Together We’re Better

Yesterday actually turned out to be quite lovely.

I was a little bleary when I got up yesterday morning (my Fitbit advises me I only slept deeply for 3 hours, 48 minutes; the rest was “light sleep” and I woke up three times), but for whatever reason, I decided to start getting to work on things. I started answering emails (I am very careful with email. I refuse to let it control my life, which it easily can; so I answer emails over the weekends and in the mornings, save my responses as drafts, and send them all after lunch. I do not send emails after five pm CST; I do not read them, either. Email at one point took over my life, which made getting anything done impossible and raised my stress levels to unbelievable heights. I realized anyone who absolutely, positively needs to reach me has my cell phone number…and if I don’t trust you with my cell phone number…you don’t really need an answer right away. And guess what? The world didn’t end, I didn’t miss out on anything, and nothing became harder) while reading coverage of the LSU debacle from Saturday night (one thing I did mean to mention and didn’t yesterday; I try not to be overly critical of college athletes because they are basically kids. It’s easy to forget that when you’re watching on television, but when you see them on the sidelines with their helmets off, or while walking down Victory Hill to the stadium in their suits and ties…you see a bunch of teenagers and young men in their early twenties. They are kids—and those baby faces on those big muscular bodies is a very strange juxtaposition sometimes). I decided on the way home from Baton Rouge that while I do, indeed, love football, I really shouldn’t give up my weekends to it all fall. Now that LSU is definitely out of the running for anything, I’ll probably not watch as much football as I would if they were still in contention for anything. I’ll still watch LSU, and occasionally I may spend an afternoon watching a big game—the SEC title game, the play-offs—I am not going to spend every Saturday pretty much glued to the television all day, flipping between games all day. And I also rarely enjoy watching the Saints—I love them, they’re my guys, my team, my heart—but their games are so damned stressful it’s hard to enjoy them, and when the games is over I am always, win or lose, emotionally and physically and mentally exhausted. So, I decided it made more sense to get things done, check in on the score periodically, and not sweat it too much. (Good thing. Like LSU, the Saints led the entire game, folded like a newspaper in the fourth quarter and wound up losing.) I made groceries, filled the car’s gas tank, and before going, I started weeding shit out of my iCloud and saving it all to my back-up hard drive.  I wound up freeing up over four hundred and seven gigabytes in my flash storage, and suddenly my computer was running very quickly again.

And yes, it’s my fault.* I have a gazillion pictures files, going back to digital camera days. I used to back up my hard drive and my flash drives regularly to the cloud—and those folders are enormous. I don’t probably need all of it—I was weeding through bits here and there as I moved the files over to the back-up hard drive (eventually planning on copying them up to Dropbox), and started finding all kinds of interesting things. Story fragments I’d forgotten, book ideas and anthology ideas and essays I’d started; some of these things are in very rough, first draft form—and got left behind as my addled, AHDH-like brain moved on to the next thirty or forty ideas for all of the above. I also was kind of amused to see how I often I plagiarize myself; I had a completely different idea for the book I wanted to call A Streetcar Named Murder fifteen years ago—which I can still use at some point, just have to come up with a new title. I’d forgotten that all the way through the process Need was called A Vampire’s Heart; my editor suggested changing it after I turned the book it. It was a wise choice; my title was very romance sounding and Need was hardly that. It was also interesting seeing, over the years, how many different ideas I’ve had for a gay noir set in the world of ballet (damn you, Megan Abbott!). I discovered that Murder in the Garden District actually began as Murder on the Avenue (a title I can repurpose for an idea I had last week); I found the original files for Hollywood South Hustle, the Scotty book that turned into a Chanse MacLeod, Murder in the Rue Ursulines; I found the files for the Colin book that tells us what he was doing and where he was between Mardi Gras Mambo and Vieux Carré Voodoo; I found the original Paige novel I started writing in 2004, in which an Ann Coulter-like pundit from New Orleans is murdered; I found the first three chapters of the Scotty Katrina book, Hurricane Party High,  in which they don’t evacuate during a fictional hurricane, and the chapters where I rewrote it, had the, evacuate to Frank’s sister’s in rural Alabama (and we meet Frank’s nephew Taylor for the first time—and I also remembered that they belonged to some weird kind of religious cult and that Taylor was going to come to New Orleans in the future to visit during their version of rumspringa, but eventually abandoned the idea completely and never did a Scotty/Katrina book; was reminded that Dark Tide began as Mermaid Inn; that I wrote the first chapter of Timothy during the summer of 2003; and if I even tried to list all the iterations that wound up being #shedeservedit, we would be here all day (Sins of Omission, I think, was my favorite earlier title; again, a completely different book with some slight similarities…I may have to take a longer look at some of those iterations because being reminded of them all, I also remembered that I really liked all the versions).

