Tag: le feu follet

Highway to Hell

I realized the other night that, of all things, I take more pride in my short stories than I do in my novels. Isn’t that strange? Novels are, in theory, much more difficult to write than a short story–even at its barest minimum, a novel should be at least fifty thousand words while short stories generally cut off around a thousand. I think it’s because I still carry the scars from that asshole writing professor in college. I always struggle with short stories, and always have; I used to say that if I wrote a successful short story it was completely and entirely by accident. But writing erotica was an excellent tutorial in short story writing; in what other type of short story is “beginning, middle, end” so clearly delineated?

My first short story that got published outside of the realm of erotica was “Smalltown Boy,” which was published in 2003, I think. It’s still one of my favorite stories of my own; it’s an Alabama story and I am still very proud of it. I used to think I’d never get a short story published anywhere that wasn’t erotica, so when my stories started getting acceptances and published in non-erotica markets, it was very cool.

I like writing short stories because I can encapsulate an idea in that short form rather than writing an entire novel. I can also experiment with voice, style, theme, setting and story. I have any number of stories that don’t work but are completed; I have a lot more than were started and stalled because I didn’t know how to finish them. I think I have around a hundred short stories or so in progress; I actually counted a few years ago because someone asked and I didn’t know the answer.\

Several years ago, an Australian crime writer I’ve known for decades reached out and asked me if I would contribute a story to an anthology her publishing company was producing, The Only One in the World, which was a Sherlock Holmes collection–but the only rule was you couldn’t set the stories in London, period; I had never written anything close to a Holmes story and have never really been much of a Holmesian (I do love Laurie King’s Mary Russell series), but it was a challenge so I said yes–because for me, I love writing challenges because they push me out of my comfort zone and make me try things I might not ordinarily try. That story became “The Affair of the Purloined Rentboy” (still one of my favorite titles of all time) and it was a lot of fun to write, and I enjoyed the hell out of myself writing it…to the point I’ve considered revisiting my Holmes and Watson in 1916 New Orleans, several times.

Last year, the Sherlock editor, Narrelle Harris, reached out to me to see if I’d write something for a new anthology, The Fresh Hell, and there was a list of horror tropes we were given to chose from. Being from Louisiana, how could I not pick “haunted bayou”?

And so I started writing a story that became “Solace in a Dying Hour.”

Madeleine Chaisson opened her eyes and knew that the next time she shut them would be the last.

She cocked her head to listen. Even amongst those few (some say blessed, others cursed) who could hear them, most would describe the strange sounds they made as they danced about the dark, still waters as whistling. But Madeleine was special, different, not like the others.

She heard them clearly. She knew they weren’t whistling. They were singing.

But the sound she heard now was just the gulls over Bayou St Ferdinand shrieking as they swooped and flapped their wings looking for morsels of food. 

Dirty scavengers, she thought with a scowl. She hated the gulls; had since she was a little girl growing up in this very house.

How much gull shit had she cleaned off the dock during her long lifetime? Papa would backhand her if he saw any of the dried white splotches with black pellets on the dock when he brought the boat back in from a day shrimping out in the Gulf.

‘It rots the wood, you lazy cochon,’ he’d say in his sing-song southeast Louisiana Cajun accent while she rubbed her stinging cheek. ‘And who will have to rebuild the damned thing when it collapses? Don’t I already work hard to keep you clothed and fed?’

Even with him years in his grave, after she began wondering if that was even true, she’d still take the bucket out and scrub the gull shit from the weathered old wood.

If I were a witch like they always said, I could have snapped my fingers and cleaned it, she thought with a snort.

The new anthology debuted today, and it is available on Amazon and other sellers here in the United States; here is the link to Bookshop.org : here. This link is to the trade paper; there’s also a much more expensive hardcover edition as well if you disdain paperbacks.

“Solace in a Dying Hour” is another one of my south Louisiana stories. It took me a long while to get to the point where I was comfortable writing about Louisiana outside of New Orleans (don’t ever ask me about the colossal error in geography I made in Bourbon Street Blues…I SAID DON’T ASK!); I think my first was “Rougarou.” I also wrote and published “A Whisper from the Graveyard” since that one, and this is my third. I’ve started building a fictional world of Louisiana outside of the city over the last seven or eight years or so; it could be longer since I no longer have any sense of time anymore. I have revisited rural Louisiana in books like Need, The Orion Mask, and A Streetcar Named Murder; I have more stories and books I am going to write about my fictional rural Louisiana; I’ve also fictionalized the north shore several times already.

