Thursday morning and my last day in the office for the week. We’re busy today, and I am working alone in the clinic. Yay. I imagine I will be very tired tonight when I get home from work. Meh, it happens. I wasn’t so tired when I got home last night and got quite a bit of daily minutiae done: laundry, dishes, made groceries, and picked up a bit. Paul wasn’t home before I went to bed. If I’m not that tired tonight, I should be able to get some other chores done so I don’t need to worry about them this weekend, and I can focus on writing. I also finished my newsletter aboutScream and why I enjoy it so much, check it out if you are so inclined. I still have at least one more Halloween newsletter to do, which I am going to try to get done and posted no later than Saturday; depends on how much time I have and how rested I feel. I feel good this morning, though; another good night of sleep is in the books.
Praise be, seriously.
The weather did turn yesterday, too. It was very windy, and that wind was cold. When I went out to get the groceries from the driver last night, I was shivering as I pulled the wagon back to the apartment. It’s in the fifties this morning, and the high is only going to be about sixty-seven or so. Autumn is finally here. We’ll still have the occasional really warm, sunny day, but the weather will be bipolar from now until after Carnival. The time change is also this weekend, which means going to work in the dark and coming home after dark. (It always bugs me when I am at work during the only hours of sunlight during the day; it feels oppressive.) The downstairs floor also felt cold to my stockinged feet this morning before I found my slippers. Yay! Now that we have a heating system that actually keeps the apartment warm, I welcome the coldness because I feel so snug and comfy inside…and that’s probably my favorite feeling these days.
Turns out the escaped monkeys were not infected with anything, so they were all slaughtered for no good reason other than it was easier to shoot them, rather than catching them. Heavy sigh. I hate waste, really. (Speaking of which, I need to clean the refrigerator, too; add to list.) So, yeah, not nearly as interesting or exciting as initially reported, truly a tragedy after all, and no interest in writing about it anymore….but it’s not a bad idea; escaped plague monkeys in Mississippi, coming from Tulane. Too bad Bad Monkey is already taken as a title. Monkey Shines would be a good title, though…so is Monkey Business.
It’s a thought.
And of course I am already writing the first chapter–the truck driver’s POV–in my head.
I’ve not really done much writing this week the way I wanted to; I really do need to update that to-do list, don’t I? My goal was to get a good first draft of Chlorine done in November, and then work on some short stories and novellas in December before getting a first draft of Muscles done in January. A lot of it has to do with finding a way around fatigue and trying not to get burned out at the same time. I mean, I can write a frigging shitload of words when I am inspired and have the time; so again, I am starting to resent having to go to work every morning…and have to remind myself that I love my job, and I need the health insurance. Some day, though. Some day.
And on that note, I am going to finish eating breakfast and head into this morning’s spice mines. Have a lovely Thursday and I will see you again tomorrow morning, okay?
Happy Thanksgiving, everyone. Or, if you prefer (I do), Happy Native Genocide Eve!
I am spending this one alone, here in the Lost Apartment by myself, and that’s fine. Yesterday was nice. I didn’t feel as bad when I woke, after a good night’s sleep, and by early afternoon my stomach stopped aching even a little bit. It embarrasses me to admit this, but I think I was actually malnourished! I’ve not eaten dinner once this week, and I didn’t really eat much on Sunday, either–so I went into calorie deficit, and whatever I ate wasn’t enough calories to keep my body functioning properly.1My blood sugar drops, I get all post-nasal drippy, the drip makes me feverish and cough, and I feel, overall, like crap. I caught up on my eating yesterday morning and lunch finally made the ache go away. Seriously, not very smart. But it’s fine this morning and I feel like myself again, thank the Lord. So, with my unexpected extra day off, I wound up having a very nice and relaxing day around the house by myself. I’m rarely ever home alone for an entire day, let alone a week, so the novelty is still kind of nice and fun and oh, yes, I can do whatever I want whenever I want, can’t I? I did listen to Orville Peck yesterday while I did some cleaning. The downstairs is pretty much done; I just need to do the floors and move some furniture. I also worked on an essay2 and did some reading yesterday, which was nice. I am taking today off from anything and everything–it is a holiday, after all–and the days when I used to feel guilty for doing nothing all day are in the past. I’d also completely forgotten it was Rivalry Weekend in college football, when anything can happen in a football season that has already been wild and wacky and full of crazy upsets. LSU plays Oklahoma for the first time in the regular season this Saturday night in Baton Rouge, so that should be interesting; Oklahoma just trounced Alabama, who trounced LSU a few weeks ago. Obviously, you can’t tell anything by common opponents (LSU beat Vanderbilt, who beat Alabama. Go figure).
