty fantastic, and I can see why it did win the Best Novel Edgar. Roy has a very hypnotic writing style, and is a master of voice; this story is told by two very different and very distinct voices with an alternating dual time-line, which is also something I love, love, love. The pity is that when I finally do finish this book, there will only be one Lori Roy novel left that I’ve not read, When She Comes Home, and I’ll have to hold onto that one until she publishes another book unless I want to (sigh) finish her entire published canon thus far.

I dread the day when I run out of Carol Goodman novels to read, for example.

It’s been a tough week, and I think that its my subconscious dealing with the issues of what this weekend means, really. Over the course of my life I’ve become really good at compartmentalizing my life into different rooms in my brain and shutting and locking the door on things, thinking I can’t deal with that now, I’ll deal with it later but some things are too big to be locked away, and they seep out through the cracks around the door in its frame and drag like a heavy stone at my being and emotions. I hit a major wall when I got home from work on Wednesday; I just got overwhelmed out of nowhere with grief and collapsed into my easy chair for some purring cat therapy. I also find that my moods can easily be shifted with essentially a snap of the fingers this week. I am unused to this kind of grief, and periodically wonder–with a sense of dread and horror–how much worse this will be when I lose Dad, as he is the only parent I have left. I know I am lucky. I had my mom for nearly sixty-two years; most people don’t get that long with one parent, let alone two. How much harder would this have been to deal with when I was younger and more immature?

But that is the kind of thing I always dismiss when it comes to mind–the path of regret is one of futility, wasted time and energy and emotion. You cannot change anything, so what is the point of trying to figure out or thinking about how different things might have been had you chosen A instead of B at this point, or D instead of Y then? The ripple effect of every choice we make reaches people we don’t know in ways we’ll never know, so maybe different choices made by me could have resulted in horrible things happening to other people, and why on earth would I wish bad things for people I don’t even know? That sounds terrible, frankly, and nothing I would ever want.

In some ways, this morning I am kind of looking forward to the drive north. I mean, yes, the destination is grim and sad, but it’s a beautiful drive; I have a great novel to listen to, and I really am looking forward to seeing my father. I want to get a good look at him, you know, and listen to him and see how he is doing. It’s so hard to tell via email or text, you know? Nothing like having eyes on someone for a proper assessment. I’ve decided to go up there this summer for a while, keep him company and spend some more time with him. (And yes, hateful little voice inside my head, I am very aware that I should have been doing this when Mom was alive. No sense in regrets, but I don’t want to feel this way when I lose Dad, so…changes in mentality and thinking are necessary going forward. I do wish it were easier to get up there than it is, though. I don’t think anyone can fault me for thinking that, either.)

Ah well, I have work-at-home duties to take care of as well as chores, so I am going to bring this to a close and head into the spice mines. I’ll check in with you again tomorrow before I leave, Constant Reader, and have a lovely day.