Tag: Renaissance

New York Groove

Sunday morning where we’ve sprung forward (I hate Daylight Savings Time) and I feel off, like always when this happens. I’ve never cared for the spring part of it, but must admit I do enjoy the “extra” hour in the fall. I did go to bed early last night, and slept well–it apparently rained overnight, which undoubtedly helped with that. Of course, Sparky’s body clock didn’t change, so he wasn’t hungry enough to bother me until it was actually time for me to go ahead and get up, which was nice. (It’s this fall when he’ll annoy me early, isn’t it?) I have some things I need to get done today, which should be easy enough to do. I finished reading The Bell in the Fog yesterday (my thoughts are posted here) and really enjoyed it; and I am going to revisit an old Ian Fleming James Bond novel, Moonraker1 next I think. I may read something new alongside of it, but I haven’t decided which yet. Revisiting the original Fleming Bond novels will also give me something to think and write about on the subject of toxic masculinity and sociopathy. (So many post-war “heroes” defined masculinity so narrowly–and dangerously; Mike Hammer, James Bond…and yes, reading The Bell in the Fog put me in mind of post-war crime fiction.)

I am kind of working on a long essay–I have been since last spring, actually–about gay men and masculinity, and how societal norms and mores about them impact/twist our lives and makes it harder for us to just, I don’t know, be. I just read a great piece on the taboo of the male body that also plays into the paradigm I’m writing about. The societal reticence about the male body, and male nudity, is almost always centered on the groin area; you could depict a male completely nude as long as there was a fig leaf over the genitals. A lot of Renaissance paintings and sculptures at one point had “modesty leaves” placed over make genitals–and why is that? (Don’t even get me started on women…I’d be here for the rest of the year) Because whenever someone sees a limp penis resting on a pair of testicles they go mad with desire and sexual lust? (Although the way websites for gays drool and get “parched” over revealing pictures of influencers, actors, musicians, and other celebrities has always turned my stomach a little bit. I know, I know, but at the same time there’s something a little ‘junior high locker room” about that I find personally distasteful and almost cringe-y. Your mileage might vary and I am only speaking for myself. I enjoy looking at gorgeous men as much as the next gay man or cishet woman; I post one on here with every entry that isn’t about a book, movie or TV show. I like eye candy! There’s nothing wrong with it! I just feel the way the links and emails and so forth are shared, and the language used, is kind of juvenile and pandering and Tiger Beat-esque.)

You see how reading can influence my work? Lev’s got me thinking about writing queer historicals again–not that I was ever not going to write Chlorine, and I am hoping to get that done this summer or fall, finally–but the next book I am writing is Never Kiss a Stranger, which is also kind of a historical, since it is set in New Orleans in the summer of 1994. (An excerpt from it will be published in an upcoming anthology, which is very exciting for me. I also sold an excerpt from Chlorine recently also as a short story, so guess what, Constant Reader? You’ll be able to get a preview of both books soon! How fucking fun is that?) I often think of all the things I want to write–books, essays, short stories–and get overwhelmed because I know I’ll never get to them all before I expire. It doesn’t look like I will ever be able to retire now (fuck you again, MAGA, now and forever and ever, amen), so it really is going to be about managing my energy, being selfish, and being able to continue to write in my free time. It’s also going to make doing research no easier. Sigh. I am starting to resent all the volunteer time I’ve done over the last twenty years or so–not for Saints and Sinners, but pretty much everything else. I used to think I was making a difference, not only in the world but in various writing communities, but the truth is I wasn’t.

I’ve always wanted to make a difference in the world, and the reality is I should have realized that difference I could make would be best served from my writing, not from anything else. I think that comes from a lifetime of never taking myself seriously because no one else ever did. I did learn things about myself, the community, and other people from the volunteering; so that was something gained, and while I hardly consider myself to be a “sage” or even a “community elder” 2, I have been around a long time. I always thought I got started in publishing way too late, but the number of people who published their first novel before forty isn’t that long, actually. But that also means I’ve been doing this now for almost thirty years (I started writing for a queer paper in Minneapolis in 1996, and my how things have changed over the years. I also never really had any desire to be famous; sure, when I was a kid I fantasized about being a movie star or a singer (alas, couldn’t act or sing), but writing was what I always wanted to do, hungered to do, and basically that desire subsumed every other ambition or fantasy. I also never wanted to be a celebrity author, or have the kind of success others have. All I ever wanted was to just write and make a living from that. I don’t need to be rich; I’ve never needed that. I’d prefer to be comfortable, and never have to worry about bills and things.