So, Thanksgiving. I’ll have a fancy turkey sandwich later–probably open-faced, with turkey gravy poured over it–and when I finish this, I’ll probably go read some more of Lavender House, which is phenomenal and I am loving. I’m seeing the influence of the masters–Chandler and Hammett–in this, and it is absolutely amazing. I am not going to pressure myself to do anything today or feel guilty about not doing things. Besides, I am not capable of doing nothing all day–I’ll do something, at any rate; whether it’s cleaning or pruning the books or organizing a cabinet; I’m like Mom that way. I still have to edit a manuscript this weekend, and I’d also like to reread what I have done on Scotty, maybe even get back into writing that manuscript. I puzzled out how to finish and revise a novella and another one of my short stories–both need to be harder, colder, more hard-boiled and sly and mean-spirited, frankly. I’ve enjoyed this novella because it’s about a dysfunctional relationship that has a truly sad ending. The problem with both, I realized, is that they are from the point of view of someone who ends up committing a crime, and it’s really about how everything leads up to that moment, so I had the voice completely wrong in both, which is the missing piece I’ve been looking for now for quite some time. So, while I am not actually writing anything fictional at the moment, I am doing some brain work on my fiction, and sorry not sorry, THAT COUNTS.
But the whole point of this day–the “wholesome” America rah-rah-rah version, at any rate–is to remember and be thankful for your blessings in this life, and not focus on the hardships you’ve faced. There’s definitely a bit of Christianity and white supremacy baked into that particular American mythology, which is why some (me) half-jokingly call it Native Genocide Eve, because it was the last time European colonizers were grateful for indigenous help, and before they started slaughtering them–whether it was through out-and-out gunfire or disease. The truth left out of the US creation myth is that it was all about conquest and colonizing. I don’t think learning about that is nearly as disillusioning as being taught one thing as a child and then learning as you get older that it’s all justification and lies. Europeans had no right to the Americas, and they took the two continents with violence, prejudice, and genocide. The foundation of our country was built upon white Christian supremacy.
Why is that so hard for people to accept or admit? The truth is, we have been dealing with “alternative facts” most of our lives. Talk about miseducation!
But back to my thankfulness. Obviously, first and foremost, is that I am grateful every day for Paul. What a remarkable person he is, and how lucky was I, with all the people in the world, that somehow I wound up finding the perfect person for me, like I’d ordered from a menu? I miss him when he’s not here–I’ve kind of been thinking about Dad, living alone after losing Mom, up there in the house they shared together for the last twenty-five years of their lives together, and can really understand and relate. I usually can handle the first few days whenever he goes on a trip anywhere, luxuriating in the novelty of living alone (which I’ve never done). Usually by the third day alone (technically tomorrow) I start feeling the loneliness and realize ah, this is what it’ll be like if he goes first 3, which is “I can do this when I’ll have to (again, no choice).”
I am very thankful to be living in New Orleans, the only place in this country that has ever felt like home to me. I love this city even when I complain about it. It’s a bit hard to explain, but I think it has something to do with having the same mentality about life and death that I’ve always had: enjoy today because you could be gone tomorrow. One thing that always bugs me on a molecular level is putting off joy till later. Um, there are more than enough things in life to make you forget about joy, so why inflict it upon yourself? Katrina emphasized that even further–you could lose everything you have in a day and have to start completely over. I’ve moved around the country enough, starting over, that having to start over again at my current age isn’t desirable, but I’ve done it enough times over the course of sixty-three years that I know if I have to, I can. I am also very thankful for that hard core of resiliency baked into who I am.
I am very thankful for my writing career. It’s what I always wanted to do, for as long as I can remember, and even when I get frustrated with it, or wish I had done something differently…well, there are any number of people who wish they had my career, and despite the fact that my writing career happened because so many things that needed to happen for it to happen, happened. I think part of the reason I never took my career as seriously as I should have from the very beginning is because luck and good fortune made it happen, which also makes me very aware of how it can happen. But…that doesn’t, and shouldn’t undermine, the story of my career trajectory. I’ve been nominated for awards almost thirty times, and have even won on occasion. Some writers never get nominated for anything. Some writers never progress past the dream stage. I’ve gotten incredible reviews, and I have some absolutely devoted readers that I am thankful for every damned day. I also think part of the depressive state of the last year or so has everything to do with me not writing much during that time–I am always happier when I am writing fiction, no matter how much stress and anxiety is involved with the writing of said fiction. I’ve pretty much been able to write whatever I want to write most of my life, too.
I’ve also been blessed to be able to know some amazing people, and to call them friends. They are an amazing support system, and they believe in me as a person, as a friend, and as a writer. It’s kind of sad that I didn’t learn what it was like to be or have a good friend until I met Paul. I always have this deep down feeling that no one actually does like me–the PTSD of growing up in a very homophobic society–but I am getting so much better about that.
I am thankful that I have the life I never knew I truly wanted, or could have imagined, during the rough times.
And on that note, I am heading into the spice mines. Enjoy your holiday, Constant Reader, and I may be back later, one never can be sure, can one?
One can never go wrong with a shirtless photo of Nyle DeMarco, can one?
Believe it or not, it’s a thing for me; it has a lot to do with fear of gaining weight and the nagging sense that I always need to lose at least ten pounds. I’ll write about that at some point. ↩︎
Not really the first time; there have been any number of times over our almost thirty years (!!!) together (next summer) where I’ve had to face the possibility of losing him and spending the rest of my life alone (I don’t need a companion, and no one will ever be like Paul to me, just like no one could ever replace Mom for Dad) multiple times already. ↩︎
Labor Day and the last day of the three day weekend and Southern Decadence. It’ll be back to work with me again tomorrow (not going to say huzzah for that, sorry) but at least it’ll be a short work week. Alas, we don’t get another holiday until Thanksgiving, but I may take some time off this fall just to relax and rest and do shit, you know? I am finding these long weekends are enormously good for me physically and mentally, to be honest. I set my alarm to get up earlier this morning rather than letting myself just sleep as late as I wanted to,, and I feel better than I have all weekend sleeping late. Peculiar and strange, c’est moi. But I do want to get some things done today while taking it easy as well. I am trying to put off going to the grocery store until tomorrow; I may be able to get away with just a short walk to Walgreens because His Majesty is out of treats…but maybe it’s better to do it today and get it over with.
