You Can’t Hurry Love

No, you’ll just have to wait.

Friday morning and working at home. My new in-office schedule, if you haven’t been paying attention, has been shifted to Tuesdays thru Thursdays, so now I work at home on the bookends of the weekend, Fridays and Mondays. I have data to enter and condoms to pack, ZOOM work meetings (no offense, day job, but ZOOM is the bane of my existence and has been since March 2020)–technically it’s Microsoft Teams, which is kind of the same thing, and then later, chapters to write and clothes to launder and filing to do. It’s non-stop glamour around here at the Lost Apartment, right?

I had a doctor’s appointment yesterday–just routine maintenance to get my prescriptions refilled–and then came home to work on the book. I am very pleased with how it’s shaping up so far (of course, as always, I go back and forth constantly between this isn’t terrible and this is going to ruin my career, which is essentially what I do with every manuscript, so everything is normal. Realizing that I am going through my usual emotional journey with this one eased my mind significantly). We watched the first episode of the new season of Resident Alien last night, which was rather fun, and then the new Peacemaker, which I am glad we stuck with. The first episode was okay, but we weren’t sold completely on the show; I love John Cena, so obviously we were going to keep going but I didn’t have high hopes; the show seems to be hitting its stride and this week’s episode was probably one of the best. I went to bed early and then slept deeply and beautifully; so whatever it was that was bothering me earlier in the week and keeping me from sleeping apparently eased off yesterday, which is always a plus.

I also got a copy of Lisa Lutz’ The Apprentice this week; I can’t wait to dig into it. One of the primary reasons I am looking forward to finishing this manuscript is because, as always when I am going into the final stretch, I am too nervous to read another writer’s work, particularly Lutz’, because I will inevitably feel like why do I bother when there are authors like this putting work out into the world? How can I possibly compete with these incredibly smart and literate writers? Then I have to stop feeling sorry for myself and sulking to get back into the right mindset for writing my new book; which is a process and I can’t spare the time for that right now, so the books continue to pile up (this is exactly what happened when I took a break for “just an hour” to indulge myself in Alafair Burke’s Find Me and then couldn’t put the book down until next thing I knew the book was done, and I’d (I can’t say wasted; reading Alafair is never a waste of time) lost an entire day of work. I know the new Lutz will have the same effect on me; so I need to not give into temptation and even crack the book open. (I may allow myself a Laura Lippman short story later on today, as a reward after the writing is done and before I crack open the wine.)

I also have a lot of other work to do over the course of the weekend; I have emails to answer as well as some writing to do for my friend’s website, which should be a lovely distraction from all of the other things I am (always) doing. I can’t wait for you all to see the cover for A Streetcar Named Murder; it’s absolutely gorgeous (I may have to get it made into a poster). It looks like I will be doing a “cover reveal” with a book blogger, which is a new thing for me. But this is actually a mainstream book (which is an offensive term on its face; but more on that later); my main character is a straight woman who lives in the Irish Channel, is widowed, and her twin sons have just gone away to college (LSU, of course) and suddenly finds herself (and the twins) as the beneficiary of a bequest from a relative of her husband’s that she didn’t know existed; and this is the heart of a mystery she (Valerie) finds herself in the middle of trying to figure out…and of course, it eventually leads to murder. I am doing something different here–I don’t think I’ve ever done something that could be called a cozy before; although in some ways the Scotty series is precisely that (but that can be a topic for another time)–and so am not sure if I am following the established rules for the sub-genre; but I also have to tell the story that I want to tell within that framework. It was a challenge to me as a writer; and one of the things I had been feeling as a writer over the last few years was that I was getting stale; that my work was in a state of stasis and I wasn’t growing within my work. In 2015 I felt that way, too, and so I took some time away from the writing and the grindstone I’d been pushing my nose against steadily for the preceding five or six years. This was when I wrote the first draft of #shedeservedit; this was when I decided to start taking more risks with the Scotty series, and when I decided to not continue the Chanse series. I am kind of looking at 2022 through that same lens; I decided to write this novel (possible first in a series) as a challenge to push myself to do something different, take a chance, and force myself to stretch my abilities and skills.

I think Chlorine is another step forward for me as a writer; writing a historical novel set in the recent past (although I suppose the 1950’s isn’t that recent past, really–which really makes me feel horrifically old) is going to push my talents and ability as a writer, and will require a lot more focus and research (which, while I love really history and reading it, the problem is that I can never really focus my interests in solely reading and researching what I actually need to look into for what I am working on–that ADHD problem) as well as writing in a different style than what I usually do; that rat-a-tat-tat pacing and use of language that keeps the story moving and says something about the times, the culture, and the characters themselves and how systemic homophobia can affect the lives of those with same-sex attractions; in addition to the toxic culture of sexual harassment and assault that was so prevalent in old Hollywood; the 1950’s were a transitional period for Hollywood as the old studio system began to crumble in the face of a new, changed society and the challenge of television.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader.

