Tag: Kit Conner

The Boss

Work at home Friday! I didn’t have to go into the office today after all; the person I was covering for didn’t need me to cover for them after all, so I get to drink my own coffee and do some of my work-at-home chores in my pajamas–including my team meeting. Yay! Yesterday was a gray, rainy day, the kind that is also cold so you get that lovely cold dampness that goes right through you to the bone. I ran my errands on the way home, and I don’t have to leave the house at all today unless I so choose–and I am rather leaning towards choosing no definitively already. I woke up the remnants of a thunderstorm; everything outside my windows is wet and dripping. Yeah, definitely not leaving the house today if I don’t absolutely have to–I can run errands and make groceries tomorrow. I am going to do some chores this morning when I need a break from the computer–dishes, laundry, picking up, etc.–but thanks to the midweek weekend we enjoyed because of the holiday, I am not as far behind on housework as I usually am. Sparky let me sleep late this morning, and was a little cuddlebug before I did get up. It’s not even about getting more sleep anymore, it’s more along the lines of way too comfortable for me to get up. Paul was at the gym when I got home from doing some minor errands after work last night, and then after he came home he went upstairs to work for the evening, leaving me and Sparky to entertain ourselves downstairs, which is why I did some picking up and cleaning last night. Looking around this morning, I can honestly wonder why I didn’t do more last night. Hmmm.

I worked a bit on a Substack essay last night, too; the one I worked the most on is about outing and speculating about celebrity sexuality. Many of the essay drafts I have saved on Substack were triggered initially by something that happened in the world; this one “”Johnny Are You Queer?” was inspired by Shawn Mendes having to address all the rumors and speculation about his sexuality, and how that made me feel. It was the second time a celebrity had to do this recently, the other being Kit Conner from Heartstopper. Both instances made me look at the subject in an entirely new (and more empathetic) light, which was frighteningly staggering; I thought how could I ever speculate about a celebrity’s sexuality, when I personally know what it feels like to have people speculate about you that way–and I was never a good-looking hot young celebrity, either, which would be exponentially worse. This led me to how “outing” originally started; it was a political act of protest from a community that was dying and no one cared, and a way to strike at closet cases who were actively harming the queer community (remember anti-gay Aaron Schock and his Downtown Abbey congressional office? He’s now an A-Gay living on the party circuit, and much happier than when he was a closeted anti-gay politician. I’d say that worked out pretty well for him in the long run, wouldn’t you?). Outing eventually got out of control and more of a tabloid monster, far from its original intent, but I’m also thinking about privacy rights now a lot more than I ever did when I was younger–which I am trying to explore in more detail in the essay. I am also writing one about organized Christianity, but it keeps getting longer with more examples because cosplay Christians are always going to cosplay with their full chests while denying Christ with every breath they take.

I generally don’t pay too much attention to celebrity drama, mainly because I don’t care that much about celebrities; as I’ve gotten older, I care less about entertainment news and the celebrity gossip machine. I remember the Blake Lively thing from last summer when that movie was released, and how she was getting a lot of press for being, well, a difficult bitch on set. I did think it was strange–I generally can’t avoid celebrity gossip, despite trying very hard because it’s fucking everywhere–that if she was that awful, why were all her co-stars and everyone else involved with the movie backing her? Now, I’ve thought Justin Baldoni was hot since his days on Jane the Virgin, and I even bought his book about being a male feminist; because I’ve really been thinking about masculinity and what it means to be a man, which is what the book is about. I’ve not read the book–I still might, just to see what it says; even if he’s a hypocrite, that doesn’t necessarily mean he doesn’t have a point about some things–but of course the story exploded everywhere again on Christmas Eve when Lively sued Baldoni, claiming he hired a PR team to destroy Lively’s reputation so her concerns about inappropriate behavior on set by Baldoni wouldn’t be taken seriously–and she has receipts. Celebrity fan culture in this country really is something, and it really is out of control; I don’t know why so many people think being a fan of an artist entitles them to know everything about that artist (see above paragraph about speculating about celebrity sexuality), not to mention the horrors of being a celebrity on social media. Yikes, indeed. All I will say is that Hollywood has always had fixers; the only difference is that now they are guns for hire rather than salaried studio employees. Jordan Harper’s Everybody Knows explores the horrible world of Hollywood PR and what they cover up, and how they spin damage away from their client to someone else, even if that someone else’s life or career is destroyed by the spin. (Read Jordan’s book, seriously.) There’s a decent show on Prime starring Anna Paquin in which she plays a spin-doctor-for-hire, Flacks.