It does feel like I haven’t been to the office in an eternity.
Well, LSU lost it’s fifth straight season opener last night, and while I am trying not to get terribly discouraged about the season–it always sucks to start off the season with a loss–because it’s hard to say already how good USC is; so I really don’t have any idea of how good this year’s Tigers are. I had a feeling they were overconfident, and as galling as it is to lose to Lincoln Riley of all people, they could have won the game had they not consistently shot themselves in the foot, over and over, and there were a lot of questionable play calls that left points on the field. It actually reminded me a lot of the Florida State loss two years ago. Anyway, the Tigers have an easy game next week before coming home to play UCLA, so we’ll see how they regroup. I will also say Garrett Nussmaier is a great passer, so there’s potential for a great season despite the early loss. The loss cast a pall over the Lost Apartment, and I went to bed early, planning on rising early this morning, so that worked out just fine.
I had a lazy day around the house yesterday, not really doing a lot of anything. I read some more of We Are Watching, the new Alison Gaylin1 (preorder now, it’s coming out in January) which is marvelous as is everything she writes, before spending some time watching the US Open and news clips on Youtube. My shoulder was still sore from the vaccination on Saturday (it’s still sore this morning, too), and so I thought it best to take it easy and not risk getting unwell from the shot (which has happened the previous shots); or maybe it was my brain leaning into being lazy, which is always its preference. I did think a lot about the book yesterday, and feeling actually kind of excited about it, to be honest. I am trying something with it that’s more of a challenge to me, and that’s really exciting for me. I also spent some time filing yesterday and I did get ahead on the dishes and so forth. Today I can vacuum, if I so chose; but overall I am planning on a mostly low-energy day with lots of Sparky time relaxing in my easy chair. I am also planning on reading some more this morning.
The excitement I am feeling about writing this book has also kind of had a simmering effect on my creativity; rather than bursting with ideas the way I usually am when I am writing a book, I get a new idea but it’s more developed than the usual “just a title and a character and the basic idea,” which is also cool. I am also solving problems with some short stories I’ve stalled on, so yeah, it was a good weekend in that regard, and I am also working on some essays. It’s not like I’m not working even on days when I don’t advance the word count on the book, either.
Social media, such as it is now, is becoming more and more a waste of time that I don’t need to deal with in my life, frankly. One of the major problems is that it’s an election year, which is making people drop their masks with the mealy-mouthed can’t we all be friends despite our politics and the privilege that just drips from those statements just enrages me. The difference between me and the Right is that I don’t want anyone to be stripped of their rights. The Right’s corruption of American symbols has always been more about show than belief; kind of like their religion. I apparently spent a lot more time on Twitter than I thought I did–one never really is truly aware, is one–and now that Facebook is basically circling the drain, too, I am amazed at how much more free time I have. I guess I had become far more dependent on social media than I would have preferred or believed? Yesterday was another prime example of how bad Facebook is becoming. A lesbian writer friend had posted an image of a hideous Confederate flag cake with a joke about marrying your first cousin. Some woman I don’t know took offense, and said that flag has evolved into representing all Southerners.
I beg your fucking pardon?
Yeah, I let the racist bitch have it with both barrels before blocking her skank ass. Was she another lesbian writer? I don’t know and I don’t care, but if she is a writer, if that’s the way her mind works she’s probably a shitty writer as well as a shitty person. NO ONE defends the Traitor’s Flag and claims it represents all Southern people–because it sure as fuck does not represent Southern Black people, and to say that it does is so fucking racist you need to be repeatedly slapped, shamed, and driven out of the public square.
The paradox of tolerance is you cannot tolerate intolerance.
I also figured out what I need to do with Never Kiss a Stranger, and managed to convince myself my inability to finish that book was not a failure, either of imagination or as a writer. I knew how the book ended, and I knew how I wanted it to begin, but I didn’t know how to write the middle. The fact that it also started as a novella that I decided to expand and make longer has something to do with it, too; I kept going back and forth on whether there was enough story for a book or if I should, indeed, keep it as a novella, which can be forty thousand or less. There’s really not a place to publish novellas anymore, so at best I’d be able to do a novella collection or something as I have several others on hand, too–and one is almost nearly complete. Maybe I should include it in my collection of short stories? That would definitely fill that book out.
So, despite not really doing a whole lot of writing over the holiday weekend, I am not chiding or berating myself this morning over “wasting time.” It was a productive weekend, and I am getting better at being kinder to myself. I’m still figuring out the work/writing/life balance, but what I do know is that balance is a lot better now than it’s been in several decades.