I also found many, many nonfiction pieces I’ve written over the years—many of which I’d long since forgotten about—so maybe that essay collection won’t take quite as long to pull together as I had originally thought. Huzzah!

And I also discovered something else that I knew but had slipped out of my consciousness: that Bury Me in Shadows was called, for the first and second drafts, Bury Me in Satin—which gives off an entirely different vibe, doesn’t it? I wrote a very early version of it as a short story while in college, called it “Ruins,” but never wrote a second draft because I knew it wasn’t a short story; it needed to be a book, and one day I would write it. I was never completely comfortable with the story, to be honest; I wasn’t sure how I could write a modern novel built around a Civil War legend in rural Alabama. I absolutely didn’t want to write a fucking Lost Cause narrative—which is what this easily could have become, and people might come to it thinking it is, and are going to be very angry when they find out it is not that—but I really wasn’t sure how to tell the story…and in my mind, I thought of it as Ruins—which I freely admit is not a great title, and has been over-used.

As luck would have it, I was watching some awards show—I can’t begin to try to remember what year—and one of the nominated groups performed. I’d never heard of The Band Perry before; and the song they performed, “If I Die Young,” absolutely blew me away. (I just remembered, I kind of used the title as guidance when writing Need—always trying to remember he became undead very young) The first two lines of the chorus are this:

If I die young,

Bury me in satin

And I thought to myself, Bury Me in Satin is a perfect title for the Civil War ghost story! Melancholy and sort of romantic; I’ve always thought of hauntings as more about loss than being terrifying (you do not have to go full out jump scare, use gore or blood or violence to scare the reader, and if you doubt me, read Barbara Michaels’ Ammie Come Home), which is why I’ve always loved the Barbara Michaels novels that were ghost stories. That was the feeling I wanted to convey, that sad creepiness, and longing—I wanted a Gothic feel to the book, and I felt that line captured what I wanted perfectly. But as I wrote it, it didn’t quite feel as right as it did in that moment (I still love the song—and the video is interesting and kind of Gothic, doing a Tennyson Lady of Shalott thing), and then one day it hit me: changed ‘satin’ to ‘shadows’, and there’s your perfect title.

And so it was.

Oh dear, look at the time. Till tomorrow, Constant Reader! I am off to the spice mines! Have a lovely Monday!

*I will add the caveat to this that anything stored in the Cloud should not affect the flash storage in the actual computer and its operating system, and yes, I am prepared and more than willing to die on that hill.

Lose My Breath

Well, I over slept this morning. As someone who regularly suffers from insomnia, you can imagine how weird it felt to wake up, look at the alarm, and see that it was after nine (yes, nine is what I consider oversleeping; on days when the alarm isn’t needed I generally rise sometime between seven and eight); yet at the same time it was kind of delightful. I feel very rested this morning, which is definitely a good thing, so even though my morning hours were cut back by sleeping, I can still spend some time reading S. A.Cosby’s delightful Razorblade Tears all while still being able to get the writing and organizing done today that I need to get done. Huzzah!

And I also need to get to the gym this afternoon as well, around one-ish/one thirty.

