Do You Hear What I Hear?

Oh, seriously, sometimes I wonder how I manage to still have a career. I did a list of great New Orleans crime novels–a place to get started, because there are a lot of them–for Crime Reads; you can click here to read it. It wasn’t easy narrowing it down to the few I selected, but I also wanted to be certain that the ones I chose were ones I absolutely, positively loved. (The one exception is Dinner at Antoine’s; I read that one as a teenager when I went through a Frances Parkinson Keyes phase–I the King is my absolute favorite) and of course, I didn’t mention James Lee Burke because really, does anyone really need to mention him when it comes to New Orleans and Louisiana crime novels? He’s the uncrowned king of Louisiana crime fiction, plus not picking him relieved me of the duty to figure out which book to choose. (Although I would have undoubtedly gone with The Tin Roof Blowdown, his post Katrina novel, which made me cry several times.)

After making groceries yesterday morning–yes, it’s always smart to go to the Rouses in the CBD on a Saints home-game day, seriously–I came home and relaxed a bit before digging back into the book. I didn’t get nearly as much done as I would have preferred; yesterday was one of those pulling hen’s teeth days. But the Saints managed to hang on to sweep Atlanta for the season, which is the highlight of their terrible season thus far (but we never lost to the Falcons this season), and then we finished watching Smiley (which is absolutely delightful) and then started Wednesday, which I’d been nervous about starting. I watched the original television version of The Addams Family, and Addams Family Values is one of my top three comedy movies of all time. I am still annoyed that Christina Ricci wasn’t nominated for an Oscar for either film; I’ve been a fan ever since and Wednesday, who didn’t really have much of a role on the original show, became my favorite character. I’d been putting it off, despite the great reviews, because I was worried I’d be disappointed. Constant Reader, I was not. Wednesday is terrific, and Jenna Ortega really nails the part. Catherine Zeta-Jones is fine as Morticia, but it’s hard to replace Anjelica Huston, who was sublime. We wound up bingeing almost the entire first season. Absolutely loving it.

It’s hard to believe this is it, the final countdown to Christmas. It’s this coming weekend, and while we still don’t have a refrigerator–out Christmas gift to ourselves this year–maybe we can get a great deal on one after Christmas. The ones with the freezer on the bottom are apparently all about an inch or two too tall to fit into the cubby where ours goes; it’s the damned unusable cabinets about it that are the problem. I don’t know if the cabinet needs to be torn out or if it can be raised a few inches and remounted on the wall; probably the easiest thing to do is just get the freezer-on-top size that fits and be done with it. It certainly would be the easiest thing to do, really. I just had my heart set on one with the freezer on the bottom–another disappointment I’ll need to learn to live with, apparently.

It’s cold again this morning, still sub-fifty degrees. The new heating system in the Lost Apartment works incredibly well–the only reason I even had the slightest clue that the it was cold outside was how cold the downstairs floor is beneath my socks. It’s supposed to freeze this weekend with a slight potential of snow–SNOW IN NEW ORLEANS (which I really need to write about sometime; the way the city reacts to snow always amuses me in a mean sort of way. Most people down here have no idea how to drive in snow or deal with it in any way, and why would they? It doesn’t snow enough for them to ever get used to driving in it. I don’t think it’s snowed here since before 2010? I don’t remember the last time it snowed here, but I remember the only really big snow we ever had; I just don’t remember what year it was. 2007? 2008? Something like that. But my goal for the holiday weekend is to get everything done that I need to get done on the way home from work on Thursday, so I don’t have to go outside for another four days in the cold. I’ll probably spend a lot of time working feverishly on finishing the book, of course, but will take Christmas day as a holiday from everything.

And on that note I am heading into the spice mines. Y’all have a great Monday, okay? I’ll be back in the dark tomorrow morning.

Let It Snow! Let It Snow! Let It Snow!

I despise snow.

Oh, sure, it’s pretty and all, but there’s nothing worse in my opinion than being wet and cold–and that’s a definite result of snow. Although some of my favorite horror novels/films/TV shows are set in the cold and snow (Ghost Story, Stranded, The Terror) and I do have that Christopher Golden novel about the cold and snow in my TBR pile (Snowblind, I think is its name?).

I woke up late this morning with a definite sore throat, as opposed to the tickle I’ve been fighting all week, which isn’t a good thing. I shall liberally dose myself with NyQuil this day as I write and edit and do things around the house. Yesterday I accomplished little to nothing, quite frankly. I did start inputting the edits in “Don’t Look Down,” but stopped after a couple of pages. It was terribly easy for me to get distracted yesterday, partly because I felt so tired all day. We went to a Christmas party last night, which was quite lovely, actually–I drank too much champagne (which has nothing to do with my sore throat, thank you very much) and we took Lyft there and back. It was a very fun evening, with lots of laughter–my sides and abs ache a bit this morning from laughing so hard last night–but today I simply must get things done. I have a stack of paper sitting on my desk to the right of me, and I absolutely must work my way through that entire stack of edits today, or else.

