Cozy mysteries often get little respect from the other subgenres of crime fiction, and their authors likewise generally only get respect from their cozy colleagues; but the disdain they get from a lot of other crime writers is actually kind of criminal. It’s no easier to write a cozy than any other form of mystery; if anything, I would think it would be harder to write about a murder without much blood, no violence, no profanity, and no sex on the page. Part of the reason I decided to write A Streetcar Named Murder was the challenge of writing one, and it was far harder writing that book than it was writing the ones in other subgenres of crime; I wish I had a dime for every time I backspaced over a profanity I’d automatically typed; I curse a lot and so do my characters.
So while I am writing a new cozy–the sequel to Death Drop–I thought I’d read some while I wrote to get a good feeling for the subgenre.
And I am finding one can never go wrong with Raquel V. Reyes.
Halloween was a week away, and we didn’t have s single decoration up. The living room was littered with shopping bags, extension chords, four-foot-tall plastic jack-o’-lanterns, and one handsome Frankenstein.
“Babe, we’re going to need a ladder and a staple gun,” Frankenstein said.
“Can you borrow one from a neighbor?” I asked as I squeezed my foot into a shoe that had fit perfectlya few weeks ago but was now tight. My costume, like my husband’s, was a modification of something I already had. I’d taken a white apron and smeared it with beet juice. In red marker, I’d written Chef Vampira on a paper toque, the tall hat fancy chefs wore. I was not a trained chef, but I had reached local stardom with my two cooking shows, Cocina Caribeña and Abuela Approved.
“Do I look undead enough? Do I need more white makeup?” I asked.
I got a copy of Raquel’s Lefty Award winning novel for Best First at Left Coast Crime in 2022. I read it later that year, and kind of fell in love with the series and its main cast. After years of living in New York and working as a food anthropologist, Miriam, her husband and son all move to his hometown, Coral Shores–a town within Miami’s borders. As she found her footing in this rich and posh neighborhood of McMansions and racist snobs (including her mother-in-law) she gets involved in a murder when someone–her husband’s ex and whom his mother wanted him to marry–died of poisoning right in front of her at a charity luncheon–and Miriam develops a nose for mystery.
This second book in the series is a welcome second offering. This time out, there are bodies everywhere. Did the chef at the country club accidentally fall to his death, or was he pushed?The mother of the victim in the first book is found unconscious and incoherent on the side of Miriam’s house. Her neighbor is found unconscious and frothing in the mouth on Halloween night, so she has to take in his dog until he’s recovered. AND her mother-in-law has coerced her into putting together the charity fundraiser at her snooty country club, so she is constantly picking at Miriam…even in front of her grandson. And then there’s another murder. Miriam can’t help sleuthing, everything keeps building until the night of the gala–when Miriam gets to the truth finally and puts her own life at jeopardy.
I love this series. I love Miriam, and I love that Reyes doesn’t italicize Spanish words (she says she writes in Spanglish) and that she authentically sprinkles Spanish organically through the books. I love that the books focus on Caribbean cooking, and how it developed culturally and anthropologically. I cringe at the racism Miriam experiences (while getting angry at it; I despise bigotry), and I really care about Miriam; which is the key to writing a good cozy mystery: a main character the reader can identify with and like.
Do read this series. I can’t wait to get my hands on the third!
Tuesday morning, up early and dark is pressing up against my windows. I slept better last night than I have since Friday night, but woke up out of a deep sleep to go to the bathroom around two in the morning and wasn’t able to get back to it–my body was relaxed completely and resting, but my mind was still working. I feel rested this morning but I don’t know how long that’s going to last…I imagine I am going to run out of steam at some point this afternoon, but I also have to get the mail and make groceries, too. I had also wanted to cook some things for dinner tonight–or to at least have something to take for lunch this week (today is a Lean Cuisine). I feel better, though, this morning than I have in a few days upon waking, so I am taking that as a good sign. It’s been nice having all this out of the office, but it’s kind of weird going back. Outside of unemployment periods, I don’t think I’ve ever not worked for this long since probably high school?
I hope I can remember how to do my job.
