Tag: physique magazines

Hollywood Swinging

Everybody is a star in Hollywood!

Or so the song by the Village People would have us believe, at any rate.

I’m not sure what it is about Hollywood, movies, and stars that draws gays like moths to an outdoor night light, but there you have it. We’ve fallen in love with movie stars and made them into icons–and interestingly enough, we always seem to like the same ones for the most part–Joan Crawford, Bette Davis, Katharine Hepburn, Judy, Liza, Barbra, Cher, Madonna, Lady Gaga, and so on; almost like there’s some kind of weird genetic link between the majority of gay cisgender white men that draws us all to the same things, so much that even straight people know who the women are that we idolize.

Why this is the case, I have no idea. But gay men have also significantly impacted how we as a society and culture look at men’s bodies, too–see previous post about how what was considered sexy in a man began changing in the 1970s, and continued evolving until what gay men (theoretically) found hot was what everyone considered hot for a man.

When I was a kid it was also believed that bodybuilders were mostly gay, too–because only gay men had the free time to develop and work their bodies…so the gay male attraction to muscular fit men was enough for society to say that about bodybuilders. (I have always appreciated bodybuilders aesthetically, but they leave me cold. They are so not sexy, despite the skimpy bikinis they pose in (gay men were also, for a long time, the only ones who weren’t competitive swimmers who wore speedos), and they never really have been.

But gay photographers began making bank in the late 1940s and 1950s by launching “physique magazines” as a cover for gay eroticism; they would find incredibly handsome men with worked out bodies and photograph them in “classical” poses. This dodge was how they got around pornography and postal obscenity charges; no visible penises, and the men were always posed like classical paintings or statuary to “show off their physiques”. Some of the men who posed for these photographers often did so early in their careers (Yul Brynner was one of many who did these kind of photo shoots to pay the bills), and never really hid their past as physique models–but they also didn’t bring it up much. Nudes for a male (or scantily dressed at least) weren’t as big an issue as they were for women; but male nudes weren’t exactly a boost to one’s career.

The gorgeous Ed Fury, who did some Hercules/hero type roles in movies in the 50s/60s

These old photos–and 8 mm physique films that were sold to private viewers–are astonishing to come across in the modern day and leaves so much to be explained1. Hollywood has always done a great job about covering up the same-sex attractions and predilections of movie stars; look at Randolph Scott and Cary Grant’s five years living together, or any number of other male stars. I’ve started looking into this a bit more because it’s all research for Chlorine, and it’s a plot point in the book. (It also gave me an idea for another noir, called Obscenity.) It’s very fascinating to me. The more I learn about Hollywood, and how things worked, and how rife with homosexuality that the studio assiduously kept secret, the more interested I am in those decades when studio bosses held all the power, when their fixers went around cleaning up after their stars, and the secret homosexuality just out of view there. Tab Hunter, Rock Hudson, and of course, the agent who represented all the beautiful boys: Henry Willson, who more than anything else is a tragic figure that I can’t help feeling sorry for, despite how awful he actually was…I am more willing to give queers forgiveness because of the toxic times they lived in and how they had to survive. (Roy Cohn, on the other hand, can burn in hell right next to J. Edgar Hoover and Clyde Tolson) Reading The Man Who Made Rock Hudson, a very well written biography of Willson, really made me feel sorry for him in many ways and understand perhaps why he was so damned awful.

It was also the times.

William J. Mann, by the way, has done some excellent queer Hollywood history non-fiction, if you want to a good place to start reading up on it.

I’m really looking forward to doing more research on physique magazines.

  1. This was the birth of gay porn, really, which makes it all the more interesting to me. ↩︎

Seasons in the Sun

Tuesday and back to the office this morning with me. It feels right, you know? Yesterday I was kind of bored and low energy. I did some chores, worked on the files some, did some writing, and reading (Horror Movie is terrific; Paul Tremblay is really a spectacular writer), but overall I was feeling pretty low energy by the time the late afternoon rolled around, and I didn’t have a problem with it, really. I got up early, after all, to get used to it, and I’d done a lot over the previous two days; and everything else that needs to be done in here can be broken down into separate small chores, which is far easier to scratch off the list and a lot more satisfying. Paul had to go out for the evening last night to go to a reading, and didn’t get home until after I went to bed. I slept very well, too.

