Tag: Road Rules

He Stopped Loving Her Today

And here we are on a Saturday morning and I am up early again. I went to bed early last night, too, which was nice–I was a bit tired after this week’s Hacks and The Boys. I feel very good this morning, too. I have some ZOOM things to do for the Bold Strokes Book-a-thon; a reading at three and moderating a panel tonight at seven, and another panel tomorrow at six pm my time. The national gymnastics finals are today at three, so I’ll be watching on my iPad during the reading–with no offense intended at all for the other readers; I’ve been waiting to watch this since last year, and I’ll be listening to the readers, not the meet.

Yesterday was lovely. I got my work-at-home chores done, cleaned some, did laundry all day, and had a nice relaxing day at home, which was super-nice. I spent the early evening ater Paul got home catching up on the news, and ordered a pizza from Reginelli’s–which is another example of how small a town New Orleans can be. When I served on jury duty for that civil case all those years ago, the plaintiff was a Reginelli, and that case inspired Murder in the Irish Channel, a Chanse novel I am particularly proud of, and what our friend Susan would order for our Game of Thrones nights at her home. I also managed to get a late newsletter out, discussing Cheryl A. Head’s marvelous short story “Finding Jimmy Baldwin,” which you can read right here. I am going to try to get another one out tomorrow, to be back on the twice weekly schedule, but we shall see how that goes. I have some errands to run today, too, before settling in for the reading and the panel and the gymnastics. I should also probably pick up and do some more cleaning, too. I am going to try to get some reading done this morning, too…Listen for the Whisperer‘s second chapter, and back to the novel I’ve been trying to get into for several weeks now, with no disrespect intended for the author or the book itself; it’s me, not the book. I think reading the short stories might have helped kick the reading gene back into gear; although I suppose we shall see this morning, won’t we?

And of course, later this month I am going to both Alabama and Florida, which means an audiobook to listen to and write about, so huzzah for that. The audiobooks actually make me look forward to going on long drives again, and of course, I am now anxiety-free so I don’t get tense and tired while driving , which always resulted in me being exhausted; I wasn’t tired at all the last time I drove to Kentucky, which is my benchmark for long drives. Obviously, given a choice I wouldn’t take all these drives, but I make the best of them, and listening to books definitely has made them much more bearable. I’m not sure exactly what I am going to listen to on this drive; I do have some interesting books downloaded already on my phone.

Nothing about that rape academy website (or whatever it was; I was far too disgusted by what it was for and about so didn’t dig into the news reports deeply) surprised me, other than I thought the number of visits (or hits, or whatever the term is for that) was shockingly low at sixty-two million, frankly; I would have assumed it was one out of every two or three men–but then again, not everyone had heard of that website, so it would have been significantly higher otherwise. As everyone says, maybe not all men but always a man, which is accurate. The men are clearly not okay, and haven’t been in a while, but as long as they continue subscribing to the notion that women are merely sperm depositories whose sole function is running the house and squirting out fetuses, they will continue to be. I’ve always been grateful not to be a straight man, because that privilege comes at too great a cost for me. The whole manosphere thing has always been hilarious to me; who thinks Joe Rogan is a fucking role model? How sad and pathetic is that? That man-child Braden Peters (talk about generic white-boy names!) is clearly mentally unwell and his parents clearly failed him. (You can’t start injecting testosterone at fourteen without parental consent, can you? There were places in his life where his parents should have parented better, but he also bears some responsibility for how broken he is; overdosing on crystal meth is a warning sign he clearly isn’t capable of reading.) How can anyone look at Theo Von, Joe Rogan, Andrew Schulz, and other grifters of their ilk, and think, that’s what I want to be like.

Shudder.

So many podcasts and their podcasters are the dregs of humanity. But when you’re selling something people want to buy–your inability to get laid isn’t your fault–you’ll always make money.

And their mentality that gay men are somehow lesser than them because we’re not into the bullshit they are is laughable. None of them would get laid if they were gay men; no gay men would ever find them attractive–especially when you know they don’t clean their ass properly because “that’s some gay hit, man.” No fucking thanks. That any woman would ever want to fuck any of their unhygienic selves–I mean, I can smell Theo Von through the screen, you know? He also used to work out at my old gym once in a while; it was weird seeing him when he was nothing more than that douche from Road Rules trying to start a comedy career. And no, even when he was younger and in much better shape–he was still completely unfuckable, to me at any rate. Trust me, bros, you ain’t got nothing to fear from us queers, okay?

So, no, the straight men aren’t okay. Thank God my straight male friends aren’t anything like them–but they wouldn’t be my friends if they were. I don’t assume all straight men are homophobic sexist pricks until proven otherwise…but they often prove themselves lacking in that area without any prompting or assistance from me. I’ve been wanting to tackle the topic of “boys will be boys” and “locker room talk” as one of my masculinity essays, but haven’t really found my way into it–the US Men’s Olympic Hockey team made me think of it, along with the Access Hollywood tape we all listened to back in 2016–and trying to find my way into the subject. The rape academy shit may be the key to the opening paragraph, plus the fact that I’ve spent a lot of time in locker rooms throughout my lie, or in male-only spaces, and have heard it myself.

