Tag: Taylor Caldwell

The Door

Work-at-home, with meetings on the computer Friday, and woo-hoo, we made it almost all the way through another week. Christmas is nigh–Lord–but the end of the year always seems to come in a rush, doesn’t it? I mean, college football’s regular season is already over (although, given how LSU did this year, it seemed to last a really long time), and basketball started up again last month. It’s also almost collegiate gymnastics time, too. The SEC will be really interesting with perennial power Oklahoma added to the conference this year. The Grand Prix of Figure Skating final is this weekend, so we’ll probably spend some time with that, too. I think I want to watch whatever that new Alien1 movie is, too. I’ve not seen all the movies, but Alien and Aliens remain favorites of mine, so I am always interested whenever they release a new one. The shoddy state of my memory, however, has made reading or watching series (movies, television, books) a tad more challenging.2 But I shall persevere.

It is cold this morning; right now it’s thirty-eight degrees outside. I slept really well last night, so it was most likely pretty cold last night, too. I was exhausted when I left work early yesterday, and so when I got home, my brain wasn’t functional enough to even read, let alone do anything more creative or enjoyable. I am probably not going to leave the house today other than run to get the mail and to get something to make for dinner tonight (no clues on that score, so will have to figure something out). Paul’s going to be gone for most of the day once he gets up. I’m going to try to get my chores done while working (I can go do laundry when taking breaks from data entry and on-line trainings) today, before I dash out to run those two errands and then come home to edit and write and read and clean. Sounds like a good plan. I am hopeful to get some things done while also getting some good rest.

So, the CEO of the absolute worst health insurance company in the country, United Healthcare, was assassinated on the street in New York the other day, which led to some interesting reactions. Some–the vast majority–people celebrated his death; his shitty insurance company successfully denied 32% of claims last year. I’ve never had the pleasure of being covered through that insurer, but working in a clinic and talking to clients about their health insurance–I get to see (and hear) firsthand how bad their coverage is. Some have astronomical deductibles; still others can’t get their (expensive) PrEP labs3 covered by it4, etc. When I saw the news break, I was only surprised that it’s taken this long for an health insurance “profit above people” company executive to be murdered. A few people on social media (you know the ones–the tireless morally superior assholes who love to try to shame everyone else for their very valid feelings) were very quick to excoriate people for celebrating the murder of an asshole who was definitely the last rung on the ladder of responsibility for a lot of people’s pain, financial ruin, and death, wagging a finger in everyone’s face and letting them know that they are the horrible people in this instance. I block tiresome scolds. You’re not my mom, you’re not my priest, you’re not my employer and you’re a total stranger. Maybe you’re lovely in your every day life, but pulling moral superiority in this case? Will you scold people for being happy when odious garbage like Kim Davis or Mitch McConnell die, too? Go fuck yourself, and get the fuck out of my world. As for their mourning loved ones, why is their pain more valid than that of United Healthcare’s victims? They certainly didn’t mourn or feel bad when United’s cruel profit policies killed, ruined, or bankrupted their clients, did they? No, they spent that money and lived high on that ten million dollars a year (plus bonuses) salary, so miss me with their pain, okay?

And in other, predictable news about the murder, apparently they have images of the killer’s face from security cameras, and people swooned and thought he was handsome and hot. Just like the Boston Marathon bomber and Ted Bundy and so many other “hot” criminals. It’s weird. He is handsome, at least the guy whose face was shared from those images–which also made me think he’s a professional assassin; I mean, who else could flirt with someone on their way to killing someone else? Although it does make for an interesting idea–the hot sexy hit man. Maybe a gay one? (See how my mind is?) Anyway, the assassin is kind of becoming a folk hero, which should give all insurance executives pause. In the wake of the murder, Blue Cross Blue Shield–which has just announced a horrific, draconian new policy about anesthesia, quickly reversed itself and removed all the executive and board of directors’ names on its website.

Read the fucking room. The people are not happy. It’s astonishing how these company monsters don’t realize how hated and despised they are…or at least, didn’t. They do now.

