Tag: jackson square jazz

Dancing on the Ceiling

So, yesterday I managed to finish the afterward to the short story collection; worked on “Never Kiss a Stranger” a little bit (also figured out the rest of the story, crucial!); decided on the story I am going to revise/rewrite to submit to Cemetery Dance; did some thinking about the Scotty book and where to go with it next; and continued the copy editing of Bourbon Street Blues.  I am about a quarter of the way through with this; hoping to have it finished by the end of the month so I can get the ebook/print-on-demand up before the end of summer. The book has been too long out of print, and by the way, I fucking love the new cover I got for it and the new one for Jackson Square Jazz.

I’m having some seriously terrific luck with covers this year, methinks.

So, I didn’t get as much done as I would have liked this weekend but again, progress, which is everything. As long as I am moving forward, I celebrate the win because staying in place is a loss.

Last night, I started watching the new Ryan Murphy series, Pose, and was most impressed with it. I still have not watched the Versace season of American Crime Story, but that’s on my ‘to-watch’ list. The thing with Murphy is that his series are so frequently hit-and-miss. Often they start out fantastic (Glee, Nip/Tuck) and then go south; the uneven quality of pretty much every season of American Horror Story is legendary. So, I am not holding out much hope that Pose won’t derail; but at the moment it’s high-quality, riveting television; taking us back to those awful days of the late 1980’s and shining a spotlight on queers of color, which doesn’t happen very often–and especially, the transwomen and drag queens, who rarely get to see themselves on television or in the movies. Having the show set during the height of the HIV/AIDS crisis was also a brilliant move; there was, I think, a tendency in the late 90’s and ever since, for queer publishing to shy away from HIV/AIDS; it enveloped so much of queer writing for so long…and I’m thinking that it might be time for us to start addressing it again.

HIV/AIDS plays a part in “Never Kiss a Stranger” and in “The Feast of St. Expedite” (the story I started writing last week); both are set in New Orleans in 1994 and you simply can’t write about gay men and the gay male community in that time and not have it be a part of the story in some way. The question of whether I am handling it properly or not remains to be seen…but I’ve been spending a lot of time in the past lately, and it’s been kind of fun.

I had gotten tired of most of my iTunes playlists last week and then remembered, duh, the new car has an actual CD player in it; you can listen to some of your CD’s. This thought led me to browsing through our CD tower–yes, we still have one, and yes, it’s covered in dust–and discovering a lot of great music that I don’t have in digital form and haven’t listened to in a long time. I found a lot of dance music mix CD’s, including Deborah Cox: The Remixes and so every time I get in my car I’ve been listening to old gay dance music. I even was playing some of them while I was cleaning the house on Sunday (the only CD players in the house are in the computers), and yes, I’d forgotten how much easier dance music makes cleaning (note to self: always play dance CD’s in the computer when cleaning).

In the car this morning I was listening to a Pride 2001 CD, and a song come on called “Movin’ Up” (I think) and without even realizing it I was singing along with it and this lyric popped up: I take my problems to the dance floor. and I was flooded with memories. I remember someone in the bars back then had a T-shirt that said this, and although I don’t remember his name, he was around a lot back in those days and he always had a great time on the dance floor; and I enjoyed watching the joy and sheer abandon with which he danced.

I do kind of miss dancing.

And now, back to the spice mines.

IMG_4118

Suddenly

Yesterday I finished revisions on four stories, took a deep breath, and submitted them. Now, we wait. I’m not entirely certain the stories were right for the markets I sent them to, but you know what? Letting them just sit in my computer wasn’t getting them out there. Better to try and fail than not to ever try at all.