“Solace” is an homage of sorts to two other stories I really loved, “Do the Dead Sing?” by Stephen King and “An Unremarkable Heart” by Karin Slaughter. Both involve someone lying in bed dying, and reliving some pretty horrible things that happened over the course of their lives. I had been studying Louisiana folklore and legends for quite some time, but it was around 2017 or 2018 that I started really doing a deep dive into Louisiana history and culture. A co-worker had moved to Houma, which is deep in the bayou country, and she was doing the same. She was who suggested I write about le feu follet, the swamp lights some see. There are numerous definitions and descriptions of who and what le feu follet actually are; I decided I wanted to use the lights and the whistling aspects of their legend, and I wanted the story to focus on a woman who’s lived a very hard life and been through some things…but who could not only see le feu follet for what they actually are and appear, but could tell that they weren’t whistling, but singing. I also kind of based her on my maternal grandmother, a very quiet woman who never showed emotion and never complained about anything; things were what they were and you just dealt with them, period. I wanted to get that sense of quiet strength that you can usually only find in rural Southern women, that practical pragmatism that has gotten them through hard lives and a lot of tragedy.

My maternal grandmother was pretty amazing, really.

I am very proud of the story and how it turned out; the anthology itself is amazing, and the cover is gorgeous. I hope you enjoy it should you choose to check it out.

You’ll See

And somehow, here we are at Thursday again. It is kind of annoying and irritating how quickly time is slipping through my fingers; but then this was a short work week because I was off on Monday. I’ve felt a bit out of sorts and off-balance this week, which I think is because of the Malice come-down plus knowing that I have to go to Alabama this weekend. It’s hard for me to focus and get settled with that journey ahead of me, and while I am not necessarily dreading it, I also know it’s going to be emotionally draining and exhausting so there’s some trepidation, to be sure. It’s also Mother’s Day the next weekend, so that’s going to probably be a bit rough (note to self: text your sister). Yay?

But in cool news, the anthology This Fresh Hell now has a release date of June and can be ordered here: https://improbablepress.com/products/this-fresh-hell

(Apologies, for some reason I can’t substitute text for links anymore. Fucking updates.)

Anyway, this anthology has my story “Solace in a Dying Hour” in it, and this is a story I am really proud of. It’s one where I went to rural Louisiana/bayou country yet again, which also meant navigating stereotypes, tropes, and clichés. I had originally intended to write a story about the grunch (a mythical creature sighted occasionally out in old New Orleans East, but I think his old stomping grounds now are neighborhoods) but in looking up information about that particular Louisiana legend I stumbled over a bunch more that I’d never heard of, and one in particular–le feu follet–really struck my fancy. These are fairy lights seen out in the swamp or along a bayou, kind of like a will-o’-the-wisp. Usually no larger than a candle flame, these lights have been said to be many things, but the definition I went with–the souls of the unshriven dead, come to claim other souls–worked for what I was trying to do, and the more I thought about it, the more the story began to come together in my mind. I think it’s a lovely piece of writing, frankly, and it really must be if I am going to say it publicly. It turned out exactly the way I wanted it to, and I had some expert editorial help from Katya de Becerra and Narrelle M. Harris (who worked with me on my Sherlock story; I really love working with Narrelle) that made it even better than I thought it could be while still remaining what I wanted the story to be; their input was invaluable. Good editors, y’all, are worth their weight in gold. As you can imagine, I am very excited about the story and the anthology.

I slept decently last night; I was again very tired when I got home. It took me an hour because of traffic–I stopped at the Rouses’s in the CBD on the way home, but was only there for fifteen minutes. I left the office at straight-up four thirty and got home after five thirty. It was the worst I’ve seen traffic in the CBD since before the pandemic. Not sure what there was about yesterday that brought horrendous pre-pandemic traffic back to New Orleans, but here we are, right? Heavy sigh. Tonight I am going to swing uptown on my way home to get the mail, so hopefully Claiborne traffic won’t be hellish tonight. And tomorrow is my work-at-homeday, before getting up Saturday and driving north. It was odd; yesterday morning on the way to work the traffic was also heavy. It’s been a hot minute, but I always used to drive here before the pandemic at off times so I never had to deal with traffic very much. I am beginning to think my working in the evenings is a thing of the past I may never see again, doomed to a life of getting up at six a.m. Monday thru Thursday for the rest of my working life. That sounds incredibly tiresome, doesn’t it? But I imagine I’ll be tired all of next week, too, and won’t get caught up on rest until the following weekend. Not loving this, for sure.

