One can never go wrong with old Bobby Sherman hits, can one? 🙂
Well, it’s Saturday morning, the apartment looks a lot better, and I am not feeling tired this morning, as opposed to yesterday morning. I had a good night’s sleep before my alarm kitty went off this morning–he let me sleep a while longer–and now I am awake, swilling coffee, and ready to get to work today. I have to get my COVID shot today (more on that story later), so am hoping for no adverse reactions so I can get some work done today. Paul is working with his trainer and then going by his office–they have to move out by the end of the month (remember the building collapse last year?), and so he is packing and throwing things away. There are football games all day today, too–including LSU-Mississippi and some other terrific match-ups, so the siren song of my easy chair and the television is going to be difficult to resist, but I do have work to do today, that I have to get done if I am going to be finished with this book on time.
Several weeks ago, I talked to my doctor about the COVID shot (I am not sixty-five yet, but I am immunocompromised), at which point I was informed that in Louisiana you now need a prescription for it and if you aren’t 65 or older you have to be at “risk”. Well, everyone’s at risk, since it spreads so easily from person to person, thank you again, MAGA garbage human beings who are seriously too stupid to breathe if it weren’t involuntary. Your doctor has to write a prescription for it, send it to the pharmacy, and you have to know which version of the shot they have. So first, you have to check with said pharmacy to see which brand they offer, and let your doctor know so he can write the scrip for the correct version. So, you can’t just can’t get a prescription–if it’s written for the wrong version they won’t give you either. Idiotic, right? This is what comes from living in a MAGA majority state filled with temporarily embarrassed millionaires. After jumping through these hoops, it turned out that CVS, my pharmacy of choice, wasn’t offering it in New Orleans at all…which meant biting the bullet and getting it at a Walgreens. I hate Walgreens. I’ve been boycotting Walgreens for the most part (other than the convenience of having one a short block away, so I might go get milk or bread from there in a pinch)and don’t spend money there if at all possible. Since the convenient one is the one I used to call the Marsten House on St. Charles, I decided to have it called into the one in the Garden District, by Breaux Mart on Magazine. When I went, they made me wait almost an hour–I had another appointment and had to leave. After leaving, about half an hour later I got a notice that my appointment was cancelled–so they expected me to sit there for an hour and half? And were rude about it when I finally asked? Yeah, I walked out and gave them one-star on Yelp. I also was more than happy to fill out the “customer satisfaction survey” they sent me because I had checked in for my appointment. I refuse to go back to that one, but still need the vaccine so had my doctor call it into the Marsten House on St. Charles. I will report back, for sure.
Paul didn’t get home until after I went to bed, and I imagine I won’t see an awful lot of him until they are finished moving into their new, temporary office space. DISLIKE.
A lovely review of Double Crossing Van Dine by Oline Cogdill in the South Florida Sun-Sentinel was published this week:
Double Crossing Van Dine, edited by Donna Andrews, Greg Herren and Art Taylor; introduction by Catriona McPherson; Crippen & Landru; 310 pages; $22
The Golden Age of Detective Fiction that launched the classic genre novel is considered to be from the 1920s to 1930s. But contemporary readers know that a second Golden Age began in the mid-1980s when the novels became more emotionally involving along with the introduction of detectives from myriad backgrounds and cultures. The genre continues to evolve, seeing several golden ages in the past decades.Going out on a limb here, many authors from the ’20s and ’30s haven’t survived the test of time, aside from a few, such as Agatha Christie. And going out on another limb here, S.S. Van Dine, the focus of this short story anthology, probably is among those only recognized by readers steeped in the history of mystery fiction.Van Dine, whose real name was Willard Huntington Wright, was an American art critic, literary editor, biographer and author who wrote the series about detective Philo Vance.