As I said yesterday, my confidence in my writing, which, despite all appearances to the contrary has never been strong, was dramatically shaken in the last year; I am only now starting to come out of it, and I am coming back out of it by working. I’ve written well over a hundred thousand words thus far in 2018; most of it short stories, some of it work on a new Scotty novel, still other the manuscript I intend to try to lure the ever elusive agent into my web with; and since sitting down and actually taking stock, I am realizing what I’ve accomplished, and am very proud of myself. The stories I worked on again this week, revising and editing and reading aloud, were quite strong; the two I am struggling with perhaps not as strong–although I do like their titles. Forcing myself to continue working on them is futile at this moment; much as I am loath to put them to the side, I am going to; there is nothing more self-defeating and depressing than trying to force yourself to write something that just isn’t coming. The stories are there, of course; I just haven’t yet worked out how to get them down onto paper yet. I think very often we, as writers, get so bogged down in our stubborn determination to finish something we are working on that we just keep fighting, pounding our head determinedly against an immovable wall–when the smart thing is to take a break from it and work on something else; then come back to the wall with fresh eyes and a rested forehead.

A vanity project that I have always had in the back of my mind was to put together a short story collection of my crime stories. I first had the idea several years ago, but didn’t have enough stories and was going to combine my horror and crime together: the folder and table of contents I created at the time was for Annunciation Shotgun and Other Stories. I’ve never forgotten this vanity project; and even now, when I should be preparing the manuscripts of Bourbon Street Blues and Jackson Square Jazz for their long overdue ebook editions, I go back to the vanity project again and again: well, I’ve published THESE stories since then, maybe I can just go ahead and remove these others that don’t fit as well–take these horror stories out, since my horror is clearly not as strong as my crime fiction. I made another table of contents, just the other day; only now I am calling it Survivor’s Guilt and Other Stories. Whenever I’ve been stuck this past week or so, for want of anything else to do, I’ve started pulling the stories together into a single document to get a word count. The realization the other day of how many stories I’ve done so far this year already, and adding them casually to the table of contents–today it hit me: the manuscript is already publishable length, is over eighty thousand words, without an introduction  and without all of the stories I’ve done so far. I removed all the horror–goodbye, “Crazy in the Night” and “Rougarou” and “The Snow Queen” and “The Troll in the Basement”–and added some more of the newer material. It was astonishing to realize how much there actually was; that I cannot add much more because there simply isn’t room, and that I might have enough for a second volume in a couple of years.

Mind-blowing, really.

Short story collections don’t sell as well as novels, of course; short stories are the bastard stepchildren of publishing, and crime stories even more shunned at the family holiday dinner table. I don’t know if my publisher will want this collection, and I may end up having to self-publish it. Whereas I would have shrank in horror from that possibility a few years ago, it doesn’t matter as much to me now as it did then to have a traditional publisher pull the book together; although I would like another pair of eyes on it, some copy editing, a cover design and packaging done for me. But I am very proud of all of these stories; each one of them means something to me in some way. And if my fears about crime stories with gay characters in them not being acceptable to mainstream short story publications, well, I can always get them seen this way. And I am proud of the new crime stories I’ve written with gay characters in them.

I didn’t write crime stories for the longest time because of that fear; the fear that no matter how high the quality of the story, gay characters would make them unpublishable. The two stories I published in Ellery Queen’s Mystery Magazine, “Acts of Contrition” and “The Email Always Pings Twice,” were mainstream–not a gay character in either story. I did publish two stories in Novelists Inc. anthologies with gay characters, “A Streetcar Named Death” and “An Arrow for Sebastian.” My stories in New Orleans Noir and Sunshine Noir (“Annunciation Shotgun” and “Housecleaning”, respectively) were about gay characters. My story in Blood on the Bayou, nominated for the Macavity Award last year, “Survivor’s Guilt,” wasn’t gay in any way, nor was my story “Keeper of the Flame,” published in Mystery Week. Some of the new stories are gay, some are not. Two that went out today were about gay characters, two of them were not. I was originally not intending to write any crime stories with gay characters this year; it just sort of happened. I think the Chanse story I’ve written–which needs a new title–is pretty decent; but am I limiting my chances of getting the stories into print by writing about gay characters? It’s already a difficult haul finding markets that still take short stories, and the competition is obviously fierce.