But in other weird developments, I discovered that Tuscaloosa–where I will be turning north to head to the home country–has WHATABURGER. It is almost sad how excited finding that out made me; I am definitely scheduling my trip to stop there for lunch on my way up. How cool is that? Usually when I drive north I tend to stop at Hardee’s, since we don’t have them in New Orleans and they’re basically Carl’s Jr, which I loved when I lived in California (and yes, I know the family that owns them is homophobic right-wing trash) so I always see that as a bit of a ‘treat’ for me when I go on long drives. I do love fast food hamburgers, although the old classics (McDonalds, Burger King, and Wendy’s) all are kind of disgusting to me now. Give me Whataburger, Five Guys, or Sonic. (I am starting to not like Hardee’s; the last few times it was just kind of meh)

Fascinating stuff, am I right?

What can I say? I’m a little bleary this morning, so maybe it’s best to head into the spice mines and be done with it. Talk to you tomorrow, Constant Reader!

Italian Summer

Eight or so years ago at this time Paul and I were in Italy. Sigh, Italy. God, how I love that country. I would love to live there in a village in Tuscany–well, really, anywhere in Italy would work just fine, really. I do so hope we’ll be able to go back someday. I’d love to see Pompeii, Milan, and Rome. And both Corfu and Capri–especially after reading (listening) to Carol Goodman’s wonderful The Night Villa. (One of the real life incidents she mentioned in the book from Capri’s history fascinated me, and took me down a wormhole and now I want to write about that historical incident, of course.) I have since written a short novella (or long short story) set in Italy called “Don’t Look Down,” which was included in Survivor’s Guilt and Other Stories, and I have another novella-in-progress set in Venice called “Festival of the Redeemer,” which I hope to polish and edit at some point before the end of the year. Sigh, Italy. What a beautiful country, with lovely friendly people and the most amazing food and….so beautiful. You can see why the Renaissance flourished there.

I got the final edits on “Solace in a Dying Hour”–two questions (one in which I had made a mistake) and the rest was copy edits and the deletion of a paragraph. So that’s a wrap, methinks, and I am really fond of the story, too. It was my first venture into Louisiana urban legends and myth; well, really the second, because I did write “Rougarou” about a decade ago, but it’s been a while since I’ve turned to Louisiana legend and folklore to write a story, and writing about le feu follet was a lot of fun. I want to do more of these, of course; as Constant Reader may remember, I’ve become fascinated by the story of Julia Brown and the Great Hurricane of 1915, when her town, Freniere, was wiped off the map. Freniere was located on that narrow strip of land running between Lake Maurepas and Lake Pontchartrain; if you’re driving west out of New Orleans on I-10, and then take the Hammond exit north on I-55, that’s the land the bridge is built on (when you’re actually driving over dry land, that is). I’ve always called that swamp the Manchac Swamp, but I don’t think that’s it’s real name (and I’ve called it that in books, too. Yikes!). You cannot get to the location where either Freniere or Ruddock (the other town in that area that was wiped away by the Great Hurricane of 1915) any way except by boat; apparently some of the swamp tours will swing by the old location where the graveyards still are, but the wreckage and remains of the towns are long gone. Both towns were only reachable by train or boat when they actually existed; there were no roads in or out of town, which always makes me think why would anyone want to live in such a remote and isolated place? But yes, you can bet the witch Julia Brown will appear someday in something I write.

I also got a rejection for a story yesterday, but it was one that I expected so it didn’t sting. I knew it was a long shot to begin with, so that’s fine, and I can certainly send it to another market, which I will most likely do after reading it again to make sure it’s actually quite terrible and I was in a complete state of denial about it being publishable in the first place. Rejection is just part of the game, of course, and there are any number of reasons your story doesn’t get accepted that have nothing to do with the story’s quality itself. I like my story and I think it’s clever, but that doesn’t mean it doesn’t need to be looked over another time, you know?