And on that note, I am going to get another cup of coffee and repair to my easy chair for some more of Alison’s book. Have a great Labor Day, and never forget it was unions that got us the forty-hour work week, paid sick time and vacations, breaks, and weekends. I may be back later; we shall simply have to see how things go, won’t we?
Part of the reason I am enjoying the book so much–it hit me yesterday–is the writing style/voice reminds me very much of Ira Levin, who I’ve been thinking about a lot lately; been wanting to revisit The Stepford Wives and The Boys from Brazil, especially since JD Vance reminds me of one. ↩︎
Sunday morning in the Lost Apartment and yesterday was a rather lovely day, in all honesty. I didn’t put any pressure on myself, but did make some progress on the apartment itself. I cleared out two boxes off the top of the cabinets, and know now what the others are–and know they can simply go into the attic once it is cleared out. This means…I am getting to the point where I can start working on the attic. This pleases me enormously, and there’s some other stuff that needs to be done here in the workspace this morning before I make a minor grocery run. We watched this week’s Bad Monkey, which I am loving, and then some more Solar Opposites. I also managed to get a week’s worth of dishes taken care of–I was really lazy and taking advantage of the entire “birthday week” excuse this week, I am a bit red-faced to admit–and reminded myself to never let it get that bad again…which will last probably about a week.
I also watched the Georgia Tech-Florida State game. I simply flipped over to it while looking for a movie to watch (to no avail; nothing sounded good) to see the score, and saw the end of the second half with the score tied 14-14. That intrigued me enough to continue watching, and it turned out to be a rather good game, as Georgia Tech kicked a field goal on the last play of the game to upset #10 Florida State, 24-21. It was a great game–I do sometimes watch college football when I don’t care about either team–made even greater by the upset win for Georgia Tech (I am not a FSU fan), and that kind of got me into the mood for football season. LSU’s first game is this weekend; Sunday evening in Las Vegas, of all places. I have no idea how good LSU is going to be this year–I am not one of those people who reads analysts and so forth and practice reports; they are meaningless really until it’s actually a game and they’re keeping score. I prefer to be surprised, and college football is always full of surprises. I don’t even pay attention to the NFL preseason, either.
I wasn’t a complete sloth yesterday. I did do some things around the house, and looking around this morning, there’s more that needs to be done. I’m not used to having all this free time, which is the primary adjustment I am having to make in the present day…and it’s kind of nice, you know? I still need to figure out how to be more productive, and how to utilize the time, but I worked so hard for so very long and never had a minute’s peace for so long that it’s just kind of nice to not be worried about things anymore. I plan to spend some time this morning straightening up the kitchen again, and picking things up and filing, and I also want to do the floors. I didn’t leave the house yesterday so I have to make that grocery run today (to make dinner tonight I have to go), but that’s not a big deal, really. It’s nice, though, to not be stressed and anxious about not working in my free time.
I even thought about writing projects yesterday. I am really leaning towards shelving Never Kiss a Stranger for now; I realized yesterday it was one of those stupid “stubbornly obsessive” things that I get into my head every once in a while. I remembered yesterday that originally I had intended to finish my novella collection this summer, which meant working on that, and then I realized it was more of a book than a novella, and decided to write that for the summer. And even though I was having trouble with it on almost every level of turning what I already had into a novel, I was stubbornly refusing to shelve it and move on, which was counter-productive. No one cares if I finish that book now or at some other time, or if I never write it at all. So, I am going to put it aside for now and forget about it for a while. It only makes sense to get back into regular writing with a Scotty book, and a Scotty book will be somewhat easier for me to write…and easier for me to get back into the swing of writing again after so much time away from it.
I also realized that the MAGA meltdown over Gus Walz was an excellent way to open my essay “Are You Man Enough?”, and so I did scribble some notes on that yesterday as well. I am actually kind of looking forward to this work week, believe it or not, and I do think getting to work on another Scotty–Hurricane Season Hustle–will be a lot more fun for me going forward.
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.
I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.
Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.
I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.
And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.
Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?
Christmas and crime don’t get together often enough for my liking–although I always love to call It’s a Wonderful Life a Christmas noir, because it’s actually an incredibly dark film if you look below the effervescent sugary surface. (I’ve always wanted to write a book set in the world created had George Bailey never existed–Potterville.) Agatha Christie handled the holidays in a couple of books, most notably Murder for Christmas, and the occasional short story. (This is a good place to note that when I was talking about my own Christmas writings, I’d forgotten “The Snow Globe”, which is my most Christmas story of them all; the one I did remember to mention, “The Snow Queen,” was more a winter’s tale than a Christmas one.)
Lisa Unger is one of my favorite writers, and she’s also pretty prolific; I turned and looked away for a moment and suddenly I was way behind on reading her books. I had never caught up on the backlist, either; so I think focusing on that is a good plan for 2024. When i saw that she had written a Christmas novella, getting it was a no-brainer–and I read it in one day…and it reminded me again why I love her work so much.
I always loved Christmas. I still remember how magical it was to believe in Santa Claus, lying in bed at night, trying to stay up to hear the pitter-patter of reindeer hoofs on the roof. Then falling asleep and waking up to the tree glowing downstairs, the floor covered with gifts, my parents groggy and smiling.
I saw him, my sister would say. On the lawn, climbing out of his sleigh.
