Tag: Nicholas and Alexandra

Play with Fire

Well, I met quota again last night which was marvelous. It’s still a bit chilly this morning. By the weekend it should be back into the seventies (it was yesterday as I ran my errands after work; it’s sixty-one this morning but it does feel colder outside of my bed and blankets), as the Alabama and Kansas State fans start arriving for the Sugar Bowl. LSU is also playing on New Years’ Day in the Citrus Bowl against Purdue, which will probably be the only game I actually watch that day.

There’s been a conversation going on over at Book Twitter lately that doesn’t really impact me in any way, but it’s been kind of interesting to follow. The conversation has to do with concerns about what is and isn’t considered y/a fiction as well as what is, or should be, considered age-appropriate reading material for teenagers and pre-teens. It doesn’t impact me because no one considers me a young adult writer, for one thing; despite having written numerous books with younger and/or teenaged characters (Sorceress, Sleeping Angel, Sara, Lake Thirteen, Dark Tide, Bury Me in Shadows, #shedeservedit), most people think of me as a gay mystery writer. Everything published under my own name is a mystery novel of some sort, whether it’s one of the series books or one of the stand-alones. I’ve never really marketed myself as a writer of young adult fiction, really; I shy away from that, I think, because of The Virginia Incident and the subconscious fear that one day that controversy might resurrect itself (which is ludicrous, and I know that; it certainly would have by now and it hasn’t, which further proves my belief that The Incident had nothing to do with me or my writing or my career and everything to do with systemic homophobia and othering used for political gain). It just seems weird to me that in less than five years after that happened–when I was deemed a menace to America’s youth–I could publish books for teenagers without a single whiff of complaint or scandal or even the raise of a single eyebrow.

Interesting, isn’t it? Almost like the whole thing was just more smoke and mirrors whose sole intent was to rile the homophobic base.

I just love that my existence is considered by some as a constant and continued threat to children.

One of the things that has always mystified me over the years is what is and isn’t considered age-appropriate. Intellectually I was far more advanced that most of my classmates (my emotional and personal maturity being an entire other subject–I’d say I am still behind on that score) and I started reading early. The library and the Scholastic Book Fairs were my best friends as a child, and I read everything I could get my hands on. I loved history, from which grew an appreciation and love for historical fiction (which I really don’t read much of anymore, which is odd. I really want to read Hilary Mantel’s Cromwell books…) and of course, my grandmother got me interested in “scary” movies and mysteries.

You’d think I’d be a huge fan of historical mysteries, but I actually don’t read many of them. I did love Elizabeth Peters’ Amelia Peabody series, and I’ve become a huge fan of Laurie R. King’s Mary Russell series…I think exploring historical mysteries might be a project for 2023.

But the point was I was reading books far too advanced for most people my age when I was young. I freely will admit that in my first read of Gone with the Wind at age ten I didn’t know Rhett raped Scarlett the night of Ashley’s surprise birthday party–it wasn’t until a reread in my late teens where I thought oh, this isn’t right–let alone that she enjoyed being overpowered and forced. I also read The Godfather when I was ten, and there was no mistaking anything about Sonny Corleone and Lucy Mancini. He had a cock the size of a horse’s and her vagina was apparently the Lincoln Tunnel. (Although the she felt something burning pass between her thighs still mystifies me to this day.) I also read The Exorcist when I was ten and I was also very well aware of what was going on in the crucifix masturbation scene. As a kid, I was fascinated by these sex scenes (aka “the dirty parts”), and it wasn’t until I was older than I began to question the entire Sonny-Lucy thing (and why it was even in the book in the first place); and while the crucifix scene was gross, shocking and basically icky to me at ten–when I reread the book sometime in the past decade it seemed prurient, to be honest–used primarily for shock value and to get people to talk about it.