But the thing with money and success is most people never think they have enough, isn’t it?

Look at Space Nazi, for example. Isn’t he about the right age to be a boy from Brazil?

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will chat at you again soon, most likely tomorrow morning.

  1. I saw a meme on-line that pointed out how dated Moonraker was–since it’s about a billionaire who moves to England and gets involved in the government with an ulterior motive… ↩︎
  2. I can’t deny I am old, so therefore it stands to reason I am, in fact, an elder. But I don’t think I’m a sage at all. ↩︎

Strange Things Happen

Remember that stomach thing I had going on yesterday morning? And it had resulted in my not sleeping well? Yeah, well, I was very miserable and tired all day at work, and my stomach just felt worse and worse and worse. I finally left work early, came home, and just chilled out. I also took today off as a cautionary measure. So far so good, and here’s hoping I am rested and can do something with this extra free day that so unexpectedly dropped into my week. I think it means some time with Lavender House, and I do need to clean this messy kitchen up, beginning with the laundry room. Maybe I can put on some Orville Peck while cleaning. I’m really enjoying his music.

Last night I watched the first half of the Ken Burns documentary Leonardo da Vinci, and I quite enjoyed the fact they didn’t try to shy away from his sexuality or try to straight-wash him, like Da Vinci’s Demons did (still enjoyed the hell out of the show, anyway) and so many other shows and movies have, but actually talked about his male relationships quite openly. That was rather refreshing. I’ve always been interested in the Renaissance, and with Leonardo and the great Michelangelo as well. I was thinking about this while watching last night, ferreting out of my brain’s fading memory banks where my interest in Italy came from, and I was able to peg it properly: when I was ten I spent five weeks in the South, including about three at my paternal grandmother’s on a bay in the panhandle. Her second husband loved nothing more than a good flea market, so we often went to them, and I got to buy books for pretty cheap. I remember one time I got two books: one, a lovely but crumbling old edition of a biography of Francois I, King of France; and the other a book called Italy in the Golden Centuries. I think maybe I also got a turn of the twentieth century translation of a history of France; it may have been on that same flea market visit or another, but it was the same summer. I was in my Tudor/Stuart phase at that time, but that July I started learning about France and Italy…both of which were way more interesting than English history. There was a hammock strung between two massive live oak trees in her backyard, dripping with Spanish moss, and I would lay there in the shade with the cool salty breeze from the bay and the steady lapping of water, and just read. It was wonderful. I could have spent the rest of my life in that hammock, reading. The connection between Italy and the French kings, the great artists…since we went to Florence I’ve had this idea for a book I want to write about a lost piece of Michelangelo’s art, going back and forth through the movements of the piece through time and the present day thriller of trying to find it in the present day while others (BAD GUYS) are trying to beat them to it. (I love that kind of shit.) I may even take a stab at this sooner rather than later. I mean, it sounds fun–but my word, the research! And of course I would need to return to Italy for research purposes, wouldn’t I?