And again, as I said yesterday, you never can be certain your story was rejected because you wrote honestly about gay characters. It’s all part and parcel of the insanity of being a gay writer, or a writer who is gay, or whatever the hell label fits on my sash as I walk across the stage at the beauty pageant of publishing.

But I’ve got more than enough stories for a collection now, and I am going to keep playing with the manuscript; what is the proper mix of previously published stories versus new material? Should it all be new material, or should it all be previously published material?

Decisions, decisions.

Therein, indeed, lies the path to madness.

I also read some short stories. First was “Still Life with Teapots and Students”, by Shirley Jackson, from the  Let Me Tell You collection.

Come off it, kids, come off it, Louise Harlowe told herself just under her breath. SHe smiled graciously at her husband, Lionel’s, two best students, noticing with an edge of viciousness that they both held their teacups exactly right, and said lightly, “You’re going to have a pleasant summer, then?”

Joan shrugged perfectly, and Debbi smiled back, as graciously as Louise had smiled, but with more conviction. “It will be about the same as the others, I guess, ” Debbi said. “Sort of dull.”

They’re both too well bred to tell me what they’ll be doing, Louise thought, and asked deliberately, “You’ll be together, of course?”

Jackson is one of my favorites, and while she is mostly known for “The Lottery” and The Haunting of Hill House and macabre, Gothic work, she wrote a lot more than people think and not everything she wrote was macabre. This nasty little tale, in which a professor’s wife has two of his students over for tea–during the course of which she lets the rich little bitches she knows about their affair with her husband, and what’s more, doesn’t care because they are nothing more than something of the moment, is quite rich and layered and textured. From a modern day perspective the wonder is why she doesn’t leave him, as it becomes clear this happens regularly; they politely discuss another faculty wife who wasn’t quite as calm in confronting the student her husband was messing around with, and it’s all very polite and reserved…yet, in this modern era of #metoo and power differentials, the agency both Jackson and the wife in the story give the students–and the contempt and hatred for them the wife feels, but never reveals–makes me wonder. I’m still unpacking this story, several days after reading it; which is how amazing it–and Jackson–are.

And then it was time for “The Doll” by Daphne du Maurier, The Doll: The Lost Short Stories.

I want to know if men realize when they are insane. Sometimes I think my brain cannot hold together, it is filled with too much horror–too great a despair. And there is no one; I  have never been so unutterably alone. Why should it help me to write this?…Vomit forth the poison in my brain.

For I am poisoned, I cannot sleep, I cannot close my eyes without seeing his damned face..

If only it had been a dream, something to laugh over, a festered imagination

It’s easy enough to laugh, who wouldn’t crack their sides and split their tongues with laughing. Let’s laugh till the blood runs from our eyes–there’s fun, if you like. No, it’s the emptiness that hurts, the breaking up of everything inside me.

DuMaurier’s story often have a polite, observational distance and formality to them; much like her novels, even in the first person. This story, of obsession and lust and desire, all of which are thwarted, is not only reminiscent of My Cousin Rachel, but also, as I was reading, made me wonder. We never learn the name of the first person narrator, but the object of his obsession is a woman named Rebecca–you see where my mind was going with that, don’t you? And in some ways, it works as an almost prequel for the novel; the deep obsession and need; the mysterious woman who plays out her cards slowly. What of course doesn’t fit is the doll itself; the woman owns a male doll she has a strange attachment to, a doll our narrator despises, hates, is jealous of; it’s a terrific story of darkness and deep passion and obsession and perhaps, madness….a great example of why I love du Maurier so much.

And now, back to the spice mines.

IMG_2256

 

I Feel for You

Adam Rippon is going to the Olympics as the first openly gay American figure skater to compete in Olympic history.