Each story begins describing one of Van Dine’s rules, then crushing it. Fort Lauderdale author Elaine Viets’ “Sweet Poison,” about two young women struggling in New York’s Lower East Side during 1921, forgets the rule that “all clues must be publicly stated,” as they deal with the unexpected death of one’s “Wall Street sugar daddy.”Barb Goffman puts aside the “no love interest” rule in “Baby Love” as a fledgling-but-broke private detective tries to launch his career so he and his very loving wife can afford a baby. Co-editor Greg Herren stifles the “no supernatural” rule with “The Spirit Tree,” in which the solution to a murder comes from beyond. The “only one detective rule” doesn’t work for Delia Pitts’ “Better Together,” which finds two heads are better than one.Boca Raton author Alan Orloff’s “The Society Set” takes a butler who has several jobs for his persnickety employer on a journey of a jewelry heist that actually embraces Van Dine’s version of a “fascinating crime.” Leigh Perry has a work-around for the “no secret societies” ban in “Guilted Lily,” in which a tight-knit group of grifters seek a score.Tom Mead dismisses the rule that servants should never be the culprits in “The Tell-Tale Thumb.” Some people, Mead writes, see only the uniform, not the person who hides in plain sight.The majority of the authors in “Double Crossing Van Dine” have either won or been nominated for awards. A handy brief bio of each of the authors may inspire readers to seek out more of their stories.
Pretty cool!
And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I will be back tomorrow morning.
TRIGGER WARNING: Racism, homophobia, and archaic racist terms.
I learned long ago that the best way to deal with assholes was to develop a razor-sharp quick wit. I don’t know how I trained myself to be snarky and fast with my sense of humor, but at some point in my teens—in college, I think—I realized that not being filtered, and not being able to recognize most social cues, could actually prove to be a powerful defensive tool, if controlled. It has worked marvelously for me ever since. I also learned that a really good thing to do was say things to people I disliked that could be taken as either a compliment or shade, leaving it up to them to decide what I meant.
A few years ago, I had an experience at Left Coast Crime in Albuquerque where my usual biting sense of humor deserted me when I really needed it the most. I’ve grown used to dealing with homophobes and contemptuously cutting them off at the knees; I even relish doing it at times. But this? I’d never dealt with this kind of bigotry before, and my only excuse is that I was caught completely off-guard. I’ve also turned what happened over and over again in my mind in the time since, wondering how I should feel about it. It still hasn’t finished processing yet, and I’ll probably keep processing it for a few more years.
This was my first (and so far, only) time attending Left Coast Crime (unrelated; I want to go again but it just hasn’t worked out). I had always heard wonderful things about it, but the timing was always difficult for me to actually attend; all too frequently it is around the time of the Festivals here. I’d come home to the locks changed, methinks, were I to go away at that time.
At the time, I was still serving as Executive Vice-President of Mystery Writers of America. It was 2021, we hadn’t had any kind of crime publishing events since March 2020, and the events were just starting to slowly to come back. MWA had signed on to sponsor the Lefty banquet, and I felt someone should be there to rep the org at the event, and it wound up being me. I felt a bit uncomfortableabout registering and agreeing to do panels; we were a sponsor, and I didn’t want Programming to feel pressured to give me anything because of that (I tried very hard not to use the position to promote myself; I may have been a bit over-zealous on that score, but better safe than sorry). I arrived in Albuquerque on Thursday, had a quiet dinner with a friend, and the next day I went to panels, ran into people, and had a lovely time. I also had dinner plans for Friday that I was excited about–I was having dinner with Marco Carocari, whom I had just met at Saints and Sinners; John Copenhaver, whom I was starting to get to know better; Oline Cogdill, a dear friend of well over a decade; Mia Manansala, whom I met at New Orleans Bouchercon before she was published and I’ve always felt a bit protective of her (my neuroses, not hers) and someone new to me–Wanda Morris, whom I had neither read nor met before.1
Constant Reader, that was such a fun dinner, the kind I always dreamed of being a part of when I was that lonely kid in Kansas wondering what his future would be. We talked about books, writing, gossip, and I believe everyone, other than Oline and I, was up for a Lefty. We toasted their nominations, and when we headed back to the hotel I felt marvelous; giddy almost. I was having a good time and was excited to be around writers again, and I wanted it to keep going. I didn’t want the evening to end…
Little did I know what I was in for as we walked back into the hotel lobby, and we three gays decided to go have a drink at the bar, while the women wisely all went up to bed.
It started with a chair.
So innocuous, so nothing, just a little thing that happens in hotel bars all the time; you join a table without enough chairs so you grab a free one from the next table…but this time? Very different.
Basically, we had decided to join friends at a high-top table with room for eight, with all the chairs already taken and some others pulled up. There was a tall bar chair standing at the next table–a low table, so it didn’t really belong there in the first place–and several people were sitting around that table. I smiled, said, “is anyone using this?” and one of the three people shook their head no, so I took the chair…which bothered the woman who was sitting closest to me and who decided, in her inebriation, that I shouldn’t have the chair.