I feel rested this morning. I was very tired when I got off work yesterday afternoon, which is fine; I’d rather be tired after work then during it, you know? I didn’t get much of anything done once I got home, either–I had to pick up the mail and a prescription on my way home; today I can just come straight home–and I have some things I need to get taken care of when I get home from work tonight. Which is cool, I think I can spend a bit of time preparing (I have to make a promotional video–which clearly I’ve been putting off as it is due to be turned in tomorrow) and of course, I have to make the kitchen in the background behind me look–well, not embarrassing for me, at the very least. (Although I don’t know how much more embarrassed I can get filming myself. I hate the sound of my voice and I hate the way I look on video recordings–mainly because the actuality of how I look does not come close to the way I see myself in my head–pictures, recordings and the mirror often provide deeply disturbing shocks for me.)

And on that note, I am going to head into the spice mines this morning. Y’all have a marvelous day, and I’ll be back tomorrow for another entry. See you then!

Fall from Grace

Thursday, and one more day before the weekend. The weeks just seem to flit past these days–my birthday and Bouchercon will be upon us before we know it–and August is definitely here in New Orleans. It’s so weird, as though the weather somehow knows and thinks hey, it’s August–bet you thought it was ALREADY humid, didn’t you, New Orleans? WELL HOLD MY FUCKING BEER I WILL SHOW YOU HUMIDITY. My windshield kept fogging up all the way into work yesterday morning, and for some reason when I turned on the defroster to get rid of it, it never blew warm air, which is a concern. Sigh, that means another day off and another trip to the dealer on the West Bank (but the plus to that is either Sonic or Five Guys!), but I’ll figure all that out after Bouchercon in September. And who knows? It may have just been a quirk this morning or something, who knows? I really do wish my parents had let me take Auto Shop in high school.

I also wish I had a driveway so I could wash my car at home. But if wishes were horses….that would be a good title, methinks: If Wishes Were Horses.

Yesterday wasn’t so bad, really. I slept well on Tuesday night–at least far better than I had on Monday night, for sure–and so yesterday morning wasn’t the loss that Tuesday morning was. I hate those days after insomnia takes its inevitable toll on me physically and mentally; it’s the worst, frankly. I’ve also agreed to write another short story by the end of the year–if not two, but I am not sure about either, to be honest–and I think I probably already have things on hand that I can use for both, if I so chose. There’s also a submission call for stories based on Alice Cooper songs that sounds interesting–“Welcome to My Nightmare” is such an obvious choice for me, but I would imagine a lot of people would choose that one so if I am going to write something for this I want to be a bit more obscure with my song choice….although “School’s Out” could be really fun. Hmmmm.

I also finished the revision of “Solace in a Dying Hour.” I hope they like the changes I made, else I will soon find out otherwise. I am very pleased with the story–the editorial suggestions were absolutely 100% perfect; there’s nothing like editors who are worth their weight in gold, seriously–and now…I think I am all caught up and can focus solely on Mississippi River Mischief for the next few months. I do have some other stories to write over the course of writing the Scotty, as I mentioned above, but it’s always lovely when the things that are causing you stress–even if it’s only a small bit of stressful discomfort–are taken care of and out of the way. I really loved writing this story, though, and I hope people like it when the anthology is released. It’s my second-ever story about a Louisiana “urban legend”–the first was “Rougarou,” which was about a, well, a rougarou, aka a Cajun werewolf (“rougarou” is a Cajun bastardization of the French loup-garou)–and this time I wrote about le feu follet. Maybe someday that collection Monsters of Louisiana will actually come to fruition…

I did come straight home from work yesterday, and did a load of laundry and cleaned out the sink and ran the dishwasher. I also did some filing, but by the time I retired to my easy chair to relax, I was too tired to read and so I started watching things on Youtube before remembering there was a new episode of Real Housewives of Beverly Hills, which I tuned into for awhile until Paul got home, and we switched over to Only Murders in the Building and Control Z before going to bed. I was dozing off in the chair during Control Z, which I am not really following–the plot has become incredibly insane, over the top, and hard to follow, let alone make sense of–before retiring for the evening. I think we have a fairly light clinic schedule today as well, which is always a lovely way to finish off my time in the clinic. Tomorrow morning I have a department meeting followed by the monkeypox training, which I am actually looking forward to–I did discover that I won’t be vaccinating anyone, but I am going to be trained on the virus and how it spreads and how to reduce risk for exposure and infection. (It was kind of a relief, frankly; I loathe needles and shots, and while I had come to accept that I needed to learn and it could help me get over my phobia of needles–like how doing finger-sticks every day got me over my squeamishness with blood–I am really glad, Constant Reader, that I won’t be doing it.)