1516475432004

Let’s not be coy, though–there have been plenty of gay male figure skaters throughout the history of the sport–but most came out (or were outed) after their Olympic-eligible careers were over. (And Adam Kenworthy–not a figure skater– is also out this year, but he wasn’t out when he competed in Sochi.)

One of the things that has always fascinated me about figure skating is the contradiction evident in its gender roles. Men are, while being artistic, also supposed to read as masculine and not feminine; likewise the women (it’s still called Ladies’ Figure Skating, for the record) are supposed to be feminine, graceful and lady-like, rather than athletic; a feminine and graceful skater would always win over someone who wasn’t as graceful but was more of an athlete than a ballet dancer. This bipolarity at the heart of figure skating kept gay male skaters deep in the closet, particularly if they were American men; Russian men had no problem with wearing gloves and performing ballet on the ice–but at the same time, those Russian men (Viktor Petrenko, Alexei Urmanov, Ilia Kulik, Alexei Yagudin, and Yevgeny Pluschenko won every Olympic gold medal between 1992 and 2006) clearly were athletes, flying across the ice in footstep sequences with their feet and blades changing directions and edges as rapidly as a machine gun fires; dizzying fast spins with beautiful positions; and of course, landing quad and triple jumps with the greatest of ease, and almost always on the beat of the music they were performing to.

There was also an unspoken understanding that being openly gay would hurt a skater in the marks, which were often subjective, frequently unfair, and, according to the ISU, above reproach. Rudy Galindo was the first openly gay American skater to win US Nationals in 1996, and went on to win a bronze medal at worlds that year; the next openly gay skater to win the US title was Adam Rippon, some twenty years later. Between them was flamboyant Johnny Weir, who didn’t come out until after his Olympic-eligible career was over… (I might add that, despite being US champion and a world medalist in 1996, the USFSA chose not to send Rudy to any of the Grand Prix events the following season; a clear indication to him that his Olympic-eligible career was over, and he went pro.)

Rippon, incidentally, finished fourth at the Olympic trials this year, but was chosen to go to the Olympics anyway; selected over a heterosexual skater who finished with the silver medal. Have things changed with male figure skating since Rudy’s big win in 1996?

As a long time figure skating fan, I’ve always wanted to write a book about a gay figure skater. I did in Jackson Square Jazz, with the character of Bryce Bell, a US Olympic hopeful who is introduced to the reader as someone a very drunken Scotty picked up at a French Quarter gay bar, only to see him competing that same night at Skate America, being held in New Orleans for the first (and clearly fictional) time. (As a joke, I also had Bryce become the first skater in history to land a quad axel; this has still not happened in real life, and may not ever happen.) But Bryce’s skating was relatively unimportant to the story and plot of the book; although his remaining closeted as a skater was.

I never felt that I was able to truly explore the issues of being a gay, Olympic-eligible, American figure skater in the book; Bryce was a supporting character, and the story wasn’t told from his point of view (I’ve been tempted to bring him back, but can never figure out a way to do it organically; just forcibly grafting him onto a story because I want to just feels wrong).

Screen-Shot-2017-07-11-at-11.48.49-AM

Ironically, Adam didn’t win Nationals until after he came out. Coming out–and being able to truly be himself for the first time–paid off. He’s a much better skater than he was before; but I do remember thinking at the time he came out, well, you’re never going to win nationals now. But by embracing himself for who he really is, he changed; he found a look and costumes that work for him–he used to have this mop of blonde curls–and his short program this year, to what Paul and I immediately recognized as a gay techno dance remix from back in the day–is one for the ages.

So, does the central premise of the noir figure skating novel I’ve wanted to write–a skater being forced into the closet and not allowed to be himself so that I can explore not only the dynamics of what masculinity is but the class issues inherent in figure skating (I still haven’t posted about my thoughts on I Tonya, which have everything to do with femininity vs. athleticism and class); the masks skaters are forced to wear in order to play the game and get the marks they deserve to win–does that premise still exist today? As far as I know, Adam and Rudy are the only American skaters to come out and skate at the Olympic eligible level; are there others? Is coming out still a risk to your career as a male skater?