DRUNK WHITE WOMAN (Henceforth, DWW): You can’t take that chair because you have to sit here and talk to me.
I’d never seen her before in my life, but I’ve also been drunk in public before, so I just smiled as I sat down at the other table, and said politely, with no idea of what I was letting myself in for: “Can’t you talk to me if I sit here?”
DWW: Great!
I nodded to her, hoping that was the end of the interaction. I’d had two drinks at dinner, but wasn’t even slightly buzzed. I had a glass of Pinot Grigio in my clutches, I’d had a marvelous evening already, and I was looking forward to catching up with the others at the table. I started to turn back to the table to talk to my friends, when…she leaned towards me, narrowing her eyes, and saying, in a very low tone, “Are you a mulatto?”2
Needless to say, I was taken aback–not by the assumption, but the language.
I literally thought, are we really still using that word in this year of our Lord 2022?
I didn’t know what to say, I was so stunned and shocked that my ability to lobby back an icy, conversation ending retort, something of which I was so so proud, had deserted me. I just smiled and said, “no,” which she countered with a scoff, “Well, you’re at least a quadroon.3“
And rubbed each side of her nose with an index finger, adding with a knowing smirk, “Especially with that nose.”
I said, rather sharply, “I know who all my grandparents were, so no.”
Again, it wasn’t the racial profiling that bothered me, but it was the entitlement and the language she was using.
First and foremost, my racial heritage–anyone’s, really–is no one’s business.
She was being racist to me, but even as I floundered, I couldn’t figure out why I was so flustered and having trouble figuring out what to say next. It didn’t bother me in the least that she thought I was part Black (more on that later), but she was using racist language to inquire, which I was offendedby, and I was more than a little insulted by her condescending assumption that I’d lie about it? And again, what business was it of hers if I was or wasn’t? (I’m still not sure how to wrap my mind around this; two years later I am blogging about it in order to process it in my brain.)
DWW: (waving her hand, poo-pooing me) Oh, everyone’s mixed there.
Hoping this ordeal was over and still in shock, I turned back to my friends…only to hear her voice loudly asking me, “Are you gay?” I confirmed that yes, I was–and then she went on a long, incredibly tiresome (and repetitive) monologue about how she’s always been good with the “L and the G and the B and the T”, tried bonding with me over hot male asses (in horrific terms: think locker room talk), and just kept on until finally I was able to finally excuse myself. I got up and left my friends, never to return. Definitely made me uncomfortable, so yeah, it also counts as sexual harassment–what I do or don’t do in my bedroom, DWW, is none of your fucking business.
I still can’t believe that happened, that someone felt comfortable using that kind of language to, and about, me about my racial heritage (when I was a child in the 1960’s I knew you don’t use those words, and they usually only appeared in old racist books, like Gone with the Wind), not to mention trying to get into my bedroom and what I do there. It’s not okay for anyone to use those horrible, archaic old terms that were humiliating and degrading even when they were in common use…and I also felt like I’d failed. I should have stopped her, I should have called her out for using racist and homophobic language, not to mention the fact that she felt, in her drunken stupor, perfectly okay to treat me not as a person but as a thing.
That is the real shame I feel. Not that she used such language to me, but I allowed it. I have to do better than that. My silence was complicity.
And yes, I should have filed a complaint with the conference. I’m still ashamed that I didn’t correct her or say anything before I made my escape. But I sensed it also wouldn’t do any good. Alcohol brings your barriers down, after all.
It also wasn’t the first time this has happened–but at least the first time, it wasn’t so offensive.
This, for an illustration, was my second author photo.
Taken by Sylvester Q, a photographer in New York, he also loaned me the shirt and some other clothes for the shoot. It was my first professional author photo shoot, and this was the best image, in my opinion, to come out of the session. I used it for Jackson Square Jazz (when I got the book down to reread it for the new edit for the 20-year anniversary edition, I noticed the picture) and for several other books. I don’t remember which image I used to replace this one–I think it’s the black and white one of me sitting and hugging my knees–but I am very well aware that I need new author photos. The one I just referenced was taken in either 2008 or 2009; the one of me with my stack of books is from around 2013 or 2014 (and yes, old age has hit me very hard since those last ones were taken). I did a shoot at Sleuthfest with Morgan Sophia in the summer of 2022; the pictures look like me but I don’t like the way I look in them, so I’ve not really used them.