So, yes, I started reading books for adults when I was around ten. I also read Antonia Fraser’s Mary Queen of Scots and Robert K. Massie’s Nicholas and Alexandra that same year–I remember doing a book report on Mary Queen of Scots and my teacher not believing that I had read the thick volume; he started opening the book at random and asking me questions–which I was able to answer, so he grudgingly accepted the book report and gave me an A. (Teachers have doubted me all of my life; can’t imagine why I am insecure about my intelligence…)

Over the course of my teens I also read books by Harold Robbins, Sidney Sheldon, Jackie Collins, Jacqueline Susann and Gordon Merrick-every last one of them crammed to the gills with racy sex scenes. I was also reading Stephen King, Irving Wallace, Herman Wouk, Agatha Christie, Ellery Queen, Jean Plaidy, Victoria Holt, Phyllis A. Whitney and any number of authors who wrote for adult audiences not teens. Were there things in the books I didn’t understand? Sure there were. Were there things in those books that were probably inappropriate for teenagers? Undoubtedly. (I’ve also never forgotten the scene in Joyce Haber’s The Users where a Liza Minnelli-based character fucked herself with her own Oscar; some images are simply too vivid to forget methinks.)

This is one reason I shy away from calling some of my books with teenagers “young adult” novels. Megan Abbott’s Dare Me centered teenagers, but I would never consider Dare Me a young adult novel. I was thinking about this the other night while watching Sex Lives of College Girls (it’s hilarious, you really should be watching); can I authentically write about teenagers anymore? Have I ever been able to? I don’t speak their language anymore, and I haven’t been one in over forty years (!!!!); I don’t know the technology they use or their slang or what they watch or listen to. I don’t know what today’s teens think about virginity and sexuality these days; do the tired old tropes still exist? Does that whole “good girl/bad girl” dynamic still exist, or are today’s teenaged girls a bit more sophisticated than they were when I was in high school when it comes to sex and sexuality? (Contrasting two high school shows with queer content makes you wonder–there’s the jaded cynicism of the rich kids in Elite vs the wholesome purity and innocence and sweetness of Heartstopper, which also had me wondering–although I feel certain Heartstopper might be closer to reality than Elite…or that’s just my hope?) Of course I have other ideas for more books about young people–I have another in-progress one that’s been sitting around for a very long time that I need to repurpose–and I’d kind of like to write more at some point, but I don’t know. My suburban 70’s serial killer preying on teenaged boys book would be told from the perspective of a twelve year old, but it would definitely not be a young adult novel–but will probably be marketed and sold as one.

And on that note I am heading into the spice mines on my last day in the office for 2022. Check back in with you later, Constant Reader.

Everybody’s Got the Right to Love

Thursday morning and my last day (of only two) in the office this week. I went to bed early again last night–I was surprisingly productive when I got home from work last night, which was a pleasant surprise–and woke up well before my alarm again (I did stay in bed until the alarm went off, though), and so am pretty well awake this morning as I drink my coffee and prepare to face another day. I still have an insane amount of work to get done today–over all, in general, what else is new, right?–and frankly I’m just hoping to be able to keep everything in at least a holding pattern until this weekend when I can make serious inroads. I never got around to making that to-do list yesterday, which catapults it to the top of what I need to get done today, really, and so I’ve got to really buckle down and focus and do what I need to do.