Probably so.

And on that note, back to the spice mines.

Time after Time

Saturday morning! I have to work today, and then am going to make groceries on the way home from the office–and I am going to go to the gym before the LSU-Tennessee game tonight. Yes, I’m going to do it, and I am going to lift weights–easing myself into it, with one set of fifteen with low weights and doing a full body workout; just like I did when I first started back in 1994. I am actually looking forward to it. (Right? Who am I, and what have I done with Gregalicious?)

I have a lot to do over the next few weeks, but I am embracing it rather than fearing it. I have to get a short story finished this weekend, and maybe some chapters written; and I am also going to work on the Scotty Bible a bit. I also need to clean the house a bit, and I am going to play with the structure of the WIP yet again. I do have moments when I think that maybe, with all the revisions and problems I’m having with it, that maybe that means I should simply give up on it–but I am being stubborn, and I do think there’s a really amazing novel in there, and if I keep tinkering away at it I’ll eventually get to it. I’m not used to having to work so hard on a book, but I also think hard work and pushing myself isn’t a bad thing, either.

I also need to copy edit the hell out of the manuscripts for Bourbon Street Blues and Jackson Square Jazz.

So much to do. This is why, I think, I don’t get as much done as I should; I get overwhelmed simply thinking about everything I have to do. But I need to get past that, and of course, the best way to do that is to make a to-do list; which I am going to do as soon as I finish this. There’s also a city election today, so I need to walk to my polling place and take care of that as well before I head to to the office.

I got caught up on Riverdale last night–I was three episodes behind–and wow, did this show ever take a turn for the dark. I really do like the show; it started out as a kind of cross between your typical teen CW drama and Pretty Little Liars, only using the canon Archie Andrews/Riverdale characters, but this update is pretty incredible. The kids are dealing with serious issues that modern day teens have to deal with (although I doubt many of them have to deal with serial killers or murder or incest or….), and the young cast is incredibly appealing–and their character arcs actually make sense. I also love that Madchen Amick from Twin Peaks plays Betty’s mother Alice–ALICE COOPER (I giggle every time someone says it)–and that she’s kind of a villain. I also love that Molly Ringwald occasionally guest stars as Archie’s mother.

We also got caught up on The Exorcist last night, and I have to say, Season 2 is way better than Season 1. The episode we saw last night took the story down an even darker path than it was on originally, and the addition of Alicia Witt to the cast was a genius touch. Nice job, The Exorcist!

Okay, so it’s time for me to tackle the spice mines. Have a lovely Saturday, Constant Reader, and see you tomorrow.

Here’s your daily hunk:

IMG_1829

When Doves Cry

We finished watching Stranger Things last night, and were sorry to see it end; it was quite a lot of fun, and Episode 8 was a non-stop adrenaline rush from beginning to end. The last thirty minutes of the season was absolutely charming; those kids are just so damned appealing, and Winona Ryder was much better in this season than she was in the first. I also got much further along in Hell House; I should finish it today to end my official month of Halloween Horror reading. Some great crime novels have stacked up while I devoted myself to horror this month; can’t wait to start digging into crime again.

I finished outlining Jackson Square Jazz last night, and am going to start work on the Scotty concordance/Bible this week while I also work on Crescent City Charade. I’m still not completely sold on that title, let me say that right now; it’s very likely going to change before I turn it into the publisher. It’s been fun rereading (or rather, skimming) Jackson Square Jazz preparatory for doing the outline; I feel much more connected to Scotty than I was. The amazing thing to me is how many continuity mistakes I’ve made over the years. The lovely thing is that I can now go back to the original books and fix the errors–there’s nothing i can do about them in the later books. In fairness to myself, I don’t really remember much of anything I wrote pre-Katrina, but I could have–should have–gone back and reread the originals, and the Bible/concordance is way overdue.