And I would be so jealous that she got to see Santa, while I couldn’t keep my eyes open long enough. She was always first. Always better. Still is.
I lean against the pole now, arching my back, all eyes on me. The music pulses and the stage lights beneath my high heels flash–purple, blue, orange, red. I am alive here, all of it moving through me. Tonight, I perform to various Katy Perry songs–a playlist I made. “Hummingbird Heartbeat.” “Peacock.” “Part of Me.” All songs that are sexy and upbeat but have a secret message. Like me. No one is listening to the music though. The smattering of men sitting on stools and in various booths, nursing drinks, are only thinking about one thing.
Ten years ago, Madeline Martin survived a brutal night in which her best friend was murdered, and two others disappeared. Maddie herself was stabbed multiple times and the side of her face slashed. Her boyfriend was convicted of the crimes and sent to prison–he was a rich bad boy exiled to their upstate New York town (but further south than the Hollows, the town Unger writes about a lot), and for whatever reason, he just kind of went nuts that night during a wild party at his home a few days before Christmas. The two sisters who vanished were never found, and the assumption has always been he killed them also and got rid of the bodies…which really doesn’t make a lot of sense. Maddie’s father was the sheriff, and he has recently had a stroke, requiring at home care, while she runs her own bookstore with some success. Maddie has also closed herself off from dating–who wouldn’t, when your high school boyfriend turned out to be a psycho killer–and at the very beginning of the book, true crime podcaster/writer Harley Granger has come to town, buying the home where the missing sisters once lived, to turn over the stones and interview people–he doesn’t believe for one moment that Evan Handy had the time and ability to not only do what witnesses saw (stabbing Maddie and killing her friend) AND kidnap and murder and hide the bodies of the missing sisters. Harley thinks Evan either had help, or there’s an unrelated serial killer operating in the area–and the disappearance of a stripper named Lolly from the area is proof–along with some other young women gone missing in the years since that nightmare of a night that Maddie can barely remember.
This is Lisa Unger at her best; she writes brilliantly, defining and developing realistic characters that the reader can identify with and relate to and root for; delving into the psychology of what it must be like to survive a night like the one Maddie did as a teenager allows for complexity and many layers and facets to her character, and despite the shortness of the story (compared to Unger’s novels), it’s fully realized, compelling, and hard to put down. Unger’s pacing is urgent, grabs you by the throat and refuses to let go until you’ve turned the final page.
Today already feels off. That’s the time change, no doubt; it’s hard to believe I slept as well as I did last night–I went to bed early so I could get up earlier by the clock than by the body, figuring that was the easiest way to transition into getting up early for work this week. The weekend, which held such promise, was derailed by having to deal with getting my delivery items that were supposed to come Friday night delivered yesterday; they finally did come and it was taken care of–but the delivery window was 1-3, which fucked up the rest of the day for me to run the other errands I wanted to get done, which now have to be done this morning. It’s fine, but any change to routine triggers the anxiety so I am trying to not let it defeat me this morning. But the change in plans did kind of end up wasting my Saturday; the delivery came around two-thirty, and it was already too late for me to go out running errands. Of course this morning I am thinking no it wasn’t too late for you to start your errands but my mind works a certain way and usually I can’t see these things except in highsight.
I did read some of the novellas I have partially finished that have been lying around for years, which begs the question I could have sworn I’ve worked on these things more recently than the files I am finding, so have I lost track of all time completely? But for the one I am thinking of, it absolutely makes the most sense, as I now remember I’d actually submitted it to an anthology, which meant trimming it down from the length that it originally was. I have found a call for submissions which includes novellas–which was why I was looking at them again yesterday–which has me thinking about revisions and rewrites and what can be done with these manuscripts. One is slightly longer than forty thousand, and only needs a minimum of twenty-five thousand more to become an actual novel. I reread it yesterday, and it does center a bad trope that would have to be super-creatively pulled off to work, but I also think recentering the main character from a straight cisgender white high school girl to a gay teenager could easily help with that. (It also needs a name change, “Spellcaster” doesn’t really work and was also a drawback to what I had done.) The one I was looking for was “Fireflies,” which is another Corinth County story (I feel like I should always explain that the locals pronounce it “carnth”) and is one of the more disturbing county stories I’ve done, but I also think it’s one that works for the submission call. Or not; we shall see.
The other one I was able to read was “Festival of the Redeemer,” which is another attempt at a du Maurier-like story set in Venice. Rereading “Don’t Look Now” recently, of course, put me in mind of this story, which is one of the few novellas that has an actual full draft done. (Several of the others are incomplete–“The Scent of Lilacs in the Rain,” “A Holler Full of Kudzu,” and “Once a Tiger”.) Rereading it yesterday reminded me of what I was doing with it–or trying to, at any rate–and I could see where I lost the thread and the voice, which was the most important thing about the novella. I also need to get organized on the next book project I am going to work on, but I need to write a proposal first. That’s the big goal for today; get better organized, run those errands, get the proposal organized, and start pulling the next book together. One step to getting things better organized is to complete a thorough to-do list and actually pay attention to it; these lists do no good if you don’t consult them at least once a day. I had gotten a great start on one this past week, so I think I am going to work on pulling that together.
