Tag: Jenna Coleman

Laugh, Laugh

Sometimes, all you can do is laugh.

I wasn’t sure I was going to write here today when I first got up; I overslept, for one, and then was thinking more along the lines of just getting under my blanket in my easy chair and spending the entire day reading and ignoring everything going on in the world outside my bubble–where I suspect I’ll be spending an awful lot of time either for the next four years…or for the rest of my life. It’s thirty degrees here at the moment, and now we’re apparently expecting anywhere from three to six inches of snow (!!!!!) over the next few days, including sleet. It could get really bad here with the snow and ice and cold, and now they are saying we might have to stay home for two to three days! There’s been no word from work, of course–so I will have to get up at six tomorrow morning anyway to find out if they’ve closed the office or not. I love my job I love my job I love my job.1

Yesterday was pretty unremarkable, really. I ran out to make groceries and while it was sunny and nice, whenever the wind blew it felt miserably cold, the kind that goes right through you to the bone. That’s the kind of cold we get here, a wet cold, and that’s why I hate the cold weather here so much (when I can’t just stay cozy and warm at home and underneath blankets); it feels so much colder than it actually gets here. I really do have to write a snow-day Scotty book, don’t I? We watched a terrible thriller called Project Power, primarily because it starred Joseph Gordon-Levitt, whom I love, and it was both set and filmed here. It was entertaining enough (as with anything filmed in New Orleans, the geography was hysterically funny–how does one ride a bike from the West Bank to uptown and then to Jazzland in New Orleans East?), but then we moved on to The Jetty, a crime drama about a cold case and a connection to a current one starring Jenna Coleman that is actually quite excellent, and examines age of consent v. maturity, which is stunningly well done. Highly recommended; we have one episode left which we will probably get to later on today and then we’ll start another.

I’ve pretty much blown off everything this weekend for the most part, and have little productivity to show for it, which means that today I need to try to get as caught up as possible before Paul gets up and comes down to join me in the living room this afternoon. I still need to write up my thoughts on Ode to Billy Joe, I have several things I need to be writing, and need to be done, so I think I won’t be turning on the television this morning or this afternoon and instead parking in either my chair to read or at my desk to be writing. When I finish this I am going to go read, and then most likely to shower and get back to work here at my desk,

I was very pleased to see that Jayden Daniels and the Commanders (sounds like a 60’s vocal band, doesn’t it?) won their playoff game (my condolences, Detroit Lions fans) and what a mark he’s making in the NFL! I told Paul yesterday, “ten years ago if someone would have told us that two of the greatest NFL quarterbacks of all time would be LSU graduates and Heisman Trophy winners, we would have laughed in their face.” It’s true. During the Les Miles era the LSU offense often sputtered and misfired, with talent being wasted on both sides of the ball; the defense was great but the offense could never be depended upon. Since Joe Burrow arrived in 2018, that has changed completely and flip-flopped; now we have a defense we can’t count on, but an impressive offense. I think LSU is going to be very good next year, and might be one of the few bright spots of the year in this household, for sure.

I am really enjoying Farrah Rochon’s Bemused, which will be fun to write about when I finish reading. I think Hercules is one of the more underrated Disney animated films, and my favorite part of the movie was the muses (and I live in the neighborhood of the muses, too)–so this book is absolutely perfect for me. I always loved ancient Greece when I was a child, and was an even bigger fan of the mythology. (Funny how it’s always Greek myths rather than the Roman versions, even as we call him Hercules–which is the Latin; in the Greek it’s Heracles.) I’ve also always wanted to write about a Greek myth, revised and updated and modernized, or even not; I’ve always wanted to tell the story of the Trojan War from the perspective of Cassandra on the walls of Troy as her city burned. I love Madeline Miller’s reinterpretation of myth in The Song of Achilles and Circe, but she does it so well I can’t imagine being anything other than a very pale carbon imitation. (Does anyone remember carbon paper? Is it even used or made anymore?)

But if I don’t buckle down and start writing, I don’t know that I can actually go ahead and call myself a writer anymore.

And on that note, I am going to make another cup of coffee and head into the living room with Bemused. Have a lovely Martin Luther King Jr holiday, everyone, and I’ll give a snow report update tomorrow morning, either from here on a remote day or from the office.