Yesterday I managed to get Kellye Garrett’s Like a Sister in the mail, and I started reading. As Constant Reader is aware, I’ve had issues reading lately for pleasure, and with Kellye’s book in hand, I decided to sit down and give it a shot. I was a few chapters in before I knew it, and regretfully had to put the book aside so I could do some chores that needed to be done. And of course, by the time I was finished with the chores I was tired and Scooter wanted to sleep in my lap so…I decided to try watching the news, and then found something else on television to watch to try to distract me from that…but it didn’t really hold my attention and finally went to bed early. I finally saw someone last night on the news talking about the history–finally–and why Ukraine…Kyev in particular… is so important to Russian leadership. It goes back to Peter the Great’s desire to make Russia a world power–access to the Black Sea being crucial for trade and for naval matters–because Russian history dates back to the days when Kyev was the capital of the Kyevan Rus; Kyev eventually fell to the Mongols and the Russian nation retreated north. The dream has always been to restore the empire that once was; the Russians have always considered themselves to be the heirs of the Eastern Roman Empire and Moscow to be the third Rome (Rome being the first, Constantinople being the second–tsar or czar is a Russianization of caesar). Ukraine is the heart of the Russian nation, and its true homeland…so a Ukraine independent of Russian control flies in the face of everything Russians have always believed about themselves as a people and as a nation. (It is lovely to see how much the Russian people hate and oppose this war, though.) Ukraine and the Black Sea were always the goal of first Peter the Great and then Catherine the Great….Putin sees himself as one of those great leaders, hence the need to return Ukraine and Kyev to Russian control. I don’t know how this is going to end, and I fear many of the possible outcomes…but I am also glad I have a smattering of knowledge about Russian history.

I’m not sure why I’ve always been drawn to Russian history, art and culture–particularly since I grew up in the shadow of the mushroom cloud with the idea that Soviet Union was the ultimate evil empire drilled into my head daily–but there it is. A friend bought me, as a birthday gift, a reading with a psychic (I’ve had two of these in my life–the second was a tarot card reading after we moved to New Orleans); it was an interesting experience. She kind of just read my past life history–but it was interesting. In my most recent past life, according to her, I had been nobility in Russia at some time in the past. I had a good, fruitful, productive life, and in my old age retired to a monastery. It was interesting–because I had always been drawn to Russia (and yes, well aware that I could never live in Russia; way too cold, of course)–and there was no way she could have known this; it’s not one of those “read body language and facial expression” things most psychics do; in the tarot reading the answers to my questions were ambiguous enough so they could be read as pretty much fitting anything. (This has been on my mind as I’ve been writing a psychic character lately in my short fiction–and of course, Scotty is psychic, although I’ve not really done much with that in the later books in the series.) But I’ve always been interested in Peter the Great, Catherine the Great, Nicholas and Alexandra…the Romanov dynasty and Russia have always interested me. (I highly recommend any of Robert K. Massie’s Russian histories and biographies of the czars.)

I also need to get revising my manuscript and start working on “Solace in a Dying Hour,” which is due in early April. Sigh, so much to do. But I was really proud of myself for doing cleaning chores around the apartment last night–I even vacuumed–so the apartment looks sort of better; at least neater than it has in a while. Tonight I’ll fold the clothes in the dryer and put the dishes away from the dishwasher, and hopefully can carve out some time to read more of Like a Sister–it was very hard to put down last night; it’s really good, y’all–and of course, I don’t have to get up before dawn tomorrow so can stay up a little later tonight if I want to….although going to bed early has ceased to be a problem for me lately.

And on that note, tis back to the spice mines with me. Have a lovely and marvelous day, Constant Reader, and I will talk to you again tomorrow.

White Christmas

Well good morning, Constant Reader, and I hope your Saturday is off to a lovely start. I actually missed blogging yesterday–I had started the entry, but wasn’t able to finish before I had to start my work-at-home start time, and by the time I was finished for the day, it was time for the gym, and somehow I never got back here to finish. Deepest apologies, Constant Reader.

It’s chilly this morning in the Lost Apartment, but the sun is bright and shining and it looks absolutely beautiful outside this morning, which is kind of cool. I don’t have to leave the house all weekend other than the gym tomorrow, which is lovely, and I’m hoping to get some good work on the book done today. The last two days I was low energy and unable to think about getting much done, let alone do anything, so today I really need to press my nose to the grindstone and push myself to get back on track. Chapter Eighteen is proving a very tough nut to crack, but I am very pleased with the book (for a change) and am looking very forward to getting back into the groove with it.