I also need to measure the workstation windows before I head to Lowe’s.
The Saints are playing today at noon, but I think that’s the best time for me to be running errands and potentially hanging window blinds, so I think that’s enough stress and anxiety for me today–I can follow the Saints game on social media. A Haunting in Venice is streaming now, so we may go ahead and watch some movies later on, as we are all caught up on the shows we are watching (I am episodes behind on Foundation, but the beauty of streaming is you can always catch up at some point), and there’s another movie streaming now I am interested in seeing even if I can’t think of its name at the moment. I’ve already made a grocery list for today–I am making ravioli for dinner tonight and need to pick up some bread to go with it–and am hopeful that sometime either this week or next I will get my teeth at last and I can bid adieu to the soft diet…just in time for my surgery. I’ve done some research–which I’d been avoiding–on the recovery time from this type of surgery and mine is more complicated than the basic one I am finding out about on-line, so this is bare-minimums I am looking at–probably at least three weeks on medical leave from the office, which I will need to go talk to Admin and HR about at some point this week so I can get it taken care of, or at least get the process started. I will also need physical therapy for three to four months. Yay. Ah, well, at least I have the resources that this won’t bankrupt me, which is a good thing.
And on that note, I am going to get to work on things this morning and take advantage of this extra hour I have this morning rather than wasting it. So, have a lovely Sunday, Constant Reader, but be warned–there’s more blatant self-promotion coming along at some point.
I love Daphne du Maurier, and I love Venice, so it is no surprise that one of my favorite works of fiction is her long story, “Don’t Look Now.”
I know I’ve talked about this story endlessly already, numerous times, but you can also close the browser window now if you don’t want to read me talking about the story more. If you’ve not read it and would like to, this is a good time to navigate away–because I am going to give spoilers aplenty in this entry–because part of the great pleasure of reading “Don’t Look Now” for the first time is all the surprises and twists and shocks.
Du Maurier was a master of the plot twist.
“Don’t look now,” John said to his wife, “but there are a couple of old girls two tables away who are trying to hypnotize me.”
Laura, quick on cue, made an elaborate pretnse of yawning, then tilted her head as though searching the skies for a non-existent aeroplane.
“Right behind you,” he added. “That’s why you can’t turn round at once–it would be much too obvious.”
Laura played the oldest trick in the world and dropped her napkin, then bent to scrabble for it under her feet, sending a shooting glance over her left shoulder as she straightened once again. She sucked in her cheeks, the first tell-tale sign of suppressed hysteria, and lowered her head.
“They’re not old girls at all,” she said. “They’re male twins in drag.”
Her voice broke ominously, the prelude ton uncontrolled laughter, and John quickly poured some more chianti into her glass.
“Pretend to choke,” he said, “then they won’t notice. You know what it is–they’re criminals doing the sights of Europe, changing sex at every stop. Twin sisters here in Torcello. Twin brothers tomorrow in Venice, or even tonight, parading arm-in-arm across the Piazza San Marco. Just a matter of switching clothes and wigs.”
“Jewel thieves or murderers?” asked Laura.
“Oh, murderers, definitely. But why, I ask myself, have they picked on me?”
It had been a hot minute since I’d reread “Don’t Look Now,” and rereading it this time was an incredible pleasure, as it always is. I originally discovered this story in her collection Echoes from the Macabre: Selected Stories, and was completely enthralled when I read it as a teenager.
This is the copy I found at Zayre’s when I was about twelve, and discovering duMaurier for the very first time.
That opening sequence between John and Laura is a masterclass in opening a long story, frankly. (Now, by the way, is the time to navigate away from the entry if you’ve not read the story but want to–I can also highly recommend the Nicholas Roeg film adaptation starring Donald Sutherland and Julie Christie.)
What do we see in that opening sequence? A couple, probably married and in love, having dinner at a restaurant in Torcello–and playing a delightful couples game in which you pick random diners at a different table and make up stories about them. I myself do this all the time whenever I am in public and alone; I just start looking around and making up stories about people based on their appearance and where they are and so forth. (This is an excellent exercise for new writers trying to hone their art and craft, by the way; take a notebook with you, have a meal by yourself, and pick out a table to observe, then start creating character and story based on what you’ve observed. I love doing this, frankly.) I also love that the opening three words of the story itself are also the title–as though “don’t look now” is actually what they call the game, and this innocent game actually is the first domino to fall in a series that results in tragedy. But du Maurier has already hooked us into this couple and their story, and we eagerly read on. What is this story about? Who are John and Laura? Why are they in Torcello? (When I originally read the story I didn’t know that Torcello is one of the smaller islands in the Venetian lagoon; but that soon becomes obvious.) One of the twins-in-drag gets up and goes to the restroom, and Laura, all in on the game now, follows her into the bathroom to see if she really is a man in drag, and there is much hilarious conversation between them about what might happen if it truly was a man in drag (and with all the bathroom battles currently being waged in this country, this scene took an an entirely different resonance in this reading), and we are left alone with John.
