Tag: Oscars

Love Changes

Monday and back to the office with me this morning. I feel rested, but I didn’t want to get out of bed, either. Hey, it was comfortable, and Sparky was even curled up with me, too. It was supposed to rain overnight, but it doesn’t look wet outside. We’re supposed to have a lot of high wind today, and then tomorrow it won’t get warmer than the 40s. Yikes!

Yesterday wasn’t a bad day, but I was still kind of tired and worn out from the previous week, but I did get things done around here. I’m not finished cleaning by any means, but the place looks a lot better already and I cleaned up around the work space especially. I didn’t watch the Academy Awards, but followed on social media–much more bearable that way–and was delighted to see both Ryan Coogler and Michael B. Jordan did win awards for their work on Sinners, which was excellent and quite an achievement in film making. I’ve been a fan of Jordan since he was on All My Children, and how nice that he has an Oscar now. I’ve seen most of his films, and he is just a top-tier actor; he was exceptional in Sinners, and I’m glad the double role of Smoke and Stack showcased his abilities and was recognized. (I’m a big fan of Lee Marvin’s Oscar winning dual role in Cat Ballou, too.)

While I was cleaning yesterday, I found my massage gun! I had forgotten I had one. One of my co-workers has one (he moonlights as a pole dancer), and brought it to work a few years ago and used it on my upper back, and I immediately ordered one of my own. I promptly turned it on and used on not only my aching lower back, but also on my Achilles tendons, and it absolutely did the trick! My tendons didn’t get sore until I was climbing the stairs to go to bed last night, which was marvelous, and this morning they feel fine. So, we’ll see–and should they tighten up again, I’ve now remembered the magic healing powers of the massage gun!

I have to say, I wasn’t sure originally whether I should write a newsletter tribute to Lauren Henderson Saturday. As I said in the newsletter, it was complicated, and I was struggling with her loss, frankly. I figured that it would take me a long time to process those complicated feelings, but Saturday morning when I started writing about her it started flowing…and writing it was incredibly cathartic. Why do I so rarely remember that the best way for me to sort my thoughts and process things is to write about them? Writing it took me from the shock and disbelief and sadness to actual grief, and so while I did worry a bit about it being too personal or perhaps making her passing about me rather than her, I am glad that I did. I have also seen some other glorious tributes to her from others, including Sarah Weinman, Lisa Jewell, and Ayo Onatado. I was also worried about making her death about me, which didn’t feel right, either.

Sigh.

I did spend some time yesterday being creative and doing some brainstorming and note-taking, and also spent some time revisiting Barbara Tuchman’s The March of Folly (can’t imagine why), which had me thinking about how we are currently witnessing our country betray itself once again and for what? Folly. Everything now is a folly–and future historians will write reams about this time.

And on that note, I am heading into the spice mines. Have a lovely Monday, and I’ll be back first thing tomorrow.

Gorgeous Connor Storrie of Heated Rivalry fame

No Questions Asked

Sunday morning and here we are, ready for another exciting and highly productive day. The world is still here (so far), and I am already on my second cup of coffee. I feel rested and relaxed, which is terrific, because I do have things I need to get done today. I basically took yesterday off from everything–no errands, few chores, no nothing–other than icing my calves and finishing the final available series of The Traitors from the UK. I’ll probably go ahead and watch Australia and New Zealand–others from around the world don’t seem to be available to stream anywhere, but I bet the German one would be bad-ass. I think I am going to spend the morning here in the kitchen, cleaning and organizing and writing some, before working on the living room and doing some editorial work. I don’t need to run any errands today, either–but may have a pizza delivered tonight for dinner. I also need to prepare lunches for the week. But I do feel good this morning, so we’ll see how it all goes, shan’t we?

I did write about my conflicting emotions on the unexpected loss of my friend Lauren Henderson, which you can read by clicking the blue. It did help me sort out the complicated feelings I’ve been experiencing since I woke up to the news the other morning (can people stop dying on me, please?), and once it was finished and posted I feel less unsettled about everything and could have a proper cry for her loss, which was cathartic. Highly recommended. I also spent some time Friday evening looking through old pictures of good times we’d had together–especially Italy–which was also lovely.

Sigh.

I guess the Oscars are tonight. I may have them on while I do something else (unlikely) tonight, but I am not staying up to see who wins the big prizes and can happily wait until tomorrow morning tp find out. I am hoping Sinners wins everything under the sun, including Best Actor for Michael B. Jordan, but I feel it’s going to be another The Color Purple night, where “See how liberal we are! Look at all those nominations!” will suffice. I never understood where the idea that Hollywood is liberal came from, when Hollywood collectively is as conservative as it gets–look at how few films there are that center anyone who’s not a cisgender straight white man–but like the news, it makes for a great conservative target–and they never care about whether their bitching is actually based in fact not feeling (fascinating, since they’re also the “fuck your feelings” crowd), as long as they can get mad and complain about something. I mean, look at our news media now! Years of calling it the “lamestream media” (thank you for that bon mot, quitter Palin) and “the liberal-biased media” worked, didn’t it? They kept watering down their content and anything the Right might consider “offensive” to them, and they happily fell into lockstep with MAGA. If this does ever end without the country glowing and in ashes, there’s so much work to repair the long-lasting damage they’ve done to the country that we might as well just let the whole thing collapse and start over. The system is too entrenched in white supremacy to work for anyone who doesn’t fit into their narrowly defined box of acceptability.