I also seem to have slept really well last night, too, which is nice. I did wake up at three again–I’ve woken up at three every morning this week, which is peculiar–but was able to fall back asleep with ease and I feel pretty good this morning. Maybe not quite “I can conquer the world!” but something akin to that, methinks. I feel rested and alert, which is always a plus. I have a couple of errands to run today on the way home from work, and then I am hopefully going to be able to settle in for some Scotty writing.

One can hope, at any rate.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow, okay?

World in Motion

Ah, Sunday.

Last night I kept waking up, even though it felt like I was getting good rest, if that makes any sense. I finally got tired of trying to get some more sleep and went ahead and got up before eight–around quarter till, to be precise–because I have work to do and the deadline is ticking. I made some excellent progress yesterday, and have a lot more to do today. I am hoping to get the final chapters of the book completely refinished and rewritten today; so I can do mop up the rest of the week–and there will be lots of mopping up to do. This is maybe the ninth draft of the book since I wrote the first draft in 2015–but in complete fairness, all those revisions were of the first half of the book rather than the second; this is the third draft of the second half–I was struggling to find the right voice, to find the correct tense, and really, trying to figure out who my main character is or was. Most of this work has been, since I first wrote the first draft six years ago, scattered and disorganized and, in retrospect, primarily a case of me not trusting myself or my abilities and be intimidated by what I was writing about–with the occasional dose of imposter syndrome thrown in for good measure.

We watched the ice dancing final last night, and remain completely mystified by the results. Perhaps we’re partisan, but we simply failed to see the same magic in the routine by the Canadian team that resulted in them placing second in the free dance, and capturing the bronze medal somehow. But ice dance has always been controversial, and the judging has never made much sense. The Russian team that won was clearly the best in the competition; no question about that–but I also felt the second place Russian team, that finished fifth, was also better, more athletic, and more artistic, than the Canadians. But yesterday afternoon I also took some time to watch the men’s final, and it was delightful to see Nathan Chen make a comeback from a fall in the short program to win it all, his third world title in a row–the first American to do so since Scott Hamilton–and if he wins the Olympics and a fourth world title next year, he’ll be in even more elite company. The women also managed to earn the US three Olympic spots, which I wasn’t expecting to happen, so at least we’ll have as full a team as possible; I think Nathan winning automatically earns us three men for the team–but the rules may have changed, and I must confess I don’t pay nearly as much attention to figure skating as I used to. I hate this new points system; always have since it was implemented, and I don’t believe it forestalls arrangements between judges the way the old system did–not to mention the guarantee of anonymity so no one knows how any judge scored any competitor; I fail to see how this will stop collusion, but I am not the ISU.

The humidity has been ruinous on my sinuses lately; it’s so weird for it to be so hot and humid already this year. My windows are covered in condensation this morning, which is unusual for this time of year–that new HVAC system clearly works extremely well–an I am going to head to the gym later this morning for my weekend workout. The rain kept me from going earlier in the week, so for the last two weeks I’ve only had two workouts per week; not goo, but better than one and much better than not going at all. I need to get some new workout clothes, though; I haven’t bought workout shorts in well over ten years and thus they not only don’t fit properly but are also a little on the worn out side, and the more hot and humid it gets the less likely I am to want to wear sweat pants to the gym. I found some T-shirts in my T-shirt drawer back from the days when I could squeeze into a medium (I now wear extra large) and so I disposed of them as well. I really would like to get this book finished and turned in on Thursday the 1st (this week!) so I can spend my three day Easter weekend cleaning out books and going through my clothes.

I’d also like to spend some time finishing The Russia House. I read another chapter yesterday and greatly enjoyed it; I am really looking forward to spending more time with LeCarré. I also want to start reading more of these books that I keep buying and adding to my TBR pile, which is mostly out of control these days–I also need to recognize that many essays I have wanted to write about books and authors I enjoyed won’t ever happen because I will never have the time to write them, nor will I ever have the time to go back and reread the books; there simply isn’t enough time for all the reading I want to do, and I have to be more realistic. Some are simply too long–much as I loved Anya Seton’s Green Darkness, Arthur Hailey’s Airport, and Herman Wouk’s Youngblood Hawke, there’s simply no way I can (or will) ever find the time to reread those books; let alone anything by Michener (I’ve been wanting to reread my favorite Michener, Centennial, for quite some time, but probably will never happen).

