Tag: misogyny

I Want to Break Free

I have, after a long internal debate with myself that’s been going on since before my surgery, finally decided not to attend Bouchercon in Nashville. There were still a few things on the plus side for me to go–the proximity to Dad and the ability to visit him on the same trip; seeing friends that I usually only see at Bouchercon–but over the past two weeks the negative side of going has really been brought home to me.

I also realized this weekend that I can just go see Dad anyway, and the truth is that this Bouchercon is already spoiled for me. I just can’t get excited about booking the trip, scheduling how to pay for it, and everything else involved with planning the trip; this year just thinking about it felt like an odious chore that I kept putting off. I keep getting surprise medical bills, too, which also played a part in my decision. I kept pushing back making the decision and figuring out the costs because I didn’t know what else I was going to have to budget for in the meantime.

I want to be clear that not one single negative was enough to break the camel’s back with me, but the accumulation of so many negatives and missteps by this event ultimately was just too much for me. Tennessee’s ban on women’s freedoms and its archaic, hateful anti-trans legislation had already made me wondering about my own safety there1; the recent murder of Nex Benedict2 in a ruby-red state with these exact same kind of laws on the books, along with the very same accompanying dehumanizing rhetoric, was the last straw for me. I just can’t.

It might also be different if the local host committee didn’t make an incredibly egregious error in scheduling a Lifetime Achievement3 winner whose conduct and behavior doesn’t hold up under a closer scrutiny, and his insistence that a deeply problematic person interview him–bound to cause an uproar from the very start–may have been an oversight or something the host committee didn’t think would be a big deal…

NARRATOR VOICE: It was, in fact, a big deal.

I am not going to go into further detail here, nor am I going to mention names–they’re well known enough, and the kerfuffle was kerfuffly enough, for most people to know who I am talking about in the first place.

It also didn’t help matters much that they published the list of categories for this year’s Anthony Awards and ditched the cozy-friendly Best Humorous category, which essentially guarantees most authors who write funny aren’t going to have a chance to be nominated this year. After San Diego created the category last year (and yes, I was a finalist), I had hoped that future local committees would commit to keeping it, making the awards more inclusive and admitting that humor isn’t taken as seriously as darker, heavier books. 4

Just another disappointment to pile onto the others over the years.

NARRATOR VOICE: Humor is seen as lesser because it’s more “frivolous.” But if humor is somehow easier to write, why do so many writers avoid it? If you think writing funny is easy, try doing it some time.

There is a valid point to be made that the only way to effect change you want to see is to get involved and help make that change. It’s why I joined the national board before realizing it would never go anywhere and there wasn’t anyone really vested in change–there are board members now I know are fighting the good fight, but there are also some still mired in the 1980s who think “all change is bad!” No, fixing problems as well as anticipating others is not a bad thing. It never is, and those who are resistant to it should remember that stubborn adherence to antiquated rules, policies and ways of doing things results in stagnation, and the cracks such stagnation creates will soon be too apparent to miss when they start appearing.

NARRATOR VOICE: Change can be scary, but it’s a necessary part of life. This is also true for businesses, non-profits, and events. Not changing and adapting means no room for further growth. I am not the same writer I was twenty years ago, for example. I’ve never wanted my art to stagnate.

There’s also an email circulating containing screen-caps of questionable tweets by other people in the crime fiction community–misogynistic, borderline racist and definitely homophobic–and all the guys posting are people I know and consider friends. It was disheartening, as it always is to see proof of what straight guys will say when they don’t think any gays or women are around. It’s why I can never entirely trust straight people, to be honest. I know that white people will be racist if they think everyone around them is white–and those present who aren’t racist never call them out, just kind of smile uncomfortably. The difference between outright homophobes and those who are just there by defaulting to it is that I appreciate the honesty of the actual outright homophobes more than those who smile in your face and then make horrific gay jokes when I’m not around. This was also a bit disheartening, but while it’s disappointing its a needed reminder of why queer people generally can’t trust the straight ones.

NARRATOR VOICE: Only making homophobic jokes when no queer people are around doesn’t make you an ally–so don’t be surprised when queer people have issues trusting you.

I’ve been around publishing for a lot longer than I like to remember, if I’m being completely honest. I’ve seen a lot, experienced a lot, and all of this sort of bullshit makes me tired. RWA seems to think it’s a great idea to promote using AI to its members. There was another issue with the Hugo Awards that recently, horribly, blew up (John Scalzi did a great write up about the recent Hugo controversy here.). And of course, there’s these latest disappointments from Bouchercon, too.

So, it’s easier for me to bow out entirely and not participate this year. And finally making up my mind one way or the other was such an enormous relief…no regret at all, just relief.

And that’s saying something about how tarnished the brand’s Nashville franchise has become. (A local in Nashville went on a thread about this year’s controversy stating that if queer people don’t feel safe or welcome they should start their own event–which told me exactly what we’d be dealing with should we go. Bouchercon deleted the homophobic trash’s posts, but they were screen-capped, of course.)

I’m not calling for a boycott–that’s not for me to decide, and besides, there are some very valid points about going and establishing a presence at the event. But I am not going, and this is why I decided not to spend my money there.