It’s also cold this morning–forty-nine degrees, according to my phone–which makes going outside less agreeable and certainly undesirable. I can put the brace on over a jacket, take it off to remove the jacket and put it back on, which makes total sense and I don’t understand why this is something I am initially hesitant to do? The PT went well yesterday and I have the full range of motion back for the elbow; and my fingers are getting more dextrous and ny hand grip stronger. (I kind of felt guilty when he said, ‘yes, keep doing your home exercises because they are working’–because I haven’t been doing them…I told you, I am a terrible patient.) I was exhausted from the PT and from not having slept for two nights, so I wound up not doing much of anything yesterday other than reading deeper into Calypso, Corpses and Cooking by Raquel V. Reyes, which I am enjoying–I really like her character, Miriam–and a likable main character is crucial in a cozy mystery. Nurse. Sparky spent most of the afternoon curled up asleep in my lap, which was comforting and calming and adorable, and then when Paul got home we started watching the Big Vape documentary on Netflix (I think?), which is interesting and got me started thinking about smoking. I smoked from ages 16 to 50, a whopping 34 years, before finally quitting, and frankly, I don’t miss it. I do remember how much i used to actually enjoy smoking, but I’ll never smoke another cigarette in my life. The cultural view on smoking certainly has changed over the course of my life–when I was a kid, you could smoke anywhere and pretty much most people seemed to smoke. My parents did, my grandparents did (not my maternal grandmother; Mom was the only smoker in her family, but pretty much everyone on my dad’s side did), and they used to smoke with the windows up with us in the car. No one thought much about it, of course; despite the surgeon general’s warning about carcinogens getting more and more explicit and fervent as the years passed. I tried smoking in junior high but didn’t inhale, and didn’t much care for it; I tried again the night I graduated from high school and essentially smoked for the next thirty-four years. I still smoked cigarettes when I started writing–which is why Chanse was a smoker and all of his friends were (I did get some pushback from readers about the smoking; a friend who was also a smoker joked that his favorite thing about Murder in the Rue Dauphine was that all the good guys smoked and all the bad people didn’t) but I never really addressed him quitting in the books; I just stopped writing him as a smoker after I quit–and the reason I quit was because Skittle died from cancer. That guilt–that I helped contribute to Skittle’s death–was all it took, even though the cancer he had wasn’t caused from second-hand smoke…just the thought that it could have been a contributing factor was too much for me and I refused to do that to another cat–because by then we were definitely confirmed cat people and it just doesn’t feel like home without a cat in it.
There will be more on Big Vape when we finish watching.
I also am going to be getting back to writing. I signed a contract for a sequel to Death Drop and need to get that finished and out of the way. I wasn’t able to get as much done during this lengthy time off because, well, I had surgery and the recovery–while not as painful as i feared–did drain a lot of my energy, and the enforced rest also made it a little harder to get motivated. I did manage to read more than usual, but the ceiling disaster and repair, the recovery, the physical therapy, and the just now changed medications to deal with my brain chemistry issues was a lot to deal with. I’m also not beating myself up over not getting more done because for fuck’s sake, even as mad as I get at myself for not getting things done…I’m giving myself a break on this. It’s not been an easy year, from beginning to end; but like I always say–if you’re going to have bad things happen, isn’t it best for them to happen all at the same time? That probably sounds insane, but in all honesty–when Paul was attacked and lost his eye? That was the best time for the Christian scum to come for me because I was so focused on getting Paul through what he was dealing with that I couldn’t give them very much attention, one way or the other. (At any other time, I would have been freaking the hell out.) And the weird thing is, professionally this was a great year. I was nominated for an Agatha and a Lefty for the first time, I was nominated for three Anthonys, and I have two books out, and I did some short stories that I am pretty damned proud of–it’s just weird that the highs always come with the lows…or maybe the highs make up for the lows? That’s probably the best way to look at it.
And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back at some point.
Today’s title sounds rather like a gay Christmas tune, does it not? It certainly sounds like a great title for a gay porn story set during the Christmas season, and just typing that out made me immediately regret never doing a Christmas gay porn anthology–imagine how the evangelicals (aka cosplay Christians) would have reacted to that!
And Jayden Daniels won the Heisman Trophy! GEAUX TIGERS!