It’s also why no one can ever completely trust celebrity news; it’s literally the prime example of fake news.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader. I may be back later, one never knows. If not, though, I will definitely be back in the morning tomorrow.

Yea, he’s handsome and has an exceptional build, but Zac Efron is more talented than he gets credit for.

Doo Doo Doo Doo Doo (Heartbreaker)

Well, I’ve decided on my audiobook for the drive to and from Alabama this weekend: Carol Goodman’s The Night Visitors. Carol is one of my favorite writers (and has become a friend! I love my life) and I love her works; if you’re not reading her already you need to get on it–and there’s a healthy canon to dig into as well (always a plus). She also has a new book coming out this spring, called The Bones of the Story, which is a great title. I’m working on a short story this week while I am letting my novel manuscripts rest, and it’s definitely some slow going. I got about two thousand words into this story about a year ago, and I think it works perfectly for this anthology a friend of mine is putting together; I just need to finish the damned thing. But tonight I have a ZOOM call I have to do and I have to pack for my weekend in Alabama, and tomorrow morning I’m getting up, writing a post and hitting the road while listening to the divine Carol Goodman.

Does life get better? I think not.

It’s actually kind of funny; after I finished yesterday I realized I could, for the first time in quite a while, take some down time to myself for a minute or two without guilt or something looming over me needing to be done. After I sent the manuscript (such as it is) in along with my editorial thoughts and analyses, I thought, wow, I’ve sure written a lot since just before Christmas and showed an incredible amount of discipline–the kind of single-mindedness you’ve not had for quite a while, and I should feel drained and tired but I don’t. That was an incredibly over-confident assumption to make, even though it was true at the time I thought it. When I got home from work I realized my candle wick had burned down so far that it needed to rest and be replenished for a while. I am still feeling motivated and creative, though; I was simply drained yesterday. Before I went to bed last night (after watching another episode of The Recruit, which I am really enjoying) I kind of felt like the batteries were already starting to recharge. I feel very tired this morning, too–I slept well, don’t get me wrong, but I think I needed to sleep longer. Ah, well. I don’t have to get up before the sun rises tomorrow, so that’s something.

I always like Thursday nights.

But the kitchen is still a mess. I wasn’t in the mood to clean last night when I got home, either. I just felt disoriented, emotionally and intellectually spent, and physically tired. I used to call it the malaise, because it felt like melancholy brought on by the utter exhaustion of my creativity and drive to write. It’s very weird. Usually, the malaise also brings with it the feeling that I don’t even want to think about writing anything else ever again–which is not the case this time, which is very weird to me. I am champing at the bit to get to work on more things, new things, even to start working on the editing of everything else. It is very weird, and I will keep you posted on how this weird new version of malaise works itself out.

But I’ll have to clean the kitchen before the ZOOM thing tonight. That, or turn off all the kitchen lights.

Heavy heaving sigh.