Yesterday was a bit odd, if I do say so myself. I intended to get some writing done, and do some cleaning and organizing. But writing yesterday’s blog entry put me into a weird state of mind, also partially triggered by starting to write “Wash Away Sins”, and I wound up getting down my Todd Gregory short story collection, Promises in Every Star and Other Stories to see if I had, indeed, included “Smalltown Boy” in it the way I had originally thought I had. The answer is I didn’t; I originally intended to but finally pulled it because, while there is a tiny bit of a sex scene in it, it wasn’t then and never has been considered an erotic short story (or porn, if you will) and so I did pull the story–even though I didn’t remember pulling it. This also reminded me that not only has one of my favorite short stories never been collected into either of my short story collections, but that it was available to go into my next one, This Town and Other Stories; it fits better into a crime story collection anyway, even though the crime isn’t the heart of the story, the aftermath of the crime does drive it–which also makes me want to write “Wash Away Sins” all the more. I do have another story that fits into the same universe, “Son of a Preacher Man,” which is definitely erotica (and is available in Promises in Every Star and Other Stories) but is also definitely in the voice of “Smalltown Boy” and “Wash Away Sins,” which is also the voice for “A Holler Full of Kudzu”, which had me wondering yesterday if I should actually put them all into a single book–a novella and short stories, all from the same voice and all set in an around Corinth, Alabama…which also sparked my imagination in a million different ways; such was the state of my mind yesterday.

This also made me remember, or think about, another story or two I had published way back in the day under a pseudonym, “The Troll in the Basement” and “The Snow Queen”; neither of which had ever been published in either of my collections. Both are more like horror than anything else (although “The Snow Queen” has some erotic elements to it), and I had used a pseudonym which I’d hoped to use as my “horror” brand, but it wasn’t a good pseudonym (it sounded like a soap opera character more than anything else) and I only used it twice….so those stories are just kind of amorphously out there. Needless to say, I then had to track down copies of all these stories, and reread them, just to see what needed to be done with them, and then of course I also tracked down the unpublished novella, Spellcaster, which I then spent some time rereading and trying to decide if it could be turned queer and how much work would that entail. I just didn’t really see how I could add 30k plus words to it as it stood, and then realized, maybe the ending isn’t really the ending, and maybe the story goes on from there? And my fevered brain started working and I thought, yes yes this will work and will be fucking clever so I started writing a gazillion notes and then the next thing I knew the evening had rolled around.

I find it both amusing and terrifying that I have work lying around that I have completely forgotten about.

Which is inevitably why it’s important for me to go back and reread my work. I kind of need to reread Dark Tide, if for no other reason is that it’s an offshoot of the Corinth Alabama stories (the main character is from Corinth, even if the book is set elsewhere), not to mention this is where Scotty’s sort of nephew Taylor hails from, which means now the Scotty books are connected to my y/a’s, and the y/a’s are all connected to each other in some way, and…yeah.

So that was where my day yesterday mostly went. I cleaned out my inbox, did a shit ton of filing–and there’s still a shit ton of organizing that remains needing to be done–and perhaps one day I will find the time to get it done, tedious chore that it is–but I have not really been organized since the Great Data Disaster of 2018, and three years is an incredibly long time to go without some sense of organization, which is undoubtedly the core symptom of the disconnect I’ve been feeling for several years (probably since the Great Data Disaster of 2018). I also took all the book-length projects (anything destined to be more than 20k, to be fair) and bound the print-outs into binder clips, which makes the organization of them in my “needs work” pile MUCH easier, but when I took a picture and posted it I realized I had not included the short story collection or the essay collection; and there’s another pseudonymous manuscript lying around here somewhere as well. WHICH IS WHY I AM BURIED IN PAPER, SERIOUSLY.

I do kind of wish I’d learned to write and edit after everything went electronic, to be honest. All the paper…JFC. I am undoubtedly responsible for the loss of hundreds of acres of the rain forest. I try to work electronically, but I spend so much time at a computer already that the idea of reading and editing entirely this way gives me hives.

And on that note, it’s time to head back into the spice mines. Have a lovely Sunday, Constant Reader, and may your day be terrific.

The World Is a Ghetto

Well, Constant Reader, we made it to the weekend somehow, and isn’t that always a really good thing for everyone involved?

I know I’m pleased.

LSU is playing Texas tonight (GEAUX TIGERS!), and I am interested to see how they play against a top-level opponent after last week’s thorough thrashing of Georgia Southern. One thing about last week’s game–LSU has always underperformed against teams they should beat easily, like Georgia Southern, so it was wild to see them score 42 points in the first half against an overmatched team. In the past, it would always be stressfully close until they simply wore the other team down in the second half. But again, the big score doesn’t mean anything because it was a lower-tier opponent. I am certain I’ll be extremely nervous and stressed out during the entire game.

