Tag: Genie Francis

I’m No Stranger to the Rain

Well, it’s Tuesday morning, so we clearly survived Monday, did we not? It was bitterly cold yesterday morning; I wore a sweater, a jacket, my hoodie under the jacket, and tights under my pants so it wasn’t terrible when I left the house in the morning, either. It’s cold again this morning, and will remain so for the morning; the afternoon won’t be too terrible. I didn’t mind the cold terribly yesterday, because I dressed for it for once rather than not doing so and whining all day about being cold. I hadn’t intended to dress for it again this morning, but looks like I will not have a choice. It’s chilly here inside the windows, but I slept well and feel pretty good this morning. I didn’t do much last night once I got home from work. I did make groceries on my way home, but once I was home and snug and comfy in my easy chair with a purring kitty and my blanket, I didn’t really want to get up and do much of anything, other than catch up on the news and do some more Youtube research. The news was its usual shit-show, the way it has been for at least ten or so years, if not this entire century. Whatever we thought the twenty-first century was going to be like in 1999 is not what we wound up with. Did anyone see this coming other than the Heritage Foundation, Faux News, and the Republican Party1?

I generally don’t comment on celebrity deaths; I don’t know the deceased, after all, and who cares what I think? I was a fan of Reiner and his work–The Princess Bride remains one of my all-time favorite movies, and so eminently quotable, too–and he made a lot of great films I enjoyed. He and his wife Michelle, as you know, were murdered on Sunday, allegedly by their son who has issues, which would have been bad enough but then, of course, sewage is always going to sewage. Even the dolts who are still hanging onto their belief in their tin-pot dictator wannabe, for the most part, were horrified by him this time; why was this time so different than every other time he’s been an insensitive spoiled brat? That’s what I truly find interesting about this latest idiocy. What was it about the Reiner tragedy that triggered such a response from his followers? I mean, it can’t have been empathy, right? So why this time? I can’t quite wrap my mind around this sea change for MAGAts, and I’ll probably wonder about it for a while. But the murders were a tragedy, but both Reiners left a distinguished legacy of work behind them–and Reiner’s films will continue to bring joy to viewers as long as streaming services carry them.

And I really need to do my essay on The Princess Bride, inspired by a conversation on Twitter where I wrote a lengthy tweet-string explaining why I find the movie so magical.

And while we’re commenting on celebrity death, Anthony Geary, long-time portrayer of the anti-hero Luke Spencer on General Hospital, also died recently. I watched the show in the 1970s and 1980s fervently, and Geary was no small part of that; and Luke-and-Laura were legendary in the world of soaps. Genie Francis still plays Laura on the show. The highest rated episode of any daytime soap was the wedding of Luke and Laura back in 1980 or 1981. Geary was gay; I don’t know that he ever publicly came out, but I read it in an article about him shortly after he retired from acting, I think. I guess that’s why I was always a fan. I never got a gay vibe from him, the way I have with other actors, either. So much for my Gaydar, although it’s easy to say it was a subconscious recognition.

I really need to write my General Hospital essay, too.

My God, I am so behind on literally everything. The good news is these are all just personal deadlines, so they are anxiety-inducing (not that I have anxiety anymore–at least certainly not to the life-controlling-and-strangling way I used to). Paul is doing an excellent job of clearing out the bedroom; and I should definitely take some time and do some pruning down of all my shit–including the books–and most especially my paper files. I don’t really feel like those need to be kept anymore, and it’s all just kind of hoarding of a different sort, isn’t it? I also need to clean out the kitchen cupboards, too, and the floors are just a given. Sigh.

We’re also supposed to have rain through the weekend beginning tomorrow, which is marvelous. Cold, gray and rainy makes for a snug weekend at home with Sparky, Paul and blankets. I am definitely going to do some reading this weekend, too.

I am also getting all of my Chlorine notes organized, so I can get into the feel of the book. As I said the other day (yesterday) I think I have finally landed on the character’s voice, and have decided that, despite it being technically a historical (it is set seventy years ago) I think I am going to write it in present tense. Maybe that’s a mistake, but switching from present to past would be time consuming but not terribly difficult to do. I may even try to write the first chapter this weekend, too, and see how it goes.

And on that note, I am heading into the spice mines. Have a toasty terrific Tuesday, and I’ll be back in the morning.

  1. Christ, I am neither an analyst nor a political reporter, but I predicted this outcome back during the Clinton Administration. How did I see it but none of the people paid to be political experts did? ↩︎

Dark Shadows (Josette’s Theme)

I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.

“My name is Victoria Winters…”

So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.

Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.

When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.

I loved Dark Shadows.

I was crushed when it was canceled.

I mean, look at that house!!!!

The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.

The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.

The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named  William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)

That’s the kind of shit that drives me insane.

But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.

I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.

I’ll know that I’m really ripping off Dark Shadows.

The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.

I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.

Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.

Enchanted

Thursday and I am really looking forward to the three day weekend.

And yes, I am well aware of how lazy that makes me sound but I don’t care.