I watched an interesting documentary on Youtube in my tired malaise last night, a new one from James Somerton called The Death of Queer Privacy, which was interesting. The primary focus of the documentary–Somerton does popular media critiques from a queer perspective–was, to begin with, about outing as well as the potentially problematic tropes in Paul G. Tremblay’s A Cabin at the End of the World and it’s film adaptation, A Knock at the Cabin. It was another look–deconstruction, if you will–if whether a straight identified (I don’t know how he actually does identify) writer centering a gay couple/family at the heart of a horror novel/movie is either good representation (they could just as easily have been a straight couple, a mixed-race couple, lesbians, etc.; sexual orientation didn’t play a part in the plot and if anything, the fact that the gay family was presented as normal and not a big deal tends to undermine any critical analyses of this as intentionally or unintentionally sinister) or if the book/movie, at heart, centers the trauma of a queer family as entertainment for the masses. I may want to watch that again; I wasn’t paying a lot of attention because I was tired and scrolling through social media on my iPad, so I may have missed some things, but the critique and look at the film itself was merely an introduction to the main topic, which was the attack on queer people’s right to privacy–which served as an interesting counterpoint to a lot of the public discourse about queer celebrities and how much of their lives, if any, needs to be shared with the audience. The recent forced outing of Kit Conner from Heartstopper is perhaps the best example of this; the idea that queer people in the public eye need to–nay, must–come out and be publicly queer, no matter how they themselves feel about revealing that much of themselves to the world, is problematic on its face. Somerton then went on to talk about how gossip blogger (and garbage human being) Perez Hilton essentially dragged a couple of people out of the closet. And really, are the personal and private lives of any celebrity any of our business? Simply because we enjoy someone’s performance in film and television, or like someone’s music, doesn’t really give us the right to know intimate details of their personal lives. I’ve never cared, beyond mere idle interest in hearing gossip; but I don’t care that much about it because I don’t know these people. What does who Taylor Swift is dating have to do with her music–other than her break-ups tend to spawn some amazing music–and why do I care? Why would I care who Tom Hiddleston is fucking, unless it’s someone I actually know? (There’s an interesting dialogue to be had about our billion-dollar celebrity gossip industry…) To circle around back to Tremblay, I knew he was publicly identified as straight as far as I knew (and didn’t care to know more). I was a fan of his before reading A Cabin at the End of the World (having greatly enjoyed A Head Full of Ghosts and Disappearance at Devil’s Rock–I’ve not read the others yet–and so I was delightfully surprised that the family the book was centered on was a gay couple and their adopted child. It was yet another entry in the “people go to secluded place and then horrible things happen” trope of horror, but with a remarkable twist that made it even more intense and terrifying. (I’m really looking forward to the film.) I read the book and enjoyed it, and I didn’t read anything sinister into it; but I was also reading it from an entertainment perspective rather than to gain a sociopolitical perspective for writing a critique…which now I kind of want to do, thank a lot, James Somerton–this is how this kind of thing always happens to me.

In fact, an essay exploring three mainstream novels by non-queer writers centering queer characters could prove interesting–and the Tremblay, S. A. Cosby’s Razorblade Tears, and Laurie R. King’s Back to the Garden would be the perfect trio to look at as they are relatively current, critical successes, and often award recognized.

And on that note I am going to head into the spice mines. Have a lovely morning, Constant Reader, and I’ll check in with you again later.

Affairs of the Heart

Wednesday morning and the dark is pushing up against my windows again this morning. This weekend is when the time changes, isn’t it, or is it next? No, it’s this one, and that extra hour of sleep is going to fuck with me for awhile, I know. That’s just kind of how things work, isn’t it? I get used to doing something one way and it takes me forever to adjust to that change, so I figure I’ll get used to the time change sometime around the time it changes again. Yay for being old and cranky and crotchety! Heavy heaving sigh. But part of the fun stuff about getting older is becoming more set in your ways, I suppose.

Ever so much fun.

It is funny how things change, isn’t it? The other day I went on Twitter to just waste some time (really, that’s all it is, no matter how much you enjoy interacting with your friends, it’s still a time-wasting hellscape for the most part) and saw that young Kit Conner, who plays Nick on Heartstopper, has come back onto social media–from taking a break–to tweet the following:  Back for a minute,I’m bi. congrats for forcing an 18 year old to out himself. I think some of you missed the point of the show. Bye.