Anyway, this was the image I provided to the Louisiana Book Festival when I was on a New Orleans Noir panel for their program in 2007 (I think). I don’t remember everyone else that was on it, other than editor/moderator Julie Smith and the person I am about to mention.
I was a little taken aback when said contributor sat down next to me, and exclaimed after we were officially introduced, “But I thought you were Black!”
She’d only seen my photograph in the program.
I was more amused than anything else, and perplexed. But when I looked at my image in the program later, it had printed even darker than the image above, which was already pretty dark. I think it had to do with how the shot was lit more than anything else. It was kind of funny, and it became a story that I told sometimes over drinks.
That wasn’t the first time my genetic heritage has been questioned by someone.
White people have this strange curiosity thing about people’s backgrounds, always trying to figure out where you’re from. “Are you German?” “Are you Italian?” That sort of thing. I will comment on a name–“oh, is that French/Spanish/German etc.”–but I would never ask anyone what are you?
I’d never really thought about it before the LCC incident, but people have very often wondered–and asked–what I am.
And in all honesty, I’ve never liked being asked, mainly because I wasn’t entirely sure.
I guess I am what is I’ve sometimes seen referred to as “ethnically ambiguous5“; in other words, had I been a movie star in Hollywood back in the golden age I probably would have been cast in roles that today would be considered offensive for me to play. People have often–again, this weird thing white people have about trying to figure out “what” I am–taken me for everything from Greek to Italian to indigenous to Syrian to Persian to Latino. I’ve never given it much thought, and I don’t really see it. My skin tone is what is called olive, and I’ve always tanned easily, a very dark brown with some red mixed into it (I’ve only been sunburned twice in my life). My facial features are a curious mix of my family; I look like both my parents, and my nose was broken in high school, with the cartilage never reattaching to the bone. I also shave my head, which apparently adds to the confusion.
Almost all of the ancestors (that I’m aware of, but I only know my father’s side, and there’s not anyone left on Mom’s side who’d know more) were British (Scots, Irish, English and possibly some Welsh) but white people have this weird need to classify people. I don’t know if it’s an American thing, or what, but it happens. Not so much anymore as it used to–maybe people are finally starting to realize that it’s offensive or that it doesn’t matter or some combination of the two.
But still. Basically, the woman in Albuquerque othered me. She looked at me and was confused, so she just had to find out what I was.
What I am. “What ARE you?”
And for the record, what happened to me at Left Coast is the kind of horrifically racist and offensive behavior that racialized people have to deal with multiple times every damned day. In some ways I’m glad it happened; that I got to experience racism targeted directly at me, but at the same time…it shouldn’t happen. To anyone, regardless of who they are or how they identify. It also made me very aware of my own privilege, which is something I do need a reminder about periodically; I get so wrapped up in being marginalized as a gay man that I forget how horrible it is to be a person of color in this racialized country and society and culture.
And ultimately, white people? It’s really none of your fucking business in the first place!
And would people have considered me white in the antebellum South? is a question we might have to revisit at another time.
Part of the struggle in writing this all down and sharing it with you, Constant Reader, comes from not wanting to make myself seem like either a martyr or center the conversation about racist bigotry on me. Unsettling as this all was–the privilege on display, the language used, the shame in not putting her in her place–it was momentary, something that didn’t impact or effect my life in any way; another anecdote for cocktail parties or dinner conversation. The sexual harassment aspect of it, had that been all there was (oh yes, during the ass conversation she also talked about mine), would have merely been something I would have laughed about with friends later, but the racial component was horrible. All I could think about was, really, how lucky she was that I wasn’t biracial.
Which makes me squirm more for not reporting it to the conference–what if she does this to authors or readers of color at one of these events? Was I coward for not only not stopping her but not reporting her? It’s been two years now, and I still am not entirely sure what I think or feel about this, which is very unusual for me; it’s very rare that I am unsettled this way.
But putting it all down has helped somewhat. I probably should have written this years ago.
Yesterday was World AIDS Day, something I didn’t mention on yesterday’s blog because well, it was early in the morning and I literally forgot about it until I got to work yesterday morning (I probably should have prepared a post ahead of time to memorialize and commemorate those we lost; next year–I will put it on my calendar so I won’t forget).