  1. “But you live in Louisiana and its laws aren’t much better” isn’t the “gotcha” you might think it is, so don’t bother. I am sixty two years old and can’t just uproot myself and Paul to move to a blue state at this point in our lives, without jobs or significant resources to fall back on. I am not encouraging anyone to move here, nor do I tell people to come here, either. Bouchercon is here next year, so I will go for sure, but that doesn’t mean I am okay spending money or time in a state where me or my friends might not feel safe, nor would I presume to tell them it’s okay to come here. ↩︎
  2. You can claim the ME report said their death had nothing to do with their injuries from the beating they received, but I don’t trust anyone in law enforcement or anyone employed by that hate state. Until there’s an independent autopsy, I will not accept the ME’s report, period. ↩︎
  3. He is anti-cancel culture–only dresses it all up in prettier language and what appears to be more nuanced thought. But I’ve never seen any “free speech advocate” who doesn’t also think that racists, misogynists, and homophobes shouldn’t get any pushback or consequence for using hate speech–so that tells me all I needed to know about this person. ↩︎
  4. And don’t @me about how hard it is to run such an event. I know exactly how hard it is to run and plan such an event. It is what my partner does for a living, I’ve been on Bouchercon’s local committee before, I served on the national board, and I helped write the program for Dallas. I also chaired World Horror Con in New Orleans. ↩︎

New World Man

I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.

During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to go for Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.

Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.

Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.

It was very eye-opening.

But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.

Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?

And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?

Something to think about, at any rate.

And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.

  1. Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎

Looking Good, Feeling Gorgeous

As I was saying in my other blatant self-promotional post of today (for Mississippi River Mischief) I rather jokingly mentioned that perhaps my childhood fandom of celebrities like Cher, Bette Midler, Liza Minnelli, Katharine Hepburn, Bette Davis, Joan Crawford and Barbara Stanwyck was an early sign of my destiny as a gay man; and yes, I know that’s a stereotype but as I always say, “stereotypes have to start somewhere“–there’s occasionally some kernel of truth in a gay stereotype. (Example: Jack on Will & Grace got some grief for being a stereotype–but I’ve known any number of gay men who were very similar to Jack; imagine being told you’re a stereotype.)

RuPaul’s genius idea to kind of create a Project Runway and American Idol hybrid reality show started out very slow–it was on Logo, I believe, and the budget was incredibly bare bones that first season or two or three; part of the fun of the show was how much it looked like a cable-access do-it-yourself reality show. And as usual with any art form created by gay men, it was popular with gay men and straight women; the show slowly started building an audience and then WHAM! One day it seemed like drag had taken over the world.

Katya from RuPaul’s Drag Race, whom I find hilarious–and beautiful.

Paul and I lost interest in the show after the Bianca-Courtney-Adore season, because that season was so good we both felt that anything after that would be anti-climactic. I know there have been other good seasons and incredibly fierce queens since then, but we came back for All Stars Season 2 (when I became a fan of Katya, actually) and were bitterly disappointed at how scripted, staged, and unfair the entire season was to everyone who wasn’t Alaska, Detox, or Roxxy. And just like with Project Runway, once we saw a season that was clearly predetermined from the start, we stopped watching.

I have zero interest in watching a “competition” with a predetermined winner, which is kind of why I don’t watch WWE much anymore. (it’s also very cartoonish, but that’s a subject for another time.)

I know there are cisgender women who have issues with drag, and I know there are transwomen who do as well; I think the transwomen’s issues primarily have to do with the conflation between the two–which was clearly prescient, given the rise of the raw sewage known as LibsofTikTok and “Moms4Liberty” (how’d that election go for you on Tuesday, you miserable soulless contemptible bigoted shrews? CRY MORE BITCHES, your tears are like Mimosas to us gays), who see no difference (because the harpies are as ignorant and uneducated as they are bitter, soulless, and unChristian). I’ve never seen a lot of criticism for drag from the straight cisgender women as a general rule, but I know there are concerns and critiques from the feminist community, which I do not dismiss or take lightly.

But since the primary straight cisgender woman who used to scream at me about the “misogyny of drag” also has turned out to be a sociopathic TERF who is dead to me (shocker, I know; a feminist who hates drag is a bigoted disgusting piece of shit TERF? Who could have seen that coming?), I don’t necessarily take those feminist critiques as seriously as I used to. If your feminism is about cisgender white women only, go fuck yourself. (This is the same woman who claimed to be a gay ally because she loved going to gay bars where gay men made much of her…the irony that it was primarily because she acted like an over-the-top drag queen completely escaped her–but then, drag queens competed with her for attention in gay bars, and I’ve also come to recognize that the poor bitch is so fucking thirsty for attention that she probably needs intense therapy for at least a decade.)

I’ve always seen drag as a critique of the societal notions of what a woman is supposed to be; drag is that expectation taken over the top to the nth degree. This is why they have the exaggerated everything–from wigs to shoes to gowns to make-up to hip padding and fake boobs. (I also think that the reason drag kings never attained the same level of popularity and mainstreaming as the queens is because it’s harder to over-exaggerate masculinity; it’s not as easy to create the illusion of a thickly muscled body, a super-deep baritone voice, and thick body hair–and besides, who wants to watch women performing toxic masculinity? And as a general rule, men don’t wear make-up when they are cosplaying masculinity.) They’re also loud, funny, and crude–all the things women aren’t supposed to be in proper society–and when they are hyper-sexualized, it’s to make a point about the hyper-sexualizing of women by the dominant culture. Women aren’t supposed to have control of their bodies and sexuality; they aren’t supposed to be crude and crass and vulgar. They aren’t parodying women; they are parodying the cultural expectations (that still exist) for women by over-exaggerating everything and reflecting back to the overall societal culture about how we limit and control women.

I tried explaining this several times to my former friend, but she was also sociopathic in her narcissistic belief that she was never wrong. She was exhausting, frankly, and when I cut her out of my life like the cancerous tumor she was, it was amazing how much better I felt knowing I would never see any of her ignorant bigotry anywhere on my social media ever again, and sorry–you come for transpeople, you’re coming for all of us.