I overslept this morning, mainly because I didn’t sleep well last night. I didn’t feel good yesterday; I ran some errands and came home exhausted, collapsing into my chair in exhaustion and later on, started feeling crummy; my stomach was really bothering me for some reason, and I went to bed early, hoping to sleep it off….only couldn’t sleep for a long time. I did finally fall asleep after midnight, and when Sparky got me up for his six am feeding I went back to bed and stayed there until almost nine thirty. I don’t feel that great this morning, either, which is not a good thing, either. I think my blood sugar crashed and I never really replenished it yesterday, and I also think I’m dehydrated–so no, this coffee isn’t really helping much here, either. I think when I finish writing this I am going to go sit in my chair and read for awhile until I feel somewhat better, and will write later on today.
I hate when I don’t feel well, you know?
We got caught up on Monarch: Legacy of Monsters yesterday, and then watched Indiana Jones and the Dial of Destiny, which was…disappointing. I love the character, I love Harrison Ford, and I love Phoebe Waller-Bridge, but the movie just didn’t engage me the way the first and third movies did; the second, fourth and fifth being disappointments. Just thinking about those movies for a moment, though–the first and third movies are predicated on the idea that the Bible is true, and there is a God up there in the heavens or wherever that is supposed to be. Likewise, horror films and books as a general rule, also work as inadvertent Christian propaganda; vampires and The Exorcist go so far as to say Catholicism is the only “good” force to combat non-Christian supernatural forces. There’s an essay in that; I’ve always found it amusing that Christians–especially Catholics–are very anti-horror because “demons and witches” and “the devil” while the work itself actually is predicated on the foundation that the Bible, and Christianity, are not only real but the primary defense against evil in the world. (It always amused me the way the church always came for Anne Rice, when all they had to do was read her books to see how staunchly pro-Catholic they actually were.)
I was too tired and unwell yesterday to be able to focus on reading more of Raquel’s book, but I am going to probably dig into that for a while this morning once I finish this and put some food into my system to see if that helps me feel better. I think it’s weather related; our bipolar weather swung back into the warm and wet side again yesterday afternoon and into the evening, so it may have been a combination of sinus, blood sugar crash, and dehydration–so I am going to have to have some of that rehydration drink today. It really does suck how a bad night can throw you off your game; all I want to do is go back to bed and rest some more. This doesn’t bode well as I have to go back to work on Tuesday; yikes! But if it wears me out, it wears me out–and should mean I’ll sleep well that night.
We also watched some of the Grand Prix figure skating final last night, too–after finishing Indy and giving up on another show we were watching–and there just aren’t a lot of good, top quality skaters anymore; there’s a huge drop-off from the top three–and the pairs? Yikes. The team that won was the best of the six, for sure, despite a lot of mistakes. Skating just isn’t as much fun to watch as it used to be–although Ilia Malinin and his insane amount of quads in every long program is pretty impressive, and he’s getting better at the artistry, which used to be practically non-existent in his programs. I think he’s going to be one of the greater skaters, as long as his body holds out–all those quads are a lot of pressure on his ankles, knees, and hips.
Sorry to be so dull today, but yikes–exhausted and tired and still not feeling super great.let me eat something and maybe that will help–and so I will bid you adieu on this Sunday morning, and hope you have a lovely day.
I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.
(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)
But, with a strong and heartfelt thank you to Leslie for these questions, away we go.
Did you set out to write a humorous (whatever that means) book?
I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.
I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.
The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.
What’s the most challenging thing about writing humor?
Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.
Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).
Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?
My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?
Have you ever had to change anything in a book (funny or not) because of pushback from your editor?
Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”
Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?
Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.
I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?
Humor is hard.
Is there any type of humor that you would deem inappropriate for your books?
No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.
A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….
Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
Friday has arrived, Constant Reader, and it’s glorious (although I keep thinking it’s Saturday because I’d gotten used to going into the office on Fridays). After all the week’s insomnia, I slept gloriously last night–when I first went to bed Scooter joined me, cuddled up to me and started the purr machine, which draws sleep like a moth to a flame. Paul got home later than expected, so we watched Andor and an episode of Chucky, which we are about to give up on. It’s campy and funny, but it literally makes so little sense–which is admittedly also a part of its charm, and I do love that two of the three main characters are a young teen gay couple–we might be giving it up fairly soon. I also have some errands to run today–I have to get my flu shot and pick up a prescription–and I am also debating whether to make a Five Guys run while I’m out there. It’s been a while since I’ve experienced the glory that is Five Guys…but on the other hand, I could look at it as look how well I’ve done not eating any fast food for so long and not go, too. Decisions, decisions.