It also occurred to me last week–and not just me; someone posted on social media about it yesterday, which made me think about it again–that what we are actually lurching toward is Ayn Rand’s capitalist heaven of no government regulation, no taxes, and completely unfettered capitalism; the billionaires taking the place of her ridiculous notion of “the men of the mind” who, by virtue of their ambition, intelligence, creativity, and drive5, deserve to be in charge of everything because being good to their employees and their customers is “in their best interest.” Hmm, how has that been working out in the last few decades, Ayn? Atlas Shrugged was such complete and total bullshit, as was everything she wrote and the philosophy she embraced, the virtue of selfishness. I was interested in her because I read Anthem in high school, and it reminded me of another, similar type book (I can’t recall the name of it); that interested me enough to read the other novels and her essay collections. I was intrigued, as so many young white men are, by this interesting way of looking at the world–but at the same time, I also quickly saw right through it as utter and total bullshit; what she described as selfishness was actually self-interest, which are not the same things. I’ve long wanted to write about Ayn Rand and her damaging theories, and how the Right embraced her (except for her atheistic hatred of religion), which is part of the reason why we are where we are now as a country. in thrall to billionaires who don’t care a fig for the rest of us. I also wanted to do a compare/contrast essay about Atlas Shrugged and another conservative author’s railroad book, Taylor Caldwell’s Never Victorious, Never Defeated–which came from the completely opposite direction of Rand’s tome…but writing about Rand means rereading her, and shudder, who has time for that?6

Seriously, I don’t need to write about it that badly. Once was enough. Although what I really want to do is totally deconstruct and destroy her essay about literary arts (like anyone who’s ever read any of her work would think she had the right to theorize anything about art). She has a collection of essays about art called The Romantic Manifesto, which, like everything she wrote, is overwritten, pretentious, and more than a little condescending–not to mention completely wrong about everything. That actually might be fun–I do remember how in the essay about literature she raved about Mickey Spillane…if that tells you anything.

And on that note, I have to get ready for my first meeting. Have a lovely Friday, Constant Reader, and I’ll probably be back later.

  1. Alien Romulus, to be exact. ↩︎
  2. As well as editing, as I mentioned yesterday. ↩︎
  3. Since the ACA requires insurance companies to cover PrEP, this is their way around the rule–the labs are incredibly expensive. So, they will cover the medication but not the labs required for the prescription to be written. Never forget, health insurance is the biggest legal scam in American history. Almost like flood/hurricane insurance: “oh, sorry, that damage was caused by a hurricane” which then becomes “Oh, sorry, that was caused by a flood, not a hurricane.” ↩︎
  4. This is nothing more than anecdotal information; I’m just always surprised that my shitty insurance is actually one of the better ones, which is frightening. And inevitably, whenever I ask my clients who their shitty insurer is, it tends to be United–which was one of the options my day job considered for this year. ↩︎
  5. Amongst all the insanities and idiocies in her pseudo-philosophy, her definition of “men of the mind” are people who built companies and wealth by creating a product that revolutionized whatever industry–people like Henry Ford (blech), Andrew Carnegie, etc. Since she worshipped money, I imagine she’d be on board the Musk/billionaire worship train–but they aren’t really “creators” and “men of the mind” as she saw it. Her brains had myopia, alas. ↩︎
  6. A very dear friend of mine once said of Ayn Rand, “Her writing was the least of her crimes.” Succinct and to the point.
    ↩︎

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

Soon You’ll Get Better

Saturday morning in New Orleans, and all is as well as can be expected in this hellish timeline we are all living through at this point. I’ve been sleeping exceptionally well lately–not sure why, but don’t want to question it and simply enjoy it for as long as it lasts, frankly–and I may even just stay in bed as long as I want to tomorrow; I could have easily lazed in bed much longer this morning. I may treat myself to cappuccinos while I get everything on-line done that I need to get done before closing my browser and shutting the Internet down for the rest of the day so I can get to work on Bury Me in Shadows, which I haven’t even looked at all week, much to my deep and abiding shame. I’ve not completely adjusted to working 8:30 – 5 every day, really; and am always tired and mentally fatigued when the daily shift comes to an end; too mentally fatigued to read anything, let alone write anything. I did manage last night to clean up/organize some electronic files, though.