It’s also amazing how much I did forget. The plot of Jackson Square Jazz was almost a complete mystery to me, and it was a much better book and story than I remembered it being. Ah, memory is such a strange thing, isn’t it?

I really do need to be better organized. The kitchen is a mess this morning, and I need to make another to-do list. I’ve got some laundry going and I need to do the dishes and make chili for the crockpot to cook all day. And on that note, it’s back to the spice mines.

Here’s a Halloween hunk for you:

99f6e0a8a379d8f1d937cabc0430e6b2

It Might Be You

It seems as though fall has finally come to New Orleans; I’m almost afraid to type that for fear of jinxing it and bringing the heat and humidity back. Yesterday was simply beautiful; it is so gorgeous here when the weather finally turns and we get our allotted weeks of autumn. I’ve been in the doldrums (had the doldrums? I don’t know) a bit this week; a malaise has set in, and I suspect it might be the post-Bouchercon malaise, which hits every year, the inevitable crash after the high joy of being amongst my friends for a long weekend, talking about books and joking and making wonderful new memories.

As I continue outlining Jackson Square Jazz, I am amazed at how intricately the story is plotted; how the personal story Scotty is experiencing is woven into the case he has stumbled into. I honestly don’t remember writing the book much; I didn’t really remember much of it, either–I’ve not had a copy in my hands to reread it. I am, from doing this, getting a strong sense of Scotty and who he is; and I did spend some time yesterday revising the first chapter of the current Scotty. It’s making more sense as I revise it; and I think I am also getting a sense of where this story is going to go. I feel the thing that’s been possibly missing from the last Scotty books has been the personal story; I’d have to go back and reread them to see if I am correct. But it has been lovely rereading this story, as it were; I always think of my earlier books as being perhaps not as mature as the later ones..but I am finding that I am not correct in that assumption. I am very fond of Jackson Square Jazz, and I’d forgotten a very key element to the story; the Cabildo fire, and how seeing a documentary on the local PBS station (WYES) about the fire inspired me to write the book several years later. I am very excited to finally be getting this book together and out there as an ebook; I hope to have both it and Bourbon Street Blues up for sale by the end of the year. The cover for Bourbon Street Blues is almost finalized, and I love it, can’t wait to share it with everyone.

I think the doldrums, the discontent or malcontent or whatever it may be, also is sort of stemming from knowing that I need to push myself harder as far as my career goes. I’ve found myself in a nice place without much effort and maybe it’s time to put some more effort back into the career, you know? The world is so different now; I haven’t done a book signing in a store since Murder by the Book several years ago, with Rebecca Chance sharing the stage with me. I think this current Scotty book is going to be terrific, quite frankly with all modesty pushed to the side; with the caveat, of course, that it will be terrific if I pull the story off. And if I do, it will be quite fun and quite funny.

I also outlined another manuscript that’s been sitting in a drawer for a long time; a y/a novella that’s slightly less than forty thousand words. It’s been sitting in the drawer because I didn’t like the ending and it needed to be about twenty thousand words longer, and for the life of me I couldn’t figure out how to make it longer or how to fix the ending. As I was outlining it this evening, it dawned on me precisely how I could do both those things; it requires an extensive revision, but it’s one that I can do relatively easily. I even figured out the new opening–and naturally, made notes. It’s called Spellcaster, and I don’t know if that title actually will work for it, but it’s a good working title, and perhaps something better will come to me when I revise it.

Christ, how many projects can I have going in my head at the same time? Maybe that’s why I am having the doldrums, and finding it hard to focus?

Ya think?

Oddly enough, after showering I feel much better, and I am going to get my act together.

ONWARD!

And here’s a Hump Day Hunk for you, Constant Reader.

0201_lg

 

I’ve Got a Rock and Roll Heart

I wish the time would change already. I don’t know why it was moved back another week or two, but seriously.