Then again it is Halloween season–we’ll probably stream Halloween Ends tonight–so it doesn’t seem right to not be watching horror, you know? I hope to finish my revisit of Interview with the Vampire today and move on to a reread of salem’s Lot; I also have Paul Tremblay’s short story collection and Joe Hill’s so perhaps I should consider diving into some short stories for a while as well. I think I only got one story into each–and I also want to read Shirley Jackson’s Edgar Award-winning short story at some point as well as part of another long term project I am working on (because how many things can I be working on at the same time? Let’s find out!), and I also got both the new Donna Andrews and the new Raquel V. Reyes novels (Dashing Through the Snowbirds and Calypso, Cooking and Corpses, respectively). Lots of good reading in my future, really–but there always is; my TBR stack is a who’s who of brilliant writers, really.
And when I am finished with my work for the day, I think I am going to start planning out the rest of the Scotty book (after finishing the chapter I am currently struggling with). It certainly can’t make writing it any harder, right?
A few weekends ago I talked to Ricky Grove, the host of The Paperback Show podcast about Daphne du Maurier and My Cousin Rachel (you can listen here if you’d like), which was a lot of fun–any excuse, really, to talk about Daphne du Maurier will be leapt at here in the Lost Apartment, for future reference–and Ricky is always fun to talk to; I can’t believe how long I’ve known Ricky now, where does the goddamned time go, anyway?
It has been quite a long time since I got into this business–as I said the other day, I’ve been doing this a third of my life now, which is simply insane, really, to think about–and it’s been quite a ride, to be certain. I’m a totally different person than I was twenty years ago, and there’s no way in hell twenty years ago I could have foreseen what those two decades held in store, just waiting for the time to be right to pounce on me. But it’s cool, you know; I’m pretty happy with the life I have and the direction it’s heading, even if I am more aware of the ticking down of the clock than I was before, to be sure. I’m behind on everything as always but progress was made this past week, and now that I have the schedule back that I prefer for the day job, I am hoping I will adapt to it rather quickly again and so I won’t have the insomnia or the “tired all day” feel that brings with it. There’s a short story deadline tomorrow that I wanted to make, so I thought last night about potential stories I have on hand that I could possibly polish tomorrow and try to get turned in–if they say no, they say no, and you can’t be accepted if you don’t turn anything in at all–so that’s a potential thing for me to do tomorrow. I also want to drop some books off at the library sale, and maybe wash and clean out the car. LSU plays a night game tomorrow, so I have the entire day free (I’ll probably have the Alabama-Tennessee game on in the background, ROLL TIDE!) to get things done and write and read and clean and…I guess we’ll just have to see how it all goes, won’t we?
And on that note, I am. heading into the spice mines before i head over to the office to get my flu shot. Have a happy and productive day, Constant Reader.
Wednesday and another edition of the biweekly Pay The Bills Day! Woo-hoo! But this is also my last paycheck at my old rate of pay; I am curious to see what my paychecks will look like when they reflect my raise–check back, Constant Reader, in precisely two weeks to find out.
Can you stand the suspense? I barely can.
I was very tired yesterday, and I slept about the same last night so I can also plan on hitting the wall today around three. I took a long lunch yesterday to record Susan Larson’s marvelous radio show The Reading Life, which will air on December 6th, and that was naturally delightful as every moment spent with Susan is. But by the time I got back to the office and got settled back into the seeing clients routine, I was very tired. I had a ZOOM meeting when I got back home last night, which was interesting and fun–it’s always lovely seeing that group of people (queer crime writers! Woo-hoo!)–and then I settled into my chair to watch Reboot and another episode of Diary of a Gigolo, which is just so much fun. I did get some writing done yesterday–terrible writing, I might add–but am hopeful that tonight I’ll get back on track. I feel like I slept about the same last night, waking up several times and never really falling deep asleep again, but this morning so far I feel good. I managed to somehow get quite a bit finished yesterday, which I didn’t think would actually be the case, given how sleepy and tired I was yesterday afternoon, but looking back over the day I can see that yes, indeed, I did get a lot done despite the exhaustion. I am adjusting to the new work week schedule, methinks; tomorrow is my last day in the office and usually I am worn down the day before my last day in the office for the week, so this is a major plus.