I also have been doing the weirdest research for a future book project you can imagine: I’m watching Youtube compilations of television ads from the late 1960’s through the early 1980’s, and it is fascinating how many of them I remember–and can sing the jingle along with. I may have hated the ads–still do–so I guess they were effective? I don’t know if they ever shaped my buying choices and decisions (price is always the most important factor, and store brands are no different from name brands; Costco’s brand is better than most competitors), but I sure do remember them. That’s kind of the grounding in the period that I need to write about it, to trigger memories of what I watched and what was going on and what kinds of bikes did kids ride and music did they listen to and games did they play. Going down this memory hole has been interesting, because I am also having to revisit those periods of my life from the perspective of a much older and very much more tired gay man who really hasn’t developed a whole lot of wisdom about either myself or life in general, but I can see things I couldn’t then. Perspective? A little amusement about how things that didn’t “exist” then that we know about now and I could have been medicated for all those years? Yeah, I can’t be bitter or mourn something that never could have been. And despite how much I grouse and bitch and moan and complain like the old man I am now, I am very pleased with my life and where I am with it. My mom always said (some of her stuff was wise, some of it was kind of horrible, but it was always absolutely real) you can’t have regrets if you’re happy, and I think that is very true. And examining my own history is kind of not painful anymore in that context, if that makes sense? I always never wanted to look back because it seemed like I always got angry when I did–but I wasn’t really being angry; because I am not angry about it anymore. I do remember the anger, the pain, and all the emotional rollercoaster ride that came with it. When I tell the stories, whether face to face or write them on here, I do channel that emotion again into the telling to make it clear just how horrible it all was and how horrific it felt. I guess I can write passionately, and I do not think that’s a bad thing at all.

I am having fun writing the essays, too. I am having fun writing again. That is very pleasing in my eyes. And I am hoping all this free time (five days off in a row) will get my butt in this chair and writing. Sparky hasn’t quite figured out Paul hasn’t come home yet, so he’s not super needy yet–but I am pretty sure that moment is nigh. I slept so good last night, y’all, and it’s nice to wake up feeling so good this morning. This kitchen/office is an utter and complete disaster area, and I definitely must do something about it sooner rather than later. I think I’m going to finish this, start straightening up, and then repairing to my chair to spend some time with Lavender House (it really is quite superb), and I think I’ll finish watching the Leonardo documentary today, too. Heavy sigh. I may even try to write later on too. #madness

And maybe I’ll even finish assembling my desk chair. It’s been about a month since I bought it and started putting it together only to get frustrated and walk away from it before I took a sledgehammer to it. I may even put that on the top of my to-do list.

And on that note, I am heading into the spice mines. I hope you have a lovely Thanksgiving Eve, and I may be back later. One never can be sure, and I have a lot of free time to myself over the next five days–except, of course, for my darling Sparky.

I’m Henry the Eighth, I Am

Yeah, I’ve been big on the Tudors for most of my life–first the Virgin Queen, and then her father, Henry VIII and his many wives1, and eventually the entire family (Henry VIII’s sister Margaret was a pistol–and it is her descendants who sit on the throne today, not Henry’s). As I got older, I became more interested in the century as a whole, and eventually I moved on from the Tudors to the Stuarts, who I find much more interesting. I still love the Tudors, and will watch documentaries and films, but won’t read any more books about them, especially because I’ve not really scratched more than the surface with the Stuarts, and I want to read more about the Tudors’ French contemporaries, the House of Valois. (Yes, I loved The Tudors, because it was more of a Renaissance version of Dynasty; I don’t watch historical films and expect accuracy2, and if you are, wake the fuck up. Book adaptations are never the same as the book, either. It’s entertainment, not a fucking documentary.)

Speaking of entertainment, I finally gave up on Jon Stewart with his defense of the indefensible. His joining in on the media’s decision to badger and hound Joe Biden–one of the most successful presidents of all fucking time–out of the race? None of that, not one bit of that, was actual concern; they all were giving (and continued, until recently) Shady Marmalade a pass on his obvious mental decline…and Jon’s decision to defend the indefensible “because comedian”? Fuck off and die, you arrogant rich white cisgender piece of shit. I’ll never watch him again, so congrats on that year contract extension, Comedy Central. You thought calling Puerto Rico a floating pile of garbage was funny? You thought comparing Travis Kelce to OJ, implying he’ll murder Taylor Swift, was funny? And on and on and on. Straight white male comedians will always circle the wagons for another comedian with a penis, but when a woman comedian (see: Kathy Griffin) is being attacked, not a fucking word? So he’s a misogynist, too. I’m not telling you what to do, Constant Reader, but Jon Stewart is dead to me, now and forever. And don’t even get me started on the 49ers and Nick the Traitor Bosa. Talk about pussy. Someone got slapped down by management when he hit the locker room and before he talked to the press, and like a good little beta soyboy, he caved and sulked like the pathetic emotionally-and-intellectually stunted bitch he is. He’s not being punished because when asked he shut his fucking mouth, which is the other primary difference between him and a true hero, Colin Kaepernick (besides the obvious “white man gets away with shit a Black man never could” racism).