And once we are alone with John, we find out a lot more about the couple. They’re British, for one–safe to assume in a duMaurier tale–and as he sits there waiting for her to come back, he remembers why they are there; they’re touring Europe as a getaway as well as an attempt to help Laura (and John) get over the loss of their daughter Christine, who died of leukemia (this was changed in the movie to great effect) and Laura hasn’t been able to shake her sorrow, so John thought this trip would help, and this entire conversation–the resurrection of this game they used to play in happier times–has given him glimpses of Laura before the loss, giving him hope that the wound is finally beginning to heal. They have a son, too, who is off at school, but Christine was Laura’s darling and her favorite (I love that du Maurier would have none of that sentimentality about parents loving their children equally; she dismisses that nonsense out of hand. Of course parents have favorites. They’re human.) and so the loss is even more felt.
But then he notices that Laura has been gone a while…far too long for a quick trip to the restroom. And when she returns…
He could tell at once there was something wrong. Almost as if she were in a state of shock. She blundered towards the table he had just vacated and sat down. He drew up a chair beside her, taking her hand.
“Darling, what is it? Tell me–are you ill?”
But Laura shakes off the shock, and is radiant with joy as she explains to John the incredible encounter she had with the old woman in the restaurant rest room. One of the old women–the one who was staring–is blind but also psychic. She saw their daughter, Christine, sitting with them at the table laughing happily. John, of course, is delighted that his wife is happy but at the same time he’s aggravated at the woman–how very dare she say such a thing to his wife! He doesn’t believe in any of this nonsense and he is deeply irritated and annoyed that his wife–not really fully recovered from her loss–is so quickly taken in and ready to believe the story.
The desperate urgency in her voice made his heart sicken. He had to play along with her, agree, soothe, do anything to bring back some sense of calm.
Before, when reading this story, I always kind of felt John was kind of a dick. His wife is deeply saddened and depressed over the loss of a child, and he doesn’t seem to much care that he, too, has lost a beloved child. But this time through, I felt a pang of recognition there in John’s behavior; he was actually sublimating his own grief in that time-honored way men historically have–by ignoring it and pushing it away and focusing on taking care of his (so-believed) much more delicate and emotionally fragile wife; he has to be the MAN and take care of things, which is du Maurier’s sly way of inserting a critique of societal mores and expectations of straight white men. So, rather then processing his own grief, he buries it beneath concern and worry for wife, which isn’t healthy for either of them.
As John listens, horrified and appalled and even a bit angry, his wife explains to him that their daughter also is worried about them, that they are in danger in Venice and must leave right away. (There’s also a throwaway line that the psychic twin also mentioned that John is also psychic “but doesn’t know it.”) Naturally, she wants to leave while John, confounded and horrified by this turn of events–completely dismissing her out of hand, without the slightest bit of even trying to understand–will have nothing to do with their holiday plans being changed. Laura’s improvement in mood and spirit fades away and as they walk to have dinner, they become separated briefly, and he hears a cry from across a canal in the dark, and sees a child fleeing in a red hooded jacket, jumping from boat to boat until she escapes the sound of running footsteps behind her by crossing the canal by crossing over the boats. He and Laura are reunited, and he thinks no more of it. They have dinner, return, and discover that their son has fallen ill with appendicitis, and perhaps they should return. Laura sees this as the vision of the “danger” and even as John thinks about it, she goes about making the arrangements for them to get back to England. She gets an open seat on a chartered flight, and he will collect their things and their car and drive back. She takes off, he checks out, makes the car arrangements, but as he is coming back to the hotel he sees Laura and the twins, passing him by on another vaporetto. Disturbed by this change in plans, he decides to go looking for the twins, find out what happened and how they convinced her to stay, etc. eventually going to the police to try to track down the twins.
While at the police station, another British couple–there to report a stolen purse–tells him about all the murders going on in Venice that have the police so worked up; he thinks nothing of it, and then of course they find the twins who’ve not seen Laura–who also calls him once she has arrived in England.
Confused and upset and uncertain of what is going on, he goes out for another late night walk and once again sees the child in the red jacket running away. He himself chases after her to try to help her–only to catch her, find out it’s actually a demented little person armed with a powerful knife, who slashes his throat–and as he sinks to the ground dying, puts it all together–he’s psychic; he saw Laura and the twins together in the future when Laura has returned after his death to claim the body; and all along it was all right there in front of his face, only he refused to see it, thinking, as he last thoughts, as he hears shouts and people running towards him, what a bloody stupid way to die and proceeds to do so.
Du Maurier’s prose is, as always, literate and smart and brilliant; her characters seem absolutely real, and Venice springs to magnificent life in her hands. The structure of the story and her remarkable job at misdirecting the reader into missing, along with John, what is really going on around him in this Venice holiday is fucking brilliant. She gives John, and the reader, all the hints they need to piece it all together, but she is so completely into John’s head, his inner monologue, that the reader sees only what John sees, until it’s too late, and you realize this story never was what you thought it was in the beginning, or along the way; or that it is just not the way you expected it to be.
I’m already excited to read it again, and watch the film–a masterpiece–as well.
My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.
When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.
I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.
That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).
Burn in hell, corporate trash who bought Alyson.
(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)
But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.
The last two books in the series were done with Bold Strokes Books.
As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.
And then Katrina happened, and everything changed.
My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.
The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.
Maybe I shouldn’t have ended the series at seven?
But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.
I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?