And now to consult the to-do list…sigh. It can wait until later, surely?
I don’t know why this morning I feel like I’ve turned some kind of corner, which makes absolutely zero sense, but that’s kind of how I feel; like I’m shaking off some kind of malaise or stupor and my mind is functioning correctly again. It’s entirely possible the booster shot I got on Monday fogged my brain for a few days–I’m blaming the insomnia issues on it for fucking sure–and now this morning that fog has cleared. I don’t know, I really can’t explain it other than that, but this is one of those mornings where I feel like I am mentally rolling up my sleeves and taking a look at all and everything I need to get done and diving in headfirst. LOL, we’ll see how long this feeling lasts, won’t we? But I feel good–and that is reflected in my mood, I guess; I’m in a pretty good mood this morning (at least thus far) but it’s probably too much to hope for that it will last the rest of the day.
Probably not, but you never know.
I was thinking last night–after talking to Susan about the next book (should there be one) in the new series, and of course my copy of Raquel V. Reyes’ second novel arrived yesterday–about how important the second book in a series is, and how much different the second books in both of my series are from the first book in each series. In the first book you have to introduce the characters and their backstories and how they relate to each other (the kind of relationships they have with each other) as well as who your main character is and try to get the reader to relate to them and like them enough to buy into the series as a whole. In the second book, you’ve already done all of this work so all you need is little sound bytes here and there to recap those backstories and so forth and you can spend a lot more time developing your plot and story. Murder in the Rue St. Ann was very different than Murder in the Rue Dauphine; revisiting the Scotty series I can see how much more complicated and layered the story of Jackson Square Jazz was in comparison to Bourbon Street Blues, which had a much simpler plot. Likewise, A Streetcar Named Murder is the launching place for this series, and hopefully it will continue (my second one is tentatively titled The House of the Seven Grables, which will probably be changed by the publisher if there is a second book in the series), and the plot I have in mind for this second Valerie book is a lot more all over the place and complicated–especially as we dig deeper into the Cooper family mystery that was brought to light in the first book.
My favorite part of writing a book is the planning stage, really.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will chat with you again tomorrow.
As Constant Reader should know by now, while my entire identity and ego is wrapped up (probably too much) in being a writer, the truth is I have always been, currently am, and will always be, a reader first. I love to read, always have since I first learning what the little squiggles on the pages actually meant and learned how to decipher the little squiggles first into words, then into sentences, paragraphs and eventually entire stories. Reading was always my escape from a world too harsh for a little creative gay boy surrounded by people who didn’t read much nor cared much about books and so forth; sometimes the fantasy worlds I created in my head–always influenced by my reading–were safer and better places that I preferred to what, to me, was the horror of reality. I also learned a lot from my reading. I learned about other countries and cultures and groups; history and geography and other little odds and ends of information that remain lodged in my head and make me good at both Jeopardy! and Trivial Pursuit (case in point: I learned from Nancy Drew’s 44th adventure The Clue in the Crossword Cipher that the Incas’ language was quechua; I’ve never forgotten that, or that the Nasca Lines play a part in the book, and she and her friends also went to Machu Picchu).
Over the last few years I realized that my reading was primarily white and straight and decided to correct that; since then I have discovered the eye-opening marvel that is the talent of non-white authors and their remarkable story-telling ability. S. A. Cosby, Kellye Garrett, Silvia Moreno-Garcia, Mia P. Manansala, Alex Segura Jr, Raquel V. Reyes and many others have opened my eyes to other American experiences, and reading their work has also given me a broader and deeper understanding and appreciation of a different kind of American experience.
And then I read Gabino Iglesias’ 2022 release, The Devil Takes You Home.
Leukemia. That’s what the doctor said. She was young, white, and pretty. Her brown hair hung like a curtain over her left eye. She talked to us softly, using the tone most people use to explain things to a child, especially when they think the child is an idiot. Her mouth opened just enough to let the words flow out. She said our four-year-old daughter had cancer in her blood cells. Our Anita, who waited in the other room, playing with Legos and still wrapped in innocence. Acute lymphoblastic leukemia. Those strange words were said in a voice that was both impossibly sharp and velvety. Her soft delivery didn’t help. You can wrap a shotgun in flowers, but that doesn’t make the blast less lethal.