While I was condom packing yesterday (I filled three boxes of them, a personal best thus far) I continued my journey through 1970s cinema, with yesterday’s theme being paranoia. Paranoia was a big thing in the 1970’s, and the films and novels of the decade reflected that–not surprising, given it was also the decade where Vietnam came to an end (1975), when Watergate occurred (1972-1974), and of course, the decade where terrorism really became a thing–it was the decade of the Munich Olympic massacre, the Entebbe skyjacking, etc. It was a decade where trust in institutions began to erode and fade; where conspiracy theories really began to come into their own; and cynicism replaced optimism–if optimism could be said to have ever been an integral part of the American outlook and not simply another part of the mythology we were being sold. It was the decade of the Bermuda Triangle, the Amityville horror, UFO’s, and countless other strange conspiracies and/or cover-ups; when Area 54 really entered the public consciousness, and a time when it became much easier to believe that the government was lying to us about everything and that corporations and billionaires were truly running the world for their own benefit and profit. (This was, of course, the primary theme of Taylor Caldwell’s bestselling novel Captains and the Kings, a thinly veiled history of the Kennedy family’s rise to wealth and power, which was made into a mini-series later in the decade.)

The two films I watched yesterday while condom packing were definitely reactions to the paranoia of the times: The Parallax View (starring Warren Beatty) and Three Days of the Condor (starring Robert Redford). Both were based on novels; both were about conspiracies and/or cover-ups led by incredibly powerful people; and both had very cynical endings. The Beatty film was about the cover-up of a political assassination, in which Beatty played a crusading journalist trying to get to the bottom of the story; the Redford film was about a man who worked for a CIA front (the American Literary History Society) and whose job was to read books, articles, journals, etc., looking for coded references to spy organizations and conspiracies (which was, in and of itself, another example of paranoia); the Redford character finds some curious reoccurring references in some South American and Greek novels and articles and writes a report. One day when he goes out to pick up lunch for the office he returns to find everyone dead; even the guy who called in sick was murdered in his apartment. Redford, whose code name is “Condor”, is not a field agent and has no idea what is going on, other than his life is in danger and he needs help. He winds up taking Faye Dunaway hostage at some point at gunpoint and getting her to help him–she eventually succumbs to Stockholm syndrome, winds up helping him rather than escaping, and they even have sex together*–and throughout the course of the movie you never are certain who can be trusted or who cannot, as people keep switching sides, including the professional assassin (played by Max von Sydow), and the end of the movie is also cynical, implying that not even journalists can be trusted (subverting the popular 1970’s trope of the crusading reporters, inspired by Woodward and Bernstein’s coverage of Watergate).

It was an interesting decade to experience puberty and adolescence through, that’s for certain.

We’re nearly finished with The Alienist: Angel of Darkness, and are really enjoying it. I think we’re going to go with Never Have I Ever next; we’ve pretty much been watching non-stop noir-like heavy crime dramas for quite some time now (although the foreign ones have been absolutely delightful) but I think some light comedy will be welcomed gratefully into the Lost Apartment.

We also had an astounding thunderstorm/flash flood warning yesterday afternoon, which seems to be happening almost daily now. I love rain–I don’t even mind being caught in it as long as I am not having to lug shit into the house while it pours–and there’s nothing quite so comforting as being safely warm and dry inside while it pours outside and the sidewalks get covered in an inch or so of water. I’m not sure if it’s going to rain today–there’s nothing but sunshine and blue sky outside my windows this morning–but I feel fairly confident it will at some point; after all, it’s pretty much a daily occurrence now.