I also have some laundry to do–two loads I started yet didn’t finish yesterday–and the kitchen is still a mess (I told you, I didn’t do much of anything yesterday), and I’d also like to get some reading done today. I am making shrimp and grits for dinner (first time in a very long time I’ve done this) and I also am going to try to make some food for the week, to make things easier on me (broiling chicken breasts, for example). This is, of course, the last full work week I have before the holidays, which reminded me that I actually need to put in a full eight hour day this Friday, as well as next Thursday and Friday. (Note to self: remember that or you’re going to get screwed with your hours)

I also need to make sure I am on track with everything I need to be on track with; which means administrative work–which as I am sure you can imagine how much I love doing that. It’s a heavy plate for a Sunday, but what can I do? It all has to be done, and I need to get this all done before the holiday weekends. I kind of just want to get some writing on Bury Me in Satin done, as well as these edits, then start tackling the Royal Street Reveillon problems over the two four-day weekends.

And then, of course, Carnival begins. Heavy heaving sigh. It’s just non-stop around here.

And now tis back to the spice mines.

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Alone Again, Naturally

Saturday! Tonight LSU takes on Ole Miss in yet another crucial game for the Tigers. Heavy sigh. I have a lot to do today–cleaning, errands–around football games, and I am going to start reading another book while editing some short stories and–hopefully–working on the revision of Bourbon Street Blues.

But yesterday, I finally had the time to devote to Bracken MacLeod’s amazing Stranded.

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The void churned and swelled, reaching up to pull them down into frigid darkness, clamoring to embrace them, every one. A cold womb inviting them to return to the lightless source of all life, and die, each man alone in its black silence.

The sea battered the ship, waves crashing against the hull as the ship’s master tried to quarter–turning the vessel into the waves to lessen their impact. While he struggled at the helm, the crew scrambled to get into their gear. The men grabbed sledgehammers and baseball bats, rushing to the aid of their fellow deckhands like a medieval army mustering to stand against the cavalry that would break them, line and bone. Noah wrestled with his waterproof gear, trying to pull on his pants and jacket, jamming hands into clumsy gloves that would combat frostbite for only so long. The ship pitched and Noah lurched in the passageway, trying not to lose his footing, trying not to be thrown to the deck before he was even out in the storm. He shoved his foot into a boot, staggering away from his locker as gravity and momentum conspired to bash his skull against the bulkhead. He careened into the wall, feeling a pop and a blossom of pain in his shoulder. He gritted his teeth and shoved himself away; he had to get on the cargo deck with the others. He couldn’t be defeated before he even got outside.

The key to writing excellent horror, to quote Stephen King yet again, is to write about what scares you. Conversely, I think the most effective horror fiction is written about what scares and unsettles the reader. The opening to this exceptionally fine novel is a perfect example of why I will never board a ship and have absolutely no desire to ever go on a cruise. Is there anything more unsettling than not having solid ground beneath you? Every earthquake I experienced in California was horrific for that reason–when you can’t trust the floor beneath your feet not to move….shudder.

I’m not necessarily as afraid of cold as I dislike it intensely. I grew up in Chicago, spent my teens in Kansas, and as an adult, one horrible winter in Minneapolis (I love Minneapolis; just can’t handle the winters; it didn’t help that the particular winter I spent there was one of the worst in years). The rest of my life has been spent for the most part in warm-weather climates; I’ve only visited the cold on trips. I don’t like being cold, really. So, of course, books set where it’s cold always affect me (Peter Straub’s Ghost Story is one example–I still shiver not only from the scares in that book but from the images of the snowbound town; there was one by I think a British writer set in a ski lodge that was also horrifying but I can’t remember the name of the writer–he was recommended by a friend; Christopher Golden’s Snowblind, which I haven’t gotten to yet; and so many others….)

So, Stranded takes place on a freighter, in the winter, in the Arctic Sea, bringing supplies to an oil rig. The main character, Noah Cabot, is kind of the scapegoat on the ship, the Arctic Promise; no one seems to like him very much and the ship’s heirarchy really hate him, yet at the same time he is enormously likable to the reader. There’s some deep pain inside of him, this son of a family of long-time Maine fisherman, who went away to college in Seattle, but MacLeod plays his cards about Noah’s backstory perfectly, like a card shark reeling his victim in, card by card. And before you know it, the ship is beset; frozen in by the ice, trapped, with all of its communications not working. There is a weird fog, and everyone on the ship seems to be coming down with some kind of ailment. Out in the distance they can see the shape of something…maybe it’s the oil rig… and Noah, as one of the only men on board not affected by the strange sickness, is selected to help lead a team of men across the ice to whatever that shape is out in the distance.

And then the real fun begins.

The premise of the story is really enough to keep the reader intrigued enough to keep turning the pages–these are some serious stakes here–but MacLeod is a master at pacing, and knowing when to drop in those precious moments of backstory so that the reader becomes even more vested in the characters he is reading about. I kept trying to guess what was going on–I did figure one thing out–but I was almost always wrong, which is gratifying as a reader. The atmosphere is gothic and spooky, and the way MacLeod uses the freezing weather to amp up the tension is spectacular; not to mention his way of making the individual characters unique enough to be distinctive–not an easy task when you have as many minor characters populating a short novel like this.

I had read and deeply enjoyed MacLeod’s Mountain Home after I had met him at World Horror Con here in New Orleans whenever that was; I am really looking forward to reading his other novel, White Knight. His transition from noir to horror was seamless and exceptional; a mark of a truly gifted writer.

BUY THIS BOOK.

And more, please.

And now, back to the spice mines.