You Don’t Have to Tell Me

There really is nothing quite like a good read, is there?

Alafair Burke has become one of my go-to’s; an author whose every book I preorder and start salivating when I get the shipping notice. I’ve not read her extensive backlist as of yet; I was late to the Burke party and began with The Ex. I do possess most of the backlist and it’s all in my TBR pile, but I’ve gotten so addicted to reading the new ones when they come out I never think to go back to the shelves to get one of the older titles–which is something I clearly need to do; and never have I felt that pull more than while reading her latest.

You see, she wrote a series about a New York cop named Ellie Hatcher–and Ellie comes back as part of the ensemble cast of Find Me, and what I saw of Ellie made me want to go back and read more about her. Well done on that front, Alafair! (This is something that I absolutely love when authors do; like how whenever Laura Lippman needs a Baltimore private eye, she brings in her old series character Tess–which is always a welcome joy whenever it happens….and maybe something I might be able to do with Chanse at some point. Hmmm.)

But I was very excited when Find Me was delivered into my hot little hands, and yesterday, while I was freezing inside the Lost Apartment, I grabbed a blanket and repaired to my easy chair, intent to read for an hour.

I didn’t stop until the book was finished.

Hope Miller shifted her gaze from the gas nozzle to the pump. When the gallon counter hit twelve, she scolded herself for not filling up before her trip into the city. She couldn’t risk an empty tank.

The nearest customer leaned against his green Jeep, sharing her same awkward wait, watching the digital numbers tick by. She noticed him looking at her. When he noticed her noticing, he flashed a practiced grin. She didn’t smile back.

That phrase, “It takes more muscles to frown than smile?” She had googled it once. Turns out, facial descriptions are subjective. Smiles, sneers, frowns, and smirks are all in the eye of the beholder. And the so-called facial nerve controls forty-something muscles, but some people have all of them, while others are missing almost half.

But scientists did agree on one thing–that smiles are innate. Reflexive. And viewed across cultures as a sign of friendliness.

A single man smiling at a single woman alone at a gas station at night?

Pretty great opening, isn’t it? The entire opening chapter is an exercise in suspense: is the woman imagining that this man isn’t just some stranger at a gas station? Is she being paranoid, or is this just the start of an innocuous encounter encapsulating the micro-aggressions directed at women by men on a daily basis? I understand that paranoia myself a bit–I experience it every time I travel throughout the deep South and have to stop for gas or to get something to eat; I am always on high alert during these times, paying attention to any and everything around me, and especially the people. I’ve stopped for gas and noticed someone staring at me before, and then following me back onto the highway, my heartrate increasing and adrenaline pumping through my veins as every mile ticks off on the odometer; I will often deliberately slow down to force the suspicious vehicle to eventually pass me…and this happens more regularly than it probably should. Anyway, I can relate to the main character’s paranoia; this is masterful suspense writing by the author, because now I have been pulled into the story and I am worried about the main character.

The book is mostly set in the Hamptons, with some scenes taking place in New York City; there’s even a detour to Wichita (KANSAS!!! It keeps popping up everywhere lately!). The main character of the story is NOT the paranoid young woman in the first chapter (and I cannot explain to you, Constant Reader, how wonderful that first chapter is; everything in that first chapter, every tiniest detail–everything she feels and thinks and remembers–is crucial to the story), but rather her sort-of adopted sister, criminal defense attorney Lindsay Kelly. The young woman in the first chapter, Hope Miller, is already, in and of herself, a mystery. She was found some years earlier, as a teenager, thrown from a wrecked vehicle with no memory of who she is, where she came from, or how she wound up in New Jersey. (The car had Indiana plates and was reported stolen.) Eventually, she takes the name Hope Miller and moves in with the Kelly family–a woman without a past that Lindsay somehow feels responsible for; more so than as a friend or as a sister. Hope is damaged, obviously, and has only recently decided to take control of her life and start over somewhere different than the small town in New Jersey where she’s been living since the Kellys took her in–she wants to go somewhere where everyone doesn’t know her as “the mystery girl with amnesia.” Hope disappears, and Lindsay is desperate to find her; has her true past finally come back to haunt Hope? Who is she? And what, if anything, does she have to do with the murder of a local charter fisherman who was murdered around the time she disappeared? Is she dangerous?

The search for Hope soon draws in some more characters–including, as mentioned earlier, police detective Ellie Hatcher from Manhattan–and there are multiple stories going, all of them tied together, all of them leading back to Hope’s mysterious past, and there’s also a potential link to a serial killer Ellie’s father investigated back when she was a girl. The characters are all well-drawn and developed enough to be real enough to draw the reader in to root for them; Burke is also masterful at pacing and when is the right opportunity to play yet another card that will either further confuse or enlighten the reader as the story continues to take shape out of the amorphous confusing mist entangling the characters.