To be fair, I was also all aglow from that terrific review Oline Cogdill gave A Streetcar Named Murder (you can still preorder! Release date is 12/6!). And this morning, I am the guest blogger over at The Wickeds, talking about orange cones and a particularly vexing New Orleans problem, the perennial and pesky potholes.
I slept really well last night, not alighting from the arms of Morpheus until seven thirty this morning. I felt absolutely like a lag-a-bed, a lazy swine, for sleeping so late when my eyes opened to see the red digital numbers glowing in the morning light. I’ve been getting up at five or five thirty all week, so was kind of wondering whether or not I’d sleep late this morning. (I did wake up at three, but went back to sleep almost immediately.) Today I am working from home. I do have some errands I must do at some point, and there’s data to enter and so forth, and oddly enough I feel rested this morning. Usually on Fridays I am a bit worn down from the week, low energy and so forth (which makes the data entry perfect as a job duty for the day), but I don’t feel that way this morning. I don’t feel like I can conquer the world, but I do feel like I can get some things accomplished today. The sink is filled with dirty dishes and of course, there’s always laundry (it never ceases to amaze me how much clothing Paul and I can dirty up all week). I was also very tired when I got home from work last night. Paul didn’t come home until after I groggily climbed the stairs around ten to go to bed, so I spent much of the evening with Scooter purring in my lap while I watched some documentaries on Youtube. James Somerton has a great new one about gay body culture and its origins in Nazi Germany (!), and how the ubermensch Nazi culture of the perfect body was brought home by GI’s after the war. It was fascinating–and it’s been something that’s been on my mind a lot lately (well, over the last few years since the pandemic started) as I’ve looked into gay history and have thought about writing historical gay noirs set throughout the twentieth century (Chlorine, Peplum, Obscenity, Indecency). Watching the Somerton documentary reminded me of Michelangelo Signorile’s Life Outside, which spent some time examining gay body culture, and 2001’s The Adonis Complex, which was a look at the development of male body culture that couldn’t be taken seriously as they erased the gay male experience completely (by not mentioning or acknowledging its existence) which completely invalidated almost everything they wrote about in the book; you cannot talk about male physical perfectionism and only talk about straight men. As Somerton points out in his video–being in good physical condition as a male after your teens used to be a tell about not being straight, as I also mentioned recently on here (when I was talking about using pictures other than of shirtless men).
I don’t always agree with Somerton, but I always enjoy his videos. They make me think, even when I agree with him, and I do enjoy hearing different perspectives.
Progress on the book is being made. It’s been slow going this week, but I am hopeful to make all kinds of progress this weekend. I do have some errands that must be done this weekend, not the least of which is making groceries, and of course I’ll have to watch the SEC Championship game since LSU is playing Georgia, but the loss last week took most of the urgency out of this game, so I can just watch and not mind how it turns out. As I said the other day, finishing the regular season at 8-3 with a trip to the conference championship was something I couldn’t have imagined in August or September–so it’s wonderful to see LSU relevant again after the tragedies that were the last two seasons. Who knows what the future may hold for the Tigers? But it’s nice to be competitive again with the big boys. Like I said, last summer I would have never believed LSU would beat Auburn, Florida, and Alabama this season, yet here we are. GEAUX TIGERS!
I need to get my act together today. It’s been nice (seriously) getting up this week when I wake up; I’ve loved having that extra hour (or half hour, depending on which day it was) to get things done before heading for work. And while I was tired in the evenings when I got home, realistically I was able to get some things done in the evening as well. I need to check my to-do list and clean some, as already mentioned; I also have errands to do and I want to get some work on the book done as well as some more Blatant Self-Promotion posts. The book comes out on Tuesday officially, which is terribly exciting.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader!
And now it’s Thursday, my last in the office day of this week and I surprisingly have made it through without much complaint. I am awake again this morning, not feeling particularly tired (I don’t think I slept that well last night, to be honest) but I feel better than I usually do on Thursday mornings, so I will take it.
Yesterday was a marvelous one when it comes to work. I managed to get some more work done on Mississippi River Mischief, and not looking at it for almost a week was the smart thing to do. I removed myself from the agony of forcing myself to write it and thinking it was completely crap, and was able to see it for what it is, while also realizing what I was trying to do with the story. I regained my confidence by stepping away from it and asking for an extension, and now I feel like not only will I get it done but it will be what I actually want it to be.