I slept relatively well last night. Paul got home late, so we watched an episode of Why Are You Like This? which is funny and interesting at the same time–I’m also not entirely comfortable with finding it funny, to be honest; the characters are all so blatantly awful in so many different ways that I am sure I would not be amused by them in reality–but there you have it. Guilty as charged. It was also incredibly hot yesterday; the heat index was well over a hundred for most of the day, and when I got in the car after work, it was 100 degrees, according to the temperature gauge in the car. I went to get the mail (my copy of the Fire Island book arrived) and stopped at the bank before heading home. I was, as expected, rather tired when I got home and Scooter demanded a lap to sleep in, so I collapsed into my easy chair and took the evening off for most of the night. I did write for a little bit on “Never Kiss a Stranger”–which I am starting to develop imposter syndrome about (how I’ve missed that!)–and I am actually hoping to get it finished this weekend over the course of those lovely three days off, and maybe even get started on Scotty #8.

Number Eight. Wow. Who knew?

I really need to focus.

The heat hasn’t really helped much in that regard, and yes, I know New Orleans is always hot and humid, but this year it’s much hotter and more humid earlier than it usually is–or else my memory is completely shot. I don’t ever remember having heat advisories in June before, or it getting to be 100 degrees this early–remember, summer doesn’t even start until June 21st, so yeah, it’s still spring with the heat index hitting over 100 daily for the past week.

Heavy heaving sigh.

I was thinking last night (always dangerous) while Scooter slept in my lap about how much queer rep there has been on my streaming services lately, and it has definitely been a mixed bag. I kind of want to watch Fire Island again, to see what I missed the first time (a second viewing of anything like this is practically de rigeur for me, especially if I want to write about it) and that led me to thinking about Elite and Heartstopper again, as well as Young Royals, Sex Education, and Bonding, to name just a few. I was thinking about Heartstopper last night–which is how this entire line of thought began–and how adorable the show was; and part of that was because the actors were actually age-appropriate for the roles; and that changed how I perceived the show–I kept thinking oh these kids are so cute, whereas in shows where the teenagers are played by actors in their early to late twenties–which always seems to be the case, so that the drinking and drugs and sex in shows like Elite or Gossip Girl doesn’t seem as distasteful or wrong as it would be if they were actually using kids (one of the few times in television/film history where an actual teenager played a teenager who was having sex and getting into all kinds of trouble was Genie Francis as teenaged Laura Webber on General Hospital back in the 1970s) who were age appropriate; there’s an entire essay about older young adults playing sexualized teenagers and “who’s grooming who” in our culture that it struggling to take form in my mind…which is yet another reason I want to rewatch some of these shows.

I’ve also been thinking about Queer as Folk’s reboot since we binged it last weekend, and I am still not decided on what I think about the show; it might bear a rewatch as well so I can be certain that I am remembering things correctly and/or didn’t miss things that were relevant to the characters and the story being told…but I will say again–New Orleans looks beautiful on the show.

And on that note I am heading into the spice mines. Y’all have a great Thursday, and I will check in with you again tomorrow.

Cornelia Street

I read a piece yesterday on Crime Reads about aging your characters over a series, and have to say it was interesting; certainly, it make one Gregalicious stop and think–muse, really.

I was–doubtless like any number of Agatha Christie readers–already aware that Poirot was already elderly and retired from the police force in his first case, The Mysterious Affair at Styles; by the 1960’s when he was still solving cases he would have had to have been, per the piece, about 130 years old. Likewise, Miss Marple was already an elderly woman when she debuted in the 1930’s in Murder at the Vicarage, and while later Marple stories talked about how old and frail she was, by the time her last case–Sleeping Murder–rolled out in the 1970’s she also would have been well past one hundred. (The piece also discussed how old Nero Wolfe would have been by the time his final case was published, if the fiction matched reality.)

This is something that has been preying on my mind for quite some time, because of course, Scotty was only twenty-nine in Bourbon Street Blues (published in 2003), which, if we follow linear time, would make him around forty-six now. That’s not terribly bad–he typed as he eyes his own sixtieth birthday coming the following year–but it’s not Scotty’s age that concerns me so much as the age of everyone else in the series. If Scotty is forty six and the youngest Bradley child, and Storm was old enough to be a senior in high school when Scotty was in eighth grade–that puts Storm firmly at around fifty-one, which would put Scotty’s parents into their seventies and his grandparents in their nineties–at the very least. Scotty is actually younger–I didn’t follow linear time in the series (Katrina forced me to start aging him; I had intended for him to be twenty-nine forever)–and so he actually was 29 in 2004 and turned thirty just before Katrina–but that only shaves about a year off his age. I’ve not wanted to deal with the deaths of his grandparents or his parents becoming frailer with age, so I just pretend when I write about them that they’ve not aged. Scotty has, but they haven’t–and also, Frank is pushing sixty himself now no matter how I arrange the ages and timing of the series, and still wrestling professionally. Again, I’ve not really wanted to deal with the age issues–he retired after twenty years of service with the FBI, as a matter of fact–retiring in the period between Jackson Square Jazz and Mardi Gras Mambo, but I have intellectually accepted the fact that Frank is probably going to have to step away from the ring and the bright lights; it’s just a matter of when. I’ve always wanted to do a Scotty case built around the professional wrestling promotion Frank works for and will need to be retiring from; this was always going to be the premise behind Redneck Riviera Rhumba…but a Scotty book not set in New Orleans?