Keep your conditional allyship, bitch.

It’s called intersectionality, use the Google.

And yes, there are misogynistic gay men and drag queens. Some of the common language of drag is misogynist; “fishy” and so forth are questionable–but again, it plays into that critique of societal feminine archetypes; women would never talk about themselves that way and would be furious if a straight man did; so why is it okay for gay men and drag queens to do so? It’s not really; but if you’re going to come for drag with honest concerns about misogynist anti-woman language, that’s one thing; when you come for the entire community because of it, fuck you with a cheese grater.

So, part of the reason I wrote Death Drop was for the same reasons I write y/a about rape culture and homophobia and racism; to put a human face on an issue that might help the reader develop more empathy about the subject than they may have felt before reading my book. Death Drop is not going to convince drag-haters or TERFs that their beliefs and values are trash and they need to rethink and reevaluate; but maybe, just maybe, someone who doesn’t know much about the subject and the issues around it might learn something.

That may be hubris, but you can’t be a writer without some level of hubris in your personality.

So, feel free to click on this link and order several copies! They make great gifts for homophobes, and Christmas is coming!

Suckling the Mender

Work-at-home Friday! Woo-hoo! It’s almost the weekend! I felt funky yesterday; more than just my usual end-of-the-getting-up-at-six-every-day tireds. My stomach started bothering me on Wednesday night, and I chose to eat breakfast and lunch yesterday with soft foods–yogurt, cereal, mozzarella salad–as I had the day before and that didn’t seem to be much help, as my stomach ached all afternoon. This continued throughout the evening, and I also was terribly tired when I left the office. I felt so bad–the combination of the exhaustion and the stomach issue–that I did something I never do; I laid down on the couch. I floated for about three hours in the in-between sleep and awake state of consciousness, which was where I was when Paul came home. I ate a little bit and felt better, but it’s still odd. I think it’s not eating enough, maybe? This was how I felt on Sunday after getting home from the trip–so I must eat solids and more regularly. My bad eating habits catching up to me at long last, and I really need to focus on eating regularly and more healthy. (I lost twelve pounds in Kentucky.) It’s also achy and sore this morning, too, but not nearly as bad as it was yesterday. I’ll try to eat more today than I have the last few days.

I have some errands to run after work-at-home duties are completed today, which will probably suck the life right out of me. Running errands in New Orleans in the summertime is always a draining chore, but if I can get all of that done today I won’t have to leave the house at all until Monday morning when I go back to work. It doesn’t look too bad out there this morning, but a quick check of my phone tells me it’s 82, which is practically a cold spell for July down here.

We finished watching Red Rose last night, and what a ride that was. Intense suspense, wild out of nowhere plot twists, and all the young British actors were very appealing and good in their roles. I do recommend it; it’s a new trope for horror (maybe it’s already tired, I don’t know, but it’s my first experience of it) by using apps and your phone to terrorize you. It was also a terrifying commentary on how careless we all can be about our online security. Now, of course we have to start watching something new–often a challenge to decide–

I kept waking up a lot last night–pretty much every hour on the hour–and of course, was wide awake at six. I fed and watered Scooter, since he expects it at that time every day now, and went back to bed for a little while longer. I don’t know whether iI actually slept any more, but I don’t feel spacy-tired or loopy-tired this morning, so that’s something, I suppose. Hopefully it will turn out to be a most productive day for me. I do have laundry and lots of dishes and cleaning and straightening up around here to get done, too.

I joined Threads, the new Instagram version of Twitter, last night and I have to say, I like it so far. It was nice that your followers and who you follow from Instagram transferred over, and if any of those folks aren’t there, it will automatically follow them when they join and if they follow me, it will follow them automatically, too. That was kind of cool, and it was also kind of cool to go onto social media and not have bigotry and hatred shoved into my face every time I turn around. It also made me think about something else–Pride is more than just June, and why should I only write about my experiences as a gay male and as a gay male writer during that month? Firing off snarky tweets in response to bigotry is a nice little dopamine rush, but I also feel like I’m not doing enough to counter the rise of the Fascists; what better way for a writer to do that than write about it? There is an element of “preaching to the choir” to blogging about homophobia and bigotry, but if it changes one mind…then it was all worth it, was it not? I know there are people who think of me as one of the “good ones”–if you don’t know what that means, congratulations on your privilege–because I am, in person, usually very conciliatory and understanding (conflict-averse, and a trained counselor, remember) and because I generally don’t go on my old Julia Sugarbaker rants much anymore, if at all. That doesn’t mean that I don’t have them in my head anymore; barely a day passes without me seeing something, either on social media or in the news or both, that raises my blood pressure and makes me want to strangle someone. So, I am going to try to channel that anger and rage into something productive; blog posts. I don’t worry about offending potential readers of my books because all anyone ever has to do is look at my social media or even this blog to get a sense of my politics. I probably should have developed a public persona who is just charming and funny and apolitical, but that really just opens you up to more homophobia when you’re a gay man.

