Tag: The Cars

Let’s Go

I like the nightlife, baby!

The Cars’ Candy-O album, for the record, also holds up forty years later.

It’s the Monday of my last infusion, which means I need to get ready and drive out to the farthest extreme of Metairie this morning; I’m not really sure where Metairie ends and Kenner begins in all honesty. I’m going to take my book with me to read for the two hours I am in the chair attached to an IV. Woo-hoo! But this is, as I said, the last one, and I’m kind of glad about that, in all honesty. I am sick of IVs, if I am being completely honest. Everyone at the infusion center is lovely, of course, but…

Sunday was a lovely day around here. I grilled yesterday, and we watched the rest of Wednesday, which is a lot of fun (although I keep thinking of the show as a continuation of the movies from the 90s, which it’s not) and I love that my favorite Wednesday, Christina Ricci, is in the cast. Now they just need to write a part for Joan Cusack! We also started Chief of War with Jason Momoa, which is beautiful–looks like it was filmed on location in Hawaii, although I didn’t know that they have kudzu in Hawaii; I don’t recall ever seeing any when I was there, but apparently they do. Also turns out most of the show was shot in New Zealand, not Hawaii, which is interesting. I also read more deeply into El Dorado Drive, which I am loving (and can’t wait to get back into at the infusion center), and I also worked on my own writing for a while yesterday. I am looking forward to working on it more after the infusion, too. I think I am finally getting back into the swing and rhythms of my own life again at long last–but let’s not hold our breaths, shall we?

There’s a tropical system looking to develop into something major out near to Cabo Verde Islands, but will most likely turn north in the Atlantic (so they are saying) and not come ashore in the US. The season is definitely starting to get amped up, unfortunately. I was thinking more about the Katrina aftermath and writing something for the newsletter about the twenty year remembrance; and I am glad I watched that documentary series last week about the disaster. I think I am ready to talk about it again. I also was thinking about my essay on religion that I want to finally finish for my newsletter–this was from finishing season two of Shiny Happy People–and also recognizing, at last, that I can also write them in parts–which is also something I can do with other essays.

Sometimes I wonder about myself, you know? The reason I even thought about this in the first place was because I was thinking yesterday about writing a serialized novel for my newsletters, which then became duh, you can do this with the essays as well so they aren’t so long. I still am up in the air about the newsletter and what I should use it for…but I also want to be careful about freezing it into something clearly defined because then I get into the old “that’s not what this is for” when the truth is it can be whatever I want it to be and any rules for it are set by ME, which means I am also not bound by any such rule. What am I going to do, punish myself by grounding me from writing it for a while? Posh, what ignorance!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. I may be back later after the infusion–one never can be entirely sure with me–but if not, tomorrow morning for sure. Have a lovely Monday!

My Best Friend’s Girlfriend

I’ve always thought today’s title, an old classic by the Cars, would make for a great y/a title. What if a gay teenager was in love with his straight best friend (it happens), only to have the best friend get a girlfriend the gay kid suspects is evil, as in occult evil? No one believes him because they think it’s jealousy…this story always springs to mind whenever I hear the song.

And that first album by the Cars is still a jam, almost forty years (!!!!) after release.

Saturday morning here in the Lost Apartment, and Sparky let me stay in bed later than usual, which was lovely. I am slurping down my first cup of coffee and have already had my coffee cake, probably moving on to cereal in a moment. I do feel good and rested this morning. I took it easy after work yesterday, simply sitting in my easy chair and morphing into a cat bed for a worn out purring kitty. I finished watching Hurricane Katrina: Race Against Time, which I really appreciated. I did get a little teary when listening to the experiences of the people who couldn’t leave and the clusterfuck of the response to the catastrophic levee failure (which failure was lain entirely at the door of the US Army Corps of Engineers, where it belonged), and the response was entirely a systemic failure. It also went after the media reporting, which was wrong and caused problems for the efforts to rescue people and get them out. I did remember how angry the reporting by the legacy media made me (fuck Fox News and their racism now, then, and forever) because I had a flash of anger again at the incompetence. I’m glad I watched, but I will never stop mourning the New Orleans that was before, or the people we lost. I also decided to go ahead and write a twenty years later essay for the newsletter. Last night as I watched, I was trying to remember what I actually did write about Hurricane Katrina and the aftermath (besides the blog): my novel Murder in the Rue Chartres; my essay “I Haven’t Stopped Dancing Yet” and a shorter, edited down version called “I’m Still Dancing”; and the short stories “Annunciation Shotgun” and “Survivor’s Guilt.” I think part of the reason I wrote so little about Katrina and the rebuilding was because I didn’t want to be defined as a writer by the storm.