I do love the new iPad, by the way, and I love the magic keyboard that I bought to go with it. It functions much more like a laptop than my old one, and now I am not even sure what to do with the old one, other than wipe it and take it back into Apple, so they can refurbish it and resell it as used again. Is that credit worth driving back out to Metairie? Probably, because I’ll eventually need another accessory for all the Mac products I own.

I also have been feeling good about my writing ability again. I’ve been getting some praise for my work lately, which has been absolutely lovely–and needed, I think. With my anxiety medicated now, I am realizing that my Imposter Syndrome was another one of those symptoms that I was so used to that I never thought it would go away.1 I am good at what I do. Could I be better? Always–that is always the case with creative arts–but that doesn’t mean what I release out into the world is garbage, either.

It’s a nice feeling, really.

And on that note, I am going to head into the spice mines. I am going to make myself some breakfast and start cleaning up in here. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow morning.

The Acropolis in Athens lit up at night.
  1. Mind you, I am sure there will be flare-ups again, but the need for humility and not being outwardly proud of my accomplishments isn’t there any more…and if it is still there, it’s not as persistent; that awful little voice seems to be gone now. ↩︎

enchanted

And here we are on another work-at-home Friday, after an odd week. Monday was a holiday, and of course I took Wednesday off, so this has been an odd week. I kept thinking yesterday was Monday, for one thing, which was weird–I felt rested and motivated for most of the day, which was a good thing. I was also very efficient, getting everything done that needed to be done, and of course, I have work at home duties to get done. I slept well again and got up earlier than usual, so I feel good this morning, too. Might I actually get some things done this weekend? Remains to be seen. There’s a cold front coming in over the weekend, with temperatures dipping down into the freezing range on Sunday. We’re not supposed to get snow and ice, but….one never can be certain, can one? I did get some chores done last night, too, so I am already ahead on the weekend. All the dishes are clean, so all I need to work on is pruning the books some more and the floors. Huzzah! I should have time to get some writing done as well as some other cleaning and organizing, and reading, too. Well, we’ll see, at any rate; I reserve the right to be lazy this weekend.

I get all sorts of emails trying to sell me ebooks on sale for either $1.99 or $2.99, and usually I’ll get things that I’ve already read, or something I meant to read all along yet never obtained a copy. Yesterday, the ebook I impulsively bought was Thus Was Adonis Murdered by Sarah Caudwell.1 I have a mass market paperback copy I bought any number of years ago, and I cannot remember who recommended it to me, or why they did; but I now have it in physical and ethereal form, so maybe I’ll get around to reading it this year. Maybe I’ll get around to reading something, anything, this year.

I was delighted to see Sinners get so many Oscar nominations, setting a new record for most with 16. I personally loved the movie, thought it was incredibly well made, written, and acted, and am really happy the Academy seems to be getting past its issues with horror cinema (Frankenstein also got a lot of nominations, and I still want to see it). Maybe this weekend I can carve out some time for a rewatch of Sinners, as well as Frankenstein and my rewatch of The Mummy.2 I always have so much to do, and being overwhelmed by it and getting none of it done is a long-standing issue in my life. I think I am nervous about working on Chlorine, and that is effectively blocking me from getting other things done along the way, too. Obviously, the answer to that dilemma is idiot, so start working on it–it can always be fixed. I don’t know why I can’t get past the fear of writing stuff I may not be able to use, but here we are, you know?

I still haven’t watched the final season of Stranger Things, and honestly, can’t drum up much interest in my mind to even consider watching. I don’t remember much, if anything, of the previous season…which is probably part of the problem. We also lost interest in Welcome to Derry, too. I think watching Derry and not getting into it has something to do with my lack of interest in finishing Stranger Things. The show started out as an homage to Stephen King and the 1980s, which made it a lot of fun for me those first few seasons…but if anything, It was kind of the blueprint for Stranger Things, and as a fan of It, there was a lot of issues in my mind with continuing with Derry–and having started Derry, I think the similarities is the mind block for me.

I got my twenty-one year pin this week at work, which was yet another damn you’re old moment for me. I’ve worked there now for nearly a third of my life (my previous record for a job was five years) and a lot has changed since I went to work part-time at the CAN office of the NO/AIDS Task Force twenty-one years ago–not just for me and the world, but in HIV testing, treatment, and care. Twenty-one years ago we hadn’t reached the ability to achieve undetectable viral loads (making you non-infectious) and PrEP (to prohibit new infections).

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check back in with you again tomorrow morning. Till then, arrivederci!