I also never excused it.

Sigh.

And on that note, I am heading into the spice mines and getting some breakfast. Have a great Saturday, Constant Reader, and I’ll be back tomorrow morning.

Statue of Ramses II at night with the crescent moon

It Never Rains in Southern California

Less than a week until Royal Street Reveillon is officially out in the world!

And so far, no current labor pains!

But, in fairness, it took me a good long while to write this book. My memory is so bad, and I’m so constantly and regularly busy, that I don’t even remember when I actually wrote it and turned it in to my publisher. I think it was earlier this year? I don’t remember–and that’s kind of sad. This is but one of the many reasons I don’t think I’ll ever write a memoir; my memory lies to me all the time and I never know what I remember correctly, let alone times and timelines and so forth. For example, when I was writing my essay “I Haven’t Stopped Dancing Yet” for Love, Bourbon Street, I went into it thinking I spent weeks in Kentucky at my parents’ after the evacuation, when it was actually less than three before I returned to Louisiana. That was a shock, believe me…but it’s true: we evacuated on August 28th, and I returned to New Orleans for good in early October after several weeks on the North Shore at my friend Michael’s. Stress and age and everything else combines to make things seem different in memory; and I’ve also noted, many times, how often people look back through a rosy glow of nostalgia. (I’ve always thought people view the past nostalgically because they aren’t happy, for one reason or another, in the present; they think oh, everything was so much simpler and easier back then. It’s usually not that true.)

So, Gregalicious, why did you decide to write a murder mystery built around a reality television show filming in New Orleans?

I didn’t watch An American Family, the first true reality show, back in the 1970’s on PBS, as the Loud family allowed their lives to be filmed for the entertainment of the masses. The show, which was the baseline for everything that came later, was quite controversial–I remember reading in the newspaper that one of the sons came out as gay on camera, which was kind of a big deal in the 1970’s–but in the 1990’s, I was a big fan of MTV’s sociological experiment, The Real World, and it’s sister-show that came later, Road Rules. But as the shows went on, they went from being a sociological experiment (hey, let’s take a group of seven kids from completely different backgrounds, make them live together and work on a project, and see what, if anything, they learn from each other) to being exploitative (hey, if all of them are young and beautiful and damaged, and we encourage them to drink and hook up, drama will ensue!), which was when I lost interest in watching them anymore. I also watched the game show version–The Challenges–primarily because the young men were always hot, often shirtless, and sometimes even less clad than that, plus watching the competitions was interesting. But it, too, eventually paled in interest to me–they were so repetitive, and the producers never intervened when violence broke out, and that was more often than not–and so I stopped watching.

The Real Housewives was different for me. Back in the day, we used to watch Bravo a lot–Inside the Actor’s Studio, Project Runway, reruns of Law and Order and The West Wing–and when they started promoting a new show they were doing called The Real Housewives of Orange County, I sniffed disdainfully at it. At that time, one of the hottest shows on network television was Desperate Housewives, and this seemed to be a rip-off, an attempt to cash in on the success of another network’s show by copying the title and so forth: “oh, if you like that show, here’s the real women of the area who are housewives, and what there lives are like.” The previews I’d see didn’t really encourage me to watch–the women seemed, for the most part, like horrible people, particularly Vicki Gunvalson–but as the show spawned spin-off shows in other cities and regions, I became more than passingly acquainted with them. They usually ran marathons on Sundays, and when it’s not football season Sunday television was pretty much a wasteland. I’d flip on the marathon for background noise while I read a book and Paul napped on the couch–but I also began to absorb the shows through a kind of osmosis. I knew who the women were and what their lives were like–but still didn’t watch regularly until around 2010, or 2011 or so.

And once I started giving Real Housewives of New York and Beverly Hills my full attention–yeah, I was hooked.

Paul would even watch with me from time to time…and we played a game: if they did a New Orleans version, who would they cast? It was fun, because we also were relatively certain none of the women we thought would kill it on such a show would ever remotely consider doing such a show (Southern Charm New Orleans proved us right), and then I began to think…but such a show here would be absolutely the perfect background for a murder mystery, because of the way everyone here is so connected to everyone else and there would be backstory and history galore.

I always saw it as a Scotty book, but when I turned it into the Paige novella, that changed things. I still wanted to do a Scotty book about a reality show, and I started making notes for one called Reality Show Rhumba. And, if you’re wondering, that’s where the character of Frank’s nephew Taylor Wheeler came from; when I added him to the regular cast of characters for the Scotty series, my intent was to have him eventually be case in a Real World-type show here in New Orleans, and anchor a murder mystery. But then…the Paige novella series went nowhere, and I hated losing such a great idea..so as I went into Garden District Gothic I introduced Serena Castlemaine to the boys, thus planting the seeds for Royal Street Reveillon, knowing I could keep some parts of the story but would have to change others–which was cool, because I always felt that the original novella was kind of rushed, and I didn’t have either the time–or the space (since novellas are by nature shorter)–to make the story what I wanted it to be.