The young, white, pretty doctor told us it was too early to tell for sure, but there was a good chance that Anita was going to be okay. Okay, that’s the word she used. Sometimes four letters mean the world. She immediately added that she couldn’t make any promises. People fear being someone else’s hope. I understood her, but I wanted her to be our hope.
Jesus.
The opening of the book rips your heart out and rends your soul.
I am not a parent, never have been, never wanted to be, and never will be. I admire and respect parents (for the most part) because when I try to imagine what it’s like to be one, I can’t–it literally wears my brain down. I am a chronic worrier as it is; I get nervous when Paul doesn’t come home from work when he’s supposed to, or dawdles and delays and doesn’t text me. But for the most part, I know he’s an adult and functional and I believe he can, for the most part, navigate the world safely so I don’t spend a lot of time worrying about him.
I don’t think parents ever have a moment’s rest from the time the child is born until the child or the parents die–and I can imagine no greater grief than losing a beloved child.
Losing their child is how this book opens. And you just know in your heart of hearts–things aren’t going to get better any time soon for the father narrating this story. It isn’t a spoiler to let you know, Constant Reader, that by Chapter Three Anita is dead and her parents are swimming in debt and grief and drowning in it all. Before long, the marriage is over and Mario is alone with his grief and his debt and misery.
I don’t think I’ve ever read such a literate and powerful description of rock bottom in my life.
Mario turns back to crime in an attempt to make things right with the world and to somehow fill his horrible emptiness with something, anything. He starts off as a hitman, killing bad people and making money to pay down his debt and maybe, just maybe, somehow get his wife back and they can start over. Mario is desperate–and aren’t desperate characters the essense of noir at its purest distillation? He is then recruited to help liberate some cash from a cartel on its way to Mexico. Success means a cool two hundred grand and the potential to start over. Failure means a bullet in the head.
Both are better options than the life Mario is living at the time.
The pacing is breakneck and the story itself is a trainwreck you can’t look away from; you can’t help rooting for Mario, flaws and all, because the suffering is so intense you want him to find, somehow, both redemption and peace. (The book also serves as a stinging indictment of poverty in this country, and the near-impossibility of bettering yourself while drowning in the debt incurred for the possibility of bettering yourself, as well as our fraudulent health care system. Parents shouldn’t be saddled with insurmountable debt for trying to keep their child alive and especially not when the child passes.)
There are also some fascinating elements of the paranormal/supernatural mixed into the story, too–but while this might throw a typical noir off-track, it works here to heighten the sense of madness and unreality the entire book invokes. The true horror of the book is the system, designed to keep people of color down and to keep the cycle of poverty going.
Here are just a few of the gems in the prose:
The middle of nowhere is remarkably consistent in terms of being unmemorable.
The décor was a mix of a failed attempt at hill-country chic circa 1970 and neon signs for the kinds of beers folks buy at gas station convenience stores on their way to somewhere they wish they could escape.
The Devil Takes You Home is raw, fresh and original, with the kind of crisp smart literate writing that speaks of Lisa Lutz, Megan Abbott, and Jim Thompson.
I marked any number of pages for these writing gems that both awed and inspired me (to do better with my own work).
I highly recommend the book–but be warned: there is violence and gore aplenty, but it all works because it’s not there for shock value.
And he is home in the Lost Apartment, swilling coffee after having a good night’s sleep for the first time since, well, last Tuesday night, really; I had to get up at five on Thursday, after all. I got home around nine last night; I got a ride to the airport many hours before my flight–which I don’t mind, as long as I have something to read and an Internet connection, I am more than capable of entertaining myself. The flight home was uneventful, I retrieved the car and there wasn’t any traffic to speak of on I-10 so the drive home was practically nothing. Now I have to adjust back to my normal reality, which is also fine–it can be very tiring and exhausting being at a conference for the weekend, but as I mentioned yesterday, I had a marvelous time. Sleuthfest is a lovely event (kudos to the Florida chapter of Mystery Writers of America, with an especial shout out to president Alan Orloff and chairs Michael Joy and Raquel Reyes) I’ve always enjoyed when I’ve had the opportunity to attend; I certainly hope it works out for me to go again next year. I met some new people and reconnected with others I’ve not seen since pre-pandemic (some of course I’ve met and seen since the pandemic started), and over all, it was truly a lovely weekend. I also managed to get some writing done over the course of the weekend, which is always a pleasant surprise when it happens.
