Bad Boy

Masculinity is something I’ve always felt I viewed from the outside.

It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.

What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.

Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.

One less traditionally masculine thing for me to participate in was always a bonus.

The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!

I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.

In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.

I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.

I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.

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Every Little Counts

Sunday funday, and how are you, Constant Reader?

Yesterday was lovely because the fatigue was gone, which was so lovely you really have no idea, Constant Reader. My arm was still sore so I didn’t go to the gym (going today), but feeling alert and not being bone tired exhausted, to the point that climbing the stairs to the second floor was an actual ordeal? It was actually quite marvelous. I got up in the morning and had my coffee, and then started working. I cleaned and organized the laundry room and the bookshelves in there; cleaned up the kitchen and did a shit ton of filing; reorganized even more books; put some things up in the storage space over the laundry room; and then started going through my old journals. There were a couple of reasons for this, actually–first off, to remove the sticky notes marking the pages where ideas and thoughts and so forth for Bury Me in Shadows had been scribbled, and secondly, to mark the places where I’d scribbled thoughts and notes for the Kansas book. Revisiting the journals is always an interesting experience for me, to be honest. It’s always interesting (at least to me) to see evidence of how my mind works and how I follow the path my creativity lays out for me, from step to step to step. It was fun seeing how I worked out issues with Bury Me in Shadows–Royal Street Reveillon as well, since the journals bridged the last few years and the course of writing several books and numerous short stories. It was fun seeing the notes I took while watching a movie for the Cynical 70’s Film Festival, or on books I was reading. And the short story ideas! During the filing, I came across numerous folders for short stories I couldn’t remember anything about; yet there was the genesis for many of them, in my big looping scrawl on the pages of my journal (and yes, the original, older posts called it Bury Me in Satin still). I was also pleased to see some valuable notes and insights into the Kansas book, the characters, and the plot.

I really should revisit my journals with a greater degree of regularity.

I also spent some time with Alyssa Cole’s marvelous When No One Is Watching–although I have to confess I made an enormous mistake in assumption that made me go back and recheck something from earlier. It was actually rather funny, but I will not humiliate myself further by telling you exactly what that mistaken assumption was–I have some pride; not much, but some. But it’s really a terrific book, and I am savoring it slowly, to make it last. (I am probably going to spend some more time with it this morning.)

Overall, I am very pleased with myself for all the work I got one yesterday; I am ready to start diving into the book. I went through the entire thing yesterday, catching a lot of things that will either need to be deleted and reworked,–there’s a lot to be added as well–and also made a cast list, to determine what names need to be changed and so forth. This was productive and am very glad that I did it to be completely honest. I feel like I know my characters and my story and my setting again, which is great, and I also worked for a while on a short story last night–“The Sound of Snow Falling”–which, of course, isn’t one of the stories I am considering sending out for submission anywhere, but for some reason the story was in my head last night and I couldn’t stop thinking about it, so I started scribbling in my journal.

We started watching season two of Servant last night, which is extraordinary. It’s very weird, very creepy, and the acting is so fucking stellar it’s hard to believe the show hasn’t caught more buzz. Lauren Ambrose is killing it, as is Rupert Grint in as huge a departure from Ron Weasley as you can get. It’s about tragedy, handling tragedy, and dealing with the fallout from a horrific tragedy. No one on the show is truly mentally well-balanced, and they are making all kinds of really bad decisions…but I can’t wait to see where it goes, because I have no clue where it’s going or what’s going to happen. We also finished off season two of Bonding, which wasn’t nearly as much fun or as witty as the first season, but it looks like season two is going to be the end of it. It’s an interesting look into the world of Dom/subs, though; particularly when it comes to consent. I do recommend it, despite the second season not being as interesting and well done as the first. But definitely check out Servant–it’s worth it for the performances alone.