And really, 49ers managers and coaching staff? Your team represents San Francisco, the most tolerant city in the country. Trade him to Dallas, where he belongs.

Thank God I am on anxiety medications. If not, I probably wouldn’t have slept at all since June. But the medications and my personal ban on legacy media companies who are garbage and untrustworthy has helped a lot with my election anxiety, and refusing to engage with the trash on-line (block, block, block) I’ve managed to take good care of my own mental health this time around. I refuse to worry about what will happen if he wins, or if he loses and they try another violent coup; I do, every once in a while, think you always wondered what it was like to be a Berliner in 1933…and I didn’t really need to get an answer to that question, you know?

I feel good this morning yet again; I’ve been sleeping well every night this week and it’s been really nice. I did my errands last night, got home and got started on the dishes and did some other clean-up around here. Paul didn’t get home until late, so I mostly went down Youtube idle curiosity research holes. I also managed to get the Scotty Bible’s first draft finished; it’s just raw information for now that I have to reorganize and pull together. I am also realizing, as I mentioned yesterday, that I should do a concordance of everything I’ve written by place; Kansas, California, New Orleans, Louisiana, Florida, and Alabama. That’s the problem of having characters cross over from stand-alones to the series and back again, you know? I was realizing that the lawyer the boys hire in Royal Street Reveillon doesn’t have as much information in the Scotty series about him as I would have thought…only to remember that Loren McKeithen has a much larger role in the Chanse series than the Scotty. Oops!

I also realized last night, as I watched news clips and documentaries about the Civil War, that with my anxiety gone I no longer feel the need to belittle and dismiss things I’ve accomplished in this wild and crazy career of mine. I’ve written a shit ton of books, short stories, and blog posts–and when I think about all the queer papers and magazines that I’ve written for over the years, yes, my output has been a bit prodigious. It wasn’t false humility (though I am often horrified at how easy it is to slip into egomania, and always over-correct once I catch myself); I honestly still thought I wasn’t very good at what I do. I always compare myself to other writers and come up wanting; but it’s really not a competition of any kind; I appreciate great writers who produce great work, and my work is different from theirs. I always strive to be better, to get better, and not stagnate–the problem that creates is it extrapolates to I could have done that better and dismissing it. Those are the kind of brain landmines I need to watch for, and avoid whenever possible. I’m proud of all my work, for the record. Sure, going through the old Scotty books was always difficult (I always edit it another time as I’m reading it) but doing it for the Bible, where I’m just looking for information, was different. Sure, there were some clunky things I could have said better, but overall, I was actually a little surprised to see how good–and clever–the books actually are. It also reminded me of how I used to write the first ones, what I have always tried to do in my work–whether anyone notices or not. (Someone once emailed me after reading one of my books and said, “Did you deliberately do this?” and delighted, I wrote back “Absolutely!” That was a big thrill for me.)

And I am proud of my work. I overcame so many obstacles to build this career, and I am pleased with myself, too. My books are pretty good–yes, there will always be a few where I think, God I wish I could give that one more pass, but even those are pretty good. There are some I am more pleased with than others; yes, I have favorite children. But that doesn’t mean that I am not pleased with all of them. How many people told me along the way that this would never happen for me, that I didn’t have what it takes, or that I have no ability at all? Maybe, maybe not–but if that’s what you think, how many books have you published? How many awards have you been nominated for, or won?

I really wish I’d known it was anxiety much sooner.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again, perhaps later!