But there’s also something quite lovely about being home, in my own desk chair drinking my own coffee and looking at my big desktop screen instead of the laptop. I have a million emails to get through and try to answer; data to enter for my day job; and at some point later today I have to run errands and finish re-acclimating to New Orleans and my usual, ordinary, day to day existence. I did manage to finish reading my friend’s manuscript (which I greatly enjoyed), as well as The Great Betrayal, and got about half-way through Rob Osler’s debut Devil’s Chew Toy, which I hope to finish this week. I have some stories to finish polishing to get out into the world this month, and I need to get back to the writing, of course. I’m also still a little reeling from how well my reading from Chlorine went at Noir at the Bar; yesterday people were still coming up to me to tell me how much they enjoyed it and how much they were looking forward to reading it when it’s finished. I suspect Chlorine might be the breakout book I’ve been waiting to write most of my career…it certainly seems like it, doesn’t it?
I am feeling a bit better about where I am at with everything and my writing, I have to say. That’s the lovely thing about events like Sleuthfest–writers with careers like mine often are operating in a vacuum. Sure, people say nice things to us about our work on social media or in Amazon or Goodreads reviews, but for the most part we don’t get many opportunities to engage with readers or other authors in person. I doubt, for example, that I will ever be so popular that my signings or readings or appearances will be ticketed events. It’s always possible, of course, but at this point hardly likely. having in person interactions with other writers and readers. Writing is different from other jobs; you mostly do it by yourself and it’s not like you have an office filled with other co-worker authors to go to every day. I never am overly concerned about how good of a job I am doing at my day job; I know my job inside out and I provide good care and education to my clients every day. But writing is an entirely different animal. You work on something by yourself for quite some time and polish it and edit it and rewrite it and you have no idea what’s going on with it–if it’s any good or not, because you’re not a good judge of your own work, and then you send it out and wait and wait and wait to find out if it’s any good or remotely publishable. And even then, you don’t get any feedback outside of your editor for months and months and months after you wrote it–and in some cases, by the time the book or story comes out, you’ve completely forgotten what it was about and who the characters were and so on.
Heavy sigh.
That’s why, at least for me as an author, going to events like Sleuthfest are so important. I need that reinvigoration every once in a while; it inspires me and pushes me and gets me back to feeling like an author again. It’s really nice.
But now I have to get back to reality–balancing day job with writing and volunteer work and keeping the house–and I know my next event will be Bouchercon in September, at the end of the dog days of summer and as football season once again kicks into gear. So for now, I am going to make another cup of coffee, put some things away and start doing some chores around here before I dive back into the duties of my day job. Have a lovely Monday, Constant Reader, and I will talk to you again tomorrow.
The traditional mystery, to quote Rodney Dangerfield, “don’t get no respect.”
I’m not sure why that is, to be perfectly honest. I do have my suspicions and opinions, most of which inevitably circle back to the root of so many societal ills: misogyny. Traditional mysteries, often called (both respectfully and derisively) cozies, are, as a general rule, primarily written by women, tell women’s stories, and theoretically, the primary market for them is women. So naturally, much like the entirety of the romance genre, it is subject to derision, not being taken as seriously as darker works, and often is shut out during awards seasons (the primary exception being the Agatha Awards, given at Malice Domestic, which is primarily focused on the traditional mystery). They generally also don’t get a lot of review coverage, because women mystery writers also traditionally don’t get their fair share of print reviews in major publications, either–and the ones who usually do trend to the darker side.
I will also admit that I, too, am guilty of being more drawn to the darker, harsher, more noir side of crime fiction in my reading–which is kind of ironic, as one of my favorite series writers of all time is Elizabeth Peters, who didn’t write dark but rather light-hearted and funny; the Amelia Peabody series is one of the all-time greats. I also love Ellen Hart’s and Donna Andrews’ and and Miranda James’ and Elaine Viets’ series; but a few years ago I realized I wasn’t giving the subgenre enough love and attention, so focused on consciously reading more traditional mysteries. I have since discovered other terrific traditional mystery writers by expanding my scope and not just reaching for the next thing that sounds interesting. I discovered Kellye Garrett’s terrific Detective by Day series, Leslie Budewitz, Sherry Harris, Julia Henry, Hannah Dennison, and far too many others to name. (Also, shout outs to Raquel V. Reyes and Mia P. Manansala for outstanding new series over the last year or so.)