Juggling all of the subplots and keeping them tied into the main story is also not an easy task for a writer, but Burke manages to do so, tidily winding up every loose end to leave the reader, as they close the book, smiling and satisfied with the experience.

Nothing But Heartaches

It’s cold again on this Martin Luther King Jr Day here in the Lost Apartment, and as always when it’s cold and I don’t have to get up, I malingered in my bed much longer than was absolutely necessary. I won’t apologize for not wanting to get out of a warm, comfortable bed and from under a pile of warm blankets to brave the cold, either. Our new system came on briefly the other day when it was cold, and since then–nothing. I don’t know what I may have done wrong with switching it from cool to heat, but as usual, the guys are going to have to come back out and reset it or do something to make it functional. It’s not that big of a deal–the cold never really gets to the point where it is so incredibly unbearable (like last year on Fat Tuesday) that I am not functional, but it sometimes skates very close to that edge.

Yesterday came dangerously close, frankly. I was freezing all day to the point where I needed to use the heating pad underneath my blankets in my easy chair, which finally made me feel close to comfortable. I did manage to finish reading Alafair Burke’s marvelous Find Me (which you should also read), and then we finished watching the second season of Cheer–which sadly kind of limped along to the end, and by the season finale, poor Monica was simply a wreck; I think the show’s producers might have hit the “cost of fame and how to handle it” a little bit harder than they intended; but that message did come across fairly clearly, so maybe that was their intent. Dealing with the fallout from the scandals that arose in the wake of the first season–especially in the case of the breakout star who was accused of sex crimes with young boys–certainly put the producers (and the cast) into an awkward position: how do we deal with this? The episode that did deal with it did a fairly good job, and it’s also sad to see that abuse of children is just as rampant in cheerleading as it is with other sports at this level (gymnastics, figure skating, wrestling, football).

We always hear so much about how “children” need to be protected from books and ideas almost every day–and yet protecting them from sexual and physical abuse doesn’t seem to be as big a priority with people. Hate to break it to you, but a book never sexually assaulted a child.

The sun is out this morning and I feel much better than I did yesterday morning. I overslept yesterday, if you remember, and felt sort of unable to engage my ignition yesterday and get the Greg started, if you know what I mean. I did make some notes yesterday and I did clear out the spam from my email inbox, but today I actually do have to get work done since I didn’t do much of anything yesterday. Today I am going to work pretty hard on the book, and I am going to try to read a Laura Lippman short story later on as a kind of reward for getting work done. My kitchen this morning is in pretty good shape overall; I do have a load of dishes to put away and some laundry to do around the writing schedule today. But I feel this morning like I can actually get stuff done tonight and not be derailed or distracted…probably because it’s not as cold this morning as it was yesterday (and believe you me, I am dreading getting up at six tomorrow morning). But I am going to get this finished, work on a review of the new Alafair Burke while drinking coffee and folding clothes and putting away clean dishes, after which I am going to get cleaned up and dive back into my manuscript.

I feel more like me today, if that makes any sense. It’s been a hot minute, frankly; I don’t know if it was subconscious depression over not being able to go to New York or something, but today is the day I would have been home–I was flying back yesterday–and so maybe my mind/subconscious was depressed and/or mourning the loss of the trip? I think I probably slipped into an alternative mindset/reality the moment the trip was cancelled and it’s taken me until when the trip would have been over to get over that loss, if that makes any weird kind of sense. Maybe I navel-gaze too much, but I know I can tell when the chemistry in my brain is off, and it always affects everything in my life. But the point is I can look at my to-do list and not be concerned about it to the point where I panic and think I’ll never get that all done but rather, “one task at a time gets all the jobs done”–which is kind of where and how I am feeling this morning. This is, of course, a good thing. I will admit that I had some ideas last night while watching Cheer (reading Alafair’s book helped in that regard as well) about other things to write and other things i need to get done. I also have edits on a short story I have coming out in an anthology next month–quick turnaround, what can I say?–but I have to say my year is getting off to a good start–despite the cancelled trip to New York.

Fingers crossed the year continues to remain not only on track but continues to get better rather than worse. But one can never tell these days–if we’ve learned anything from the last five years it’s not to constantly be optimistic that things will inevitably get better as we continue to move along.

And on that note, it’s time to drive right back into everything and get my act together once and for all for today. I will check in with you again tomorrow, Constant Reader.