But I think there is another essay about Katrina inside of me that I need to write. I may start writing it this weekend, but we shall see.

I do have to go pick up some prescriptions and some groceries while I am out, and I am going to potentially order some more to be delivered this afternoon. I also made good progress on chores yesterday; I did all the bed clothes, and a load of dishes that needs to be put away, and I also cleaned off my kitchen counters. I also picked some things up around here, too. I want to write and read today, too–once I finish this I will go to my chair and read for a bit before I go run those errands and get them out of the way so I don’t have to leave the house tomorrow. Monday is my last infusion and I took the day off so I can come home and rest and read some more. Huzzah? Huzzah! I think we’re probably going to move on to watching Wednesday’s second season tonight, too.

I do feel good this morning–the cereal was an excellent choice, but now I need toast–and so I am hopeful I’ll be able to get some things done today. So, I probably should put some bread in the toaster and bring this effort to a close for the day by heading into the spice mines for the rest of the morning. Have a lovely and terrific Saturday, Constant Reader, and I’ll be back either later today or again tomorrow morning.

Adorable out gay Olympic gold medalist in diving Tom Daley of the UK

Heaven Must Be Missing An Angel

It started raining last night as I retired to bed. Lovely, I thought, the sound of rain always helps me sleep better. There’s just something about being warm and dry underneath blankets while it’s pouring rain outside that, I don’t know, that makes me feel comfortable and relax, which is, quite naturally, rather lovely. It rained pretty heavily all night, actually; thunder woke me a couple of times, but I was able to easily go back to sleep, which was quite marvelous. I woke up this morning a little later than usual, and after seeing articles like this one, popping up on my notifications when I sat down at my computer, I might not have known how bad the raining–and subsequent flooding–actually was. My street generally doesn’t flood–it might take on an inch or so or water, but the entire neighborhood basically drains to Coliseum Square–but I did go out and check. I didn’t see any telltale leaves or dirt on the sides of any of the cars parked out there, so I am going to assume my car is okay this morning.

One can hope, at any rate.

So, yesterday I managed to write quite a bit in a very short period of time; over three thousand words on chapters nine and ten, finishing them off and bringing me back to the point where I have to start writing new chapters. Revising these first ten chapters has, as intended, brought me back into the story again, so today I am going to try to write Chapter Eleven as well as map out the rest of the middle of the book. This pleases me inordinately; I should be able to get the rest of this first draft finished by the end of the month; there’s also a three day weekend to look forward to, which is also kind of awesome. It felt great doing all that writing yesterday, and when I was finished for the day I was amazed at how great I felt. It was also a bit of a relief; whenever writing becomes hard, you always begin to question whether or not the well has run dry and your glory days are behind you.

I think that becomes worse the older you get, too–because things you’ve become used to over the course of your life begin to go away the older you get, you know? Things like teeth and hair and firm skin…the ability to write.

I watched the first episode of Fosse Verdon last night, and greatly enjoyed it. I was sort of familiar already with the story–I watched All That Jazz a very long time ago, and that film sort of spelled out the Fosse story, while of course centering Fosse and shoving Verdon’s importance to his career to the side (as always); I’m glad to see this series making this very clear. Michelle Williams and Sam Rockwell are incredible; I don’t know who the actress playing young Liza Minnelli is, but she also knocked it out of the part, turning what could very easily have been your standard caricature into an actual performance. It also didn’t hurt that the first episode primarily focused on the filming of Cabaret, a film I first saw when I was very young and didn’t much care for, but as an older adult have grown to appreciate all the more–and watching this episode actually made me want to see it yet again. It’s a very good show; I hope people are watching.

I am also still thinking about Dead to Me, which is absolutely superb. Seriously, Constant Reader, you need to watch this show.

So, yesterday, as you can tell, was a good day for the most part–the overnight street flooding aside–and I also managed to get some filing and organizing and cleaning done, which was also pretty marvelous. The Lost Apartment looks better than it has in quite some time–I was managing the cleaning/writing balance pretty well–and when I was finished (quite early, actually) with the writing I was able to focus on the cleaning/filing/organizing, and it all went well. I did some backing up of computer files–the computer is getting wonky again–and did all the dishes and so forth, which was also quite lovely. I also did some note-taking in my journal.

Go, Gregalicious!