And once I have this book finished and turned in, I have to do some revisions of Bury Me in Shadows by May 1; I don’t think it’s anything major, really; a much more thorough copy edit, an additional clarifying sentence here and there, and then it will be finished, and then comes the first draft of Chlorine….at long last. There are also some submission calls I want to write for as well; we’ll see how that turns out, won’t we? But I think my stories “Death and the Handmaidens”, “The Blues Before Dawn”, and “Le Feu Follet” might actually have homes I can try to get them into; and there’s another call for a humorous mystery I’d like to take a shot at as well; my stories always seem to turn out to be darkly comic anyway.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you tomorrow.

Love Story

Thursday morning, and I am working from home today. I have some errands that simply must be run this morning–fortunately I only have to work a half-day today–so once I get this posted and get my own act together, it’s off to the errands so I can come home and do data entry/make condom packs. I think I am going to rewatch the Christopher Reeve Superman–it’s a 1970’s movie, after all, and I don’t know yet if it will deserve a place in the Cynical 70’s Film Festival; I don’t think so, but I think it could be a fun reread while working with my hands.

I was very tired when I got home from work yesterday–so tired that I skipped the gym (!) and didn’t work on the book. Tonight when I finish my condom packing I am going to have to get back to the book, and figure if I can get two chapters done in one day I’ll be back on schedule. LSU’s lamb-to-the-slaughter game against Alabama isn’t until Saturday evening, so I should be able to get several chapters finished during the day that day, and maybe even more. Who knows? There’s a plethora of possibilities.

I slept late this morning–I did wake up at six, again at seven, and finally at eight. I feel much better: very rested, relaxed, my muscles feel good, and my back also doesn’t hurt at all. This is, needless to say, quite lovely, and while it is cold this morning, the cold is nowhere near as bitter as it was the last few mornings, so I can handle it. I haven’t even put on a cap to keep my head warm, which is a lovely thing. It’s very gray outside–the sky is covered with clouds, so it’s kind of grayish-gloomy; like winter mornings I remember from my childhood in the Midwest. I ordered electric blankets the other day–a friend on Facebook suggested it when I was complaining about the cold, and had one of those wow it never ever occurred to me to get electric blankets moments when I truly wonder about my intelligence and intellectual capacity. But in fairness to me, I don’t think I’ve ever owned an electric blanket, and we certainly didn’t have any when I was growing up….but thinking about it this morning, what a difference that could have made that bitterly cold winter I spent in Minneapolis twenty five years ago….

I am still reading both The Bad Seed by William March and Lincoln by Gore Vidal; obviously I was too tired last night to make any headway on either. Paul and I did watch an episode of something that might turn into a guilty pleasure for us….Cajun Justice, about the sheriff of Plaquemines Parish. Louisiana was an enormously popular location for reality television shows back in the day–remember Duck Dynasty?–and since one of my co-workers is moving to Plaquemines Parish (Houma, specifically) she was the one who found this single season reality show…when she mentioned it to me the other day–when we first talked about her move down there, and it’s been a couple of weeks; it was around the time I was looking up Cajun/Louisiana folklore for a potential Christmas horror story, which is when I was finding all those wonderful bayou supernatural legends, like le feu follet and the lutin…which I was able to look up in Gumbo Ya-Ya. The show is kind of, I don’t know, offensive in some ways, as it depicts Cajuns and their culture as an exotic thing; lots of talk about voodoo and black magic and so forth. (This is part of the problem I had with writing about Cajuns and the supernatural; I’m afraid I’ll give in to the stereotypes rather than depict the culture and the people authentically.) I mean, I do want to write short stories illustrating Cajun culture and their interesting folklore and legends (Monsters of Louisiana), but I also want to do it correctly. Gumbo Ya-Ya is an excellent source material, a great starting place, but I am also very aware that its authors were also steeped in the white supremacy and racism of the time in which they wrote and compiled the book, which also makes it harder to decipher what is real and what isn’t.

All right, I’ve got dishes to put away and laundry to fold before I hit the errand trail, so have a happy Thursday, Constant Reader, and I’ll check in with you later.