I can never decide if its worse for someone to be homophobic to me because it is so ingrained in them that they don’t ever realize it, or if it’s deliberate. I guess it depends on how you call out the homophobia and how they react to it. I do, however, generally always default to “doesn’t know any better” and correct them; I also don’t ever say someone is a homophobe unless I am 100% certain it was deliberate. I just say, “that’s a homophobic thing to say” or “that’s a homophobic comment” rather than saying “you’re a homophobe”–but if you continue to not do better, well, then you’re a homophobe. The thing that I never understand is how people react to things they don’t understand automatically with dislike bordering on hatred; it’s actually okay to not understand. I don’t completely understand every experience in the world, but that doesn’t mean I can’t be sympathetic, empathetic, and respectful. One of the wonderful side effects of my day job is that training and experience as a counselor, and recognizing that experiences should be met with respect and sympathy and empathy instead of judgment. Who am I to judge anyone? The only people I don’t respect and I will judge are racists, sexists, homophobes or transphobes; anyone who uses lies, deceptions, and stereotypes to categorize any one group as lesser and less worthy. I will judge you for judging others–and I will judge very harshly.

This weekend will be about tying up loose odds and ends, working on my page proofs, and trying to straighten up around here. I want to prune the books some more, and maybe even take another box down from the attic to go through. I also want to look through that box of clippings and other Greg memorabilia from my past career to see what can be kept, what can be scanned, and what can be tossed. I really want to get that attic cleaned out this year.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you later.

I Want to Break Free

The don’t say gay laws a rash of frightened sheep in red state legislatures have been passing, or trying to pass, lately are absurd on their face. “We don’t want our children learning about queer people! They’re too young to learn that!” This argument, of course, begs the question, how old is old enough to learn about alternate sexualities?

I say it’s when kids are old enough to start using slurs in a bullying way on their schoolmates.

For the record, I was only eight years old the first time I was called a gay slur, and I didn’t understand anything about it, let alone the word itself meant.

Why, my eight-year-old mind wondered, is he calling me a ferry? That doesn’t make any sense.

But what the older brother of the girl who lived down the street actually meant was ‘fairy,’ and now it amuses me to remember how naïve I was at age eight, how I had no idea what this older boy, who seemed so enormous and grown-up to my younger self (he was in high school) meant. Somehow, I knew he was insulting me, but eight-year-old me didn’t know what he meant.

But I did know, was very aware, that whatever he meant, it was a bad thing.

I already knew I wasn’t like the other kids on the block or in my grade at school. I was a boy who liked to read, who preferred to go off in my own mind on flights of imagination where I was writing stories and creating fictions, inventing characters and how they related to each other. I much preferred that to playing catch or catching bugs or any of the other, more traditionally masculine things little boys were supposed to be doing in their spare time. I liked to sit on our back porch in the shade of the big tree and read my library books or my recent Scholastic Book Club paperback treasures.

I was in the seventh grade when I first heard the word fag hissed at me contemptuously in the hallways of my junior high school, and even then, I still wasn’t sure what it meant, I could tell by the tone used that it wasn’t meant as a compliment, especially when followed by cruel laughter. That was the first time, but it was by no means the last—even now, in these more enlightened times, I doubt that I will go the rest of my life without someone saying it to me another time, because there’s always another time.

I don’t remember when I finally learned what they meant when they called me fairy or fag or faggot, but I do remember this: it was true, and it was something unusual, not normal, something I should be ashamed about. I did my best to change my camouflage, like a good chameleon, to hide it so no one else would know my shameful secret, what I had to disguise from the world: that I was, in fact, a homosexual. A fag. A fairy. A Mary. Faggot. Queen. Homo. Nelly. Pansy. Sissy.

I was ashamed of who I was, because I was taught by the world around me that my sexuality was suspect, wrong, bad.

So, when I see the words politically correct (or more commonly now, woke) used in a sneering way, as a methodology of trying to shut down honest conversation and derail discussion about the realities of what non-white, non-straight, non-cisgender, and non-male Americans experience every day, I get angry. Because none of those people, for one example, who sneered “well, this is just political correctness out of control” about the American Library Association’s decision to change the name of the Laura Ingalls Wilder Award several years ago due to concerns about problematic racial overtones in her work were ever called a fairy when they were eight years old, or had the word fag hissed at them in the halls of their junior high school; were ever called any slur used for non-white people, or non-western European lineage, or been told to go back where they came from, or been called the n-word (which I can’t even bring myself to type out, even for a column about slurs).

Frankly, people who argue against “political correctness” are people I assume want to be able to use slurs with impunity–they aren’t arguing about freedom of speech as an abstract legal principle, but because they want to use slurs and not suffer consequences.

Merriam-Webster.com defines “politically correct” as the following: conforming to a belief that language and practices which could offend political sensibilities (as in matters of sex or race) should be eliminated. Wikipedia goes still further: The term political correctness (adjectivally: politically correct; commonly abbreviated to PC or P.C.) is used to describe language, policies, or measures that are intended to avoid offense or disadvantage to members of particular groups in society. Since the late 1980s, the term has come to refer to avoiding language or behavior that can be seen as excluding, marginalizing, or insulting groups of people considered disadvantaged or discriminated against, especially groups defined by sex or race. In public discourse and the media, it is generally used as a pejorative, implying that these policies are excessive.

So, the next time you want to sneer something about “political correctness being out of control”, here’s what I want you to stop and think about before you say it: an eight year old boy being called a fairy by a high school kid, or a ten year old tomboy being called a dyke, or a seven year old kid told to go back where he came from, or a nine-year-old Native American reading a book where Native Americans are dismissed as “not people, just Indians”—and ask yourself, would I want something like that said about or to me?

I feel pretty confident that the vast majority would say no.

Words have power, and no one should know that better than a writer.

Don’t Knock My Love

I turned the edits in yesterday and let out a huge sigh of relief. I think I fixed everything that needed fixing, and I think the book is much better now than it was when I actually turned it in (editors are so worth their weight in gold; good ones, anyway).