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  1. And yes, it bothers me that I cannot remember why it was recommended to me. I guess it doesn’t matter. ↩︎
  2. I love the Brendan Fraser/Rachel Weisz movies so much–but I can’t remember which movie is which! It will be part of my newsletter’s Egypt series. ↩︎

Noticeable One

Saturday morning, although all day yesterday I kept thinking it was Saturday. I much prefer Monday holidays, for that very reason, over Friday ones. We didn’t go see the movie yesterday, because my sinuses (sinii?) refused to cooperate and were kind of a pain in my ass all day; making me tired and a little grumpy and giving me the occasional headache. This was highly annoying, needless to say, and so I spent the day (other than doing chores) reading and watching television. I am almost finished with Summerhouse–there was a delightful twist two-thirds of the way through that I didn’t see coming, and it’s changed almost everything about the book–and should finish the remaining thirty or so pages this morning. We might go see the movie today–I’m not sure what Paul’s doing; he may be seeing his trainer. I may order some groceries for delivery (again, depends on what Paul is doing) and I was thinking about washing and cleaning out the car today if it’s not super miserable outside.

We watched a gay show through Prime last night, Single Out, which was adorable and cute. There are two more seasons, but alas, we need to either rent them or subscribe to Here–which might not be a bad thing for a little while; get some good gay content to watch–and then we watched Sinners, which is now streaming on MAX. I really enjoyed it, and thought it was excellent. If it weren’t for the fact that it’s a horror film, I’d say it would get a lot of Oscar nominations, but the voting members of the Academy generally don’t take horror very seriously as art, and there’s also some racism there, too. I may be pleasantly surprised, but the production values–set design, costume design, cinematography, screenplay–were all exceptional, and of course, the acting was stellar as well. I highly recommend Sinners, and I may watch it again to catch things I may have missed the first time around.

I feel better this morning than I did yesterday morning, which is nice. I was kind of worn down by the week, and of course the sinus revolt wasn’t much help in that regard, either. But I did make progress on the house, which is always a good thing, even if I didn’t get everything done. I should be able to get everything under control today. My coffee is hitting perfectly, I’m enjoying my breakfast, and his Majesty Sparky Lord of the Apartment isn’t demanding my desk chair for his morning nap, so…that’s a pretty good thing. In fact, when I finish and post this, I may go finish Summerhouse, and read some more of my other two current reads before getting cleaned up and back to work on the house. The dishwasher needs unloading, and there are some other dishes from last night that need to be cleaned–but at least all the laundry is done. Huzzah!

Okay, I was looking at Here’s website, and maybe a few months of paying for a subscription might be worth it (they have Dante’s Cove, which I would love to write about), so maybe we can finish Single Out (the best way to describe it is Heartstopper only with sex and teenagers being horny all the time, yet incredibly sweet and charming at the same time) and watch some classic queer movies, and try out some of their original queer series. Could be fun.

I was also looking through the drafts for my newsletter and sheesh, there’s a LOT I’ve started and not finished, as well as any number of finished entries I didn’t want to publish because it was Pride Month. As for the newsletter’s “identity crisis” I was experiencing last week, well, I think I am going to keep it as is; primarily focusing on queer rights (or the queer American experience), while also doing longer reviews of art (books, movies, TV shows) and perhaps, just perhaps, about writing and publishing. I have a shit ton of columns about writing (and fitness, for that matter) that I could republish in the newsletter (actually, now that I am thinking about it, that was the intent behind this blog in the first place; giving me a place to write about things no one would pay me to write about), and that could also be helpful.

It also occurred to me yesterday that I often shy away from writing more in depth about art because I feel like I am not educated enough to delve more deeply into them–and I also worry that anything I might come up with along those lines might not be original and may have been written about extensively already. But…it’s all opinion in the first place, isn’t it, and yes, maybe I haven’t read all the “classics” or the “modern literary writers,” but do I really need to do that in order to express what my takeaway from experiencing art is? No, I don’t. My takeaway might be better informed if I were more trained in criticism and had I read all those books, but the truth is, I didn’t. Most literary fiction, whether classic or modern, is like any other genre of literature–some is excellent, some is okay, and some is just fucking garbage. I really need to let go of my imposter syndrome once and for all, don’t I?

And on that note, I am going to make another cup of coffee and head to my easy chair. Have a lovely Saturday, and I may be back later. One can never be entirely certain, can one?

You Can’t Be a Beacon (If Your Light Don’t Shine)

Ah, back to the office Monday and what passed for normality this week. Tropical weather, even the smaller ones, are so disruptive. It generally takes about a week for everything–grocery stores, traffic lights, and other little things like that–to get back to normal. (Although after Ida it took weeks and I swear the grocery stores have never completely recovered from that, but I’m also older and crabbier now. Scary thought, ’tisn’t it?) The light at Prytania and Felicity, for example, is dead–not blinking, just dead to the world. It’s not a busy intersection, but….New Orleans drivers, and I’ll leave it at that.

Yesterday wasn’t nearly as lovely as Saturday. It wasn’t super hot, but rather muggy. I think that’s even worse than super-hot and humid; this is that unpleasant feeling where you know you’d be more comfortable if you’d start sweating, but you never do, you just feel greasy instead. It’s yucky, seriously. I did a big grocery run because we were out of things, but I forgot perhaps the most important thing–sweetener for my coffee. DISASTER! But I can drink my coffee unsweetened, I just don’t enjoy it as much. I’ll have to walk across the street at work today and get some from CVS. Ah, well. But the Saints trounced the Cowboys yesterday, in Dallas. They’ve scored over forty points per game so far, and are looking really good. Or, the two teams we’ve played really stink, who can tell? But I should probably start paying more attention to them again. I know that sounds band-wagon fannish, but what I mean by that is paying attention to the NFL overall; I only do that when the Saints are playing well. If they aren’t, I don’t care enough about pro football to pay attention to anything but the Saints themselves. If anything ,I am fair-weather fan of the NFL.