I also decided yesterday to change my work schedule permanently to the afternoon 1-5 shift rather than the 9-1; that really worked well yesterday, and I was able to not only get a lot done in the morning before I went into the office, I got things done there and was also able to stop at the grocery store on the way home. So yes, getting some sleep and waking up without an alarm continues to be a recipe for success for me; you’d think by now I’d learn. I mean, going in early and getting it over with was lovely, as I got my weekend to start early–but if yesterday is any indication, sleeping in a little longer and working in the afternoon makes it possible for me to get even more done; and that’s what is most important.

So, my book comes out in three days officially. So, what can I talk about today to give you some insight, that will make you order or buy it today?

In Baton Rouge Bingo, I introduced a new character to Scotty’s world; Frank’s nephew, Taylor Rutledge. I had a number of reasons for introducing Taylor. First, I wanted to make Scotty suddenly aware of his own age, much the same as I suddenly realized one day that internally I always think of myself as still being thirty-five…but seeing my thirty year old niece kind of blew that to shit. People who have children, or have nieces and nephews and regular access to the next generation in their families deal with their own aging because they can see the next generation growing up. Scotty doesn’t really have that–I really messed up, long ago, by not giving Rain or Storm kids, but I never thought about it. Secondly, I had realized by this time that while we know all about Scotty’s family (the mother’s side, we don’t know much about the Bradley side, which I explored a little in Who Dat Whodunnit) and while I briefly touched on Colin’s past in Jackson Square Jazz (and we still don’t know if any of what Colin told him was actually true), we knew nothing about Frank’s family. Granted, Scotty and everyone could know and it was just never mentioned on the pages of the books, but that felt like a cheat to me…and I realized that making Frank estranged from his family because of his sexuality, and then having to deal with his homophobic sister again because his teenaged nephew has come out, would take care of that–and of course, Scotty and his family would be more than happy to take in a nephew into the family. Taylor was in  Garden District Gothic, but not as much…but he is integral to the plot of Royal Street Reveillon, and what happens to him and his personal story will continue to resonate in the series as it moves forward.

I’ve even considered giving Taylor his own spin-off; I thought (still kind of half-heartedly think) that it would be fun to see a college student’s thoughts on the weird situation he finds himself in with his uncles and in New Orleans; and it might be fun to see him solve a mystery on his own with a little help from his uncles–although it might be fun to send him on a trip somewhere that he comes into contact with a crime or something.

And now the story’s coming to me, goddamnit.

And on that note, it’s back to the spice mines.

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I’m Gonna Love You Just a Little More Baby

I wrote twenty-three hundred and sixty-six words yesterday; a rather precise amount, I admit, but I am rather proud of them, as I’ve not written anything new in nearly two weeks, I think.

It was also new, nothing do with any of the many works in progress I am in the midst of; it was one of those things where the idea came to me, and I knew how to write the chapter, so I sat down and I did lest I forget it. I also wanted to see if I could get the voice right, the tone, and all of that. I think it kind of works, but I am going to let it sit for a moment or two (or weeks) and see what I think of it then.

It’s the first chapter of Chlorine, which is a start. Probably not what I needed to be writing or working on, but