I feel more confident now about my writing than I have in a long time, to be honest. I feel more confident about life in general, for that matter. I’m not sure what happened, or what caused the change…but I know once I got over being tired from the Kentucky trip, I’ve felt better on every level–emotionally, physically, and mentally. And I hope it lasts.

I also didn’t realize how much stress that turning that revised manuscript in would release from my shoulders. Deadlines are stressful, especially when you have a horrible habit of missing them, and the last couple of months haven’t been the easiest for me on multiple fronts. But when I started working on the edits more deeply this past weekend, I became much calmer than I’ve been in a long time, relaxed, even, which really felt strange. The weekend overall was a pretty good one, to be honest. I didn’t sleep as well last night as I would have liked, either, but this morning feel rested, at the very least. It also feels like I’ve not been into the office in a very long time, which is strange–I mean, I was just there on Friday–but it’s still weird. But even so, this past week was a lot less stressful and tense than I’ve felt in a long time. I am not sure what that’s all about, but I am going to take it as a win.

We watched more of The Boys and Obi-wan Kenobi last night, and are now all caught up on both shows. (I didn’t know Amazon Prime was doing the same, release one episode per week, streaming thing; I don’t remember having to watch The Boys by the week in previous seasons, but my mind has literally become a sieve these days and it’s entirely possible. The ability to binge has seriously affected my memory and how I watch television; it seems completely alien now to have to wait a week to watch another episode of something…let alone having to watch everything that way. How on earth did we used to do that all the time? It’s amazing how easy it is to retrain your mind after a lifetime of doing things one way.) I am really enjoying both shows. I like that The Boys will go places Marvel and DC won’t with their take on super-heroes, and I am really loving Obi-wan Kenobi. I don’t know what the whiners on social media are complaining and/or bitching about, other than it being the usual misogyny and racism. “Oh, no, we have a Sith who is a black female!” Get over your fucking self. Sorry you can accept alien creatures without qualm but get your tiny little nut-sack in a froth over a black woman. The horror of it all! You must have really hated the adaptation of Foundation.

I also wrote nearly three thousand new words of “Never Kiss a Stranger” last night; I decided working on it would be a nice palate-cleanse between finishing the last book and starting the new Scotty. I’m still not sure I am writing it the correct way–novellas are a whole new thing for me, and the structuring is also a new concept for me. But I like what I am doing with it thus far, and while it doesn’t have to be anything, it could just as easily be something I just tinker with from time to time when I feel like it, I am also enjoying it a lot. It’s set in the summer of 1994, and my main character has just retired from the military after twenty years and moved to New Orleans. He’s a gay man who has spent twenty years hiding who he is, and now he has the ability to live his life the way he pleases–so writing about unshackling oneself from the enforced bondage of the military closet is, in some ways, like just coming out of the closet. He doesn’t regret his time in the army, not in the least; he would have stayed in had he not learned he was on a purge list before “don’t ask don’t tell” goes into effect. But I like the idea of exploring how experiencing that freedom for the first time in his life, at almost forty, feels…because in many ways his socialization as a gay man is somewhat stunted; it had to be, because of the military. It’s nice to bring up these things–as well as HIV/AIDS–in a historical piece (sad that 1994 was almost thirty years ago at this point and counts as a historical. This is also my sly way of working some politics into the story, as well. When Peter interviewed me for the Three Rooms Press website as the “featured author of the month,” one of the things he asked about was politics…the truth is my existence is political through no choice of my own, as I told Peter, and I would like nothing more than to just be left alone so I can focus on my writing. I’ve not been active politically for a while–I still vote, and make the occasional donation to a candidate I believe in–but as a gay man in the United States in 2022, the right wing likes to use me and my community to whip up their base of Christofascists, and this year it is particularly ugly.

I also think my work kind of stands as political statements on their own. Let’s look at my last two books, shall we? Bury Me in Shadows examined the generational damage caused by institutionalized racism and homophobia; #shedeservedit was an examination of how toxic masculinity and systemic misogyny damages our young people. Yes, they were crime stories, and yes, I like to think they were entertaining reads–but each had a point that I was trying to make through the story and the characters and what they were facing. I started doing an entry this weekend about the Scotty series, from beginning to its most recent (since I am about to embark on writing a new one)–mainly because there was a song on the list I am using for post titles called “Watching Scotty Grow” and really, was there ever a better title for a post looking back through the years at the Scotty series, its ups and downs and journey from an idea I had one afternoon to getting a contract to write it and going from one publisher to another…and yet Scotty continues to endure.

Well, that’s enough for a Tuesday morning. Have a lovely morning, Constant Reader, and I am heading into the spice mines.

I Don’t Know How to Love Him

Tuesday morning, up again before sunrise and heading back into the office for the first time since last Monday. Yesterday was a good working at home day; I managed to get quite a bit accomplished and even managed to get Scooter (the Lost Apartment certainly feels like the Lost Apartment again now that the cat is back and in full-throated you’re not paying enough attention to meeeeeeeee mode again) and the mail and even made a bit of groceries as well (I forgot things, of course, which means stopping on the way home from the office tonight, hurray) which is nice; I also made a very (relatively) thorough to-do list for me to work on for the rest of the week. I also finished a (very) rough first draft of the short story, which I am going to let sit for a day or so before marking up the fuck out of it before turning it in. I also spent some more time with Carol Goodman’s quite marvelous The Lake of Dead Languages, which really is magical–I don’t know how she manages that melancholy Gothic tone she pulled off in this book, but it’s really a master class–before making dinner and collapsing into my easy chair.