  1. Okay, to be fair, I just checked my email and they will decide this afternoon whether we’ll be working “remotely” or not tomorrow. My apologies to upper management. ↩︎

All The Beautiful Worlds

I would not describe myself as a big comics fan. I love them, still have a strong attachment to them and their characters, but I am hardly an expert–not even close.

I started reading comic books when I was very young–I remember all the iterations of Archie, Millie the Model, Little Dot, Little Lotta, Sugar ‘n’ Spice, etc.–and eventually moved into the world of super-hero comics (while still greatly enjoy the horror/suspense/mystery comics as well–The Witching Hour, House of Secrets, House of Mystery, Chilling Tales, etc.). I stopped reading them regularly when we moved out to the suburbs–they were harder to find in our little developing suburb when we moved there–and it wasn’t until we moved to Kansas several years later than I got back into comics again. I was always a DC kid; and the few years I’d been away saw some dramatic changes made to the DC Universe–trying to modernize and update them; the 70’s were a very weird time for Wonder Woman–and then, again, when I moved to California I stopped reading them again. A friend in college brought me around to them again, this time also introducing me to Marvel. When I moved to Houston, my nephew was really into comics, and so I started reading them again with him, and continued buying them for several years. This was post-Crisis and the first massive reboot of DC, so as I was going through the racks at a comics shop in Houston one day I saw The Sandman.

The post-Crisis reboot of DC had changed some of the comics, and the heroes (this was always my favorite version of Starman, Will Peyton) changed as well. But…I wasn’t prepared for The Sandman.

I’d never heard of Neil Gaiman before, but it was this comic book series that turned me into a fan. The incredible imagination involved in creating this bizarre mythology, of the Endless siblings who epitomized some aspect of the human experience–Dream, Death, Desire, Despair, Delirium, Destruction, Destiny–and of course, the main character of the book was Dream of the Endless, master of the Dreaming, where all humans go when we sleep, and he controls our dreams, creating both Dreams and Nightmares. The story line of “The Doll’s House” especially was fantastic and enchanting; it was one of the few comics (along with the Will Peyton run as Starman) where I went back and bought the back issues because I wanted to read them all. (I’ve also gotten some of the all-in-one collections of the stories, including “The Doll’s House.”)

I’ve always loved this comic run. and have always regretted never finishing it; I stopped buying comics before the series ended. The prospect of a film version never interested me much because I didn’t see how it could be done, plus it would inevitably be a disappointment; the comics were visually stunning, the characters and stories so layered and complex I didn’t see how any of them could be condensed into a two-hour film, and the expense of recreating the brilliant and beautiful images contained within the books seemed insurmountable. The announcement of a Netflix series didn’t inspire confidence; I didn’t care for, or finish, the adaptations of two Gaiman novels I loved, American Gods and Good Omens, which to me was an omen that The Sandman would be disappointing as well. I also wasn’t sure if Paul would like it, or that it would be so difficult to follow without knowing the source material he’d pester me with so many questions I wouldn’t be able to follow it myself.

Constant Reader, I couldn’t have been more wrong about anything as I was about The Sandman adaptation.

First of all, it’s very closely adapted to the comics, at least as how I remember them. My memory isn’t what it used to be, of course, and so I couldn’t really remember much about it other than he was Dream, aka Morpheus, and he was lord of the Dreaming and had six siblings. It was also kind of an anthology series, with stand alone issues as Morpheus visited human dreams or was forced to sometimes interfere with them. (I also always thought he looked like Robert Smith, the lead singer of the Cure) So as each episode unfurled before me, I would start remembering things. I remembered that out of all the Endless, Death was actually the kindest and most compassionate, who saw her job as necessary and thus wanted to appear as a kind friend and companion to the dead to ease them through the transition (I have always thought that was brilliant). I remembered the story of him being captured and trapped by humans, and that the Dreaming had been damaged and decayed by his absence and he needed to rebuilt his world as well as capture his creations who’d escaped into the Waking World…and of course, the appearance of the dream vortex which could have destroyed everything, and how that played out.

It is such an excellent adaptation that some of the scenes in the show are perfect recreations of panels in the books themselves; I found myself smiling in recognition, visually the scene in print as well as on the television screen before me. The show is also beautifully written and perfectly cast, from Tom Sturridge as Dream himself (I don’t know how he did the voice, but its other-worldly yet beautiful at the same time; one of the things I loved the most about The Sandman is how Gaiman made everything, no matter how terrifying or scary or steeped in fear, beautiful; beauty can also be terrifying and The Sandman expresses this better than anything I’ve ever seen or read before) to Gwendoline Christie’s chilling turn as Lucifer to Jenna Coleman as Johanna Constantine (a gender switch from the comics) to my personal favorite, Vivienne Acheampong as Lucienne. It’s a terrific cast, including an Emmy-worthy supporting turn by John Cameron Mitchell and of course, break out star Boyd Holbrook as the Corinthian.

