Cool Change

Saturday morning and I slept late, which felt positively marvelous. I feel rested and ready to kick some ass and take some names–at least for now, at any rate. Paul is going to be out of the house most of the day–appointments and going to the office–and therefore I have the Lost Apartment to myself for most of the day and no excuse not to get a lot of things done. I am still planning on walking over to the AT&T store to replace my phone–who knows how that is going to go?–but other than that, my day is pretty much set for cleaning, revising, and reading.

Last night, we started watching the new Netflix show The Umbrella Academy, based on the Dark Horse comic series–and while I didn’t madly love it, I am curious enough to continue watching. For one thing, it has both Ellen Page and Tom Hopper (who I’ve been crushing madly on since his days as Billy Bones on Black Sails), and it has an interesting premise. We will be continuing with it tonight, I think. I had just started reading Lori Roy’s Gone Too Long when Paul got home last night, and then was distracted by getting caught up on How to Get Away with Murder and then The Umbrella Academy.

And I’ve been dealing with yet another Apple upgrade issue that has fucked with my desktop, laptop, phone and iPad since last night. Now the cloud drive is missing from both my desktop and my laptop (I managed to resolve the handheld device issues last night) and so am trying to get that resolved this morning. Seriously, Apple–when you update/upgrade your systems, is it absolutely necessary to fuck up everything for your customers? 

Seriously, Apple. Do better.

So I am trying to resolve all this before scheduling a call from Apple Support…which I also don’t understand; you used to be able to do this in an on-line chat, but now of course they make you take a phone call. Why, precisely? And how able-ist is this? What about those of us who are hard of hearing, or those who are deaf? Seriously, fuck you in the ass without lubrication, Apple. HARD.

Thank you for allowing me to vent about these issues, Constant Reader. It’s helping me reduce the future body count.

This week I got a copy of Kyle Onstott’s bestselling Mandingo from the 1950’s. As Constant Reader is aware, I’ve been trying to diversify not only my fiction reading but to learn more about the horrible history of race in North America. Part of this has taking an amorphous shape in my head around a lengthy essay, tracing revisionism of slavery and the Old South and civil rights from such novels as The Clansman (which was filmed as Birth of a Nation) to Gone with the Wind to To Kill a Mockingbird and The Klansman, which I recently reread. As I was scrolling through Amazon Prime looking for something to watch the other night, I came across the late 1970’s film Mandingo, and remembered that it was also a novel. I bought a copy from eBay which arrived this week (I wasn’t able to get far in the movie because it was just incredibly bad; not even campy bad, like Showgirls, just bad.) The book arrived this week and….just looking at the note from the publisher in the beginning was horrifying. Yet Mandingo might just be the only novel about slavery and the Old South that actually tears the veneer of respectability and gentility away and exposes the true horror of what the “peculiar institution” was actually like. (Even John Jakes’ dreadful North and South series never delved deeply into the actual horrors; Colson Whitehead’s Underground Railroad was one of the first novels to truly explore this that I’ve read.) Barbara Hambly’s Benjamin January series, set in New Orleans before the Civil War, also does a terrific job of exploring how deeply entrenched and horrible racism/slavery were.

This essay I am thinking about would probably wind up, should I ever have the time to read the books and write it (it would, for example, require a reread of Gone with the Wind and it’s over eleven hundred pages, as well as some in depth reading of actual history) would probably be a part of Gay Porn Writer: The Fictions of My Life…which is a project I really do want to work on someday.  Mandingo takes on an aspect of slavery and the South that is rarely, if ever, touched on in fictions: the sexual abuse of the female slaves by their masters (come on, like it never happened. Really?) as well as the breeding of actual slaves for better, more valuable stock, as well as raising them for fighting–kind of a human version of cock-fighting or dog-fighting. Is it more likely that never happened, or that it did? Slavery, as Harriet Beecher Stowe repeatedly explained in Uncle Tom’s Cabin, debases both slave and master; are we really supposed to believe that slave-owners didn’t abuse their ‘property’?

Given how people of color–theoretically free and equal in the eyes of the law in the twenty-first century–are treated in the present day, I’m not buying the notion of the kind, gracious slave owner.

Take, for example, this passage from the Publisher’s Note to the movie tie-in paperback edition which I just received in the mail:

From today’s vantage point,, almost a hundred years after the cataclysm, the developing situation may be viewed objectively. Actually, the finger of blame should be pointed at no one geographical group of people. Although the factions that promoted the abolition of slavery were ethically in the right (emphasis: mine), Southern planters in general are shown to have been victims of circumstance rather than diabolical tyrants as they have sometimes been painted. (again, emphasis mine.)

Doesn’t get more apologetic than that, does it? Those poor planters. (massive eye roll)

And is it any wonder that we still have so many societal problems of racial injustice today?

And on that note, back to the spice mines.