  1. I love that historians count all of the women he married as his wives; although technically the first two were actually annulled, so the marriages were never, at least legally, valid. ↩︎
  2. I totally understand why films and television shows based on history have to make changes; the actual stories don’t play out perfectly for different media and thus must be adapted. I do ↩︎

Solsbury Hill

Thursday and working at home today. Huzzah!

Yesterday was yet another day when I woke up feeling rested and invigorated. I had thought, oddly enough, that I hadn’t slept particularly well the night before–I woke up several times throughout the night, and the last time was five thirty, so I just kind of laid there in a half-sleep until the alarm went off. But oddly enough, I never hit the wall yesterday afternoon and I was also full of energy and highly functioning and got a lot of stuff taken care of, which was absolutely lovely. I hope to match that productivity today. I only have to work a partial day because I had to stay late the other day, so I am hoping to get some writing and editing done today as well, and make it to the gym once I complete my work-at-home duties. Fingers crossed!

I went to sleep later than I’d planned last night. We finished watching Dopesick, which is an amazing production with exceptional acting and writing, and then I went into a wormhole on Youtube and wound up staying up until midnight. I woke up early this morning–earlier than I’d wanted to, but hey, more time to get things done–and I think I slept relatively well last night. I am awake, after all, and not tired physically or mentally; I call that a win, really. I also finished reading Shucked Apart by Barbara Ross–more on that later–and started reading Guilty as Cinnamon by Leslie Budewitz, who is a favorite writer of mine and one I should read more of–I loved Assault and Pepper, the first in her Seattle Spice Shop series, this is the second.

I’ve also been reflecting a lot on my trip to Boston. I made a mistake the other day when I was talking about visiting the Isabella Stewart Gardner Museum; I referred to reading about Mrs. Gardner in a book called The Grande Dames by Stephen Buckingham; his name was actually Birmingham. I think I can be forgiven for that error, primarily because Buckingham seems like a more likely last name for an American than Birmingham–and buck instead of birm is a very easy mistake to make, and therefore forgivable, despite my incredibly high standards for getting these facts correct. But I always loved the story of Mrs. Gardner, the ultimate diva and grande dame of Boston, and now that I’ve seen the Italian palazzo she built as a home for herself and her extraordinary art collection…I need to reread Mr. Birmingham’s book again. The museum was spectacular, just spectacular.

The day began with me looking out the window of my room at the Marriott Marquis in Times Square to see it was drizzling a bit outside; and I had to decide: lug my suitcase through the subway, or summon a Lyft, or walk ten blocks to the new train station, Moyhihan Hall? Being a hardy New Orleanian, I decided I’d just walk the ten blocks–my Fitbit would love all the steps–and as long as I could keep my glasses dry, I should be fine. It was just a drizzle, after all. So, I rode the elevator down and walked out the front door and walked over to 8th Avenue and headed downtown. It was, despite the slight drizzle, a lovely walk. I debated stopping for coffee along the way–I’d not had any (and it was actually rather delightful to not be so dependent on caffeine this trip as usual, and perhaps that’s why I had no issues sleeping?), but decided to wait till I got to Moynihan before getting coffee–what were the odds there wouldn’t be at least a Starbucks, if not a Dunkin’ Donuts, inside? I made good time, and was actually enjoying people watching as I made my way down 8th.

So, of course, about a block and a half from my final destination, the sky opened with a deluge worthy of a New Orleans street-flooding strength downpour. By the time I reached the train station I was completely soaked, but was also highly amused by it all. I had a three and a half hour train ride to Boston ahead of me, and I was really looking forward to getting back into the book I was reading–These Toxic Things by Rachel Howzell Hall, see the blog entry where I discussed how terrific the book was–and the Amtrak ride from New York to Boston is one of my favorite train trips–Connecticut is so scenic and beautiful, and the train hugs the coast most of the way, with spectacular views of bays and inlets and estuaries and boats and lovely homes. So I got my coffee, wiped off my head and glasses with napkins, and debated battling with my suitcase in the bathroom to get dry clothing–I decided against it eventually–and finally boarded my train and headed for one of my favorite cities that I never get to spend enough time in, Boston (I’ve always had an affinity for the city because I love history, and of course, Boston was pivotal in the American Revolution, and Johnny Tremain is set there, and I love that book). Alas, the scenery was perhaps not as spectacular along the route as it usually is; it rained and was gray and cloudy and overcast the entire way, and whenever I tried to take a picture by aiming my phone at the window, all I got was a gray photo of water beaded up on glass and nothing beyond, which was terribly disappointing. But this lack of ability to take great scenic photos enabled me to focus on the book, which I was absolutely loving (see blog entry from several days ago where I discuss the phenomenal novel at great length). It was raining in Boston when the train pulled into the station, and my wonderful friends were there to pick me up, and we headed for the Gardner Museum.

