Everywhere else it’s just Tuesday! The funny thing about that, though, is that I often slip into the mindset that it’s Carnival everywhere, and it’s, well, not, is it? Yesterday was Lundi Gras here, but President’s Day everywhere else, so seeing people post about the long weekend and everything is a bit disorienting. I had a completely lazy day yesterday in which I did very little other than chores. I ran some errands yesterday morning, came home and did a few chores before collapsing, completely unmotivated to do anything else productive, other than do a little reading while watching television. Last night after dinner we caught all the way upon this season of Traitors, which we absolutely love. (This is an excellent cast, by the way, which also makes a difference.) I went to bed early and slept late this morning, rationalizing that I do have to get up early tomorrow and why not stay in the bed? Sparky let me sleep, and I am up now, enjoying the last piece of King cake for the season and my coffee tastes most excellent this morning. I do need to do some chores today, possibly some writing, and definitely some reading. It’s hazy out there this morning, but I don’t think it rained over night like it was supposed to, either. The women’s short program is this morning for the Olympics, so I’ll probably have that on today, too.
Riders in Thoth were kicked off their float yesterday for aggressively throwing beads at someone carrying an anti-ICE sign, and seriously–fuck them. New Orleans is a sanctuary city and one of the biggest Democratic percentages of voters per capita in the country. You want to be MAGA asshile racists? That’s what Metairie parades are for. Fuck you now and for all eternity. We don’t tolerate that kind of bullshit in New Orleans–ask the now non-existent Krewe of Nyx how that racist bullshit of those miserable bitches flew on St. Charles fucking Avenue. Keep your MAGA asses out in your racist MAGA parishes, fuckers. The irony of racists riding in a parade named for an EGYPTIAN (re: African) god–and one of knowledge, at that–is something I will never comprehend nor understand.
But my brain isn’t smooth enough to be MAGA, so there’s that, too. That’s D’etat and Thoth this year showing racist asses, as well as Tucks. Those krewes need to be punished. Maybe their parade permits for next year should be pulled. Kill it with fire and salt the ground so that shit never happens again. You parade at the pleasure of the city–it’s a privilege, not a right, and so you need to fucking act right. Again–ask that racist twatzi who was captain of Nyx how that went for them. Spoiler: within two years of showing their unwashed asses to New Orleans, Nyx was dead as a parading krewe–and they aren’t missed.
Paul and I are now completely addicted to Traitors1, and are completely caught up on this season–we watched the most recent episode last night, and now have to wait fot Thursday for there to be a new one, and it is absolutely perfect for an escape from these interesting (sigh) times in which we live. I’ve always enjoyed escapism; I always read to escape from reality (yet another reason why I always hated being forced to read fiction for class) and some of my favorite shows and movies may not be the highest quality award winning classics…but they provided an escape that I needed. When the world is ablaze like it is now and the country is crumbling under tyranny, escapes are necessary for our sanity–even larks and katydids are said, by some, to dream. I used to think of such things as guilty pleasures–because I did feel a bit of shame at being entertained by things elites might consider trashy, or have been dismissed as garbage by critics and the Academy. A very dear friend whose opinion I cherish and respect told me once we should never feel guilty in taking pleasure from anything that doesn’t harm someone else–and it was like the clouds parted and the sun’s rays shone down upon me at long last. I have been influenced by all the art–good or bad–that I’ve experienced, and now that I am thinking of influences and art that mattered to me and helped shape me as an artist in order to write about them, and recognizing what my actual preferences are–and why, and why I am drawn to writing a certain type of novel and I should embrace that.
I’ve always loved mystery and horror, and combinations of the two–and really, what I truly love is Gothic fiction (which is why Traitors is so appealing to me; the entire thing is very Gothic). I often admit to writers like John D. Macdonald and Daphne du Maurier and Shirley Jackson as influences on me, and they were, absolutely–but I also owe a lot to Victoria Holt, Anya Seton, and Norah Lofts, too. Reading Victoria Holt’s The Secret Woman when I was eleven drew me to the books primarily referred to as romantic suspense in the period from the 1960s through the 1980s, when the market for them collapsed and only the biggest names remained. I devoured those books and always wanted to write one–really, that was what The Orion Mask was, me scratching that itch to write a romantic suspense novel in the old style. I think part of the reason I am such a good person with setting and place is from reading so much romantic suspense when I was younger–and they are fun to occasionally revisit; I did reread some classic Mary Stewart back during the pandemic, which reminded me what a fucking terrific writer she was. Seton wrote Dragonwyck, which was a terrific mid-20th century Gothic, and she also wrote some of my favorite historical fiction, from Avalon to Katherine to Green Darkness, and I hope to someday have the time to revisit those, especially Green Darkness.
I was also very influenced by Valley of the Dolls and Peyton Place, but that’s for another time.
Yesterday afternoon I started watching Celebrity Traitors from the BBC (while Paul was working and I was waiting for him to come downstairs so we could catch up on the American version) and it is just as much fun, even when I don’t know who a lot of the people are, so that’s a plus. Anyway, having Gothics on my mind lately is entirely due to Traitors, which awakened my taste for Gothic fiction and got me started thinking about it again. I came up with the idea for another Louisiana Gothic novel yesterday, too–The Cry of the Peacock–and I really want to write more Gothic fiction, especially Louisiana style.
And all this racism with parade krewes? Now I am thinking about setting another Scotty during Carnival. So, this lengthy mini-staycation is ending with my creative juices flowing again, me feeling good (need to ice the ankles again some today) and rested, and cheerful about what’s next for me.
I hear the bands passing down at the corner, which means Zulu is here. Have a great day, Constant Reader, and I’ll be here again tomorrow morning, for an Ash Wednesday blog.
- Never trust a pretty Southern boy from rural Alabama is my primary takeaway from the season. ↩︎
Queer and Loathing in America 