LSU’s final game of the football season is today, against Mississippi (I refuse to call them ole miss anymore) and this can go either one of two ways: the Tigers can show up ready to play, for each other, Coach O, and the fanbase; or they can be cocky and overconfident after the Florida win, and get punched in the mouth. I’ll be watching, laptop in my lap, under my electric blanket (honestly, last night I honestly felt that human evolution, progress and civilization all culminated in the invention of the electric blanket), and hoping for the best. It’s a rivalry game called the Magnolia Bowl, and Mississippi hasn’t beaten LSU since 2015, so you know they’re hungry under their new coach, Lane Kiffin. LSU loses and they have their first losing season since 1999; win and they finish 5-5 in a crazy season.

But whatever happens, nothing can take away that win over Florida and ruining their season last weekend, which I am just petty enough to really enjoy.

We finished watching The Flight Attendant Thursday night, and the final episode was perhaps the best one of the entire run; as I have mentioned before, Kaley Cuoco is quite charismatic and likable, like Jennifer Aniston, and even though her character is primarily not very likable, she always is, and that’s an important quality for an actress…although I am rather curious about their flight schedules, because unless things have changed, I don’t think flight crews would work Rome flights as well as Bangkok. There was also a really convoluted secondary subplot that apparently only existed as a reason for one of the other flight attendants to have a gun which he needed to have, in the season finale (it was an incredible length to go to avoid the appearance of contrivance, actually; one almost has to respect the authorial commitment to it), but all the main story was properly wrapped up by the end of the finale, and there was even an opening left for a continuation of the show–also not probable, but it was kind of a nice bow tied up on the final package.

And of course, last night was the conclusion of The Mandalorian. No spoilers, but it was a pretty epic way to end the series, and I am really looking forward to The Book of Boba Fett. I think the series is now officially over–they certainly tied everything up neatly and concluded the story of the Child and Mando–and that pleases me if it is the case; the show was absolutely perfect, and as someone said on Twitter last night, “The best Star Wars movie is The Mandalorian” and I cannot disagree with that sentiment.

It’s hard to believe Christmas, frankly is next week; but this entire year has been a weird one, time has seemed to drag more than any other time, while at the same time it’s almost a relief to have made it this far. 2020 was a deeply unpleasant year, but there were some bright spots. I see everyone doing their “best of 2020” lists and I frankly can’t remember what I’ve watched and what I’ve read, other than I enjoyed almost every bit of it. I had long dry spells where I didn’t write anything, and long spells where all I wrote was the first 500 to 1000 or so words of short story before being stopped dead in my tracks. I still need to get this book revision finished so I can finish my story for the MWA anthology submissions deadline. This final part of the book is the hard part, so I suppose it’s not a surprise that it’s kind of kicking my ass.

This week was a double-feature for the Cynical 70’s Film Festival, beginning with The French Connection, an Oscar winning film (including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for Gene Hackman) which doesn’t, I’m afraid, play well through a modern lens. I can see why the film was so impactful and impressive back in 1971, but now it plays like a lesser episode of NYPD Blue or Hill Street Blues. It was a gritty, dirty, almost documentary-like movie about a drug investigation, based on a book about a real drug bust–with the cops’ names changed to protect them. Gene Hackman is terrific as Popeye Doyle; Roy Schieder is equally good as his partner..but all I could think as I watched was, “well, that’s a violation of their civil rights” or “ah, nothing like glorifying police brutality” or “well, that entire scene was a fairly accurate depiction of racial profiling.” Popeye is an unashamed racist; the n-word pops up every now and then, and of course ethnic slurs abound–Little Italy is referred to as “Dagotown”, there’s some anti-Semitism, and of course, the French are referred to as “frogs”–but it does also have some great moments: the chase scene involving Popeye trying to catch a fugitive on an elevated train was pretty impressively shot and edited. Hackman is terrific in the role, even if Popeye is the kind of cop who would think nothing of killing a suspect in his custody….The French Connection ultimately is a pro-police violence film that tries to justify the behavior of cops who violate civil rights and are violent and abusive as necessary, and that, to me, is problematic. As far as awards go, among the films it beat out for the Oscar are The Last Picture Show (which is one of my favorite movies of all time), Fiddler on the Roof (the kind of big-budget, lavish musical that would have won the Oscar a few years earlier), Nicholas and Alexandra (another big budget extravaganza I started watching but quickly got bored with–and would have been a shoe-in for Best Picture in the 1980’s) and of course, Kubrick’s A Clockwork Orange.