I do want to get back to the WIP–and I’m not really sure why I keep calling it that. Why am I superstitious about sharing the title of this book? I like the title, and I believe I have even mentioned it before. I originally had the idea a million years ago, when I was a little boy. My grandmother–the not sane one–used to love to tell me stories about the past; she always swore on the Bible the stories were true, but I’ve long suspected that most of them were invented or stories she read somewhere–she did like to read, and encouraged both my sister and I to also read. I never wrote the stories she told me down, but I do remember bits and pieces of them, and one of those bits and pieces became a short story I wrote in college called “Ruins.” I wrote it as a ghost story, weaving what I remembered from my grandmother’s story into a modern-day story in a fictional county based on the one my family is from (I also planned to do a lot of writing about this fictional county when I was in college…I have published some work about the county; it’s where Scotty’s sorta-nephew Taylor is from and where Frank’s sister lives. It’s where my main character from Dark Tide  was from, and also where “Smalltown Boy” was set, along with various other short stories, like “Son of a Preacher Man”…so I’m using some of those old ideas today. There are also any number of short stories in some form of completion set there, and the current WIP is, of course, set there). I always thought “Ruins” (still unpublished) could be expanded into a pretty decent novel, and that’s what I am currently working on, have been for the last few months. I no longer call it “Ruins”–that title has already been used multiple times for a novel, and why invite comparison–but when I needed a new title, I wanted something more poetic. I started looking through poems (can you imagine? I know so little about poetry it’s staggering) and wanted something Barbara Michaels-ish. I decided to riff on her title Be Buried in the Rain, which is from a poem, and then a lyric from The Band Perry’s song “If I Die Young” stuck in my head, and I started using that as the title, Bury Me in Satin. But that didn’t really work or fit, and it evolved into Bury Me in Shadows, which had the right creepy, spooky, Gothic feel to it that I wanted, that I am trying to get in the book. It’s a ghost story of sorts, it’s set in the woods of rural central-western Alabama, and there’s a ruin of a plantation back in the woods, which an archaeological team from the University of Alabama has started excavating. There’s a legend about the “lost boys” around the ruins; two boys who disappeared during the Civil War. I’m also working rural drug addiction into it, as well as the Klan, and racism and homophobia. It’s a lot, and it has to been done correctly, in order to get the points across that I want to make in the book. This is why it’s been such a slog, really. I am trying to make points about important topics without sounding too preachy-teachy, while trying to weave in an interesting story, all told from the point of view of a rather intelligent gay teenager from Chicago, who has to spend the summer in Alabama being the point person for the family while his grandmother, who has had several strokes, dies in her own crumbling Victorian style home from the late nineteenth century, and then the archaeologists discover the skeleton of a young man. Is he one of the lost boys from the Civil War, or is there something more sinister going on back in the woods?

I’m trying to write about race sensitively, without giving offense. I am trying to be conscious of my own internalized prejudices and bigotries, which is sadly a life-long process of deprogramming. (But that’s a subject for another time.) But I am hopeful that my own keen editorial eye will catch things in the editing process, and there’s also going to be my editor’s eyes on it. So, hopefully it won’t turn out to be yet another sad white person’s attempt to deal with race that turns out to be problematic.

I am also writing it in a style different than what I usually use–first person present tense, and it’s obvious when I reread chapters I’ve written that it’s not my default; I slip into the past tense very easily and naturally and because I’m so used to writing that way it’s easy for me to miss things in the wrong tense.

I’m up early because today returns normality to my life; this is my first work week that won’t be disrupted this month. First it was a brief vacation, and of course last week was disrupted by Barry. I got very little accomplished over the last few days–storm disruptions make it very hard to focus or get anything done, frankly; as you wait for the storm you don’t want to start anything in case you lose power suddenly, plus there’s the weird tension of waiting for the unexpected. When I walked to Touro to get my car yesterday and run by the grocery store, it was strange; the city was still deserted and lifeless. There were a few cars out driving but not the usual amount of people out and about on a Sunday, even in the rain. I actually think we got more rain yesterday than we did from the storm on Saturday, frankly. I was soaked by the time I got to the car–$21 is a very low price to pay to keep your car safe, to be honest–and of course, everything at the grocery store was on sale because it was old and ripe; I got a great deal on two enormous smooth avocados, and there were still some Creole tomatoes out, but the grocery store was still depleted from people stocking up for the storm. I came home, we got caught up on Animal Kingdom, and last night we watched The Spy Who Dumped Me, a cute comedy starring Mila Kunis and Kate MacKinnon. I love both women, and they worked very well together, and the plot was clever and funny enough to hold my attention, but it could have been better–but it was mostly the charisma of the two women, and their chemistry together, that made the film enjoyable.

So, wish me well on my first full week of work this month. It’s gray and drizzly outside my windows this fair morning; I’m hoping my shoes have dried out from yesterday as well. (note to self: order new shoes, you’re due.)

And now back to the spice mines. Have a lovely Monday, Constant Reader.

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