It did feel good to get the draft of the story done. It was at 2300 or so words, and now it is sitting at about 5500; and some of the original 2300 bit the dust, so I managed to write maybe about 4000 words yesterday in a couple of hours? It’s good to know that I can still do that I suppose; that’s always a part of the malaise I experience whenever I finish writing something major–the fear that the ability to write will go away in the future and can no longer be counted on. But it felt really good to write yesterday–when will I ever learn that writing, or rather, forcing myself to actually sit down and do it–always is the best way for me to alleviate stress. It’s the not writing that inevitably is at the root of all my anxieties and stress, and actually writing–no matter how bad the thing I am writing might be–always makes me feel better, always centers me, and is always the best cure for whatever ails me at any time. The secret is to write, of course, always.

Bearing that in mind, of course after I get home this evening I should spend some time writing before spending some more time with the Goodman before shutting my brain off and watching television. Paul and I started watching Minx–I’d only watched the first few episodes before stopping–and those earlier episodes were much funnier the second time around; but I think there’s still some issues I have with the show’s depiction of the main character, but I know I’m enjoying the show a lot more this time around. than I did the first time I tried to watch. I just have an issue with the entire trope of the fierce woman with no sexual experience (or much to speak of, at any rate) finally learning the joys of a vibrator or having really good sex to “lighten” up her point-of-view; the show really leans into the idea of the angry feminist trope and all the baggage that comes with it. On the other hand, it was an incredibly sexist and misogynist period (spousal rape was still considered not a crime at the time this show is set), and as the Supreme Court leak from yesterday showed…misogyny runs deep in this country. (I am still too filled with rage to go down that particular path right now, but I am deeply, deeply, furious about this prospective ruling.) But I like the show overall; and it’s good to have a reminder of just how fucking bad things used to be as a reminder of what the right wants us to return to…

I’ve also started looking over my story this morning and the opening is actually…not bad. Maybe this story isn’t going to need nearly as much work as perhaps I may have thought. This is, naturally, very exciting.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader–I’ll check with you again tomorrow.

Your Heart Belongs to Me

Sunday morning and reality again looms on the horizon. No more long weekends, no more extra days off from work for a while, and back to the regular grind of living this life, which is–you know, fine, as a general rule, but don’t mind me if I whine a bit about it, you know?

I mean, I wouldn’t be me if I didn’t whine, would I?

I got some work done on the book yesterday, and I plan to do even more today. I also need to spend some time reading what’s already written and trying to figure out how to fix the mess that the manuscript has become–it’s really all over the place, but everything I want the book to say and do it does; it’s just going to need some serious editing. The deadline looms to get it all fixed and decent and publishable; which means I am going to be revising and editing my ass off next weekend. Which is fine, and do-able, just an enormous pain in the ass, but as long as I am sleeping well and getting rested, that’s really all that matters, isn’t it?

I spent yesterday afternoon writing my book, and then spent some time doing what I usually do; puttering around and trying to get organized, which will also encapsulate most of today as well. I also have an article to write, and a short story to revise/edit…it’s really endless, isn’t it? And of course this week is a work week, and I have other things on the agenda to get done as well. We also watched Landscapers on HBO MAX last night, which was interesting. Olivia Colman and her co-stars are amazing, as always, but at the same time the producers/directors made some interesting artistic choices that didn’t always, at least in my mind, pay off completely. We then moved on to the second season of Control Z, a Spanish language show whose first season we greatly enjoyed, and this second season is also pretty interesting, once you get the hang of what’s going on again; the problem with bingeing so many shows over the course of time is that it’s impossible to remember the plots and subplots when the show comes back around for another season….supporting actor Andres Baida is also incredibly good looking. But finishing Gossip Girl means needing to find new things to watch regularly, and this is quite the pain in the ass now…maybe we need to find another show from that same period that ran for years so there’s plenty for us to watch without having to think too hard or make a false start with watching something else. (I do want to watch the new John Cena super-hero show, if and when it finally premieres; also, there’s all those Marvel shows over on Disney to watch; we’ve never seen WandaVision, for one, and of course there are others now, too; I greatly enjoyed Loki, despite its slow start, and I think there are other shows coming back that we enjoyed as well.)

I also watched bits and pieces of some of the college football games that were on yesterday, many of which were highly entertaining.

Right now, of course, I feel a bit groggy from the sleep hangover; I slept late again this morning and so am a bit behind on the waking up thing. The coffee, as always, is helping enormously, which is a good thing–as a general rule–and as my brain slowly but certainly comes back to life again, and into consciousness, I am beginning to think I am going to be able to get a lot done today as long as I stay focused. I’ve been mostly ignoring my emails since this long weekend began; deleting spam and junk, of course, and noting bill reminders on my calendar. I am also kind of excited because Paul bought me a datebook–the first one I’ve had in an eternity–because using the digital calendar–while it works perfectly for paying the bills, it’s not so great for to-do lists and deadlines. (note to self: make notes on everything you’ve agreed to write and revise and put it in the date book for now) I know I have some stories to get done, and I’ve got to get this book done, and yes, I need to stop saying yes to things.