I also realized belatedly last evening that part of the funk I’ve been in lately has to do with the impracticality and uncertainty surrounding the football season for this year. I usually spent most of August excitedly reading everything I can about the Saints and college football, wondering what the coming season will hold; will it be an exciting one or a disappointment; but no matter what happens, I am always entertained–and last season was, as Paul reminds me pretty regularly, one for the books. As huge LSU fans last season was like a fairytale, a Disney film come to life–with every element in place for a great uplifting movie, and the ending was perfect, too; LSU stuck the landing and gave all us fans a season we will always remember with a smile. I am deeply grateful I got to see that championship team play twice in Tiger Stadium–we went to the season opener against Georgia Southern and the Florida game, which was one of the best times I’ve ever had in Tiger Stadium, and we’ve been to exciting games before but that one was everything–and am even more grateful I got to see Joe Burrow play, not only those two games last year but in the games we were able to see the year before. Not knowing if there’s even going to be a season, or if there is, what it will look like, has been kind of depressing on top of everything else; it’s as though all the things in life I find joy in are all gone, with just the bullshit left in its place. I’m not even sure how I feel about the conferences trying to make a limited season happen; it just seems vastly unfair to the players to put them at so much risk, and I don’t know if I should encourage that by even watching the games if they do happen and air on television.

I will never forgive the non-maskers for the loss of this football season, or however it turns out–whether it’s shortened, messed up, or cancelled. NEVER. Thanks for being such complete selfish assholes! You, for the record, are why we can’t have anything fucking nice–although the loss of college football is the LEAST of your crimes. Enjoy meeting your God with that black sin on your soul.

So, I am going to finish this and head back into email hell for a while, before showering and getting back to work on my book. I’ll probably try to do some cleaning and organizing while I’m at it; I still haven’t started–or even selected–my next fiction read, although Poe Dameron; Free Fall is sitting right there….but I also want to read Lovecraft Country before I start watching the show.

And on that note, back to the spice mines.

*This is the same trope that Robert Ludlum used in The Bourne Identity, in which his character, Jason Bourne, who has been shot in the head and now has amnesia and no idea why everyone is trying to kill him, kidnaps a woman and takes her hostage; by the end of the novel they are in love and making a future together–and no one thinks anything of this, and it’s presented as normal; another sign of the times, I suppose. I’ve been meaning to reread The Bourne Identity as well as revisit Ludlum; his career as a novelist actually began in the 1970’s with a paranoia novel, The Osterman Weekend, which was also made into a movie, and almost all of his books have some sort of paranoia at their heart. I loved Ludlum when I discovered him in the late 1980’s; I’ve meant to revisit him for quite some time now, to see how he holds up. My favorites of his were The Chancellor Manuscript, The Gemini Contenders, and of course, The Bourne Identity, but I read all of the books he wrote himself until he died–I’ve not read any of those written by other authors since his death.

If You Asked Me To

It’s Friday! I made it through my first week home after Bouchercon! Huzzah! Huzzah!

I kind of need this weekend, to be honest. I am still kind of discombobulated, out of it, wondering where and what I need to get done and when I need to do it by. I know I need to make a list, but I don’t even know where to start. It feels like whatever I was focusing on or doing before I left for St. Petersburg has been lost forever in the ether of my mind.

A scary thought, is it not?

But I’m working on a new story, and I have another idea for a book that I am noodling around with this week, and we’ll see how much I can get my life reset this weekend.

Yay, weekend!