And now, back to the spice mines.

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Tonight She Comes

Reality television.

I started watching in back in the original days of The Real World on MTV; the social experiment of picking vastly different young people from vastly different places with vastly different backgrounds, to see whether or not they can learn from each other and grow; or simply clash and create drama for the cameras. I enjoyed watching, I’m not going to lie–I didn’t lose interest until later seasons, when it became all about the kids getting drunk and hooking up and so forth. But the influence of The Real World–and its sister show, Road Rules–on reality television is unmistakable.

I’ve stuck my toe in the water with several reality shows–I used to be completely addicted to Project Runway, until it left Bravo for Lifetime and I lost interest–and the same with RuPaul’s Drag Race–after the Adore/Bianca/Courtney season I didn’t see how it could be anything other than a disappointment going forward so I stopped (although I did tune in for the glory that was RPD All-Stars Season Two), but I never got into Survivor or The Bachelor or any of the others. But I do watch the Real Housewives–New York is, without question, the gold standard, with Atlanta a close second with Beverly Hills trailing them both substantially; I can’t with Potomac, Orange County, and Dallas. 

I also really enjoyed the first season of Lifetime’ UnReal, but got behind on Season 2, heard bad things, and so never picked it back up again.

My love of (some of) the Housewives shows has resulted in my winding up on two Housewives related panels over the years at Bouchercon (Albany and New Orleans, to be precise), which were enormously fun; and I have also managed to observe what a cultural phenomenon these shows have become. There are recaps everywhere all over the Internet; there’s the Bravo website itself; and these women are often sprawled all over the tabloids I see while in line at the grocery store. (And no, I have only ever watched about twenty minutes of a Kardashian show and it was so horrible I never went back. More power to you if you’re a fan, but they are just not for me.

I even wrote a very short book–which is no longer available anywhere–based on the filming of such a show in New Orleans; it was pulled from availability primarily because I was never truly satisfied or happy with it. I wrote it very quickly in a window between deadlines and never felt I was able to explore all the things, the issues, with reality television that I wanted to with it. And yes, I decided to use that same backstory–a Real Housewives type show filmed in New Orleans–to write the new Scotty book because 1) it’s a great idea and 2) since I am writing off dead-line I can do it the way I want to and hopefully say the things I wanted to say in the first. Some of the original elements of the story I used before still exist in this Scotty book, but there’s a lot of changes I’ve made so it’s not the same story. The draft is very very rough, and since I’ve finished it and put it aside I’ve had a lot of great ideas for it; fixes and changes and so forth.

I think it might be the best Scotty yet, and it’s certainly the most complicated.

I started reading Jessica Knoll’s The Favorite Sister yesterday, and before I knew what happened most of the afternoon was gone and I was about half-way through. Her book is also built around a reality television show, and boy, is this book biting. I loved her debut, Luckiest Girl Alive, and this one is just as good. You’ll get a full report, Constant Reader, when I finish it.

Next up for the Short Story Project: “Don’t Walk in Front of Me” by Sarah Weinman, from Baltimore Noir, edited by Laura Lippman:

I wanted honest work and got it at Pern’s. A Jewish bookstore is a strange place to work for a guy like me, but I didn’t have much choice; a month of job hunting left me frustrated and ready to break things, and the ad stuck on the store’s main window was as close to salvation as I could get.

Thus Sam–we were on a first-name basis from the beginning–was very particular about which items I could handle and which I couldn’t (“Anything with God’s name on it, leave it to me”), he left me to my own devices when it came to  handling teh cash register, stocking the books, and helping out customers. I hadn’t know much at all about Judaism, but I sure learned fast.

When I told my mother where I was working, she was understandably confused, but got over it quickly enough. I had a job, and a pretty decent one, and that was what mattered to her most.

“I worried about you, Danny, the whole time you were incarcerated. She articulated each syllable, just as she did every time she used the word. Which was a lot, because my mother adored big words. It was her way of showing how much more educated she was than the rest of the mamas in Little Italy.

Sarah Weinman is a fine short story writer; her stories in Lawrence Block’s stories-inspired-by-art are two of my favorites. Her upcoming study of the kidnapping case that inspired Lolita, The Real Lolita, will be out this fall and I can’t wait to dig into it. This story is another one of her little gems: a guy with a criminal past takes the only job he can get, and slowly but inexorably gets drawn into trying to help his boss solve a personal problem, and how things get out of hand from there. Brava, Sarah! WRITE MORE SHORT STORIES.

And now, back to the spice mines.

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