I also watched Civil War yesterday afternoon. I wasn’t sure what I’d think going in, and I know it was kind of controversial at the time–but while it didn’t really do anything for me one way or the other, I can see why it disturbed people. It’s very graphic, shot in an almost documentary style, like the filmmakers are following and documenting journalists covering what looks like the end of a prolonged, and bitter, American civil war. The backstory isn’t really explained much, either–so you can’t say it’s pro one thing or the other, so it’s kind of like a true news documentary in that way. It’s very realistic about what the country would look like in that situation, and how the weary journalists don’t have an opinion about what they are witnessing (and experiencing the danger right along with whoever they are photographing; they also still shot some of the images they are taking, showing the action through endless shots in one case, which I thought was an interesting technique. The acting was good, it was completely unsentimental, and while I wouldn’t say it worked completely, it’s not a bad film and if you’re curious about it, check it out for yourself. But I was inured to the whole “disturbing” aspect of America at war with itself, because there’s a long history of this sort of thing in popular culture and I’ve come up with at least three or four book ideas that are variations on the very same theme of American collapse, what would come in its wake, and what kind of dystopia/civilization would rise from the ruins. I think about those ideas from time to time, usually when I’m watching some kind of dystopian movie or television series. I’m just kind of ambivalent about the movie, but it really left me without much of an opinion one way or the other.

I did sleep really well last night, and my supervisor is out for the week at a conference, which leaves me in charge of my program and the answer-man for questions with other testing. Yay, responsibility. But hopefully this week will be normal; a quick look at the Hurricane Center reveals Tropical Storm Gordon out in the Atlantic heading west and something forming along the coast of the Carolinas….so at least a week without having to worry about another disruption. Huzzah, I suppose.

We watched the Emmys for a while last night before going to bed, and it wasn’t a particularly good show–it rarely is, most awards shows are incredibly tedious (and getting even more tedious with every year), and the older I get the less I care about who wins them. I know this makes me a bad gay, but I was very into them for decades and they were a part of my formative gay years, so they did have an influence on me, but I’ve never considered the Tonys or Oscars to be the ‘gay Super Bowl’. There are some good shows coming out this month, everything from Grotesquerie to the Menendez Brothers series, and English Teacher is something I’m hearing very good things about, so we’re going to try to check that out this week, too. I didn’t read yesterday, but I did work on the Scotty Bible and did some planning on the next chapter, and want to get back to work on it as soon as possible.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again perhaps later.

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Quiet Village

Sunday morning and Daylight Savings Time begins, which means it’s an hour later than my body thinks it is, and that’s fine. I would imagine that the real brick wall as far as the time change is concerned is going to be hit tomorrow morning when I get up for work. But there are worse things, after all; there are always worse things. But yesterday was a pretty decent day, overall. I got some things done, not nearly enough, and had my ZOOM panel for Murderous March around one thirty my time; ably moderated by Richie Narvaez, it was quite a lot of fun, but I am never sure how I am coming across when it’s ZOOM–no audience reactions to play off–so I will hope that it all went well and the audience enjoyed it as much as I did. I ordered a pizza from U Pizza (I’d been a-hankering for one all week, frankly) for dinner, and spent most of the day finishing reading The Little Wax Doll, rereading other books and stories in progress, before finally settling in to watch a couple of episodes of The Tourist–but I kept falling asleep (from being tired, nothing to do with boredom, because the show is bizarre and twisty and hilarious and kind of like a Coen Brothers movie, so clearly I am loving the show), and finally went to bed around ten. I slept very well, too. As for today, there’s still a lot I need to get done, writing wise, and at some point I have to make groceries today, too. The Oscars are tonight, but I’m not terribly interested in them, to be honest.

I also tried watching Aquaman and the Lost Kingdom, but shut it off after about fifteen minutes. I love Jason Momoa, but not THAT much.

I did find the missing printer ink cartridges, by the way. I guess I was looking right at it all along and not seeing it. Heavy sigh.

Sparky is feeling rambunctious this morning, and has already gashed my right index finger with one of his talons. But this helped remind me that I took his hanging toy down yesterday so it wasn’t on camera, and didn’t put it back up. Problem solved, and now he’s jumping at it, and all’s well in the Lost Apartment. Big Kitten Energy. He’s lucky he’s so sweet and adorable, honestly.

But it looks to be a beautiful day outside already, which is great, and hopefully this good mood will last as long as my energy does. I’d like to be able to get a lot done today, and get prepared for the week. A friend will be in town this weekend, which is very exciting as I’ve not seen her in a very long time, which will be so delightful. I do miss my friends.