I’ve also been watching the documentary series Bobby Kennedy For President on Netflix, and enjoying it–if you can say watching the history of a life and the potential for greatness snuffed out too young enjoying–but it has made me think about a lot of things. (I also highly recommend CNN’s documentary series The Fifties and each decade series that followed; we have such a tendency in our country to forget even our most recent history, and this lack of knowledge is at the heart of so many things wrong with our present day world….it makes me sad.) I remember 1968; I remember the night Bobby Kennedy was murdered. I remember the sense that, with all the rioting and murders and lawlessness seemingly running rampant in the country, that the noble American experiment in self-rule was coming to an end; that these seismic social convulsions would end with the downfall of the country and result in an uncertain future. I didn’t know much about Bobby Kennedy before watching this documentary; I know more now, and watching him in action, his speeches and what he believed in and what he was fighting for leaves no question in my mind that had he not been murdered in Los Angeles that fateful night he had a very good shot at becoming president that year. How different would our country, would our history, be had we not suffered through Vietnam until 1975; had there been no Watergate investigation and presidential resignation; had Spiro Agnew not been vice-president when his past crimes as governor of Maryland surfaced in 1973? But then again, who knows what would have happened had Bobby Kennedy not been shot in the kitchen of the Ambassador Hotel, or what his presidency would have been like. It’s hard to imagine, though, that the next eight years would have somehow been worse.

When I read Taylor Caldwell’s novel Captains and the Kings in the early 1970’s (it was also made into a mini-series) it was fairly apparent to me that she based the Armaghs on the Kennedys; one would have to be an idiot not to realize that, particularly when she wrote, in an afterward, about how she had warned President Kennedy not to go to Dallas. Caldwell, a conservative and a staunch Catholic, believed in what is generally known as a conspiracy theory involving a coalition of incredibly wealthy and powerful men around the world who decide elections and the future of the world, based on how it will impact their wealth to the positive. In her roman-a-clef about the Kennedy family, originally the patriarch was one of those “captains and the kings” who controlled world events; his ambition, however, for his son to become president eventually overrode his loyalty to the cabal, with the end result that his son is assassinated. The family matriarch believes the family to be cursed; there has always been talk of a curse on the Kennedy family as well.

Given the cruelty of fate to the Kennedy family–one has to wonder. So much death, so many young lives cut short. Awful.

I do recommend the documentary series. Kennedy haters won’t like it, but it’s a nice introduction to who Robert F. Kennedy was, and why he was so important to so many people in that terribly turbulent time.

And now, back to the spice mines.

Desktop514

Misled

Saturday morning, and everything is dripping outside. A thunderstorm woke me up in the middle of the night, but the rain lulled me back to sleep almost immediately. I feel very rested this morning, which is a good thing. Today I am going to write and edit and clean and go to the gym; it’s been a while–I haven’t been to the gym since before the Tennessee Williams Festival, which is not only shocking but scandalous–and I have to make sure this mess of an apartment is under control. I also want to do some reading today; I am rather behind on the Short Story Project, and I really want to finish that Bryan Camp novel. (Preorder it, seriously.)

I reached the halfway point of the Scotty novel yesterday, which was both a relief and a little off-putting. It’s not very good so far, but it’s also a messy first draft; first drafts are supposed to be messy. This weekend i am going to reread it, as well as track the various plots while doing an outline of the first half; this will hopefully help me to catch mistakes and errors, and places where the story may have gotten off track. Sigh. The drudgery that must be done. It’s lovely to not be on a deadline, though, so I don’t that horrible pressure, that sense of time running out. I think that’s all part of the reason I have never felt satisfied with anything I’ve ever published; I always feel like I ran out of time.

So last night I watched the end of Jesus Christ Superstar, and then, bored, scrolled through all of my Apple TV apps until I found Red Dawn–not the remake, but the 1984 original–and thought, Hmmm, I wonder how this holds up, particularly in reading Molly Ringwald’s piece about The Breakfast Club, so I watched that, and have some thoughts. (And yes, I know it was remade recently, and perhaps that might be worth a watch at some point–Chris Hemsworth–but I was more curious to see the 1984 version as a time capsule of its original period).

So, Jesus Christ Superstar. I remember when it originally surfaced in the late 1960’s, a new take on the New Testament and the ubiquitous Christ story. It’s hard for people who weren’t alive during that time to understand how different the world was then than it is now; the changes that the 2016 election was a reaction to were beginning. Christians felt Jesus Christ Superstar was an abomination, a heresy, an attack on their faith; a modern day reinterpretation of the story, an attempt to make all the characters of the New Testament human was seen as an attack on their faith. Telling the story from the viewpoints of Judas and Mary Magdalen was even more offensive; the betrayer and the fallen woman? An attempt to justify and understand Judas, who committed the biggest crime in the history of the Christian faith? And well, the whore?