I could spend days in that museum, seriously. The building itself is breathtakingly beautiful–as are the Sargent portraits of Mrs. Gardner on display–and so much other amazing art: paintings and sculptures and tapestries; the Velazquez painting of Philip IV of Spain that is perhaps the most famous image of that sad Hapsburg king; everywhere you look there is a spectacularly beautiful piece of art. It’s overwhelming, and even more awe-inspiring perhaps than even the Uffizi in Florence–you expect the palaces and collections of European nobility and royalty to be spectacular; and to be sure, Mrs. Gardner’s home and collection pales in comparison to that of the Medici, but she was an American heiress…and even though she was fabulously wealthy, to me even the wealthiest of the robber barons pale in comparison to the sumptuous palazzos of the Renaissance Italians. But it’s still an impressive collection, if not a Medici one, and that’s why I think it’s more impressive. Mrs. Gardner was simply a wealthy woman, not a Renaissance lady or princess or queen. She couldn’t be expected to compete, and yet…the collection is exceptional and extraordinary, as was the woman herself.

And of course, as a crime writer, the robbery–the empty frames that once held Rembrandts brazenly stolen and yet to be recovered still on display–is also fascinating to me, particularly since I love treasure hunts.

I am forever grateful to my friends Stuart and Robbie for taking me there–and I plan to visit again sometime.

Crime Bake, the event put on jointly sponsored by the New England chapters of Sisters in Crime and Mystery Writers of America, was why I went to Boston in the first place, so Stuart and Robbie dropped me off in Dedham at my hotel (which was where the event was) and I got a lovely night’s sleep–again, a complete shock, but is it a mere coincidence that the coffee I had at the train station was the only cup I had that day?–and I got up early the next morning for the breakfast buffet and to start attending panels. When I said earlier that I’d forgotten how much I love listening to writers speak about writing, and books, and everything to do with being a writer, I was not kidding. I haven’t been to anything like Crime Bake since the Williams Festival in March 2019; I missed that year’s Bouchercon because I developed an inner ear infection and couldn’t fly. It was so inspirational. I listened to writers I admired and writers I wasn’t aware of, and was scribbling notes in my journal the entire day. It was marvelous! And inspiring. I’ve talked on here a lot about feeling disconnected from writing and publishing; part of it was not being around writers and listening to them talk about craft, what inspires them, how they work, how they develop and flesh out their ideas–the joys and heartaches and the Imposter Syndrome–because writing can be a very lonely business (it’s just you, the keyboard and the computer screen much of the time), and it’s nice to connect with others and realize we all go through the same thing, the same frustrations, the same heartaches and aggravations and joys.

Today I have a lot of catching up to do–what else is new?–and I am hoping to get some writing done around my work-at-home duties. Wish me luck, Constant Reader, and have a lovely Thursday!

The Samurai in Autumn

Autumn seems but a distant dream these hot New Orleans August days.

I slept really well last night–dream-free, for the first time in awhile–and have lots to do today. I have, of all things, a mammogram scheduled for today. I have a lump–two actually–one in my right pectoral, close to the center of my chest, and another one directly below it. They’ve been there for awhile, and my doctor believes they are merely fatty cysts and not a problem of any kind, but also thinks its perhaps better to be safe rather than sorry. I knew that “breast cancer” was a possibility for men, even if on the low side, and again, I am not terribly concerned about it–but having a mammogram, something women do (or should do) all the time, is going to be an interesting experience.