Anyway, I’ve really not wanted to deal with the deaths of Scotty’s grandparents, but I also know I am eventually going to have to–I can’t keep having them be just an amorphous age known as “old” and live to be over a hundred (although people do live that long, but it’s patently absurd that all four of his grandparents are remarkably long-lived; perhaps I’ll start killing off the Bradley side of the family first. I never liked the Bradley side, but have always had a soft spot for the Diderots.)

I can probably get away without killing the grandparents off for another couple of books, but…the clock is ticking. Although a Bradley death being the springboard for another case would be interesting. Hmmmm. *makes notes*

I also discovered an interesting location in Louisiana yesterday, Fort St. Philip. And yes, while that may not be completely factually correct–I’d heard of it vaguely before as one of the Mississippi River forts below New Orleans that were built to help defend the city–I’d never really learned much about it, but yesterday I discovered this weird abandoned location was actually home to a religious cult from 1978-1989, when they all moved away. Interesting, no? I could easily do a Sherlock story back in the 1910’s set there, or even have it be a weird Scotty story, or even simply a stand alone; an abandoned fort once home to a religious cult is like the perfect setting for a horror novel as well, isn’t it? Hmmm. I could also do all three, frankly; a Sherlock story in 1916; a Scotty story in the present; and a horror novel at any time. SCORE.

I did watch The Conversation while I was making condom packs yesterday, and am really glad I did. The film was incredibly timely when it was released back in 1974; the Nixon administration was crumbling because of it’s illegal electronic surveillance of the McGovern campaign, and the ensuing cover-up–although Francis Ford Coppola knew none of that would be the case when he wrote and directed the film. It was also overshadowed by his other film release that year–The Godfather Part II–which is really a shame. The Conversation has a plot, of course–and a pretty decent one–but the film is really a character study of Harry Caul, a surveillance expert who works pretty much alone and is legendary in his field–which few people really know about. The entire film hinges on the performance of Gene Hackman in the lead, and it’s one of Hackman’s best performances, understated and nuanced and completely immersive; I don’t think he got an Oscar nomination for this but he definitely should have–and it should have been a very close race for him. The film opens with Harry and his team–mostly hirelings, as he prefers generally to work alone–following and recording a young couple (Frederic Forrest and Cindy Williams) as they walk around a crowded Union Square. Harry is also haunted by one of his greatest achievements–he managed to eavesdrop and record a conversation between a corrupt union boss and an accountant about their embezzling of union funds; the boss assumed the accountant had talked and had people kill not only him, but his wife and children in a particularly brutal way. Harry looks at every job as a challenge, and his particular genius is conquering jobs most experts reject as impossible. But after those murders, Harry is beginning to question his own morality and his own ability to distance himself from what results from him doing his job…and as the film progresses, he begins to distrust his own client, and suspects the client (played by Robert Duvall and only ever known as “the Director”) is going to murder the young couple–the woman happens to be his wife. (A beautiful, very young pre-Star Wars Harrison Ford plays the Director’s assistant, and Harry’s contact–and his motivations are also murky and peculiar.) Harry is already paranoid–he refuses to have a phone in his apartment, and early in the film gets a post office box so no one will have his address–and watching the paranoia and fear build in him throughout the film is very impressive. It really captures the cynicism and paranoia of the 1970’s; it could be considered a defining film of the decade, and is definitely an excellent addition to your own Cynical 70’s Film Festival.

I also watched an old horror movie from the 1980’s called Witchboard, which I had enjoyed at the time but now–well, calling it “terrible” is actually a complement. The script is bad, the dialogue is bad, the cast has no chemistry together, and none of the relationships make any sense. The cast, led by Todd Allen (who is supposedly hot and sexy–okay, 1980’s straight masculinity), Tawny Kitaen (perhaps best known for the Whitesnake music video for “Here I Go Again”, for dancing erotically on the hood of a car; this film definitely answers any questions anyone might have about Kitaen’s acting abilities–they are virtually non-existent) and Stephen Nichols, who would go on to great fame on soaps like Days of Our Lives (as Patch) and General Hospital (as a Cassadine in love with Genie Francis’ Laura Spencer), but is frankly terrible in this. It came in late for the Halloween Horror Film Festival, but dear Lord, it is terrible. I have yet to decide which films to watch during today’s condom packing adventures, but I did find some more interesting looking 70’s films–along with some really terrible-looking horror movies from the 1970’s on.

And of course, there is always a lot of writing for me to do; volunteer work, and so forth….but I intend to really enjoy this weekend as much as I can. Have a lovely Friday, Constant Reader, as I put on my helmet and once again head to the spice mines.