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Funkytown

Monday morning and it’s another work week staring us all in the face.

I didn’t get any writing or editing done yesterday; but that’s okay, really. Maybe not in the over-all scheme of things, but I do need to take some down time periodically, to rest and recharge the batteries. I cleaned and organized and cooked and read The Shining, mostly, which I am enjoying a lot more than I did when I read it when I was seventeen (?). I also think I know why I disliked it–well, that’s a bit strong; let’s just say I now understand why it wasn’t one of my favorites of his earlier work, and why I stayed away from rereading it for so long: I hadn’t quite gotten used to the idea of caring so much about characters who die in the end. King had already done this to me with Carrie and ‘salem’s Lot, but because The Shining had so few characters the stakes for me as a reader were higher. There’s no question the book had to take the path it took, as well as why it had to end the way it did. I’ve just finished the section that ends with the snow starting…the three standing on the veranda of the grand old hotel, watching their true isolation begin. It’s a terrifically written scene.

I also didn’t sleep well last night–hardly at all. I don’t feel tired this morning, or wrung out the way I usually do when I didn’t sleep, although I imagine I’ll hit that wall soon enough, and will be praying for death by the end of my long day today. This week returns my work schedule back to normal, which is sort of lovely and nice; trying to get used to my new work schedule while adapting my writing schedule around it got rather derailed due to the holidays….which kind of sucks because now it’ll be like starting over again, which isn’t precisely optimal. We’ll see how today turns out, won’t we?

One of the things I realized I need to do is gather all my notes on this Scotty, to make sure I am getting everything included and wrapping up all loose ends by the end of the book. As I edit, I am also outlining, trying to make sure I’ve eliminated all inconsistencies. There’s probably going to be some rewriting that’s going to need to be done–last night as I watched the Golden Globes, it occurred to me that there’s one scene in particular that either needs to be completely rewritten, eliminated, or has to be set up in a completely different way. I am going to have to put the WIP aside until I get this revision finished; it’s simply far too easy to get caught up in it rather than doing what I need to be doing.

Which is counter-productive, and more than a little annoying.

Heavy heaving sigh.

We watched the Golden Globes last  night rather than finishing Homecoming, which we will probably either finish tonight, or stretch over tonight and tomorrow. As the new year progresses, shows we regularly watch will be returning, which solves the problem of what do we watch tonight, at least for a little while. Schitt’s Creek will be returning for another season, and so is Futureman on Hulu, and How to Get Away with Murder should be coming back relatively soon; it’s gone way over the top and is completely ridiculous, but it’s still so much fun to watch.

So, onward and upward with this week. I am going to finish rereading The Shining if it kills me (I don’t think it will) and I need to start gathering all my notes on the Scotty to ensure it’s the best it can be so I can get back to work on the WIP, and make it the best it can be.

Did I mention it’s king cake season officially? I believe I shall have a piece with my coffee this morning.

And now,  back to the spice mines.

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Move This

Tuesday!

The weather here in New Orleans has changed slightly; not much, and probably wouldn’t be noticeable if you didn’t live here. The humidity is still here, surprisingly, but we’ve been getting a lot of rain lately, which of course would explain the thick damp air. My goal for today is to get back on track with the Scotty–I’m partway through Chapter Four, with only another twenty-one to go–but even with laziness and procrastination, there’s simply no way I shouldn’t be able to get this draft finished, read aloud, and line edited and turned in, by the end of October/early November.

She’s been a long-time a-birthin’, but the end is near.

I want to write either Bury Me in Satin or Muscles next; I am leaning more toward Bury Me in Satin for some reason; even though I’ve been meaning to write Muscles for years, and it would probably be an easier book for me to write, honestly. There’s another idea brewing in my head as well…isn’t there always? But I am not sure I am ready to even start that one, and I kind of have an idea for a paranormal series set in Louisiana–think Dark Shadows crossed with True Blood as written by Lisa Unger; that’s the direction I am thinking about taking with it. I’d originally thought to do it more cozy/Gothic; but my mind just doesn’t go that way–I’m too snarky and too dark at heart. Sigh. The story of my life in a nutshell. Anyway, a book I started writing in the 1980’s, The Enchantress, could easily be re-purposed for this; I do love to recycle.

We started watching Season 5 of How to Get Away with Murder last night; we still highly enjoy it, even though the past plots are so complicated and layered we don’t really remember what has happened; fortunately it’s written well enough so it’s easy to get back up to speed with what’s current–although I do believe every single person in the cast has killed at least one person, although I cannot remember whether Annelise has or not.

Probably has, but then again, it would be interesting if she was the only one who hasn’t, you know what I mean?

My short stories have all stalled out again; I also realized last night that this year’s Short Story Project has completely stalled out. I need to finish reading Circe and get back to my short story reading!

And on that note, it’s back to the spice mines.

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