My arm still is a bit sore this morning, so I am going to skip the gym again today; perhaps I will try to go tomorrow night after work, or will wait til Tuesday; not really sure and will probably play it by ear. But I slept very well again last night–even slept in a bit this morning–so at least my sleep is back under control for now. It really does make an enormous difference in my energy levels and in getting things done. The area around my desk still looks pretty messy and sloppy and cluttered, so I am going to work on that for a bit this morning as well.

Recently there was one of those things on Twitter–the kind that gets people a bit up in arms. Some author of whom I had never heard before tweeted something along the lines of “harsh truths”, claiming that for writers, other writers are not our friends but rather our competition, which made me rear back from my computer screen (it may have been my phone’s screen, I don’t honestly remember)…but my initial reaction was that is really way off base followed by what other writers do you know, dude to finally feeling kind of bad for the guy if that was his experience. Sure, writing can be considered a competitive thing; agents can only have so many clients, publishers so many slots for books, award nominations are limited, and so are reviews–no reviewer, after all, can cover every book published even under the best of circumstances–so yes, that is sort of true in a very very base, simplistic way of looking at the publishing industry. I have long made the point that writers should always be supportive of other writers, and that any success enjoyed by any writer is generally a win for all writers. How can that be, you may well ask, Constant Reader, so let me explain it a little further.

People love to take swipes at writers who have become so successful they actually are brands–James Patterson is a really good example of this–but the truth about Mr, Patterson is this: he gives back in many ways to the community. He has grants to support bookstores. He hires co-writers to do books with him and pays them extremely well–which also leads his vast legions of readers to check out that author’s solo works, and moves copies of those as well. His enormous success also gives his publisher a cushion to work with authors whose works might not be as hugely successful as Patterson’s, and this gives them a safety net–“this book is really creative and interesting and deserves to be published even though it might not have a big market, but we’re going to make a shit ton of money from this Patterson book in the same catalogue so we can take that risk.” This is one of the many reasons I never trash other writers here or on panels; no matter whether I enjoy their work or not, I have to respect the effort that went into creating the book (which is never easy, no matter what anyone may think).

I do, however, reserve the right to be snarky about the Twilight series.

But one of the things I’ve loved most about being a writer is that most writers are terrific people and a lot of fun to spend time with. I have a lot of friends who are also writers, but I don’t see any of them as “competition”, which is absurd on its face. How can I possible consider Harlan Coben or Laura Lippman or Michael Connelly as competition? Megan Abbott? Jeff Abbott? Michael Nava? We have completely different writing styles, we don’t write about the same characters, we don’t write the same stories. Sure we are all crime writers, but the notion of any of those people, all of whom I admire greatly, being competitors? If that is truly the case, I would have to give up. Period. I also don’t resent the success of other writers, either–I think any writer achieving success is a win for all writers, because it’s rare and hard to do. I personally love seeing an author break out–particularly if it’s someone who has been slogging along for a while with some small success. Sure, I would much prefer that I be the one to have that success, but that author’s success wouldn’t have been mine had they not come along with whatever book it was that broke them out..and resenting someone else’s success has always felt like bad energy to put into the universe to me.

The original tweet blew up, of course, and was eventually deleted due to backlash–I don’t think that was the kind of success the guy had in mind when he tweeted it–but one of the reasons I enjoy going to conferences so much isn’t speaking on panels or doing signings or readings…sure, I enjoy interacting with readers who’ve enjoyed my books or want to check them out, but for me, it’s about hanging around other writers…we inevitably have a great time, and it’s fun to be around other people who love books and writing and–no matter what their level of success may be–understand exactly how hard the process of writing and creating actually is for everyone who does it. And it is hard…but would it be worth doing if it wasn’t a challenge?

And on that note, tis back to Alyssa Cole and then the spice mines.