So I am feeling up for going back to work this morning; I feel very rested and relaxed, and I only have to be in the office for three days this week, and three days next, too. I think I am going to take Friday the 5th off, might as well have another four day weekend when it presents itself this way, don’t you think? I thought it would take much longer to get through the filing, in all honesty, and to be sure, it’s not exactly finished either. But I would have never dreamed I could get so much done so quickly, either. I have another drawer to go through, and then everything needs to be alphabetized…but most of the duplicates have been combined, all the files pertaining to a certain book have been also gathered togetherm and now I have to start finishing books, you know? Tonight I have to get the mail and go to the gym before I get home, which will be nice. There are a couple of chores I started and need to finish–laundry and dishes, as always–before I can settle in to write and/or read tonight. (I suspect I’ll be tired and reading is the most likely option. I do want to get Horror Movie finished so I can start another one.) It also rained overnight–more rain later in the week to come–and so I can probably put off washing the car for another weekend.

We’re also running out of Pride Month, and I have a lot of entries left to complete. Heavy sigh. It’s not easy when you don’t really have a plan. The ones that are left will wind up lengthier than the ones I’ve already done, and I don’t think I’m necessarily the best at winging it, you know? There are a couple that I’ve been wanting to finish for several years now–including one about masculinity, one about old Hollywood and physique magazines (which I want to write a book about eventually), and one about The Children’s Bible, because I looked upon those images inside with desire when I was a child. I should also probably do Playgirl magazine as well. So many potential entries, so few days. Heavy heaving sigh.

But I like the uncluttered look the apartment is now getting. I still want to do the drawers and the cabinets, and of course the attic is a big project I may save for Labor Day weekend. It’s so lovely to be making progress again.

It was also kind of nice that I really did take most of the day off yesterday because of the low energy and it seems to have worked its magic, so on this note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

I Sing the Body Electric

I’ve been reading a lot of history lately (nothing new there, really; my favorite non-fiction generally tends to be history), focusing primarily on New Orleans and Louisiana for the most part. As I read histories of New Orleans, here and there I find little bits, here and there, about the queer subculture in the long years and decades before Stonewall; little bits, here and there, more of asides in longer narratives than anything else. There were, of course, male prostitutes in Storyville back in the day–generally not housed or regularly employed in the houses, but should a customer be desirous of, shall we say, male companionship, the madams would send a runner down to a gay watering hole a few blocks away in the Quarter and find someone looking to make some quick cash…and they never failed to find someone willing to satisfy the “peculiar tastes” of the john.

Finding this, and other references to bordello activity by reformers protesting their existence and wanting them shut down, as “sodomy” quite naturally piqued my interest. As a port city that was, at one time, the largest port and largest city in the southern United States, a city that was also a blend of many different cultures and so forth, New Orleans clearly had always had havens for homosexuals in those dark times when we were outlaws. As I read other New Orleans histories, I do keep an eye out for these references, and mark the pages in order to find them easily again.

There’s a lot of stories untold there in the past, and I’ve been considering the possibilities of writing more historical-based fiction in New Orleans. I’ve already started a short story about a young gay man who occasionally picks up extra cash by working in one of the brothels at night “on demand,” and I think it has some terrific potential.

Queer people have often been erased by history, just as people of color and women have been, and while I will most likely never write non-fiction (you can’t make things up, which is the primary drawback for me), I do enjoy reading histories that focus on the gay community.

For example, David K. Johnson’s award-winning The Lavender Scare, about the purge of gay employees from the federal government in the 1950’s as intelligence risks (their sexuality left them open to blackmail from foreign spies; at least this was the fear) eventually led to my short story “The Weight of a Feather” (which I am still not convinced shouldn’t have been a novel); and as such, was quite delighted when Johnson released another scholarly look at queer American history this year, Buying Gay: How Physique Entrepreneurs Sparked a Movement.

I had, of course, known that “physique pictorial” magazines essentially were the original gay porn magazines; those images still can be found on the Internet.

buying gay

Johnson’s thesis holds that the mailing lists, and sales, of these magazines early on developed a cohesive gay market, and the recognition of said market gradually led to activism and wholesale societal change; that the magazines themselves created a sense of community by letting deeply closeted and frightened gay men know they weren’t alone; there were others like them, and helped them feel seen.

This further extrapolated into films and books, and gradually a gay rights movement.

The book is well written and deeply researched, as was The Lavender Scare (recently filmed as a documentary I am looking forward to seeing), and shed a light on a time I don’t know much about; few people know much about that time. One of the greatest tragedies of the community is how it was ravaged by HIV/AIDS in the 1980’s and 1990’s, until the development of the drug cocktails that first extended life, and eventually managed to make HIV a manageable infection rather than a fatal one; a lot of oral histories were lost as a result, and an entire generation of gay men was not only lost, but deprived the next generation of community elders and mentors.

I’ve been toying, over the last few years, with several ideas for noir novels with gay themes and characters set in the decades before Stonewall, and Buying Gay will, should I ever decide to do so, prove to be an invaluable source of material.

Well done, Dr. Johnson.