Ironically, as I was writing another Blatantly Self-Promotional post last night after finishing working on my new book and I thought, you know, you should do what you never do and reread the book–which could help you come up with other blatant self-promotional post ideas. So, since Paul had a meeting last night, I curled up in my chair and opened one of my author copies of A Streetcar Named Murder, and I’m really glad I did. It may surprise you, Constant Reader, to know that one of the hardest parts of being a writer for me is promoting myself–there are many reasons for this, but the one I want to talk about right now is one in particular; I may circle back around to examining my discomfort with self-promotion later or save it for another post because it may take a lot on unpacking.
But for now, one of the reasons I find promoting myself to be difficult is usually I’ve almost completely forgotten almost everything about the book by the time it’s released. As I have said ad nauseum, I rarely go back and read something I’ve written once it is in print. And usually by the time the book has come out, I have written at least one more or am in the weeds writing another–for example, I am very deep inside of a new Scotty book (which is another New Orleans book, of course) which makes it even harder for me to remember details about the book being released. (I’ve also had to dig into some of the old Scottys for this one I am writing as well–and have been very pleasantly surprised rather than embarrassed and/or disappointed, which is always my fear about reading old work)
And…I liked it. I actually reread my book and liked it. I never cringed, I didn’t slip into editorial/critical mode (“why didn’t you word that better? What is up with this paragraph?” etc etc etc.), and I found myself actually enjoying the ride. Rather than being critical and self-deprecating and all of that shit I usually fall into when rereading my own work, I had a breakthrough of sorts. It’s only taken over forty books and over fifty short stories–even typing the first part of the sentence out makes me feel ridiculous, but it’s how my brain works–but I may have finally broken down the wall and achieved confidence in myself as a writer. It’s been a whirl, really. Last night after I finished reading I thought, “you know, you were really proud of Royal Street Reveillon, and over the last eighteen months you released Bury Me in Shadows and #shedeservedit and you were proud of them, too. And now you’re proud of this one already! Well done, you!”
ANd yes, pride goeth before a fall and I always find myself waiting for the next shoe to drop, but for now, I am going to relish and enjoy this feeling. I may wake up tomorrow and hate everything I’ve ever written again, who knows? But it feels good to take pride in my work, to finally be able to feel proud of what I’ve accomplished over the last twenty years instead of just shrugging it off.
I’ve written over forty books.
I absolutely should be proud of myself.
And on that high note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will talk to you again tomorrow morning before my work-at-home duties.
Sunday morning and my last day in Fort Lauderdale for Sleuthfest. I am about to go forage for coffee, come back up here, get cleaned up and packed. I am heading to the airport early–I have lots to read with me, and of course, I can always pull the laptop out and write if I want to while I wait for my flight. I struggled writing yesterday, to be completely honest; I was trying to write every morning over my coffee before heading down for the afternoon slate of panels (nobody needs to see me here before noon, seriously) and tomorrow I will be at my own home after sleeping in my own bed, and will probably do a final wrap up of Sleuthfest and the marvelous time I’ve had here. I am always nervous about public speaking on panels and so forth, and it’s lovely when it always goes well.
I was on two marvelous panels yesterday; the first was about how does one decide between an amateur or a professional detective, moderated astutely by Marco Carocari, and then the How to Write a Mystery panel, moderated by the always marvelous Oline Cogdill. I sat in between Jeffrey Deaver and Elaine Viets; so pretty much my head was spinning the entire time–I’m sitting next to Jeffrey Deaver and Elaine Viets!!!–and somehow managed to not make a complete fool of myself…or everyone was simply being very kind. Both panels I thought went really well, thanks to expert moderation and marvelous people on the panel, and I also discovered some marvelous new-to-me writers this weekend, including Yasmin Angoe (whose debut Her Name Is Knight is neatly packed into my bag to take home, and Genevieve Essig, who actually lives in the French Quarter! (I am buying her book today when I go downstairs.) Yes, I bought too many books while here–just what I needed, more books, right?–but you can never have too many books.
