It’s Not Right But It’s Okay

Sunday morning and it’s probably about time that I get back to work. I don’t want to–this birthday mini-vacation has been quite lovely–but I have things that need to be finished and turned in by the end of this month (hello, edits and revisions) and I have to stop putting that off. I only have to go to the office twice this week–tomorrow and Tuesday–before my Bouchercon vacation begins–but my plans for that time is to get things done and then take time to myself.

Well, I may take Wednesday as a day off. I need to drive around New Orleans and do some research; Wednesday should be perfect for doing that, methinks….so maybe taking a day off to begin with to get into the groove of getting everything done that needs to be done by the end of the month could wait until Thursday to get started…but then on the other hand, maybe it a sight-seeing research trip around the Irish Channel wouldn’t be a huge distraction from getting things done that day….alas, I was supposed to have dinner with great friends that night (fucking Delta variant anyway) but I am going to try, very hard, not to let these things disappoint or depress me. That’s a sure way to guarantee I’ll get nothing done.

I started reading Megan Abbott’s The Turnout yesterday and was, of course, immediately enthralled. She manages to somehow lure you in with the opening sentence, something cryptic, eerie, and yet compelling. Her books always have this same voice–I’d say mournful, but that’s not accurate either–always a variation that fits the story and the characters, but that lyrical, poetic, economic way of establishing mood and dramatic tension is almost ethereal and dream-like; even if the dream will, as always, eventually bare its teeth at the reader. God, how I wish I could write like that. I always wonder how writers as gifted as she write their books–do they write a sentence and then agonize over how to find the right words that create the right rhythm, or do they agonize over which word to add as they go? Me? I just vomit out three thousand or so words at a time and then go back and try to make it say what I wanted to say how I wanted to say it; nothing poetic, lyrical, or dream-like about my work. But I write the way I write–I used to want to be Faulkner when I was in college; I think it’s fairly safe to say that ship has sailed–and I cannot be terribly disappointed by anything I write anymore. I am pleased with the work I am doing–have been doing–and as long as I remain pleased by everything I write going forward, I am going to be just fine. I am intending to spend some more time with Megan Abbott this morning before diving into the edits/revisions before heading to the gym; and intend to do even more revisions/edits after my brief workout this afternoon.

We started watching The White Lotus last night and I am on the fence. I really don’t care much for any of the characters–the acting is terrific, the writing is fine, but I can’t wrap my mind around a point, if there even is one, you know? I rewatched this week’s Ted Lasso, and one thing I’ve noticed–there are so many lovely little touches to this show–that is one of my favorite things is that Keeley always laughs at Ted’s jokes, no matter how corny, no matter how bad the pun–she always laughs, and she always did, from the absolute beginning. In fact, Keeley was the first character on the show to see and accept and like Ted; which made her even more likable.

I also managed to finally get my TCM app working on the Apple TV yesterday–you’ve always needed a television provider for access; once I let Cox go it wouldn’t allow me to use Hulu, but now it does–and I immediately cued up and watched The Strange Love of Martha Ivers, a terrific noir with Barbara Stanwyck as Martha…and as I watched, I realized how much that plot device–a murder committed and covered up by kids, only to have everything come home to roost when they’re adults–gets used a lot today. I saw this movie for the first time when I was a kid, with my grandmother; WGN used to show old movies after the 10:00 pm news in Chicago as well as every afternoon at 3:30 (which is where my educational grounding in classic old films started). I’d forgotten that the magnificent Judith Anderson played Stanwyck’s horrible old aunt that she winds up killing; Anderson was robbed of Oscars at so many turns in her film career–Rebecca, And Then There Were None, this–it really is a shame; but at least those great performances are preserved forever on film. I am very excited, to say the least, about having access to the full range of TCM again; I can now watch movies instead of getting sucked into watching old LSU games on Youtube or history videos (I’ve been watching a lot of biographies of the Bourbon royal family of France during the seventeenth century, and will ask again: why has no queer biographer/historian/novelist written about Louis XIV’s openly gay brother, Monsieur, Philippe duc d’Orleans?). Just glancing through the app yesterday, there were so many movies I wanted to either see for the first time, or rewatch for the first time since I was a child…and of course, watching old film noir (along with reading old noir novels) works as research for Chlorine.

That’s me, multi-tasking and always finding a way to justify wasting time/procrastination. I am quite good at it as well, in case you hadn’t noticed.

I also woke up earlier–well, I woke up around the time I usually do, just got out of bed earlier than usual. The last few days of not getting up before nine, while lovely and restful, also managed to somehow keep the lethargy going throughout the rest of the day. I am hopeful that will not be the case today. I am going to spend an hour or so immersed in Megan’s new book, and then I intend to straighten things up around the kitchen before digging into the edits/revisions of the Kansas book–which I have allowed to languish for far too long–and I also need to clean out some things (spoiled food) from the refrigerator as well as try to get my lunches prepared for the two days in the office this week.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will talk to you on the morrow.

Rise

Sunday! Yesterday I braved the AT&T store and upgraded my phone. It’s kind of cool. I wanted a red one, but had to settle for silver as they were out of red. Maybe next time.

I didn’t really want a new phone, but since it’s a lease–which I really am not sure I understand how that works, but whatever–it was overdue for a replacement. Other than the lengthy wait–and the usual irritating length of time it always takes for Apple operating systems to load and so forth–it wasn’t that bad. And now I have a new phone.

Now I need to get that pesky brake tag, and I’ll be all set. DON’T JUDGE ME.

I also put some books away in storage, and filed away the last few editions of manuscripts I’ve worked on over the last year. I still have to figure out where that extra seventy dollars in my checking account came from, do my taxes, and clear out all my emails…heavy heaving sigh.

But despite the limited progress on anything of merit yesterday, I am refusing to berate myself as per the usual. I work forty hours a week, after all, and write around my job. I don’t quite have the energy I used to have, so recharging a bit on the weekend is necessary and also kind of the only time I have to do it. So, having a low-energy not get a lot of writing done day is kind of work; I need to recharge in order to get the work done.

I also began reading Lori Roy’s Gone Too Long and once again, I am completely blown away at her mastery of language. She truly has mastered what I think of as Southern Gothic, and when I am reading her work I am always reminded of Faulkner and Flannery O’Connor. Gone Too Long has also come along at precisely the right time in my reading; it’s about the Klan in Georgia. One of the things I love about Roy’s work is how patiently and deftly she plays her cards, never letting you know anything you don’t need to know until you absolutely need to know it; there’s also a haunting, dream-like quality to her work that I wish I could figure out how to do myself, quite frankly. I am savoring the book, and not wanting to rush through it. I read some more this morning with my second and third cups of coffee; and now am reluctantly putting it aside in order to get the work done I didn’t do yesterday.

Had I done the work yesterday, I could spend more time today reading Gone Too Long.

Which is yet another shining example of not putting off till tomorrow what you can do today because you will definitely regret it.

On the other hand, if I get everything done that I want to get done today, I can go back to reading it. I also want to finish reading a short story from Hauntings: Is There Anybody There?

Always so much to do, so little time in which to do it, and very little desire to get it done.

But I also got up early this morning, so there’s no excuse. If, for example, I buckle down and start writing now, I can be finished in a few hours and have the rest of the day to enjoy this book.

We also started watching Russian Doll last night, which is holding our interest–more so than The Umbrella Factory–and so we’ll probably delve into another episode of that this evening as well.

And on that note, tis back to the spice mines with me.

49664788_2223318284354544_1948314413777813504_n