It Wasn’t God Who Made Honky Tonk Angels

I cannot say I am not happy to see this past week end; for all intents and purposes, it was much more stressful than any week needs to be and equally disappointing. It was both tiresome and tiring; irritating, really, like an itchy rash that just won’t go away, frankly. By Tuesday night I was so exhausted already it felt like a Friday; and yet there were three more days yet to go and it never really got any better.

Begone, foul week! Get thee behind me, Satan!

I am so far behind on my emails now I may never dig my way out; that’s part of the plan for this weekend, at any rate; to try to get caught up on everything and make some progress. I had some stomach issues yesterday so I wound up staying home rather than heading to the office (the bathrooms aren’t close enough to my desk, and yes, I think you get the picture) so I spent most of the day recalibrating and doing some chores around the house and trying to get caught up on everything. But progress was made; I started getting my electronic files in the cloud better organized (which is quite a chore, I might add; one that is sort of mindless yet time-consuming in the worst way), and did some filing and so forth. There’s still quite a bit more to get done today, of course (isn’t there always?)  but I also want to get some writing done before the month slips away through my fingers. Ideally, I’d like to get a first draft of the Sherlock story finished as well as a revision of the one I’m revising for that anthology; and there’s another one I want to revise to send to the Bouchercon anthology. I’d also like to make some progress on the Secret Project, but that’s also predicated on my getting this short story work taken care of. I cannot believe how many stories I’ve started writing recently; it’s more than a little insane, methinks.

But then again, it seems pretty standard for my life–chaos, disorganization, and more chaos.

One would think I’d be used to it by now.

I also want to finish reading Carol Goodman’s The Sea of Lost Girls today, if I can; so i can get started on Lori Rader-Day’s The Lucky One. I am moderating a panel with her, Elizabeth Little (Pretty as a Picture) and  Laura Lippman (Lady in the Lake) at the Tennessee Williams Festival at the end of the month, and it’s always better to be prepared to discuss their latest works. Don’t worry, I’ll also be asking Lippman about My Life as a Villainess, her essay collection coming out later this year.

We watched another episode of Harlan Coben’s The Stranger last night. It’s a fun, twisty show, with a rather complicated narrative; I think it’s actually better than his last one, The Five. I am way behind on my Coben reading–so far behind I may never catch up–but I do enjoy that he writes suspense novels built around family/friend structures. I’m behind on everyone, so don’t feel special, Harlan! I am also way behind on my reading of Michael Koryta, Jeff Abbott, Stephen King, and any number of other white males; prioritizing diverse writers and women (and a year judging the Edgars) will do that to one, I suppose. I really wanted to read The Outsider (Stephen King) before watching the show; perhaps once I finish the Goodman and the Rader-Day I can move on to the King and we can finally watch the show. I’ve become rather an enormous fan of Jason Bateman, and really can’t wait for Ozark to come back.

We also lose an hour tonight; the part of Daylight Savings Time that I really hate. But I do like having longer days; I like it still being light when I come home from work, or at least, the light fading into night rather than the velvety darkness of a winter nocturne. It’s a bright, sunny day out there today; I am debating whether I do want to go get the mail–it would be my only adventure out into the world today–and am thinking I might do it. I hate only going once in the week, but on the other hand I’m also not expecting any packages or anything urgent (read: a check) in the mail, either. But it looks like a lovely day outside–and perhaps I can do some scouting after I get the mail. We shall certainly see how I feel.

I think this morning I am going to read some more of the Goodman novel while I have my morning coffee, and then after a few hours of that I’ll decide whether I do, in fact, want to leave the house. (odds are I won’t, quite frankly. I know myself all too well)

And on that note, tis time to get back to the spice mines. May your Saturday be bright and happy and full of cheer.

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Boogie Fever

Friday morning. Looks like we made it through another week, Constant Reader–and earlier this week it was kind of touch-and-go there for a moment. But we did, and here we are, and life is all the better for it.

I managed to get my tax stuff to my accountant this week and my taxes are filed, huzzah! I actually made less money this past year than I did in 2017, and yet my refund is half of what it was last year–which means my taxes went up.

Clearly, elections matter.

I went to bed early last night, knowing I had to get up extremely early this morning, and I actually feel rested and alive this morning, which is not my norm, you know? But I only have to work a half-day today, which is lovely, and this afternoon I plan to finish reading my Steph Cha novel while I launder the bed linens. I’ve got some other projects to work on as well as the WIP, but I really want to finish Steph’s book. I have definitely decided to read Alison Gaylin’s ARC for Never Look Back when I finish Steph’s, and, to keep the Diversity Project going, I decided that between books by diverse readers to read something by a woman author, with the occasional straight white male thrown in for good measure–I’ve got the new Harlan Coben, for example, and Jeff Abbott’s latest, and then there’s the Michael Koryta backlist to work through.

To be honest, the more I think about the Diversity Project the more uncomfortable it makes me–but that’s a good thing, you know? We have to examine our own biases and prejudices in order to correct them, and you can’t examine something if you aren’t aware that you have them. I may be fifty-seven going on fifty-eight, but there’s still room for personal growth on a lot of issues that I was raised to believe incorrect things about–and as much self-examination and self-education as I have gone through over the last thirty or so years, I still surprise myself when an errant thought pops up from nowhere in my head. It’s a constant process, and I will probably be re-educating myself on my death bed.

The Diversity Project, while good intentioned, is one of those things that when I think more about it, the worse it seems despite the good intentions. I shouldn’t have to make a point of reading marginalized authors, and doing so, and calling attention to the fact that I’m doing it, can read as…I don’t know, maybe virtue signaling? And signaling the fact that I am doing something that I should have already been doing is actually kind of…embarrassing? Sad? Tragic?

But on the other hand, it’s not like I went into this expecting praise for doing it–and I shouldn’t get any, other than for helping spread the word about diverse writers.

WHICH WE ALL SHOULD BE DOING.

*breathes*

And now, back to the spice mines.

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Don’t Go Breaking My Heart

Last night when I got home from work I was so tired I literally repaired to the easy chair almost immediately, while a purring cat in my lap. I kept dozing off while I waited for Paul to get home, and finally, once he did make it through the front door, I gave up any pretense of being awake still and went directly to bed. I didn’t want to get up this morning (no different than any morning, really, other than it’s dark and rudely early), and would be more than happy to go straight back to bed for another few hours.

I did manage to revise the first chapter of the WIP yesterday; first chapters are always the hardest to do, quite frankly, and so I always end up spending the most time on them. The trick is to introduce your main character without a lot of explanation and back story–the temptation to write an entire chapter of back story is always, always present, and must be resisted; there’s no easier way to lose a reader than explaining back story….but there has to be enough for the chapter to make logical sense to the reader as well. It’s a balancing act; one that I’m not quite sure I’ve managed, but at least today I get to move on to Chapter Two.

Tonight I have to not only pack for the weekend but also continue to move perishable things over to the carriage house. I think the last thing I’m going to do is move things to the back of the car–the cat food, etc.–and since I’m not taking the car to the Quarter for the weekend (the cost of parking down there is absolutely insane) that should work. It’s also going to be a struggle getting Scooter into his travel kennel to take him to the Kitty Spa Friday morning; it’s usually a two-person job, and since he’s a Daddy’s kitty, not having Daddy to help me is going to make it a battle royale, I fear. I also have a doctor’s appointment Friday afternoon that I couldn’t reschedule before July (!), so it looks like the most likely progression here will be drop off the cat, drive back over here, and call a Lyft to take me to the Quarter, then grab another Lyft to the doctor, and take the streetcar back from there.

Madness; a weekend’s worth of utter and complete madness.

But I am feeling better about things; the lovely comments from people about my story in Murder-a-Go-Go’s plus getting some good revision done yesterday has me feeling better about my career and my ability to write again; it’s been a hot minute since I felt good about anything having to do with my writing, so it’s kind of lovely to have some confidence again. Or rather, restore the low confidence I’ve had most of my career. Writing is insane in that way; maybe the big names like Harlan Coben and Jeff Abbott and Lisa Scottoline and Karin Slaughter don’t ever suffer from Imposter Syndrome, but it’s really an integral part of my personality. I’ve had it about everything–not just writing. I constantly question, and have my entire life, whether I am good at my job (whatever it may have been at the time) or whether I am a hard worker or how clean my house is or whether I actually can write or if I am just somehow managing to cost by somehow, being read by non-discerning readers who can’t tell that I’m not a good writer.

And around and around and around it goes.

I started reading Samantha Downing’s wonderful My Lovely Wife yesterday on my lunch break, and it’s really really good. I am looking forward to moderating our “whodunit” panel this Saturday; hope to see you there.

And now back to the spice mines–because if I know anything, it’s that spice won’t mine itself.

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(They Long To Be) Close to You

Correction to yesterday’s new books announcement: I forgot to mention I also got a copy of Jeff Abbott’s The Three Beths.

My bad! Looking forward to it, Jeff!

If I ever get a chance to read again. Heavy heaving sigh.

My flashdrive has disappeared again; I’m hoping it’s either in my car or I left it at the office. It isn’t a big deal–some things, yes, but not as much as one might think. I’ve been trying to use the Cloud to move things around, and back things up to as I work on them, and it seems to be working. So, this wouldn’t be a complete and total and utter disaster–although I do believe the entire Scotty book is on it, and may not necessarily have backed up (but I already turned it in, so my publisher has an electronic version I can simply ask for; and for that matter its probably in my sent mail), but as parenthetically explained, I’m not overly concerned. Bury Me in Satin is safe, and I think I’ve backed up almost everything else at some point or another in the last month or so. Finding things might be a challenge, but they should be there somewhere.

Sigh.

I did work on Bury Me in Satin a little yesterday, around running errands and doing things around the house (I washed the bed linens, made white bean chicken chili in the slow cooker, re-organized some cabinets and drawers, did some filing, paid some bills) and then watched the Georgia-Alabama game, which was quite intense, and then Paul and I watched some more episodes of Schitt’s Creek, which is amazing.

Today, I have to make a grocery run and make a birthday cake for a co-worker, and I hope to do some more cleaning in the living room area. Of course, Paul is also leaving for a week on Wednesday, and so I’ll also be doing a lot of cleaning around that time as well. I need to buy his Christmas presents, so they’re here and wrapped by the time he gets back.

That would be smart. Maybe I’ll even get the holiday cards done while he’s gone.

A boy can dream, can’t he? Especially a fifty-seven year old one.

All right, perhaps I should get back to the spice mines. This stuff isn’t going to get done on its own, after all.

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Mr. Roboto

I finished the line edit yesterday, thanks be to the baby Jesus. Now I have to input it into the document, but the worst part–the actual line by line edit–is done done done. Huzzah! Huzzah!

I lived in Houston for two years, and of course, my parents lived there over ten. So, I feel connected to that city as well–not to mention all the friends I have there, and my favorite specialty bookstore, Murder by the Book, so my heart breaks every time I see the flooding pictures, videos, and the posts. Keep Houston in your hearts, everyone, and know they are going to need help. Twelve years ago it was New Orleans, and Houston opened its heart to us. Never forget. Rebuilding Houston is going to be a long and incredibly challenging process. We need to be there for our fellow Americans.

I spent the rest of Sunday–pre-Game of Thrones epic season finale, reading Jeff Abbott’s extraordinary Blame.

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What she would never remember: their broken screams starting with I love…and I hate…, the sudden wrenching pull, the oh-no-this-is happening-this-can’t be-happening feeling of falling as the SUV rocketed off the road, the horrifying downward slope of the hillside in the headlights, his hand tight over hers on the steering wheel, the smashing thunder of impact, the driver’s-side airbag exploding in her face, the rolling, the lights dying, the unforgiving rock, and then the blow to her head that undid her and wiped her clean and made her new.

The old Jane died; every version of David died. The new Jane, product of a dark night’s fury and tragedy, knew nothing more until she woke up four days later, remembering nothing, not her name, not her mother’s face, the crash, what had happened to her in that hospital bed, or any of her past seventeen years. Slowly the memories began to seep back: her birthdays when she was a child, cake sweet and soft on her lips; the smoky, rich aroma of her grandfather’s pipe matched with the woolly smell of his tweed jacket with leather elbow patches; her mother’s favorite lavender soap; the notebook she’d filled with short, dark adventure stories one summer and proudly read to her dad; the faces of her teachers; the smile of the librarian who’d give her stickers during the summer reading program; the feel of her hand in her father’s palm; the faces and the laughter of her friends when they were kids.

Sometimes the memories felt immediate; sometimes they felt like something she’d seen in a film, present but distant, nothing to do with the person she was now.

Except for the past three years.

Jane was seventeen, but as the memories surged back, she was stuck at fourteen. Those last three years were gone, all the joy and drama of her high school life, lost in the damage and the trauma. Including those mysterious, unexplained last few hours, when she was with a boy she wasn’t supposed to be with, when she was out doing God knows what. The girl lived and eventually limped back into the bright sunshine, and the boy died and went into the cold ground, a secret sleeping with him.

And so the world she knew turned against her.

Except someone watched, and waited, and wondered how much of that night Jane Norton really remembered.

Amnesia. While not nearly as common as soap operas make it seem, it’s an actual thing. I did a lot of research on amnesia when I was writing Sleeping Angel–most of which I’ve actually forgotten–but if done right, amnesia is an excellent foundation for a crime novel/thriller.

Jeff Abbott has done it right with Blame.

Two years have passed since the terrible accident that took Jane’s memory and killed her neighbor, David–one of the most popular boys in their high school in an affluent section of Houston. Jane’s early memories have come back, but she doesn’t remember high school before the accident, or the tragic accident that killed her father when she was a freshman. Hated and resented by many of her classmates, she’s now homeless, sometimes crashing in one of her few friend’s dorm rooms in a local college. Her mother is too much for her to handle–think Mildred Pierce on steroids–and of course, David’s parents also still live next door; his mother hates her and makes no bones about hating her. Her mother refuses to sell the house, and David’s parents are splitting up. On the anniversary of the accident Jane unfortunately encounters David’s mother Perri at David’s grave, which turns into an incredibly ugly altercation when Perri attacks her; Jane’s Uber driver records it all–and it goes viral.

At the same time, someone named “Liv Danger” is going after Perri on social media–Jane as well–and soon other people involved somehow, even peripherally, the night of the accident are under attack. Slowly but surely, Jane has to slowly start piecing together what happened that day as the Liv Danger’s behavior becomes more and more menacing and dangerous…and other dangerous characters are getting involved.

This book was, quite simply, an extraordinary read. The tension begins on Page One, and not only does it not let up, it builds. I literally took the book into the kitchen with me, reading while I was making dinner because I couldn’t stop, didn’t even want to take twenty minutes away from it because I had to know what happened that night! 

I cannot recommend this book highly enough, but along with that recommendation comes this warning: set aside a weekend to read it because you won’t want to put it down.

Easily one of my top reads of this year.

 

Let’s Dance

I managed, yesterday, to polish off Chapter Two; I wrote 1700 words or so in about an hour and fifteen minutes and voila! The pesky chapter was finished. I also started Chapter Three this morning; alas, maybe about a paragraph was all I was able to get done, but it was a start, and a start is always lovely. This weekend is my birthday; I will officially be fifty-six; but I’ve been saying I’m fifty-six for quite a while now. (I usually add the year after New Year’s; it’s just easier and I don’t really think of my birthday as a big deal, quite frankly). Paul and I are going to go see Dunkirk tomorrow night, and then out for dinner afterwards. I’ve taken Monday off, and I am working a late night on Tuesday, so I won’t have to be in to work until around three, which means I basically have a three and a half day weekend, which is lovely. I am hoping to be able to get a lot done this weekend; I want to finish reading the Ambler, which I am loving, then I am going to reread Dorothy B. Hughes’ In a Lonely Place, and then I am going to reread The Haunting of Hill House. After that, it’s either Jeff Abbott’s Blame or my advance copy of Laura Lippman’s newest, Sunburn.

One of the best perks of being a writer is that I get advance copies of books, or know people who do that can pass them along to me. My dear friend Lisa recently gave me an advance copy of this:

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I don’t consider myself to be a horror writer (SHUT UP BACK THERE! I said horror, not horrible), but I do consider myself to be a big fan of the genre. I read a lot of these books–not all, who knew there were so many? But I was a voracious reader, and I loved to read horror. The first horror novel I read was The Other–I still have the hardcover copy I originally read in junior high; I’m not sure I remember how I got a hardcover copy of it, maybe it was my grandmother’s–and I also read The Exorcist in junior high; everyone was reading it, and as all tweens (although we weren’t called that then) are wont to do, all we talked about was the crucifix masturbation scene. I always liked horror–I remember watching old black and white scary movies with my grandmother (she also likes mysteries) when I was a kid, but I never thought I could write it. I certainly never tried until the 1980’s, when my fandom of Stephen King made me give it a try. I still love reading horror, and there are certainly some amazing horror writers being published today whose books I greatly enjoy.

My inability to get any of it published is an indicator that crime was a better fit for my talents.

But what a wonderful resource this is! And a lovely trip down memory lane. To be honest, I thought I hadn’t read much horror throughout my life outside of the usual suspects (Stephen King, Peter Straub, Poppy Z. Brite) and some others that have come along more recently, but in going through this, I saw many titles I’d forgotten I’d read, and authors I’d forgotten.

This is a must for all horror fans; even those who are too young to remember the glory days of the mass market paperback boom of the 70’s and 80’s.

And now, back to the spice mines.

 

Beat It

Throwback Thursday!

Exhausted this morning after a lengthy day yesterday of office testing and then bar testing last night. I slept really well; my back is still a bit sore as are my hips; I may have to preemptively cancel Wacky Russian this week because I don’t think it’s wise to push my muscles when they are still recovering from whatever it was I did to them in the first place. I only managed to get started on another short story yesterday, “The Brady Kid,” and maybe got about eight hundred words of it done; I was too sore and too tired to do anything else. I hate losing work days like that, but at least this morning I don’t have to be into the office until later, and I feel rested and not quite as sore this morning. SO maybe, just maybe, I’ll get to be productive.

A boy can dream, right?

It’s raining right now; a thunderstorm rolled in sometime around five this morning. Thunder woke me into a half-awake state, and I was able to fall back asleep for a few more hours–another sign I was really tired and in need, desperately, of rest. I am awake now, on my first cup of coffee, and could easily slip back beneath the covers and return to sleep; it is truly amazing to me how crucial sleep–something I never really even paid much attention to when I was younger–has become to me as I’ve gotten older.

I’m hoping that I’ll be able to finish The Gods of Gotham by the end of the week. I haven’t decided on my next book–Blame by Jeff Abbott, or something by Eric Ambler (whom I’ve never read), or the new Donna Andrews, Gone Gull, are the most likely picks; I’ve also got an advance copy of Laura Lippman’s Sunburn; so many choices! My TBR pile is a veritable smorgasbord of good reading options.

And on that note, it’s back to the spice mines with me.

Today’s Throwback Thursday hunk, male supermodel of the 90s Marcus Schenkenberg:

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