And then of course there’s Ellen Byron.
In some cities, a middle-aged woman dancing down the street dressed as a cross between a 1970’s disco queen and Wilma Flintsone would be unusual. But this was New Orleans, where the unusual was the everyday.
The woman dancing past Ricki James-Diaz, dodging the broken concrete in the Irish Channel’s worn sidewalks, happened to be her landlady, Kitty Kat Rousseau, who lived on the other side of Ricki’s double-shotgun cottage on Odile Street.“On your way to rehearsal?” Ricki called to Kitty from the porch. Kitty belonged to the ABBA Dabbo Do’s, one of the Crescent City’s many synchronized dance and marching troupes that entertained at parades and special events.
“You know it, chère.” Kitty did the hustle, then paused. “Whew, spinning made me dizzy.” She leaned against a lamppost, trying to regain her equilibrium. “I’m glad you caught me. I wanted to wish you good luck today.”
Ricki used the back of her hand to wipe a drop of perspiration from her forehead, the result of nervrs, not the mid-August heat. “Thank you so much.”
I’ve been meaning to read Ellen Byron for quite some time now; I’m not really sure why I haven’t. Ellen and I met electronically, but I am not exactly sure I remember precisely how; a Facebook group, or something. I don’t know, but Ellen–who graduated from Tulane University and whose daughter was attending Loyola–wanted to meet for dinner on a trip here to get her daughter settled into an apartment and the rest was history. She has written two series already–the Cajun Country series (which I need to read) and the Catering Hall mysteries as Maria DiRico. She’s doing a prelaunch party for the first in her new series, the Vintage Cookbook series, the first of which is called Bayou Book Thief. She graciously asked me to do the event with her, and as such I spent yesterday afternoon reading the book…which is absolutely charming.
The premise of the book is the Ricki (full name: Miracle Fleur de Lis James-Diaz, thank you very much) has returned to New Orleans to escape two awful experiences: the freak accident death of her husband, a viral Youtube video-maker (think Jackass) who choked to death doing one of his stunts, and of course the video of his death–he filmed it live–has gone viral. If that isn’t bad enough, her employer (she curated his collection of rare first editions) was convicted of a massive Bernie Madoff-like fraud scheme. Having been born in New Orleans and lived there her first seven years of life till her adoptive (yes, she was abandoned at Charity Hospital as an infant) parents moved to Los Angeles, she has decided to return to the city of her birth, maybe find her birth mother, and start a new business–selling vintage cookbooks and vintage serving ware in a shop in the Bon Vee museum, which used to be the home of one of the city’s legendary restauranteurs, Genevieve “Vee” Charbonnet. The board president approves her idea, and the story is off to the races as Ricki gets to know her co-workers, the Bon Vee family, from administration to the tour guides to the docents, as well as those who work in the little café on the grounds.
Soon, one of the more irritating tour guides (let’s face it, he’s a dick) turns up dead in a trunk and dropped off at the mansion with some boxes of donated books for the shop. Ricki herself has had a few run-ins with the victim, and she’s also the one who finds the body. Worried about whether or not she herself is a suspect, as well as what damage the murder might do to her new business, Ricki starts looking into the murder herself–while also developing a weird relationship/friendship with the female police detective looking into the case. But this murder is just one of several mysteries surrounding Ricki and her life at the mansion, and many complications that arise from her working there and her amateur sleuthing.
Bayou Book Thief is a lot of fun, and is filled with endearing, likable characters along with some marvelous observations and truths about New Orleans–watching out for tree roots as you walk along the sidewalks; the horror of your air conditioning going out while it’s still hot; being in a bar during a Saints game; and above all else, that the city is really a very small town at heart. I really enjoyed it, and look forward to the next in the series, Wined and Died in New Orleans.
Join us tonight at five pm at Blue Cypress Books. It’ll be a fun time.
Queer and Loathing in America 