That would make a lot more sense, and could be even more fun to write than one long single story novel.
Or I may not do anything with Chanse at all, and use those stories/plots for something else.
Yesterday I was very tired. I’ve not been sleeping well this week, but at least on Tuesday I felt rested; yesterday I just felt tired, physically and intellectually. I did get some work done last night on the book, and today I feel very rested; I slept wonderfully last night, which was absolutely marvelous, quite frankly, and am very glad for it. Today is the last day in the office for me until a week from Monday–this is the weekend I’m going north to see Dad (I may not be around on here at all once I leave on Sunday) which is yet another reason why I need to get this revision finished. I feel confident that I can get it done before I go on this trip; I keep thinking that I’m almost done…
I haven’t started reading the new Megan Abbott; I’d hoped to spend some time with her new book last night but I was fried when I finished working on the book and just collapsed into my chair to provide a cat bed for Scooter. It was very cool yesterday morning when I left for the office, but the inferno had returned by the time I got off work. A small but welcome respite from the summer’s heat (Facebook memories reminded me that we’d been in a heat advisory at this time of year several times over the past few years–proving yet again the long COVID of last year did affect my memory. I saw an article I meant to read yesterday that said even mild cases of COVID caused a type of brain damage, or brain rewiring of a sort, which needs to be studied. I know my memory changed during the pandemic, but I also turned sixty during it, too. Was it the long COVID experience I had that rewired/altered my brain, or was that an after-effect of the trauma imposed by the shutdown and everything that followed in its wake? I can’t remember if I was having memory issues before I got sick last summer; but if that was indeed the case, it got much worse after I recovered…and was really bad while I was sick. It’s so hard to tell, so hard to remember, you know?
A case in point about my memory has been these last two manuscripts I’ve been working on since last fall. For one thing, it took me a lot longer than usual to write and revise both of them (I must also provide the caveat that the end of the last year and the beginning of this one was a very difficult time, all things considered) but as I am revising this manuscript I am continually amazed at how little I remember of it, let alone remember writing it. Again, this is very alarming, but at the same time I can also honestly say I’ve never stacked books like this before while writing them; going from one to another and then back and forth again repeatedly; I don’t remember much of the Scotty book, to be honest, either–but I remember more of it than I do this one. It’s a good manuscript, though; I like the characters and I like the story, and it seems like they want me to write a sequel to it, which is also kind of cool; I already have a title for the next one and an idea, amorphous yet still an idea, for what the story would be. After I get back from Kentucky, I’ll tell you a bit more about this project; I realize I’ve been very mysterious about it, but there’s not any reason for it other than my own superstition and fear of jinxing things by talking about them–which is just another symptom of my own neuroses, of course.
There are two tropical systems trying to form in the Atlantic right now. One looks like it’s going to head up the Atlantic coast, or will never come near land and just head north before dissipating; the other looks like it’s heading for the Caribbean Sea and the Yucatan. Yay for hurricane season, he typed sarcastically. I was also thinking last night about future Scotty books; I think I am going to cap that series at ten. I think Mississippi River Mischief is the ninth Scotty, which would only give me one more title for the series. No, scratch that; I will make no promises or any commitments regarding the future of that series, and will leave it the way I always have in the past: if I get an idea for one, I will write another one.
What I have been thinking about lately is that I want to write books I feel passionate about; I want to tell stories and write books that will have some kind of impact, or require a lot of emotional and intellectual work on my part, if that makes any sense. Last night Scott Heim tweeted an excerpt from the opening of Jim Grimsley’s beautiful novel Winter Birds, and I remembered again how much I love Jim Grimsley’s writing and his authorial voice (I inevitably default, when it comes to Jim, to Comfort and Joy, which is one of my favorite Christmas stories of all time; but his other work is also lyrical and poetic and beautiful, too). It also made me think about my own writing and my own authorial voice. Do I have a distinctive authorial voice? Can someone read my work without knowing its mine and be able to tell that it’s mine? I know that I can write beautifully and poetically when it suits the story; I know I can do a voice that can sound haunting and sad. I try to always do different things when I write out of series; I want to write different types of stories and use different kinds of authorial voices and write in different styles. I think my best work inevitably tends to be Gothic in voice and style; those are certainly the favorites of my own works that I’ve written (Timothy, Bury Me in Shadows, Lake Thirteen, Sorceress, The Orion Mask), and whenever I write about Alabama, I seem to lapse into this very lovely, literate-sounding voice. I’m not quite sure why that is, but it’s been mostly in short stories; I do want to write more about Alabama and my complicated relationship with my home state. I am passionate about writing both Chlorine and Muscles, which are on deck for me; I am wavering about whether to leave “Never Kiss a Stranger” as a novella or whether to expand it out into a novel; I can see it working either way. I don’t want any of the novellas to turn into novels, frankly; I don’t have the time necessary left to me to write everything that I want to write in the first place. But am I trying to force novels into novellas because that’s how I decided to write them, or are they better off as novellas? These are the things that make you want to load your pockets with heavy stones and walk into the river.
And LSU did beat Wake Forest yesterday, forcing a third game to determine who plays Florida in the finals of the College World Series. GEAUX TIGERS!
And on that note, I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.
Queer and Loathing in America 