It was, regardless, incredibly popular; it made Tim Rice and Andrew Lloyd Webber stars (paving the way for everything they’ve done since; so in some ways we can blame Cats on Jesus), and the music was everywhere. “I Don’t Know How To Love Him” and “Superstar” played on Top 40 radio incessantly; even Helen Reddy recorded the former and had a hit with it. Ben Vereen was the original Judas and it made him a star. It was made into a film by Norman Jewison, which sparked more outrage and yet the soundtrack was a huge seller, with Yvonne Elliman playing the Magdalen again, with Carl Anderson as Judas and Ted Neeley as Jesus. I loved the film soundtrack–those vocals by Ted Neeley are intense–and listened to it all the time. I think I know the score by heart; but I also remember being criticized by classmates when I moved to Kansas for loving it so much.

I was rather dreading this live concert staging, to be honest; I like John Legend, but just wasn’t sure he had the vocal power to hit those intense notes. I also liked that they had cast a man of color as Jesus; Judas has always been a role for a man of color, and knowing that Brandon Victor Dixon, who’d played Burr on Broadway in Hamilton and Sara Bareilles was playing the Magdalen was reassuring. I didn’t watch it as it aired; we were watching something else Sunday evening, but I was following the live tweets and Facebooking, and the reviews were definitely mixed. But when I watched it myself, despite my misgivings and how much I associated the roles/vocals as already having been definitely performed, I thought it was very powerful and beautifully done.

Even as a child, certain tenets of Christianity, and the mentalities that went with it, made no logical sense to me (I know, trying to find logic and reason in religion is a fool’s game; which is why it’s called faith). The vilification of Judas, for example, never made sense to me. If Jesus is venerated, not just as the son of God but because his sacrifice made our salvation possible, didn’t it stand to reason that had he not be crucified our salvation through faith and Christ wouldn’t be possible? So, to me, it only made sense that Judas also should be venerated; without his betrayal the rest of it wouldn’t have happened. Likewise, the anti-Semitism reverberating through the century, based in the Jews being Christ-killers; if Christ hadn’t been crucified there would be no Christian faith, and no salvation. 

No one I ever asked these questions of were ever able to give me an answer that made sense to me.

So, my watching Jesus Christ Superstar as an adult who no longer considers himself to be Christian was vastly different from the twelve-year-old who saw the film after church on a Sunday. As I watched this time, I was able to see it from a new perspective, a new appreciation of the story; how would people see something like this happening in their lives, in their reality today? Over the centuries Jesus’ Jewishness has been whitewashed out of him; images of the blond blue-eyed Jesus are everywhere (Ted Neeley in the original film is one of those great examples) and I also realized that all the fiction about the mythology of the Christ (and there are a lot of them, from Ben-Hur to The Robe to Quo Vadis and on and on and on; the enormously successful mid-twentieth century author Taylor Caldwell wrote enormous, bestsellers taken from these stories–Dear and Glorious Physician about Luke, Great Lion of God about Paul of Tarsus, and I, Judas) always played up the supernatural and religious aspects of the story; Jesus Christ Superstar is one of the very few I am aware of that actually tells the story from a human perspective. Who were these human beings, these apostles, who listened to the message of Jesus and saw religion and faith and the world in a new light? Who witnessed the events described in the contradictory gospels of Matthew, Mark, Luke and John?

To me, looking at the story from that perspective–“he’s a man, he’s just a man”–is a lot more interesting, and can provide fresh insight; make it relatable to newer generations. I always thought the resistance of organized Christianity to Jesus Christ Superstar, which made the story more accessible to younger generations, was kind of strange. But times, as I said, have changed. In 1970, the possibility of a live broadcast of Jesus Christ Superstar was unthinkable. And yet here we are today.