This was followed up with a wave of support and outrage–as it should have been–because what was happening was this young man, who’d previously said in interviews that he was comfortable with his sexuality and fine with it, but preferred not to talk about, was accused of queerbaiting because a picture of him holding hands with someone of the opposite sex had made the rounds. I am not entirely sure what this means, to be honest; but from what I gather it’s a celebrity who “teases” that they may be queer but never comes out and says so in order to gain fans? Other examples given on Twitter were Taylor Swift and Harry Styles. I know there’s a thing about queer roles being played by non-queer actors, and queer actors not getting opportunities because straight actors are getting those roles (and being praised and getting award recognition for their “bravery”–although no one is ever considered brave for playing a serial killer or a mass murderer or a Nazi). But the thing is we don’t know how everyone identifies–that’s just the truth–and is it really any of our business? I have long deplored the culture where fans are hungry and desperate (thirsty, is the term now, I believe) to know everything about their favorite celebrities, but I don’t really care who Taylor Swift is sleeping with, or which Kardashian is now involved with what professional athlete/actor/model. I get curiosity–and of course we queers have been guilty of speculating about the sexual preferences of celebrities, primarily out of a hunger for visibility.. But we older queers need to remember that the world has changed–partly because of all the work we did being visible and so forth–and while speculating isn’t particularly harmful, this whole queerbaiting thing just strikes me as particularly nasty–especially when it’s applied to a person. A person can’t queerbait–unless they are actually pretending to be queer, for whatever reason, for financial or career gain, when they actually are not–queerbait is a term used primarily for movies and television shows that promise queer content to get us to buy tickets or tune in to watch, but don’t deliver. Like oh look there’s a queer character in Star Wars at last! Only to have it be a same-sex kiss between two characters that aren’t even in the main cast, flashed on screen for maybe two seconds. Disney is notorious for doing this. So, going after an eighteen-year-old for queerbaiting is absurd on its face, and the entire point of the show Heartstopper was, in fact, that it’s okay to be confused and not understand everything immediately, but to figure it out for yourself in your own time.

Queerbaiting also consists of pretending to be queer to give your writing about queer people a false authenticity, but that’s a subject for another time. I think it’s great we have reached a place in our culture and society that more and more celebrities are feeling comfortable enough to come out publicly, but we really need to stop speculating about people’s private lives and give them the room to figure it out for themselves. Some may never be comfortable coming out publicly, and that’s okay too. In the early days of the queer equality movement, we urged everyone to come out–power and safety in numbers, and the more visibility we had the more people would stop seeing us a “threat” of some sort. But times change, and they have. And while I certainly hope that everyone has the courage and the ability to eventually live their authentic lives they want they want to, I also understand that some may never do so. It’s a process, and it’s different for everyone.

And shouldn’t everyone be free to come out on their own timeline of comfort?

I had insomnia again last night. I was exhausted after I wrote my chapter last night–I was exhausted when I got home from work. honestly–and eventually went to bed early, around nine. Scooter woke me by caterwauling for no apparent reason right around eleven thirty–woke me from a deep sleep, I might add–and I was never able to fall back asleep. I did get my chapter written, despite being so tired, and after I did that I collapsed into my easy chair for a while. I tried to read to no avail, tried to find something, anything, to watch, and finally as I was dozing off in the chair decided it wouldn’t hurt to go to bed early. The chapter isn’t very good, either–none of this draft is good, to be honest–and last night the stress and anxiety about everything I have to do finally built to a point where it peaked, I had a bit of a meltdown, and I snapped back into normalcy, which I hope will last through the day. It has been building for quite some time now–I found myself getting angry really quickly yesterday and over nothing, really, and that’s a sign–but unfortunately there’s no way around it other than letting it build till it boils over and I get the pressure release and I am fine again. I think last night writing the chapter and knowing it was terrible and knowing I am behind and I have so much left to do and then it’s going to take such a massive overhaul to rework it all into something decent that I just started freaking about everything I have to get done and so I had my little meltdown and hopefully, that pressure won’t start building again for a while at any rate.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader.