Essence

And here we are, on a very hot Saturday July morning in New Orleans, feeling rested and relaxed, which is becoming the norm and I have to say I really quite like it. I think some of it has to do with the lessening of stress and anxiety with the lightening of my over-all schedule; it’s nice not being constantly busy and always feeling guilty (anxious, stressed) about the things undone when I had to call it quits for the day from sheer exhaustion…and then of course that stress/anxiety/guilt made it impossible for me to sleep. I even cut back drastically on my caffeine intake during this period–cutting back to only three cups of coffee (which is probably still too much, really) and only one 16 ounce bottle of Coke per day. It’s helped my sleep some–and I am not willing to up my caffeine intake to find out, either–but I’ve been sleeping so well the last few weeks since I recovered from the trip that I am almost not afraid talking about it will jinx it…but the streak continued again last night. I’m not sure what the difference is–probably the reduction in stress and anxiety.

Finding out that my mother suffered from anxiety was also incredibly helpful. Finally, at age sixty-one, nearly sixty-two (less than a month away), I realize that I, too, suffer from almost crippling anxiety, but never realized it because it’s just my reality, if that makes sense? Everything stems from anxiety: the self-deprecation, the not taking my work as seriously as I should as well as being dismissive of it rather than proud, the issues with public speaking–all of it stems from anxiety. But that’s because it’s always been for me, I just figured, as one would, that it was normal and everything else has the same issues because that’s all I know. The Xanax has helped somewhat with reducing my anxiety or lessening it enough for me to be functional, and now recognizing that it is an actual chemical brain condition that I’ve had most of my life has opened my eyes in many ways, and I am trying to rewire my brain to accept and understand that anxiety causes me to want to self-destruct at times. I wish I had known this about twenty years ago, even forty, but would it have made a difference?

Yesterday wasn’t a bad day, really. I woke up later than usual (same this morning, staying in bed until just past seven thirty like a lazy slattern) and feel very rested. I spent most of the day going over forms doing Quality Assurance as well as did some on-line trainings. Once the work day was over, I repaired to my easy chair with my journal and scribbled notes in it for awhile until Paul got home from the gym. We watched this week’s episodes of Minx (smart adding Elizabeth Perkins to the cast for the second season), The Crowded Room, and Hijack, and moved on to some more Awkwafina is Nora from Queens, which is rapidly becoming one of my favorite half-hour comedies of all time (the queefing episode is a non-stop laugh riot, seriously).

Today I want to spend some more time on a kitchen cleaning project, in which I am cleaning out the drawers and the cabinets in the kitchen. Things tend to accumulate around here, and there are things that get tossed in drawers that I’ll never need, have never needed, and just held on to for some reason unknown to my conscious brain. I also want to work on the kitchen rugs (which never stay in place, ever) and the floors a bit more. I need to purge more books, too, and work on the kitchen. There’s a mess now because I cleaned out some things already and now that stuff is scattered all over the kitchen and I need to either find a place for it all or toss it, I also am going to spend some more time with Megan Abbott’s Beware the Woman over my coffee and perhaps a few more Alfred Hitchcock Presents short stories before I run today’s errands: groceries, mail, library sale to drop off books, and maybe a car wash. The tire pressure light has been on in my car since I drove home from Kentucky, but the heat has been so intense I’m not sure I’ve been able to get an accurate gauge reading of the tire pressure; I’ll probably swing by the gas station before doing any errands to try equalizing the pressure again. I also want to spend some time trying to write today–whether it’s a new book project, a revision of a short story, or even a brand new short story entirely (that Malice anthology deadline is approaching), but I want to get back into writing again, flex and stretch those creative muscles that have been so dormant for so long.

I got the table of contents for another anthology that I am appearing in, School of Hard Knox, edited by the amazing Jeffrey Marks and coming from Crippen & Landau. The author of the Father Knox crime series, back from the Golden Age, had come up with a list of ten rules that should never be broken by a crime/mystery writer; we each chose a rule and wrote a story breaking it. Mine was “no supernatural events or beings”; which was kind of perfect for me. I dug out an old Alabama/Corinth County story that had been moldering in the archives for decades called “The Ditch,” which I revised and rewrote and made much stronger. I was pleased when the story was accepted, and I was even more pleased to be told that the copy editor thought my story was “powerful.” (I’ll write more about the story, and the anthology, when its release date is imminent.) I also got paid for my story “Solace in a Dying Hour,” and cannot wait to get my contributor copies of This Fresh Hell. I don’t know why I get so much satisfaction out of selling and publishing short stories; but subconsciously I think of each sale/publication as another knife into the corpse of that wretched college writing professor who told me I’d never publish. Given how revenge and “I’ll show you” will always drive me to prove someone wrong about me, I’m starting to think that professor may have been a blessing? I’ve certainly proven him wrong with over forty novels, fifty short stories, and over twenty anthologies edited, not to mention countless articles, interviews, book reviews, and essays I’ve published over the years.

Anyway, here is the TOC for School of Hard Knox:

Introduction – Jeffrey Marks
Not Another Secret Passage Story – Donna Andrews
A Matter of Trust – Frankie Y Bailey
THe Dinner Partty – Nikki Dolson
The Intruder – Martin Edwards
The Ditch – Greg Herren
Dichondra – Naomi Hirahara
Baby Trap – Toni LP Kelner
The Stolen Tent – Richie Narvaez
The Rose City Vampire: An Accidental Alchemist Short Story – Gigi Pandian
Chin Yong Yun Goes to Church – SJ Rozan
The Forlorn Penguin – Daniel Stashower
The Island Boy Detective Agency – Marcia Talley
Ordeals – Art Taylor
Knox Vomica – Peter Lovesey

Look at those names. I am so honored and thrilled to be in an anthology enabling me to share the interior with these amazing, glittering names. More on this anthology as things develop–release date, cover reveal, etc. I’m very excited to be in this book, which will be a strong contender for Best Anthology short lists next year, as well as the stories making Best Short Story shortlists. I’m particularly proud of my story, to be honest. I think my metier in writing is writing about Alabama, to be completely honest. I know I am known as a “New Orleans writer,” and to be sure, my greatest success has come from writing about New Orleans, but I feel more drawn to writing about Alabama now that I am in my sixties. I am sure some of it has to do with losing Mom–somehow, it’s like writing about Alabama keeps me connected to her in some weird, complicated and twisted logic only my brain is capable of making, but it’s true.

I’ve also decided that I am going to submit to the Nashville Bouchercon anthology, even though I am not going. The theme, being Nashville, has to do with music, and its being edited by the incomparable Brendan DuBois, who is a fantastic short story writer and has found enormous success as a co-writer with James Patterson (I also like Brendan; we served on the MWA board together and he’s really a great guy). I would love to be edited and work with Brendan, and I think the story I’m going to write for it is “The Blues Before Dawn,” a period New Orleans story from before the first world war, which I’d been thinking about turning into a Sherlock Holmes in New Orleans story. That might make it stand out from the rest, one never knows. It also could get selected out by the anonymous readers who could be homophobic–it happens, and one can never be sure if your story isn’t good enough or if its homophobia–another joy of being a gay writer of gay stories.

And on that note, I am making another cup of coffee and going to read Megan Abbott for awhile. Have a great Saturday, Constant Reader, and I am sure to be back again later.

Star

Well, I survived my first ever colonoscopy, with an endoscopy thrown in for good measure (my gastroenterologist was concerned about the heartburn medication I take daily, so he wanted to take a look around in there). It was a thing, really. The colonoscopy was originally supposed to be in 2018, but there was a problem with my insurance (insurance companies are really of Satan) so it was rescheduled for last April…and then pandemic. Men really should get their first at fifty; so of course I got mine at sixty.

But ugh, what an unpleasant experience prepping for the procedure was. I didn’t sleep at all Wednesday night because I was getting up all the time to run to the bathroom; the final dose of the purge medication was supposed to be taken at 1 a.m. (!!!!), along with another 42 ounces of water–following the first dose and 42 ounces of water five hours earlier. Oh, and you’re supposed to drink all the water over an hour. So I went to bed finally at two in the morning, and then UP DOWN UP DOWN UP DOWN all night, plus the stress of worrying about sleeping through the alarm because I was up so late…yeah, it was pretty ugly around the Lost Apartment yesterday morning before we summoned the Lyft to whisk us off to Touro Infirmary. They had also originally told me I needed to stop in and get a COVID test the day before “around four”; you can imagine my horror to get the confirmation call Wednesday afternoon at two-forty-five, which was when I was informed that they cut off testing if you aren’t there by two-thirty.

Womp womp.

So then I had the added stress of oh my God what if I am doing all this prep and my test comes back positive? (It didn’t.) But they couldn’t do anything with me as far as anything actually medical is concerned, until the results came back (negative, around nine thirty). I got wheeled in and anesthetized around eleven thirty, and we were home before one. Exhausted, hungry, and still wonky from the anesthetic, I decided to take their advice and just relax and chill at home and not worry about anything pending; my body, after all, had two invasive procedures (and any procedure is traumatic to the body), so I figured–and still think–that I was allowed to have the day free from any worries or constraints about anything else. I was very tired–no coffee, no sleep, anesthetic–to the point that my joints ached from exhaustion, which also was rather unpleasant. I was too tired to do much of anything, really, and actually dozed off in my chair for a while (I did, however, stream the first half hour of Dune; and it looks incredible.) I did go to bed early and I think I slept deeply all night; at some point will have to download the Fitbit data to get an idea of just how much sleep I did or didn’t get over the last few days.

I wound up working from home needlessly on Wednesday (I read the prep instructions wrong; I thought I was supposed to start at eight a.m.–but it was actually eight pm); but I was very low energy all day anyway so it was probably best that I not see clients when I am in a low-energy place; undoubtedly it was stress about the procedure sapping my energy. I made condom packs and did some data entry and other work-at-home things while bingeing the non-Jamie Lee Curtis Halloween movies. As I have said before, I came to the Halloween (and most other non-Freddy Krueger slasher fare) late in life; in fact, it was Paul who got me to start watching. Anyway, I had realized that I’d never seen any of the other ones from the original series that don’t have Jamie Lee Curtis in them….so for my Halloween Horror Film Festival what could be more apt than finally watching the rest of those movies?

Maybe apt, but seriously–if Jamie Lee Curtis isn’t in it, why bother making it? I mean, seriously. Halloween III: Season of the Witch was just terrible. I’d heard at the time it was released that it wasn’t good, but I thought I had seen that people had revisited it and it was becoming a cult classic, under-appreciated at the time and now coming into its own? It had lesser production quality than any old made-for-television movie from the late 1960’s/early 1970’s. The plot made no sense whatsoever; the acting, editing and production quality was horrific–I kept watching all the way to the bitter end, waiting for something, anything, that would make me think I was correct in seeing that it had been rediscovered as better than originally thought? Stonehenge, some weird plan to turn children and people into androids…fucking weird. I did research it, though, and apparently John Carpenter wanted to do the films as an anthology series built around Halloween; kind of like American Horror Story, only with films. The film tanked, so they brought back Michael Myers with Halloween 4: The Return of Michael Myers, which had Sasha Jenson, my crush fromDazed and Confused, as a supporting character. I went on to watch Halloween 5: The Revenge of Michael Myers–but again, no Jamie Lee Curtis. Instead, these two movies focused on Laurie Strode’s DAUGHTER (!!!!) who was a child; Laurie and her husband died in a car accident or something, and so the little girl was staying with a foster family, and Michael came for her.

As far as slasher movies go, these last two weren’t bad; they just didn’t feel like Halloween movies. It was also unsettling because he was psycho-stalking a child, and that just didn’t feel right or fun to watch. I mean, it’s one thing when the victims are relatively attracted and slightly talented twenty-somethings pretending (badly) to be teenagers…but a little girl? Too may squick factors there for me to enjoy the movies as much. But…now I can say I’ve seen practically all of them, so that’s something, I guess?

And now it’s Friday morning, and I need to, once again, reconnect to my life and everything that’s going on and everything I need to get done. The Lost Apartment is again a disaster area, I haven’t been to the gym all week, and…ugh. All I really want to do is go back to bed and sleep for the rest of the weekend, frankly. But I am way behind (my constant refrain) and need to get caught up. The Saints are on Monday night football (note to self: alternate route home from work Monday night) so I have all day Sunday to get stuff done, and of course the LSU-Mississippi game isn’t until two-thirty on CBS Saturday, so I have most of Saturday morning as well to get things done. I think we’re going to watch Dune tonight; I just wanted to get a feel for the movie last night, which is why I started watching and it looks amazing in scope and style and visuals.

I first read Dune when I was in high school, and loved it. At that point there were only three books–the original trilogy; the other two being Dune Messiah (which I didn’t like near as much) and Children of Dune (which I did enjoy very much) and was very excited when Mr. Herbert continued the series; I think I only read the next three (God Emperor of Dune, Heretics of Dune, Chapterhouse: Dune) and loved them all. (I stopped reading the books when Mr. Herbert died and his son took over; no offense to his son, but…it just didn’t feel right to me. And while I appreciate series being continued by new authors after the original passes, I’m not interested in reading them because the original mind behind them isn’t controlling the direction anymore, if that makes sense? This is entirely different to me than authors who become brands and new authors come in as “co-writers”; I don’t expect those books to be the same as those by the original, brand name author–like James Patterson and Robert Ludlum) Dune was my first forage into science fiction, actually; I’d never read any before, and that’s another reason why I am so partial to the book/series: it was my gateway drug. The next summer Star Wars came out, and by the end of the decade I was reading Azimov* and other science fiction writers, like Heinlein and Bradbury and an entire new world had opened for me in fiction. (I feel like this might be the proper place to mention how much I admire science fiction/fantasy authors; the world building alone requires so much work and so much attention to detail that I cannot wrap my mind around it, let alone attempt doing it.)

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and deepest apologies for not checking in with you yesterday.

*I have also started watching Foundation on Apple Plus; but more on that in a later post.

Every Little Counts

Sunday funday, and how are you, Constant Reader?

Yesterday was lovely because the fatigue was gone, which was so lovely you really have no idea, Constant Reader. My arm was still sore so I didn’t go to the gym (going today), but feeling alert and not being bone tired exhausted, to the point that climbing the stairs to the second floor was an actual ordeal? It was actually quite marvelous. I got up in the morning and had my coffee, and then started working. I cleaned and organized the laundry room and the bookshelves in there; cleaned up the kitchen and did a shit ton of filing; reorganized even more books; put some things up in the storage space over the laundry room; and then started going through my old journals. There were a couple of reasons for this, actually–first off, to remove the sticky notes marking the pages where ideas and thoughts and so forth for Bury Me in Shadows had been scribbled, and secondly, to mark the places where I’d scribbled thoughts and notes for the Kansas book. Revisiting the journals is always an interesting experience for me, to be honest. It’s always interesting (at least to me) to see evidence of how my mind works and how I follow the path my creativity lays out for me, from step to step to step. It was fun seeing how I worked out issues with Bury Me in Shadows–Royal Street Reveillon as well, since the journals bridged the last few years and the course of writing several books and numerous short stories. It was fun seeing the notes I took while watching a movie for the Cynical 70’s Film Festival, or on books I was reading. And the short story ideas! During the filing, I came across numerous folders for short stories I couldn’t remember anything about; yet there was the genesis for many of them, in my big looping scrawl on the pages of my journal (and yes, the original, older posts called it Bury Me in Satin still). I was also pleased to see some valuable notes and insights into the Kansas book, the characters, and the plot.

I really should revisit my journals with a greater degree of regularity.

I also spent some time with Alyssa Cole’s marvelous When No One Is Watching–although I have to confess I made an enormous mistake in assumption that made me go back and recheck something from earlier. It was actually rather funny, but I will not humiliate myself further by telling you exactly what that mistaken assumption was–I have some pride; not much, but some. But it’s really a terrific book, and I am savoring it slowly, to make it last. (I am probably going to spend some more time with it this morning.)

Overall, I am very pleased with myself for all the work I got one yesterday; I am ready to start diving into the book. I went through the entire thing yesterday, catching a lot of things that will either need to be deleted and reworked,–there’s a lot to be added as well–and also made a cast list, to determine what names need to be changed and so forth. This was productive and am very glad that I did it to be completely honest. I feel like I know my characters and my story and my setting again, which is great, and I also worked for a while on a short story last night–“The Sound of Snow Falling”–which, of course, isn’t one of the stories I am considering sending out for submission anywhere, but for some reason the story was in my head last night and I couldn’t stop thinking about it, so I started scribbling in my journal.

We started watching season two of Servant last night, which is extraordinary. It’s very weird, very creepy, and the acting is so fucking stellar it’s hard to believe the show hasn’t caught more buzz. Lauren Ambrose is killing it, as is Rupert Grint in as huge a departure from Ron Weasley as you can get. It’s about tragedy, handling tragedy, and dealing with the fallout from a horrific tragedy. No one on the show is truly mentally well-balanced, and they are making all kinds of really bad decisions…but I can’t wait to see where it goes, because I have no clue where it’s going or what’s going to happen. We also finished off season two of Bonding, which wasn’t nearly as much fun or as witty as the first season, but it looks like season two is going to be the end of it. It’s an interesting look into the world of Dom/subs, though; particularly when it comes to consent. I do recommend it, despite the second season not being as interesting and well done as the first. But definitely check out Servant–it’s worth it for the performances alone.

My arm still is a bit sore this morning, so I am going to skip the gym again today; perhaps I will try to go tomorrow night after work, or will wait til Tuesday; not really sure and will probably play it by ear. But I slept very well again last night–even slept in a bit this morning–so at least my sleep is back under control for now. It really does make an enormous difference in my energy levels and in getting things done. The area around my desk still looks pretty messy and sloppy and cluttered, so I am going to work on that for a bit this morning as well.

Recently there was one of those things on Twitter–the kind that gets people a bit up in arms. Some author of whom I had never heard before tweeted something along the lines of “harsh truths”, claiming that for writers, other writers are not our friends but rather our competition, which made me rear back from my computer screen (it may have been my phone’s screen, I don’t honestly remember)…but my initial reaction was that is really way off base followed by what other writers do you know, dude to finally feeling kind of bad for the guy if that was his experience. Sure, writing can be considered a competitive thing; agents can only have so many clients, publishers so many slots for books, award nominations are limited, and so are reviews–no reviewer, after all, can cover every book published even under the best of circumstances–so yes, that is sort of true in a very very base, simplistic way of looking at the publishing industry. I have long made the point that writers should always be supportive of other writers, and that any success enjoyed by any writer is generally a win for all writers. How can that be, you may well ask, Constant Reader, so let me explain it a little further.

People love to take swipes at writers who have become so successful they actually are brands–James Patterson is a really good example of this–but the truth about Mr, Patterson is this: he gives back in many ways to the community. He has grants to support bookstores. He hires co-writers to do books with him and pays them extremely well–which also leads his vast legions of readers to check out that author’s solo works, and moves copies of those as well. His enormous success also gives his publisher a cushion to work with authors whose works might not be as hugely successful as Patterson’s, and this gives them a safety net–“this book is really creative and interesting and deserves to be published even though it might not have a big market, but we’re going to make a shit ton of money from this Patterson book in the same catalogue so we can take that risk.” This is one of the many reasons I never trash other writers here or on panels; no matter whether I enjoy their work or not, I have to respect the effort that went into creating the book (which is never easy, no matter what anyone may think).

I do, however, reserve the right to be snarky about the Twilight series.

But one of the things I’ve loved most about being a writer is that most writers are terrific people and a lot of fun to spend time with. I have a lot of friends who are also writers, but I don’t see any of them as “competition”, which is absurd on its face. How can I possible consider Harlan Coben or Laura Lippman or Michael Connelly as competition? Megan Abbott? Jeff Abbott? Michael Nava? We have completely different writing styles, we don’t write about the same characters, we don’t write the same stories. Sure we are all crime writers, but the notion of any of those people, all of whom I admire greatly, being competitors? If that is truly the case, I would have to give up. Period. I also don’t resent the success of other writers, either–I think any writer achieving success is a win for all writers, because it’s rare and hard to do. I personally love seeing an author break out–particularly if it’s someone who has been slogging along for a while with some small success. Sure, I would much prefer that I be the one to have that success, but that author’s success wouldn’t have been mine had they not come along with whatever book it was that broke them out..and resenting someone else’s success has always felt like bad energy to put into the universe to me.

The original tweet blew up, of course, and was eventually deleted due to backlash–I don’t think that was the kind of success the guy had in mind when he tweeted it–but one of the reasons I enjoy going to conferences so much isn’t speaking on panels or doing signings or readings…sure, I enjoy interacting with readers who’ve enjoyed my books or want to check them out, but for me, it’s about hanging around other writers…we inevitably have a great time, and it’s fun to be around other people who love books and writing and–no matter what their level of success may be–understand exactly how hard the process of writing and creating actually is for everyone who does it. And it is hard…but would it be worth doing if it wasn’t a challenge?

And on that note, tis back to Alyssa Cole and then the spice mines.