Red Dawn, in its 1984 original version, is a whole other ball of wax. And yet, as a historical document, watching it again now was an interesting experience. We forget the paranoia of the Cold War years, and people now in their thirties don’t remember the Cold War, the Soviet Union, the anti-Russia anti-Communist sentiment that was, in truth, the precursor to the prejudices of today. The fall of the Soviet Union and eastern European communism, the fear of world domination by Communism and the end of “Western freedom” as understood by Americans, was a serious thing; and while it heightened after the end of the Second World War, it existed since the Romanovs fell and the old Tsarist Russian empire became the USSR. Cuba was a huge part of that, too, and the anti-Castro hatred; a Soviet outpost just ninety miles from Florida, the fall of Central American countries under the sway of Cuban Communism…the geopolitical world of that time is incredibly hard to imagine today if you didn’t live through it, and even I forget…yet watching Red Dawn brought it all back vividly.

This is not to say it’s a good film, because it’s not. As a film it fails on many levels, not the least of which is acting and the script itself.

At the time of its original release, the movie was a big deal. People my age–early twenties, teenagers–made it into a hit, and also saw themselves as the characters in the movie, which even then I was all, yeah, right. (We always identify with the heroes in movies; we never see ourselves as the quislings.) The movie is about the outbreak of World War III and a Soviet invasion of the United States; it opens with Patrick Swayze dropping off his younger brother (an incredibly young Charlie Sheen) and his best friend (C. Thomas Howell) at the local high school. The score from the last football game is still up on the scoreboard; a loss for the local team, some good natured joshing about how it’s a disgrace and an embarrassment, the usual straight boy ribbing, and then it’s time for school. During History class soldiers start dropping in from the sky; when the African American teacher goes out to see what’s going on, he becomes the first casualty of the invasion (and my first thought was, of course the only black character in the movie is killed in the first five minutes). There is chaos, a group of the boys escape when Swayze comes back for them–why they drive past any number of commandos and soldiers who are killing everyone in sight and blowing shit up and aren’t targeted or killed themselves is move magic) and then rush out to hide out in the nearby mountains and forests, armed and dangerous, with no idea of what’s going on. Eventually two sisters join them–Lea Thompson and Jennifer Grey–and again, there’s really not much development of the characters; ‘something happened’ to the Lea Thompson character which is never discussed, but it’s changed her. Eventually, the kids become the Resistance, calling themselves Wolverines after their high school mascot, fighting back against the invaders.

There’s also a rather telling shot in the opening of the film, where you see the bloodstained back of a pick-up truck, with a close up of the bumper sticker reading You can have my gun when you pry it from my cold dead fingers. The camera then pans down to the dead body holding a gun; a commando reaches down and literally pries the gun from the cold dead fingers.

Eventually, they hook up with an American soldier who teaches them strategy, tactics, and they become an impressive teen fighting unit; he also explains to them how it all happened (paraphrasing): “All our allies in Europe stayed out of it because they’ve forgotten how to fight especially when they’re not the ones being invaded” and “Cubans infiltrated the country, coming in through Mexico pretending to be refugees from Central America or workers, and were able to get into our bases, ready for the signal.”

You can connect all those dots for yourself. All I will say was I sat there, watching and listening to all of this, and was like, really? And they talk about Hollywood’s liberal agenda?

There’s also a scene where the invaders have lined up a bunch of Americans who refuse to be re-educated, to be machine gunned, and they start singing “America the Beautiful” just before the Wolverines take the invaders out.

I also found myself wondering if anyone in 1984 saw this film as problematic, but I also rather doubt it. I know all my friends thought it was amazing, imagined themselves as freedom fighters, etc.

I know I thought about writing a book about an invasion of the United States; a seed of an idea that over the years has encompassed many themes and realities. Rewatching Red Dawn when my imagination had already been triggered by Jesus Christ Superstar  was an interesting experience.

But the most interesting thing was to see how much my own perspectives have changed over the last thirty or so years.

And now, to get some shit done.

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