I didn’t get as much done yesterday as I needed to, but that’s okay, you know. Any progress is better than no progress, and I am inching closer to the finish line. Yesterday I started doing a line edit of Jackson Square Jazz, but decided that it would be easier now to just do an electronic edit–there’s a lot that needs to be fixed and changed (I cannot believe what a messy manuscript I turned into Kensington all those years ago!) and so instead I am rereading it and making an outline from it, as well as making notes on continuity errors that need to be checked against later volumes in the series…you so rarely get a chance to correct them from the beginning, you know? I really shouldn’t let this opportunity to correct the continuity mistakes in the Scotty series go by; plus I also see this as an excellent opportunity to finally get the Scotty concordance/Bible done, so as to avoid these problems in the future. But it’s a lot of work, seriously, and I do wonder if I am using all of this as an excuse not to work on the new one.

In fact, I am wondering if I am using this as an excuse to not work on many things, if I’m going to be completely honest.

In other exciting news, we’ve got tickets for LSU-Arkansas. Huzzah!

But I did start rereading the Scotty WIP last night and started making an outline for it. I’m also going to slowly start revising it, based on the notes I’ve made, and keep going forward. I’ve not heard back from any agents, but I am going to focus on Scotty this week and then spend the weekend and the next week to tweak the book I am submitting for representation. Another young adult novel that i wrote a while back and put in the drawer because I didn’t know how to fix what was wrong with it–of course, last night it came to me how to fix it, so I am now trying to figure out when to squeeze working on THAT into my already busy, hectic writing schedule.

Sigh, life as a Gregalicious is never easy or for the faint of heart.

And now back to the spice mines.

Here’s a hunk for your Tuesday:

IMG_2984

Pass the Dutchie

Bouchercon next year will be in St. Petersburg, Florida. It will be hot and sticky, but there will be lovely gulf breezes and a sun shower every afternoon right around three o’clock.

Last night we watched LSU beat Ole Miss 40-24; we’re on a three game win streak now and bowl eligible. There’s a bye next week, and then LSU has to play at Alabama. Heavy sigh. I don’t know if I’ll even watch that game…I know I will, but it’s going to be hard to watch. LSU hasn’t beaten Alabama since 2011, and it’s not very likely they will this year. The fan in me is hopeful; the realist in me isn’t.

I did manage to finish reading Anna Dressed in Blood yesterday. I’m not going to review it, though–it was okay; I can see why it appeals to tweens and young teens, but it doesn’t really work on an adult level. I think maybe if I hadn’t watched all eleven or twelve or however many seasons of Supernatural there are, I might have enjoyed it more; but it was too reminiscent of the show for me. The main character’s name is even Cas…and of course, there’s a Cas on Supernatural. Apparently the author, Kendare Blake, has turned it into a series, and that’s terrific. I doubt I’ll read another. I only knew of the book because a tween reviewer raved about my own Sara and compared the two to each other favorably; she also compared it to Pretty Little Liars, which I also appreciated. I started my reread of The Haunting of Hill House last night as well, and also finished reading Craig Pittman’s Oh, Florida!, which I also enjoyed. It reminded me a lot of childhood summers spent in Florida, and even inspired me to drag out an old short story set in the Panhandle, “Cold Beer No Flies,” which I’ve been sort of working on since getting back from Toronto. I do recommend the book highly; while it doesn’t fully explain the weirdness that is Florida, it is very informative, at times funny, and I enjoyed it tremendously.

51eCxTDS8iL

It’s even got me thinking about writing a new series set in Florida, if you can believe that. But that’s how my mind works. I’ve been toying with a couple of ideas for noir novels set in Florida for a long time–I also have an idea for a funny noir style novel set there as well–and the lovely thing about having this book on my shelf is I can always take it down and reread a section to get my inspiration jump-started.