I highly recommend it; its smart and funny and clever and intelligent and beautiful, the set and art design and costumes are first rate–and the cinematography is breathtaking.

I absolutely loved it, and so did Paul–who watched in utter spellbound silence and didn’t ask a single question.

I cannot wait for season two.

(Oh, and the show is queer and gender-bending AF, for the record.)

The Game

Well, that’s two consecutive mornings I’ve woken up to it not raining. The half-sleep insomnia returned also last night, so today should be interesting to get through. It’s so weird; yesterday afternoon I was so tired from the gym (yes, I made it to the gym yesterday) that I fell asleep while rereading my manuscript for about twenty minutes…but after dozing for about twenty minutes or so, I woke up completely; wide awake and not tired for the rest of the night, which also unfortunately included when I went to bed. Heavy sigh. But that’s okay; I am also trying to sleep without assistance–I didn’t sleep particularly well Saturday with assistance, so I figured there’s no need to keep taking assistance if it isn’t working anyway.

We finished watching The Cry last evening, and I highly recommend it. Jenna Coleman is exceptionally good in it, and it’s a really twisted and sad story, involving a complicated and tangled domestic triangle, custody, and the disappearance of a baby. It’s one of the better crime series we’ve seen lately–much better than that dreadful HBO series with Nicole Kidman that just seemed pointless–and I’d recommend Ms. Coleman for an Emmy, frankly. High production values, strong writing, and great acting are always a plus, frankly. We then tried watching Amazon’s Tell Me Your Secrets, but abandoned it about thirty minutes in. The plot was convoluted; the writing not particularly good, and there were so many “what the actual fuck” moments we gave up on it. The basic set-up didn’t make sense, and it’s a shame; stars Lily Rabe and Amy Brenneman deserved much better material. But we then started another British show, The Capture, which was riveting and definitely held out interest. There are five more hours of it; so we’ll see how it goes, moving forward; but it has an interesting premise. A young British soldier, court-martialed and convicted of a war crime due to helmet-cam footage, is exonerated on appeal when it turns out the helmet-cams have a five second delay between audio and video–the sound is delayed–which shows that he didn’t commit the crime he is accused of after all…he celebrates that night, asks his barrister out, and is captured on CCTV street coverage assaulting and kidnapping her. The cops quickly track him down, arrest him–but the barrister is nowhere to be found and he–upon watching the tape–starts freaking out and yelling that didn’t happen that didn’t happen….our newly promoted DI Rachel Cary cryptically closes the episode by saying she believes him; she doesn’t think he remembers the assault.

Definitely captured my interest.

As I mentioned earlier, I started rereading the manuscript of Bury Me in Shadows with an eye to not only writing out a timeline of events (requested by my editor) but to copy-edit and correct things; which is a good thing. I found all kinds of clunky writing and sentences out of order, not to mention typos and other things I am not quite sure how they got past me the first time. Sloppy, sloppy, sloppy; this is why you shouldn’t rush these things at the last minute the way I am always prone to do. I wanted to start reading Laurie R. King’s A Monstrous Regiment of Women yesterday; but decided against it since I needed to get the manuscript reread…alas, I then fell asleep for that little while and then I had to start making dinner and we turned on the television and…so I am hoping to get through it all tonight. I also have to stop on my way home from the office to get some things I forgot when I was making groceries on Saturday. Heavy sigh. I can only imagine how tired I will be by the time I get home tonight…

Yeah, I am kind of sensing that today is not going to be one of my better ones. Heavy sigh.

Has anyone else noticed how fast this year is going? Maybe it only seems to be, since last year was one of those endless years that felt like a decade, but we’re nearly done with April already. I’ve certainly lost all sense of time; my usual markers for the year passing–Carnival, Saints and Sinners, Jazzfest, Memorial Day, Southern Decadence, etc.–not happening has really messed up my sense of time.

And on that note, time to head for the spice mines. Have a wonderful Monday, Constant Reader–I’m going to certainly try to.