This week the news broke that Carol Gelderman had died. Carol, a writer and professor at UNO, was an absolute delight. I didn’t know her very well, but she was a frequent panelist at the Tennessee Williams Festival, and so I’d run into her quite a lot. Every time, she would give me a dazzling smile, shove her right hand at me and say “Hi, I’m Carol Gelderman” and I would smile and say “Lovely to see you again, Carol” and she’d make a wonderful “pshaw” noise and say, “I don’t know what’s wrong with me” and give me a big hug, and we’d laugh and laugh. She also always had a flask in her purse. Check out her biography of Mary McCarthy sometime. It’s very sad that I’ll never laugh with her at a Festival party again. RIP, Carol, and thanks for the great memories.

You’ll probably not recognize me should there be an afterlife, either, Carol, and I hope that is the case.

And on that sad note, I am heading into the spice mines for the day. Hope your Sunday is lovely, Constant Reader, and I may be back later. One never does know, you know.

Let It Whip

Tuesday, and we survived Monday again! I believe in celebrating even the smallest of achievements, so here we are. I left work early yesterday for PT–I beat the kettlebell this time, and some of the exercises that were dreadful last time were much better this time; still dreadful, but more easily borne than before. I easily could have slept longer this morning, but alas, it was not to be. I also worked on the story some more last night and I was correct; the missing piece of the puzzle I’d worked out over the weekend was exactly what was wrong with the story and why it wasn’t gelling, but the revision is working quite well, which is very pleasing to our eyes. I am slowly waking up–the coffee is quite marvelous this morning and most definitely hitting the spot for sure–and while I didn’t want to get up, I think it’s going to be a terrific day.

The other day I came across something while wandering around on-line which caught me off guard and yet was kind of cool at the same time–Ann Patchett doing a tiktok or a Facebook reel or something like that, in which she was talking about how she’d recently read So Big by Edna Ferber and really enjoyed it. Edna Ferber! I’d had a Ferber phase the last two years of high school, when I read everything I could get my hands on that she’d written–So Big, Come and Get It, Cimarron, Giant, Ice Palace, Saratoga Trunk, Show Boat–and I really enjoyed her work. Ferber was a very successful and very well known writer of the early to mid-twentieth century; many of her books were made into Oscar winning films; and they were mostly Americana, books set in some region of the US during its history and shining a light on the time. She was very well-regarded also as a playwright and short story writer. She was also a member of the Algonquin Round Table. So I thought, “I should reread Saratoga Trunk, which is partly set in New Orleans and I barely remember it” (although I also remember enjoying the film, with Gary Cooper and Ingrid Bergman) so I went on ebay and found a decent old copy.

Because I don’t already have enough to read on my plate, right?

I also met Ann Patchett a very long time ago, before she published Bel Canto and became ANN PATCHETT. She was very kind, very nice, and I liked her an awful lot. I think her only book at the time was The Patron Saint of Liars, which I read and enjoyed. I doubt very seriously she remembers me, of course; she’s become a huge literary star since I met her and I was just another face among many others that she’s met over the year, but I can say that I met and liked Ann Patchett very early in her career. Watching her success explode has also been a pleasure because it’s always lovely when someone super-nice actually finds enormous success. It restores my faith in humanity and the world.

I also started reading something over the past couple of days–exhausted brain, really–that I am enjoying for its bitchy wit but am not quite ready to talk about just yet, but it’s not anything I’ve been talking about reading on here lately. It’s also not that I am not enjoying the book I was reading–which I was, and look forward to diving back into when I can get it my full and not tired attention–but this is an easier read, if that makes sense? I already know the characters and the story because it’s one of my favorite films, and that’s all I will say about it at this time.

I also made the Saltburn connection that I’d been trying to make since seeing the film the first time–everyone keeps talking about it in reference to either The Talented Mr. Ripley or Brideshead Revisited, and while I could see that, there was always a nagging sense that there was another, more obscure film that it was more like than either of its regular comparisons/influences, and then this weekend it hit me between the eyes what film it was–because in rearranging the books, I discovered the book the film was based on, and the proverbial lightbulb went on over my head. Yes, yes, this film is more Saltburn than the others, and I did wonder if Emerald Fennell had seen the bizarre little film I watched during the pandemic while making condom packs and revisiting (or watching for the first time) /classic films from the Cynical 70’s–and now I have the hook for my essay/blog entry on Saltburn, so watch this space because I’ll eventually get around to writing it; I inevitably do, and I do think this conversation about the film is actually timeless, so there you go.

But it’s time to start getting cleaned up, pack my lunch box, and head out on the highway to the office to start my work day. I get to come straight home from work tonight, which is lovely, and maybe can get some chores done as well as some writing before Sparky bonding time. Until my next appearance, have a lovely one, Constant Reader!

Diamonds

Monday and back to the office with me. Woo-hoo!

I did not want to get out of bed this morning, either, as the real effect of the lost hour actually is felt this morning. I could have easily stayed in bed for another couple of hours, without question–it’s also a bit chilly this morning in New Orleans; we’re having a bit of a mid-March cold spell, with evening/night temperatures dipping into the forties this week. Because that will make getting out of bed easier.

Yesterday was a strange day in which I never seemed to get my gears in working order. Looking back now on yesterday, I didn’t get much done but am not sure why or how the day managed to slip through my fingers. The weekend wasn’t a good time for me, alas; this not being able to maintain iron control over my emotions and my moods is something I don’t care much for, in all honesty. I did start watching the Academy Awards last night–I had to go to bed before the final hour of the show–but while usually I find the Oscars to be a tedious, self-congratulatory bore last night’s show didn’t seem that way. The winners all seemed to be genuinely delighted and appreciative of the honor received (as well as humble), and the speeches all seemed to not last terribly long for a change (I think my favorite, though, was the songwriter for “Naatu Naatu” who sang to the tune of the the Carpenters’ “Top of the World” a very sweet series of thank you’s. One can never go wrong choosing Karen Carpenter on any level of anything). I was happy to see upon awakening that Michelle Yeoh and Brendan Fraser won their categories (I used to have the biggest crush on him during his The Mummy/Gods and Monsters/ George of the Jungle days, and always felt he was more talented than he was given credit for, and now he’s an Oscar winner! The guy from George of the Jungle!); these Oscars seemed to be the “comeback” recognition awards–Ke Huy Quan and Jamie Lee Curtis winning supporting kind of fell into that type of win as well, but Curtis has been award-worthy before and her past as a Scream Queen always, I thought, kept her out of the running for some truly magical comedic performances over the years. It’s funny, yesterday I was thinking (and posted) about awards and so forth, and I wound up enjoying the Oscars for the first time in years. Go figure.

But this morning I’ve got to shake off the malaise or whatever the hell I experienced this weekend–I suppose it counts as a low, a valley of sorts, a holler–and get back into it this week. I know I’m supposed to be being kinder to myself these days, and that something I really want to be working on for myself going forward, but it’s hard sometimes, and when I wake up on Monday morning and see the abyss of nothing the weekend was, I kind of want to slap myself alongside the head…but that’s not really productive and the truth of the matter is sometimes you need to have those downtimes, I suppose. I am kind of tired of being all over the map emotionally lately, and the depression, which is never terribly far from the center of my brain, has really got to go. But that’s also easier said than done, by a long shot–what isn’t, really–but I guess I just need to let my mind and my subconscious and my emotional self process and go through what it needs to go through to get to the end of this.

It must have rained last night, because it’s chillier again this week than it has been, and usually a thunderstorm of some sort presages and predicts colder weather. I had to turn the heat/defroster on in the car this morning and frankly, the warm air felt lovely. I think I got a “weather alert” last night before I went to bed warning of a coming thunderstorm? I must have slept through it completely; I was out almost as soon as my head hit the pillow last night, which I didn’t think was going to happen, in all honesty; I worried about the time change and getting up an hour “later” than I usually do and all that stuff; the time change day is always kind of a waste, anyway because everything always feels off and wrong, you know? It always takes a couple of days for me to readjust and get back in sync with the clock and the calendar.

I did finish watching the Caril Fugate documentary, and I am not really sure how I feel about it. It’s trying to combat the narrative that she was a willing accomplice; one that has been pretty well established by adaptations and books and so forth that have flooded the market since the Starkweather shootings…and the fact the only evidence contradicting her story is Starkweather’s statements; I’m not so sure that he was a credible witness. It did put me in mind of how horrible it would be to experience such trauma at fourteen, then to spend over twenty years in jail for something you didn’t do, and to have that haunt you for the rest of your life when you didn’t do anything is probably the worst nightmare of a life to have. I also kind of had to wonder–why was she tried as an adult at fourteen? The way the whole case was handled in the first place was all kinds of wrong; but what would such a case look like today? A circus on a much grander, broader, global stage–as opposed to the circus of the pre-cable and pre-Internet times. With the Starkweather shootings in Nebraska coming so close on the heels of the Clutter murders in Kansas (In Cold Blood), I would imagine the people in the prairie states started locking their doors in 1958.

Ah, the prairie. I should do one of those listicles at some point for prairie noir–right off the top of my head I can think of a few books that would fit into that list.

And on that note I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I’ll keep you in my thoughts, okay?

Take a Bow

Sunday morning in the Lost Apartment and I slept well–I wanted to stay in bed for another few hours, but got up anyway and am now sitting in my kitchen remembering that there was a time change and it’s actually later than I thought. Sigh. So I didn’t get up early after all, did I? I hate Daylight Savings Time and wish we could do away with it once and for all; didn’t Congress take this up last year or something, and didn’t it look like this pointless time change was going to be a thing of the past, or was that merely a fever dream brought on by the pandemic or something?

Yesterday wound up being a wasted day for me. I had some things to do yesterday morning that had to be done–some emails I’d been putting off because I knew they would be triggering, and I was right. I’m still not certain the most important one was worded correctly or the right thing to say at all, but when I finally finished it–it took me several hours to compose it and myself–I was emotionally drained and in a grief spiral, so I decided to spend some time with Scooter sleeping in my lap to make me feel better. I wound up actually drained and exhausted and fatigued, so I simply stayed there. Paul didn’t go into the office yesterday (he is going today) and we finally spent some time together last night, getting caught up on Servant (which is really phenomenal; Lauren Ambrose doesn’t get near the credit as an actress that she should; there’s a scene in the second to last episode–the series finale is this Friday–that can be Ms. Ambrose’s Emmy reel; the scene where her husband and brother finally come clean with the secret they’ve been keeping from her since the first episode is a master class in acting, and it’s all done with her facial expressions, and it’s a tour-de-force), and then the first episode of Outer Banks. We were both getting sleepy, so we put on a true crime documentary series (Two Shallow Graves, which is quite interesting; we figured if we fell asleep it would be okay because we could rewatch it if necessary without necessarily spoiling anything) and finally repaired to bed (later) than I thought it was (stupid time change), which is already throwing me off this morning.

I am still digesting Cheryl A. Head’s marvelous Time’s Undoing, which I finished yesterday morning and greatly enjoyed. I was hoping to spend some time with my next read this morning….but I’ve already lost an hour. Maybe instead of reading this morning, I’ll finish this and get cleaned up and write for a few hours before curling up with a good book later on this afternoon. Paul is going to see his trainer this morning and then to the office, so he’ll be out of my hair for most of the day so I should be able to get a lot of editing and so forth done, as well as some planning for future writing. There’s also always cleaning and filing to get done; yesterday after the depression set in was pretty much a wasted day. But I’m not going to beat myself up over the lost day; it is what it is and nothing I can do now can ever change that, so I am going to be kind to myself and recognize that, while still disappointing, there’s a significant difference between deciding to be lazy and blow off the entire day as opposed to being so overwhelmed that you can’t do anything. (This being kind to myself thing I am trying this year is such an outlook change that it’s not reflexive and I always have to process myself into it; maybe at some point it will become reflexive and…yeah, I don’t see it becoming reflexive any time soon)

Oh, yes, and the Oscars are on tonight. My interest in awards shows has declined as I’ve gotten older; sometimes I wonder if my gradual growing antipathy for awards shows I used to look forward to when I was younger has anything to do with my own eligibility for awards since getting published? Don’t get me wrong; I don’t object to awards by any means, but they also aren’t why I do what I do. It’s always nice to be recognized, especially by your peers and especially when you’ve always felt like an outsider rather than a peer. But while winning an Oscar (or even being nominated) can change a film industry member’s career for the better, do book awards make a difference to someone’s career if they aren’t the National Book Award or the Pulitzer Prize? I do think it’s important to recognize excellence in the field, but awards are just as subjective as anything else, and when an award is decided by a panel of judges..well, a different panel of judges might not come up with the exact same shortlist and winner, either. It isn’t like you can campaign to win an Edgar–but there are awards for mystery novels that you can campaign for, and the campaigning always makes me uncomfortable. In the beginning, I hated asking people for votes and wouldn’t do it. Then I started adding my eligible stuff to Gabriel Valjan’s awards-eligibility lists, which he compiles every year for every award as their nominations period open up.

Last year was the first time I actually made a little announcement on social media that hey, Bury Me in Shadows is eligible for the Anthony for Best PBO because there wasn’t a children’s/young adult category on the ballot. A second ballot was sent out at the almost last-minute because they’d inadvertently left that category off the ballot, so…figuring I didn’t have a prayer at a Best PBO nomination, I asked people to write me in on their ballot for y/a. IMAGINE my shock to wind up nominated in both categories (I lost both, PBO to Jess Lourey and Y/A to Alan Orloff; it’s lovely to lose to friends because you can be happy for them rather than disappointed at losing–losing to someone you don’t like or respect is an entirely different situation); so this year I figured I had nothing to lose by asking for votes–and wound up nominated for a Lefty for A Streetcar Named Murder and an Agatha for #shedeservedit, so go figure, you know?

Another reason I stopped caring or watching the Oscars is because they’ve become so predictable in every category in every year that there are no fun surprises, or if there are any, they are so few and far-between that watching become tedious (although one delightful surprise was Olivia Colman’s win for The Favourite a few years ago); but there doesn’t seem to be a clear cut winner in every category this year, even though I will go out on a limb and predict Oscars for Brendan Fraser (everyone loves a comeback story), Michelle Yeoh, Ke Huy Quan (another comeback story), and Jamie Lee Curtis. The two actresses will not only be rewarded for their work in the film but also for lengthy, glorious careers that have never been recognized before; while the two men are feel-good comeback stories. I’ve not seen Everything Everywhere All At Once, but I do think it’s trending to win everything. (If I had to chose, Barry Keoghan probably deserves an award for The Banshees of Inisherin; to me his was the strongest performance in a film I really disliked.)

And on that note, I am going to get another cup of coffee and head into the spice mines. Have a lovely day, Constant Reader, and I’ll check back in with you later.

Crystal

Friday!

It’s gray outside this morning; and the temperature has dropped since the rain of the other night. Yesterday’s high was in the 60’s; today’s apparently will be as well. I don’t mind this–surprise!–because I was a bit concerned about it already climbing into the 80’s in March already, which didn’t bode well for this coming summer. So this cool break is a bit nice–and it’s also nice to not go get into my car and start sweating because the sun’s been shining into it all day plus it being hot outside. Yesterday was also a bit nice because 1) Paul was able to get his second vaccination for COVID-19, and I spent the day making condom packs and doing other, various work-at-home duties. As my fingers and hands worked through the condom packing, I spent some time thinking through what I need to do with the book this weekend, which is always helpful. I also got caught cup with this week’s episode of Superman and Lois, which I am greatly enjoying; the television adaptations of DC Comics continues to outshine the film universe. I am debating where I want to spend four hours watching the Snyder cut of Justice League–four hours is a big commitment–and I also discovered, browsing through my many streaming apps last night, any number of films to add to my watchlists.

(Aside–they are hanging new gutters on the house next door and I can see them going up and down those shaky, rickety extension ladders–whose bases are braced against the wooden fence between the properties. As they go up and down the ladders shake–which is one of many reasons I will never climb an extension ladder–and watching the corresponding movements/shaking of the wooden planks in the fence. I should also add that Michael, our neighbor to the front with his partner John, has retired from his job and has started working on the flower beds that run alongside the fence, which have been disaster areas ever since Katrina, and is doing a very nice job making them look pleasant and appealing and all cleaned up.)

As I looked through HBO MAX looking for something to watch for the rest of my condom packing, I came across Inside Daisy Clover, a film from the mid-60’s that is supposedly one of those “gritty insider looks at Hollywood”. It stars include Natalie Wood, Christopher Plummer, and Robert Redford; and I vaguely remembered Ruth Gordon was nominated for an Oscar for it. I also had a vague memory that the character of Daisy Clover was, in theory, based on Judy Garland, so I thought what the hell and queued it up. This morning, I cannot believe I sat through the entire thing–it was really that dreadful and pointless–and it really was squirm-worthy. When the story opens Daisy is fifteen, leaving in a trailer along the boardwalk at Angel Beach with her not-quite-all-there mother (Ruth Gordon) who has a great natural singing voice, records it and sends it to Swan Studios. Daisy has basically, for all intents and purposes, been raised by wolves, has no manners or filters, and while she is quite pretty beneath the grime and strange haircut (those eyes! Natalie Wood was so beautiful), her getting signed by Swan Studios and being groomed by studio head (Ray Swan–played to odious perfection by Plummer) seems a bit of a stretch. She is marketed as “America’s Little Valentine” and immediately becomes hugely successful. She also becomes involved with another star, Wade Lewis (Redford), who is heir to a vast fortune and a completely one-dimensional cad–which becomes really creepy on two levels–first, she’s supposedly a teenager (Wood was at least in her late twenties by then) and Wade is in his late twenties/early thirties, which is creepy to say the least (studio head Swan refers to her as “America’s Little Jailbait” in one cringeworthy scenes), and then, after he deflowers her, is ordered to marry her or be arrested for corruption of a minor. (The second creepy part is Wade lives on a sailboat anchored just off the coast; seeing Wood on a sailboat or heading to and from one on a motorboat, given how she died, is foreboding and squirm-inducing) They do marry; they spend their wedding night in a motel in some remote location in Arizona, and when she wakes up he’s left her there without a word, stranded. After her mother’s death, she has a breakdown of sorts on set and is unable to continue working, which delays the picture and puts her at odds with the studio–which has spoiled and indulged her so far, but not anymore. The movie’s ending is neither a conclusion or an actual resolution, not a real end; it just….ends. We don’t know what Daisy is going to do–but again, it’s cringy. Inside Daisy Clover could have been a chilling and realistic exposé of the old studio system; it could have shown how an innocent but strong-minded young woman is corrupted and changed and turned into a monster by the system because of her talent–the film does none of these. Daisy is still the same impulsive, emotionally needy mess at the end that she was at the beginning, and such an incredible waste of Wood’s talent. She plays the character without any depth or interior; she plays her like an uncontrollable brat, and the performance doesn’t really ring true. All I kept thinking as I watched was that Wood was miscast–the lip-syncing was especially bad–and about half-way through I thought, this script is terrible and the direction equally bad, but Liza Minnelli could have killed in this part; it was perfect for her. The truth was the title was a misnomer–at the end of the movie we’ve not gotten “inside” Daisy at all but rather skimmed over the surface….and to make matters worse, by the end of the movie she is only seventeen.

America’s little jailbait, indeed.

It is a shame; Hollywood did some amazing films that exposed stardom and the Hollywood machine quite expertly; think of Sunset Boulevard and even though it was set in the theater world, All About Eve. Quite frankly, both book and movie of Valley of the Dolls handled the same subject–the coddling of talent resulting in the creation of a monster–much better.

I started reading The Russia House by John LeCarré yesterday while I waited for Paul to get his shot and then wait to make sure there was no reaction to it; it’s quite good–the writing in particular and voice are exceptional; it’s also world-weary, snarky and funny–and am really looking forward to getting back to spend some more time with it. It will depend on how the work goes, of course; my priority around my day job is going to have to be the book until April 1. (although…April 1 is the day before Good Friday and in theory, I could use that three-day weekend to finish the push to finishing the book; or I could finish on time and spend that weekend relaxing and preparing myself for the next project on the list)

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you tomorrow morning.