I also discovered yesterday morning when I wanted to work on the first chapter of Mississippi River Mischief that I started this part week (in a very lame and ineffective attempt to get the book started) that I actually already had started writing the first chapter a few months ago–I told you my memory is a sieve–and I then found some notes that I had made on ideas for the book and realized dumbass, you had already plotted almost the entire thing out already; it just needs tweaking. Needless to say, I was incredibly thrilled and delighted to discover that I was not, in fact, needing to start completely from scratch but had already made some great progress; so now I am going to finish the first chapter while figuring out the story, plot, and structure of the novel–there’s a lot I need to fit into it; more than I had thought, which makes the book even more ambitious than I was recently thinking it would be. Gulp. But I always say I like a challenge…
But on the other hand, as lovely as it is to immerse myself into the world of writing and publishing, that always has to come to an end and I get to return to the mundanity of the Lost Apartment and my every day life in New Orleans. Tuesday morning I return to the office (Monday is my work at home day, and I have a massive stack of data entry to do), and now that I won’t be traveling again until after Labor Day, it may be time to start going to the gym (despite having to walk in the miserable heat of the summer over there) again. I want to get in better condition–I don’t care, for the first time, about the marvelous side effect of changes to my body–because i am getting older, and need to start worrying about things like muscle loss and bone density and things like that, and a regular weight routine will help with that. I should also probably try to eat healthier as well–I know, who am I and what have I done with Gregalicious–because of genetic things, like high cholesterol and heart disease on both sides and eating better will help with that as well. I also need to stay focused and stop feeling so defeated by the enormous amounts of things I have to do all the time; I’ve simply got to get the organizing of my life under control so I can get things done and not feel so oppressed and defeated all the time.
And on that note, I need to get cleaned up and packed and going on my day. Have a marvelous Sunday, Constant Reader, and I will check in with you tomorrow morning from my desk in the Lost Apartment.
Yesterday was marvelous for one Gregalicious. I had a lovely panel with marvelous writers–talking about POV, which I really cannot speak to with any authority, but I winged it and I think I did okay? It was quite fun–Alan Orloff and Elaine Viets, whom I already knew, were their usual witty and intelligent selves; and the new to me writers (Thomas Kavanaugh and Tammy Euliano) were also phenomenally smart and clever and I had a marvelous time. Several people also came up to me (out of the blue) to tell me how much they enjoyed my reading from Chlorine Thursday night, which was so nice and lovely and cool, and really meant a lot to me.
I have two panels today–one about Amateur v. Professional detectives, followed by one on How to Write a Mystery, which I was a contributor to, and both should be marvelous. Marco Carocari is my first moderator, with the wonderful Oline Cogdill moderating the second. It’s been lovely ever since I arrived. I’m having a wonderful time, and I do highly recommend Sleuthfest for aspiring writers in Florida to attend; lots of good information and helpful workshops and panels on mastering the craft.
I also managed to write quite a bit yesterday morning; logging in over two thousand words on one of my many projects that I am working on. It was a very pleasant surprise, frankly; I just kind of wanted to see where I was at with the chapter I was working on, and just kind of went to town from there with it. I think it’s coming along nicely. I have three chapters done on this, about to go onto the fourth–but of course I’ve been writing this off the top of my head (pantsing, I suppose you could say) but I already kind of knew how these first three chapters or so would play out before even trying to write it–it’s something I’ve been thinking about for years, really–and maybe it will turn into something; maybe it won’t, but for now, I am having a good time with it so why not keep riding that rollercoaster while I can? I also need to get to work on the new Scotty–I am falling behind, and that is simply unacceptable. This weekend, as I had hoped, is kind of invigorating me and my creativity.
I do think my constant juggling act with the flaming chainsaws gets to me periodically. Yes, I have a day job (going on seventeen and a half years at the same employer, a record for me–previously the record of holding a job for me was five years) that I enjoy doing and I absolutely believe in the mission of what I do forty hours a week–but it’s not my identity (I think that may have always been the problem I had with previous jobs; they held my interest until i mastered it, and then I got bored. And jobs that have no value or connection with you other than the actual paycheck eventually become drudgery and I started resenting the job, which inevitably would lead to the downward spiral ending with me quitting or getting fired), but when I don’t have the opportunity (thanks, pandemic) to escape from that into the role that I do Identify with–writer–by being around other writers, talking about books and writing and so forth, which is my identity, it’s easy to slip into depression and everything that comes with that. Exhausting as events like this are–I tend to get overloaded and fried by all the talk and being around people and meeting new people and engaging with friends I only get to see at events like this, and i never sleep well when I am on the road–they are also invigorating. When I get home tomorrow evening, I will be energized and excited despite being completely exhausted. This is a very cool thing, of course.