Second up was the 1974 film version of Ian Fleming’s Live and Let Die, which was the eighth Bond film and the second novel in the series. It’s also one of the few Bond films I ever saw in the theater, and was my first Bond film. It was Roger Moore’s first outing as Bond, and it was also when the tone and tenor of the Bond films switched, IMHO–I’d have go back and watch the Connery ones again to be certain. But while Connery occasional got off the clever quip or one-liner, the films were very serious and almost grim; Moore had more of a comic sense of the character and with him in the role, the character became more cartoonish and the films more outlandish (Moonraker was completely absurd) and there are many moments in Live and Let Die where, if you think about them too long, don’t make sense: how did he know to bring a deck of tarot cards with him in which all the cards were “The Lovers,” and where did he get that deck in the first fucking place? (And this doesn’t even take into consideration the fact that he basically manipulated Solitaire’s belief in the cards to get her into bed–which is rape because she was deceived into giving consent, PROBLEMATIC) There are any number of these contrivances in the plot of the film; but at the same time Live and Let Die also gave cinema it’s first Black Bond Girl, Rosie Carver (played by Gloria Hendry) and Bond’s first interracial romance, as well as the series’ first Black villains. The movie isn’t nearly as racist as the book–but it’s not exactly an achievement the Bond series should be proud of, either. But it gave the under-appreciated Yaphet Kotto a good role as Prime Minister Kananga, and introduced Jane Seymour to the world. I think I may need to read the book again–I should revisit the original Bond series, really–but one thing about Live and Let Die I do appreciate is that parts of it were filmed in New Orleans and along Bayou Des Allemandes; Louisiana looks beautiful, as does the Quarter–and this is one of those early influences on my youthful mind where I first felt the pull of New Orleans and Louisiana.

But it also boasts one of the best Bond theme songs, by Paul McCartney (or rather, Wings); it was the first time a pop band was selected to do the theme song, and it was the first Bond theme to be nominated for an Oscar for Best Song.

Yesterday I got my copy of The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson by Robert Hofler in the mail yesterday, which is the final piece (or one of the final pieces) of Chlorine background research I need to get started on the outline/plotting. My main character is a pretty boy with not much discernible talent who has a Henry Willson-like agent, whom he shares with the murder victim; I have to say the entire story of Willson, his pretty boy clients and their sexuality, endlessly fascinates me, and I am really excited to be writing a period piece gay Hollywood noir–well, eventually, at any rate. I started dipping into the book some last night and am enjoying it thoroughly. I also got a copy of Lawrence Block’s anthology From Sea to Shining Sea, which is crime stories inspired by ‘great American paintings’, and am really looking forward to digging into that. I also got a copy of Night Terrors: The Ghost Stories of E. F. Benson, because you can never have enough ghost stories around to read.

And on that note, I have some laundry to fold, a dishwasher to unload, and writing to do–so if you will excuse me for a moment, Constant Reader, I am going to head back into the spice mines.

Right Place Wrong Time

Well, I survived Monday’s return to the office–and there wasn’t a body count.

It is, however, still early in the week.

Yesterday’s heat was simply insane. The heat index was about 115, I think, and it felt every one of those degrees every time I had to go outside. It was 95 last night when I drove home from work at eight o’clock, which is also just completely insane.