But the new book is dropping next week too–yeesh, how quickly this seems to happen!–and I’ve not been doing any Blatant Self-Promotion, have I? Seriously, it’s a wonder how I still manage to have a career; imagine were I to focus my inconsiderable energies directly on my career–then again I could do that and have it turn out to make not the slightest bit of difference whatsoever. That is this kind of life, where it is so incredibly easy to feel defeated and give up without trying very hard. I’ve been thinking about retirement–still five years into the future–and yes, well aware that I am late getting started on retirement planning (when a sprightly young girl, fresh out of college and doing one of those benefits fairs at the office said “well, you’ve certainly waited much too long to start this!”–and yes, I know it’s awful, and yes, I should NOT have said it–but I really couldn’t resist replying, “I didn’t think I’d live to see my retirement”) but I think writing was always intended to be a part of my retirement; I’ll keep writing as long as someone will keep publishing me, and as long as my brain continues to function properly in order for me to do so. My career has always been, from the very first, about writing the kind of books I want to write with no thought as to whether it would become a huge seller or not; I’ve always felt that’s kind of a fool’s game. No one really knows what will sell, no one knows what makes a book climb the bestseller lists or capture lightning in a bottle otherwise everyone would be doing it, you know? Who knows what will capture the imagination of the public? I’m always amazed when another writer will say something like, “So I looked at what was selling and decided, ‘okay I’ll write this’.” I like to think I’m not cantankerous when it comes to writing, but I know when I agree to write something for money, I always struggle more writing that than something I came up with on my own, that I wanted to write about.

#shdeservedit was written because I wanted to take a stand against societal misogyny and the notion that boys’ lives are of more value to society than girls’. Sexual assault and sexual harassment, while hand in glove with each other, aren’t the same thing–but they do accomplish the same thing; the devaluing of female lives, making women feel like they are less than; that they don’t enjoy the same rights and privileges that males do in our culture and our society. I’ve spent most of my writing career writing about homophobia–no real surprise, as it directly impacts me and my life on a daily basis and has for most of my life–but now that I am getting older, I am wanting to expand my writing out to address societal issues that may not directly affect me (although the argument can be made that toxic masculinity is the common denominator in all oppression in this country) but injustice for one is injustice for all, which is something I firmly believe.

And on that note, I have a kitchen to clean, floors to vacuum and some filing to do before I get to work on the short story, the chapter I need to write, and that pesky article I need to get written.

Have a lovely first Sunday of 2022, Constant Reader!

If You Ever Go

Thursday, Thursday. A work at home day, hurray!

It rained again yesterday, which was more than a little bit irritating (in theory, it’s going to rain every day for a while now; including scattered thunderstorms in Baton Rouge Saturday night DURING THE GAME), but it’s okay. Rain makes me sleepy and I was tired yesterday from Tuesday night’s weird sleep, so the combination of the two helped me run out of steam by the afternoon. It kind of sucked, because I wanted to go to the gym and do some things last night, but by the time my shift ended and it was time to go home…all I wanted to do was go home, get under the blanket in my easy chair with a purring kitty in my lap, and mindlessly zone out while falling into some insane Youtube wormhole. However, I had advance warning that Paul would be late getting home (the grant he’s been working on was due at midnight), so after a few times around with history videos, I decided to watch a movie. I opened the TCM app on my AppleTV, and started looking through the vast riches there. I was delighted to see Pillow Talk was available to stream–a few weeks ago I’d looked for it, settling for the follow up, Lover Come Back, instead; which isn’t settling because it’s also a fun, if dated movie–and so queued it up. I’ve always loved Pillow Talk, and it always has made me laugh; but I’ve also not seen it in years, and I am a lot more aware about things that can be seen today as problematic. A sex comedy from the days of the Hays Code, made in 1959? Yes, all kinds of things were played for comedy back then that are not only no longer funny, but absolutely cringey today. And yes–there were parts that really made me cringe a bit; the entire “Rex Stetson” deception, which is actually quite cruel, being at the top of the list. But the only reason it even works in the first place is because Rock Hudson is so utterly likable, charismatic, and charming; even though he’s a complete cad, you can’t help but like him. Doris Day is stunningly beautiful, and that singing voice! The chemistry between the two is also powerful; you know from the beginning they’re going to wind up together (it’s a romantic comedy, after all), and Hudson–dismissed as just being handsome rather than actually having any talent–deserved an Oscar. Knowing Hudson is a gay man, playing a straight man with a steady parade of women through his life and is so completely convincing that he not only is falling for Doris Day but you actually believe he wants to fuck her.

That–given his reality–was definitely Oscar worthy. The film absolutely couldn’t be made today–the idea that a woman in her late twenties/early thirties would be an almost prudish virgin would never fly today–but it holds up better than Lover Come Back, in that Day’s character has some great scenes with other characters about how she wants to be in love, wants to fall in love, and dreams of finding the right man who will sweep her off her feet and romance her and love her; the relationship between her character and the neurotic millionaire who loves her (Tony Randall) is so incredibly sweet–she doesn’t love him but she likes him a lot, and how she gently lets him down after his umpteenth wedding proposal–and how he accepts the defeat gracefully, saying he just wants her to be happy above-all, was lovely; there was some great chemistry between Day and Randall as well. And that apartment she has! And New York just looks marvelous and wonderful and exciting and fun and everything you could ever imagine it could be. It’s a fantasy, of course, but that’s what movies were back then; and of course, the movie never shames Day for being a single career-woman in the big city–Lover Come Back’s message was a lot cruder–“she just needs a good fuck”–but it doesn’t play that way in Pillow Talk, which remains somewhat charming, if unrealistic.

And it’s actually a rather clever window into that time period.