My Heart Can’t Take It No More

Saturday morning in the Lost Apartment and I slept fairly well. I will be spending most of my day on ZOOM with the new Board of Directors for Mystery Writers of America doing Orientation (we should be doing it in person in New York today, but yet another event is a victim of the coronavirus variants). I am not a fan of ZOOM, for obvious reasons–I cannot stand seeing myself on camera, and hate the sound of my voice–and while I can’t necessarily hear my own voice, I can see my face on screen, and I really don’t like that. I don’t really have space for a ZOOM studio in my little nook office right off my kitchen–and I need to make sure all the counters are cleared off and the cabinets are closed, etc.–and so I’ve avoided doing ZOOM things like the plague during these plague years. I am not an extrovert by any means (and yes, well aware that my claims to be painfully shy, socially anxious, and introverted are often greeted by laughter; but the appearance of calm and ease I project in these situations is always just pure dumb luck because I am always a twisted tangle of anxiety-ridden knots on the inside the entire time, and completely exhausted when it’s over), and thus these things are never easy on me. I imagine this afternoon when the calls ends I will adjourn to my easy chair with a drink and will spend the rest of the day there.

Yesterday we started watching Peacemaker with John Cena on HBO MAX; it took a minute for us to get involved in the story but we eventually got sucked in. It’s an odd kind of super-hero show, really; Peacemaker is theoretically a villain (I’m not familiar with the Suicide Squad and haven’t seen any of the movies) but he sees himself as a hero. John Cena is a very charismatic leading man; there’s something about him that is very watchable, and he plays comedy very well; which is surprising, since he comes from the world of WWE (then again, Dwayne Johnson and Bautista also did, and also play comedy very well, so maybe it’s not surprising), and he really shines in this part. I’ve always been a fan, and am glad to see his career outside of WWE taking off. I’m looking forward to seeing more of the show. We also started watching a docuseries on HBO MAX after we finished the three episodes of Peacemaker that have been loaded for streaming called Murders at Starved Rock, which is interesting enough but probably isn’t going to have a resolution.

I did started reading Alafair Burke’s Find Me yesterday and am enjoying it thus far–maybe when the meeting is over I can spend some time with the book, which would be marvelous and a definite reward for spending so much of the day talking to my computer (which is some seriously weird Jetsons shit). I started making a to-do list yesterday so I can keep track of everything I need to do and need to get done and with some sort of time-line involved; I am confident I can get everything done but it’s going to take some serious focusing on my part to get it all done. It’s a bit overwhelming and stressful to be sure, but as long as I can get a handle on everything I need to do, it can all get done. Over the next two days I am going to work, over my morning coffee, on getting my email inbox cleared out once and for all; I am going to get some filing in order; and I’d like to finish reading Alafair’s book. I think we’re probably going to watch some movies in the evening–Power of the Dog and The Tragedy of Macbeth are at the top of my list–over the next couple of days, and I am also hoping to start back at the gym tomorrow morning (after getting all my morning chores finished); hope springs eternal. My weight has climbed back up somehow, and so getting back to the gym is a lot more important than it has been. I hate that my weight is climbing again, and I am sure it has to do with me being more sedentary over the last few months than I had been in the months before. (Just thinking about how good it will feel to stretch and work my muscles out again just sent a shiver of delight down my spine.)

But making the list made me feel much better about things, honestly; I don’t know why I have so much trouble falling back into the habits that help me get things done and reduce my stress.

I bought our first King cake of the season yesterday–and yes, it’s quite delicious. I don’t think I bought any last year, since there were no parades or hardly anything Carnival-like; I doubt very seriously that Paul and I will be heading down to super-spreader central out on the corner this year. It’s a shame because we’ve always loved the parades and catching throws, even when the weather is bad; how many times have we stood out there in the rain to catch things? (It’s actually more fun in the rain because most people leave and there’s more room and they throw more because there are less people to throw to…) But I just can’t see taking the risk of getting sick out there–and you know there are going to so many unvaccinated people out there who won’t wear masks at all; the parishes surrounding Orleans are ridiculously defiant when it comes to taking measures to protect other people, which is terribly sad–but those are also the people who drive in to the city and hang out along our parade routes (while posting comments on news articles about how much they hate New Orleans and how the city is so dangerous and riddled with crime–keep your racists asses out in your paradise parishes then, trash), so yeah, no desire to put myself at that much risk, thank you very much. I can only imagine what Carnival is going to do to our infection rates.

Given how many people used to die annually in New Orleans AND Louisiana from malaria, yellow fever, and other pandemics that used to rage through the population, you’d think we’d handle things better as a state, city and parish, but nooooooooo….(if you ever want to read a great book about the horrors of a pandemic and massive death in New Orleans during the nineteenth century, Barbara Hambly’s Fever Season is pretty amazing)

And on that note, I am heading back into the spice mines. I have to hide things from the computer camera and do some straightening up as well as preparing. Heavy heaving sigh. And I will see you tomorrow, Constant Reader.