I did a little bit of writing yesterday, not much, trying to get going on the WIP again. I’m a little bit at sea with the WIP right now; not touching it over the course of my vacation wasn’t exactly much of a help, and the heat and everything  yesterday, as well as adjusting to getting back to the office, kind of made that a bit on the difficult side. I will, of course, try again tonight.

Paul also got home really late last night, so Scooter and I are no longer on our own here in the Lost Apartment anymore. I’m glad he’s home–he’s always gone just long enough for me to get over the “home alone” thing; I enjoy the solitude at first, and then it gets a bit lonely by the end of his trip. And now we can get caught up on everything we’re watching, which is also another one of those win-win things. Huzzah!

I’ve been watching Netflix’ The Last Czars, which I am enjoying–it’s very well done, and the actors cast playing Nicholas and Alexandra are perfectly cast; but it’s a little bit different watching a show about doomed royalty than it used to be. There’s been a kind of tectonic shift in my mind and my way of thinking, and while the story of the last Romanovs is certainly tragic on a human scale, on a national scale I don’t really have that much sympathy for them as I might have in the past. He was an ineffectual ruler, and they were both religious bigots; they actually believed they had a divine mission from God to be autocrats and sole authority in Russia; and therefore they were always in the right–as their people starved and his bad decisions and policies brought the country to the brink of ruin, while they lived and dined in luxury and spent, spent, spent. It’s really not hard to think they sort of deserved the basement in Ekaterinburg–and the way history is taught, I’ve come to realize, with its emphasis on royalty and nobility with no interest on the lives of the people whose bodies, taxes, and lives were exploited by the ruling class–all with the blessings of their religion–isn’t necessarily the right way to teach history. I’m not saying the lives of the rulers aren’t important to the histories, just that the emphasis on them is misplaced. History should be taught as the history of the people, and the development of law and modern government–which the people have had to fight for, every step of the way…one thing I’m enjoying about this show–an odd combination of documentary, reenactment, and actual footage from the time–is that it doesn’t shy away from the crimes or the arrogance of the Romanovs, especially when it comes to their people. There’s one particularly brilliant scene where Alexandra scolds Nicholas for even considering giving in and creating a duma (the Russian version of parliament), while the nation is on the brink of revolution. “They’ll want more,” she scoffs, convinced of their divine right to power, “they’ll always want more, and then what?” She wasn’t wrong about that, but she was most definitely wrong about their divine right, and she was almost always wrong about the people.

I have agreed to write a forward to a new edition of an almost forgotten gay classic back from the plague years; the book was published posthumously after the author died from AIDS in the early 1990’s. The author, Jay B. Laws, had only managed to write two gay horror novels before died; the first, Steam, is better known than the second, and is one of my favorite horror novels as well as one of my favorite gay novels. I had read the second, The Unfinished, years ago but it’s quite odd; I don’t remember anything about it, so rereading it is like reading it for the first time. It’s quite good, and I don’t think I’ll have any trouble writing the forward–and I am also glad this has kind of forced me into rereading the book, which is practically like a new book to me. And, as a gay novel, it fits into the Diversity Project quite nicely.

There’s a low-pressure zone drifting from mid-Georgia into the Gulf, which will most likely turn into either a tropical depression or a tropical storm; forecast to dump a shit ton of rain on wherever it comes to shore, either Thursday or Friday, possibly this entire weekend. Hurray. The water in the Gulf is also ridiculously warm–89 degrees off the coast of Louisiana, near the mouth of the river and New Orleans–which isn’t really going to help matters much. (This heat wave has me already dreading my next power bill.)

Oh, yes, I also spent some time rereading the opening chapters of the Kansas book, which I’d started revising one last time last summer before being pulled away into other projects, and it’s in much better shape than I had remembered–I was still marking up the pages with a highlighter and my pen–but it also has me thinking that perhaps this final rewrite isn’t going to be nearly as painful as I first thought, or had been thinking since I got pulled away from it to work on something else. Huzzah!

And on that note, tis back to the spice mines.

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