I am also really loving my Spotify subscription; I am truly sorry I didn’t discover it and its magic long ago. I’m listening to a lot of albums I used to love and reacquainting myself with how much I love them–the Cars, the Go-Go’s, Saturday Night Fever soundtrack, Aretha Franklin, Pat Benatar, the Pointer Sisters, Josie Cotton, Tina Turner, ’til Tuesday–the list goes on forever, really. I’ve saved tons of albums to my library, and have been having the best time listening to them and–as music always does–being swept back in time to when I used to listen to them originally; I guess revisiting my youth?

It’s also daunting to realize how old some of these records actually are; I mean, Fleetwood Mac’s Rumours is about forty-two years old now…which again adds to the horror of how old I am. AIEEEEE! But so many of them still hold up today, you know, and don’t sound dated at all, and I’m really enjoying rediscovering how great some of the records I owned in the past were and had just forgotten about. I mean, I’d absolutely forgotten how amazing the Cars were, or how terrific the Pointer Sisters’ Break Out album actually was–and still is.

So, today, I intend to write Chapter Eleven, map out some future chapters, and get some other things done before Game of Thrones tonight.

And then the entire week starts all over again, lather, rinse, repeat.

But I do have high hopes for getting things done today. Fingers crossed, Constant Reader, fingers crossed!

179321_104351869639134_100001929646837_33950_3552348_n

Mercenary

As I have said before, reading Murder-a-Go-Go’s indirectly led me to Spotify, which led me to rediscovering the magic of the Go-Go’s again after many years, and then led me on to rediscovering other 80’s music I loved, like the Cars and, just Friday, Josie Cotton. Josie Cotton is probably best known for her her cover of the Go-Go’s “Johnny Are You Queer?” (which could never be released or recorded today, but at the time was kind of in-your-face and cool) as well as fronting the band playing the prom at the end of the terrific teen movie Valley Girl (which also should have been a much bigger hit than it was; but calling it Valley Girl was an attempt to cash-in on Moon Zappa’s novelty hit “Valley Girl”, but the movie was actually so much better than that; it was one of my favorite teen movies of the 1980’s and also starred a very young and beautiful Nicolas Cage in what may have been his first starring role). I was listening to two of her albums Friday night and yesterday (Convertible Music and From the Hip) and marveling that she wasn’t a bigger star than she was; she certainly had fun, upbeat music with lyrics that bit down hard, and she also had a terrific sense of personal style that should have caught on in the age of Cyndi Lauper and Madonna.

Go figure.

Which leads me to the next story in Murder-a-Go-Go’s, Bryon Quertermous’ “Mercenary.”

cover-west-murder-go-gos-front

“They asked for my dental records,” Lodi Meyers said, “so they can identify my body if he kills me.”

Andre Taylor sat across from her at a diner on the outskirts of downtown Detroit. “You really want to talk about this now? With me?”

“I don’t have any other options,” she said, tears giving way to an angry flush across her cheeks. “They’re putting together this moronic safety plan for me while insisting there’s not enough evidence to keep him in prison.”

Andre flexed the fingers of his beefy, gnarled hands and picked up his coffee cup without taking a drink. The bleached white of the cup contrasted with the dark black skin of his hands, which were shaking enough to splash a bit of the freshly poured coffee onto the table.

“I’m really not the person you should be talking to about this.”

Lodi reached her hand across the table and clutched Andre’s wrist. “That’s exactly why we’re talking.”

Andre put his coffee cup down and stood up. “This was a mistake.”

Lodi grabbed his wrist again, this time more aggressively. “There’s a reason you showed up even though this is a terrible idea. You want to make sure I haven’t told any- one what you did.”

Bryon Quertermous has published two novels–Murder Boy and Riot Load–which are kind of hard to classify. They’re noir and hard-boiled, but there’s a twisted, slightly demented sense of humor about them that reminds me of Victor Gischler’s work (which you should also read).

“Mercenary” is a terrific tale, built around two people–a woman and a man–who are tied together by the weirdest connection (saying anything more would be spoilerish); she’s a former pain clinic manager and he’s a bail bondsman. Her husband is about to be released on bail–and plans to kill her. The rest of the tale, as she tries to convince the bail bondsman to help save her life, plays out as we find out more about their connection, why the husband is in jail, and see just how far Lodi is willing to go to protect herself and her daughter–who is in a coma. There’s a lot here, and Quertermous tells his story sparingly and carefully, with fewer words than most would have used, and yet I can’t help but feel there’s even more to be mined here; this easily could have been a novel. Instead, it’s an enormously satisfying dark tale with a sardonic sense of humor that was quite fun to read.