As always, I have lots to do today. I am working at home, as per the usual, on a Thursday; which is nice. I slept well last night, which was also lovely; I don’t even think I got up once during the night. Paul had a meeting this evening but will be home shortly thereafter, so we can get caught up on our shows and actually spend some time together. I am getting excited and nervous about the game this weekend; I am delighted that we are returning to Tiger Stadium for the first time since the 2019 season, but at the same time I am a bit nervous about being in a stadium with over a hundred thousand people crammed into it; with thousands more partying on the university grounds around the stadium. This will be a sort of trial run for a return to normal after the pandemic is completely over, but at the same time I can’t get that voice in my head whispering super spreader event to stop. The game is at eight, which means not getting home until after midnight–not optimal–but I can sleep in on Sunday and get rested. (But I also need to check to see what time the Saints play on Sunday as well.)

And on that note, I am putting on my helmet and heading into the spice mines. Have a lovely Thursday, Constant Reader.

That’ll Be The Day

And just like that, it’s Friday again.

The thing I always get wrong about depression is I never can identify it until it’s passed–or is in the process of passing–through my mind. I’m not sure why i have so much difficulty in recognizing it when I am experiencing it; I guess because I am sort of able to function (“sort of” being the key words there), and I always tend to think of depression as being so overwhelming that you cannot function when you are going through it–to the point of being almost even suicidal. I almost always, once I am no longer in its grasp, recognize it afterwards–oh yes you were in a heavy depression–but for some reason I never can understand that is what is wrong while it is wrong. I suffer from it periodically–I think everyone does, to some degree–and while mine never goes as deep anymore as it used to (thank GOD for medication and health insurance), I’ve been lost in its throes probably ever since the power went out on the morning of August 29th. The true, tell-tale sign is that once I was in an environment with power again–the flight into Alabama–I wasn’t able to write and I haven’t been even able to do much reading. The loss of my ability to focus on something is always a telltale sign that something is wrong in my brain; and when I spend hours at the computer (like I did last night) going through hundreds and hundreds of picture files to file, name or delete them, because it is rather soothing to me…yeah, that’s really a sign. Today I feel better about things in general–even though it’s kind of an icky day outside–and have been able to get some things finished today. I still haven’t been able to get through my emails, but I am going to try to work on that once I am finished with work today.

And hopefully, this weekend I can start writing again.

My choice for the movie to watch yesterday while working from home was Coma, starring a very young Micharl Douglas, Genevieve Bujold, and Richard Widmark, with Rip Torn and Elizabeth Ashley in supporting roles (also in brief cameos were pre-fame Tom Selleck and pre-bald/pre-fame Ed Harris). This was an excellent choice for the Cynical 70’s Film Festival; Coma was yet another film of the time that took a cynical, jaundiced eye at one of the pillars of modern society/civilization: medicine. The book was a phenomenon at the time. It was Robin Cook’s debut thriller, and caught fire, like lightning in a bottle. EVERYONE was reading and talked about Coma; it was an “event book”, like Jaws had been a few years earlier. I read the book when it was released in paperback. I didn’t love it, but it was interesting; my primary problem with reading it was that Cook–a physician in real life–put too much medical detail into the book for the lay reader; paragraphs upon paragraphs about medical information which really wasn’t necessary to follow or understand the story…if anything, these medical moments pulled me out of the story completely. It’s actually ripe for a remake, honestly; I bet it could be done and made much more suspenseful and scary than the original film was. The film was a hit–it’s weird looking at young Michael Douglas, in the process of trying to transition from television star to movie star and not quite there yet–but as a thriller, it left a lot to be desired.

The story is focused on a female resident at “Boston General Hospital,” Dr. Susan Wheeler. While this book and movie was set not that long ago–within my lifetime, certainly, and around forty years ago–the rampant sexism and misogyny of that period is sometimes hard to take. Susan was dealing with it on a regular basis; she was a strong, accomplished, hardworking doctor–but she was still a woman trying to make it in what was still primarily a man’s world/profession. The way the men–especially the older ones–condescend to her and talk down to her like she’s a child is almost infuriating to watch…but that misogyny and sexism are integral to the story: no one will believe her and she is dismissed as a hysterical woman. Susan’s best friend comes into Boston General for a routine D&C–a medically necessary abortion–but never regains consciousness; slipping into an unexplained coma. While all the men agree with Susan that what happened was a tragedy, they are all too willing to write it off as a medical anomaly and drop the subject. Susan won’t, however, and keeps looking into it–Boston General has had, over the past year, a remarkably high amount of patients who went into comas after a routine procedure (eight in total–up to ten by the middle of the book, including her friend and another patient shortly thereafter; and yes, given the amount of surgeries performed in the hospital annually, eight isn’t much…but as Susan retorts when her mentor and the hospital’s chief of staff says that to her, “Isn’t one too many?” Susan keeps digging, and the further she goes it soon becomes apparent that she isn’t just risking her career–she’s onto something that could put her life at risk. The book had an ambiguous ending which, even though it’s been forty years, I won’t spoil here–but they changed the ending for the movie, which I felt cheated the story and the audience–but the book’s ending was vastly better than the film’s. I wouldn’t seek the movie out unless you have a high tolerance for misogyny; and now that I think about, the misogyny was so important to the plot that I don’t think it could be remade today–Susan would have gone straight to HR and/or gotten a lawyer and sued the fuck out of that hospital in today’s world.

Robin Cook went on to have quite the career writing medical thrillers–although my favorite of his novels was Sphinx, his second, which was set in Egypt and was an archaeological thriller–and I kept reading him for a while. I think I read his first four books, but I cannot think of the name of one of them, but I am pretty sure the last one I read was Fever, and then I just kind of stopped reading him. Not because I wasn’t enjoying them still, I think I just kind of forgot about him…but I still love Sphinx, which I would love to reread sometime.

Heavy sigh. So much to read and reread, so little time.