My neck is also a little stiff this morning, which means I must have slept wrong on the pillow last night. It’s irritating getting old and having your body start betraying you on a regular basis. Heavy heaving sigh. But I think I am going to finish this now, do some stretches, take a shower and do some writing before I head back downstairs. Have a happy Saturday, Constant Reader, and I’ll be checking in with you again, as always, tomorrow.
Yesterday, much to my delight and astonishment, Raven Award winning mystery reviewer and critic Oline Cogdill included Florida Happens on her annual “best-of” list for 2018. Check it out here, along with some other amazing books.
Being on a list–even merely as the editor of an anthology–with writers like Laura Lippman, Megan Abbott Alison Gaylin, Lou Berney, Jeff Abbott, Alafair Burke, Michael Connelly, and Lori Roy, among so many others, is/was a bit overwhelming. Florida Happens was such a dream project; perhaps one of the easiest open call anthologies I’ve ever worked on (with the caveat that selecting the stories was probably the hardest job; we had such a bounty of riches submitted I could have easily done three fantastic volumes), and all the contributors were dreams to work with, in addition to their exceptional talent and their amazing stories.
It’s also kind of interesting that in a year I sort of dedicated myself to reading and writing more short stories, that the first anthology I’ve done in two years should get such an honor, and it is an honor. I am still shaking my head in disbelief, but this is a credit to the fantastic stories my contributors wrote. Brava, one and all. (They also were ALL dreams to work with; completely professional and utterly reliable.)
So, here’s another short story I read recently, “From the Queen” by Carolyn Hart, from Bibliomysteries Volume Two, edited by Otto Penzler:
Annie Darling shivered as she sloshed through puddles. Usually she stopped to admire boats in the marina, everything from majestic ocean-going yachts to jaunty Sunfish. On this February day, she kept her head ducked under her umbrella and didn’t spare a glance at gray water flecked with white caps and a horizon obscured by slanting rain. She reached the covered boardwalk in front of the shops, grateful for a respite. She paused at the door of Death on Demand, shook her umbrella, and inserted the key.
The chill of the morning lessened as she stepped inside her beloved bookstore. In her view, Death on Demand was the literary center of the small South Carolina sea island of Broward’s Rock. She tipped the umbrella into a ceramic stand, wiped her boots on the welcome mat, and drew in the scent of books, old and new. She clicked on the lights, taking pleasure from the new book table with its glorious array of the best mysteries, thrillers, and suspense novels of the month.
I was more than a little surprised–yet pleased–to see Carolyn Hart’s name in the TOC of this volume. She is certainly, if not the queen, a member of the royal court of the cozy mystery. I don’t recall reading Hart before–I do remember meeting her at my one appearance at Malice Domestic; I think we may have even been on a panel together–but she absolutely charmed me with her generosity of spirit and kindness. I’ve always meant to read her work–again, a most prodigious back-list–and have several of her works on my shelves and TBR piles…yet “From the Queen” is my first (I believe) experience reading any of her work.
More’s the pity, too, as this story is carefully and meticulously crafted, completely believable, and her characters drawn so fully, deftly, and completely that I felt I knew them as well as most of my real-life friends and acquaintances. At the center of Hart’s story is an exceptionally rare book–a first edition of Poirot Investigates by Agatha Christie that is not only signed but inscribed to the Queen of England (Mary of Teck, grandmother to the current Queen and wife to George V), which only makes it even more valuable. It is come into the hands of a friend of Annie’s, someone who is financially struggling and has no idea of its worth (bless her heart, she thinks it might be worth a hundred dollars) and is quite overwhelmed when Annie delicately tells her that it is not only worth much more than that, but so valuable as to be life-changing. The book is stolen, and it’s up to Annie to figure out who the thief is and get the book back for her poor friend. Wonderful, just wonderful.
And like Elizabeth George did in her story in this volume, Hart liberally sprinkles call-outs to many terrific writers and their books throughout the story, showing off not only her impressive knowledge of the genre but how much she loves it.
That only added to the story’s value for me, but I loved it regardless. Perhaps it’s time to move Ms. Hart higher up in the TBR pile, for certain.
Queer and Loathing in America 