I was very tired when I got home from work yesterday; too tired to write, too tired to read, too tired to do much of anything, so I just collapsed into my easy chair and read some more of the section in Barbara Tuchman’s The March of Folly titled “The Renaissance Popes Trigger the Protestant Secession.” It’s a book I’ve reread many times over the years–it has four sections; the first about the Trojan War, the second about the Popes, the third about Britain forcing the American colonies into revolution, and the fourth is “America Loses Herself in Vietnam.” I’ve never actually read the fourth section; my knowledge of the Vietnam conflict is very limited, actually, and I should eventually read up on it more–but what I do know of it hasn’t really encouraged me to read any more about it, frankly. It was a mistake from beginning to end, and it also triggered an enormous societal divide in our country that endures to this day; much of our social unrest, and the partisan divide, was initially started because of Vietnam, and then politicians used that divide in a very short-sighted and, as Tuchman would call it, have engaged into a march of folly for short-term political power that has ultimately further divided the country and undermined our democracy.

I’m going to eventually read that section, of course, and at some point i really need to learn more facts about the war than simply things I’ve heard and the movies I’ve seen; fictions based on the reality are still fictions, of course. I have an idea for a story or book that comes from the war–but also am not sure I am the right person to write it. The “#ownvoices” movement is an important one, and while nuanced, is one i have very strong opinions about. The problem is one cannot make general statements, because there are examples of people writing from other experiences that have been done exceptionally well; Barbara Hambly’s Benjamin January series, about a free man of color in pre-Civil War New Orleans, springs to mind. But there also egregious examples in the other direction–and plenty more of them to choose from to use when arguing about the need for #ownvoices–but you know how cisgender straight white people get when their privilege is even slightly, politely questioned (American Dirt, anyone?). But writing a noir novel from the point of view of a young man of Vietnamese descent–while born and raised in the United States–makes me a little squeamish; I certainly don’t want to take a publishing slot from an #ownvoices Vietnamese-American writer, and who knows if I’d even do a good job writing from that perspective? I’ve also always wanted to write a book (or some short stories) from the perspective of Venus Casanova, my African-American police detective from both the Scotty and Chanse series; I have an idea for two books with Venus as the main character, and have actually started writing two short stories centering Venus: “A Little More Jazz for the Axeman” and “Falling Bullets”, but have, over the last few months, began to question whether I should be telling those stories as well as potentially taking publishing slots away from actual African-American writers who can easily write authentically from their own experience. And yes, I know I could write the stories and then ask someone of color to be a “sensitivity reader” for them; but at the same time that always sort of reeks of the standard defense of white people who’ve said or done something racist: I have a black friend so I can’t be racist!

Um, yes, you can have friends of color and still say or do racist things.

We also watched two more episodes of Babylon Berlin last night–Paul commented at one point, “they really have an enormous budget, don’t they?”–and it’s quite enthralling, and quite an interesting lesson in history. As I said yesterday, not many Americans know much about the Weimar Republic phase of German history, other than it collapsed under the rise of Hitler. While exploring the case the main character, Gereon (I think that’s his name), is investigating, it actually stretches tentacles out in several other directions, and as one of the episodes last night showed a riot of Communists and the brutal suppression of the protest by the police, it occurred to me that what the show is doing is putting a face on the turmoil in the capital city of a collapsing republic, showing, in terms of humanity and human suffering, how someone like Hitler could rise to power. In our modern era, it’s very easy to forget how very real the threat (and fear) of Communism was in the west, and to Germans in particular. It’s very brilliantly written and very well-produced and filmed beautifully; the acting is stellar, and it’s providing insights into the situation in Germany in that period that we, as Americans, rarely see…and it brought to mind last night the line in Cabaret, “The Nazis will take care of the Communists and then we’ll deal with the Nazis.”

I also found my copy of the book, and have move it to the top of the TBR pile.

I do highly recommend the show.

And now back to the spice mines.