I also need to get that damned copy edit of Jackson Square Jazz finished this week. That’s my goal; get the copy edit done, start the final revision of the WIP, and do two chapters of the new Scotty this week while writing some short stories. It’s lofty, but I think I can get it all done.

And on that note, t’is off to the spice mines.

Lawyers in Love

The cold spell we brought with us back from Toronto continues, and it’s lovely, if I am going to be honest. I had yet another good night of sleep after bar testing last night, and of course, walking back to the office through the Quarter was wonderful. It was a beautiful October night, and the Quarter is putting on its Halloween finery. There was a house completely done up with killer clowns, which was fantastic.

See what I mean?

IMG_3091

I’m going to have to do bar testing again before Halloween so I have an excuse to walk around and look a the decorations. There’s a pair of houses on Royal Street between St. Philip and Ursulines that goes all out for every holiday; I can’t wait to see what they’ve done for Halloween this year.

I have this Friday off because I am working Sunday, doing condom outreach at the Tea Dance party along the river…which means I should have some great pictures.

I am slowly crawling out from under the backlog that piled up while I was in Toronto, which is lovely. I made a list and started working my way through it; and I am pretty jazzed. Scooter will be pleased, no doubt, because my plans for my days off this weekend entail mostly sitting in the easy chair and editing. I also have some news to announce relatively soon, which is also pretty cool.

I had decided not to re-edit Bourbon Street Blues and Jackson Square Jazz because, you know, I wanted the new editions to be like the originals…but then I realized the files I have are unedited; no copy edits or anything, so I am going to go ahead and try to do some mild revisions. I also think doing this will help me with the new Scotty as well.

All right, back to the spice mines.

All This Love

Monday, and in two days I’ll be jetting off for Toronto. Huzzah! Needless to say, this is a very exciting thing for me; Bouchercon has become one of my favorite times of the year.

In other exciting news, I discovered an electronic final copy of Jackson Square Jazz yesterday. It was there the whole time, but I didn’t think it was the final copy because the first chapter, every time I opened the file, was only like 3300 words and I thought, no, that’s not it because it’s not long enough…and then I looked at it again yesterday, saw how many actual chapters there were, pulled them all into one document and realized that yes, indeed, this actually was the version I turned in. So, it’s not copy edited, which means I’ll need to copy edit it and it won;t be the same version, ultimately, as the print version when the book goes live…but I don’t have to retype the entire thing.

I’d much rather do a final polish than retype almost a hundred thousand words, believe you me.

Another horror novel bit the dust last night, not surviving the fifty-page test. (For those of you who are wondering that that is, I give a book fifty pages to engage me in some way. If by page fifty I don’t care about the book in any way, or it has annoyed me in some way, into the donation pile it goes.)  Likewise, I try to give a television show at least three episodes before giving up on it. I’m also trying to break the habit of watching shows that I once enjoyed once they’ve run out of steam. Much as I hate to say it, Paul and I have abandoned a lot of the superhero shows currently airing because they’ve either run out of steam or just gone off the rails. I loved Flash, but seriously–how many times do you go back in time and alter the timeline and fuck up everything before you decide “hey, maybe this is a bad idea”?

For the record, it should have only taken one.

So much to do before I leave for Bouchercon on Wednesday! I’ve made my packing list, still need to put together a to-do list, and figure out if it’s a stupid idea to take things with me to work on (since I never work on anything at these things, but of course, you know the one time I don’t take anything with I’ll not only have the time but will want to work on something and be enormously frustrated I didn’t bring anything); decide what books to take along to read (remember: I am only reading horror for October–I am thinking about reading Burnt Offerings by Robert Marasco next), and get the suitcase started.

But I have to get through this week first. Two days at the office. Heavy heaving sigh. And I need to send out some more queries this morning.

C’est la vie.

And now, back to the spice mines. Here’s a hunk for you, to get your morning rolling.

1e3769b75af0e60ee6016d9974644998