Borderline

Saturday morning. I have a lot of writing to do this weekend, and a lot of cleaning, My kitchen is a mess, but I made progress on the living room last night while reading Ivy Pochoda’s Wonder Valley, and am now reading How the Finch Stole Christmas by Donna Andrews. It’s a lovely comfort read; I love Andrews’ series, the characters, the lovely life of the small town of Caerphilly, where everyone cares about everyone else and has no problem stepping up when needed. It’s an idealized world that I wish were real…and Andrews’ Christmas novels are splendid; this is her fourth. It somehow seems apt to be reading an Andrews Christmas novel during the season,

It’s chilly in the Lost Apartment this morning, and I am washing all the towels (it’s a long, OCD related story, don’t ask) while I wake up and warm up with coffee. I am going to a Christmas party this evening; the first of the season, and one of my personal favorites: my friends Pat and Michael’s, with a splendiferous view of downtown New Orleans and Audubon Park. (I always try to take pictures from their balcony with my phone, but they don’t always turn out so well.) I need to finish that short story today, which reminds me of something really funny. The other day I said I hadn’t written a story for the second Lambert-Cochrane anthology, Foolish Hearts, and then yesterday when I was cleaning and reorganizing books…I saw two copies of Foolish Hearts sitting on one of the shelves in the bookcase where I keep my copies of  my books and anthologies I’ve been in. I literally did a double take; what on Earth? What story did I write for that anthology? I took one of them down, flipped it open to the table of contents, and there it was: Touch Me in the Morning by Greg Herren.

Two days ago, I would have bet anyone a thousand dollars that I never finished the story “Touch Me in the Morning” nor contributed anything to Foolish Hearts.

Kind of makes me wonder what else I’ve forgotten.

I woke up alone.

It wasn’t the first time, and it most likely wouldn’t be the last, either.

I could count on one hand the number of times a guy had spent the night with me—genus gay pick-up always seemed to slip out in the middle of the night, desperate to avoid that awkward conversation in the morning, with the exchange of phone numbers that would never be dialed.

Yet somehow, against all odds, I’d hoped this time somehow would be different.

I lie there in my empty bed, eyes still closed, with daylight bleeding through the blinds. I chided myself for having hoped, for even taking the moment to wonder if maybe he was in the kitchen making coffee, or in the bathroom. When will you learn? I thought, softly pounding the mattress with a fist, life isn’t a Disney movie—your prince may not come—stop being such a hopeless romantic.

But was it so sentimental, too much to ask, to want to wake up with his body spooned against mine?

I was time to face reality. I couldn’t hide in bed all day, so I pried my eyes open. My lashes were gummy, and my head felt like it was hosting a heavy metal battle of the bands. I sat up in bed and fought a wave of nausea as I lit a cigarette, not yet having the energy to go to the bathroom and brush my teeth and splash water in my face first. My stomach lurched against the combination of the taste of the smoke, the fur that had grown on my teeth, my swollen tongue, and the aftermath of too much alcohol and tobacco from the night before.

God, I’d been drunk.

Maybe that was the best way to play it. Too much alcohol added to smoking too many joints plus the depression from being dumped for the umpteenth time this year—wouldn’t that justify just about anything short of committing murder?

I closed my eyes and groaned, wishing I’d had the sense to die in my sleep.

How could I face Dennis this morning?

I looked at the clock. It was ten thirty. I closed my eyes and thought about it. He always taught an early morning aerobics class at six on Mondays, and then trained clients until about eleven. He’d be free after that until the late afternoon, and always came home, usually taking a nap to rest up for the next round of classes and clients. Maybe that’s why he left, I rationalized. Of course—he had to go to work, and I had been sleeping the sleep of the damned, the drunk, and over-indulged. Maybe he’d tried to wake me up to say goodbye before he left, but I was too unconscious to wake up.

There might be a note in the kitchen.

I remember when I wrote this story to begin with; I have absolutely no recollection of finishing it or revising it or anything, seriously. It was part of a series of interconnected short stories I was writing about a group of gay guys who all lived around a courtyard in the French Quarter–the courtyard I actually used in Murder in the Rue Dauphine and my story “Wrought Iron Lace”–which I basically was hoping to turn into a book called The World is Full of Ex-Lovers. That book, obviously, never happened.

And now, back to the spice mines as I wonder what else I’ve written and published and forgotten.

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I Guess That’s Why They Call It The Blues

My brake light came on in my car yesterday, so I have to take today off to take it in to the dealer for an inspection at eleven this morning. Hardly thrilling, and not how I wanted to spend my day–but Ivy Pochoda’s Wonder Valley will make the trip with me, so there’s that. The book continues to enthrall me; it really is quite remarkable, and I don’t think I’ve read anything quite like it before, either.

That is quite an accomplishment.

Writing/working on that short story the other day seems to have shaken me out of the glumness about writing/career that I’ve been experiencing lately; there will obviously continue to be peaks and valleys, but I am thinking more about being pushed, and pushing myself to do better work. I watched the Joan Didion documentary last night, The Center Will Not Hold, and that, too, was inspirational. Writing should always be about your quest to find the truth, whether it’s about a situation or your characters or your work or your life; a way of learning,  not only about the world but primarily about yourself. I am going to finish that story today–after the car dealership–and then I am going to work on some other things. I am also going to clean the Lost Apartment a bit, possibly run to the gym for a light workout–something I’ve been putting off for quite a while–and get organized, with a plan to get me through the rest of the year.

I am most likely going to read Donna Andrews’ latest, How the Finch Stole Christmas, when I finish reading Ivy’s wonderful book, but I may read Joan Didion’s Miami soon as well; I’ve never read any Didion. I’m aware of her, and her body of work, but I could have sworn I had a copy of Play It as It Lays around her somewhere, but I looked for it last night and couldn’t find it. It also required me to look in a vastly neglected bookcase, the one nestled in the corner where the staircase makes its first ninety degree turn on its way upstairs, and I noticed a lot of books that I’ve not only been meaning to read but others that I’ve forgotten that I owned. It’s always fun, for me, to look at a book and try to remember it’s provenance, how it founds its way into my collection: oh, yes, I met him at a conference and he was lovely; oh, someone mentioned this book on a panel I was on and I was intrigued by it; oh, I was wondering what happened to this book, I remember going to the signing and enjoying the talk immensely; and so on The only Didion I can lay my hands on right now is Miami, which seems like a perfect time for me to read since I am getting ready to start working on the Florida Bouchercon anthology. Didion may just be my muse; I’ve been thinking about writing a sort of memoir lately (because that is what the world needs; another memoir from a writer), but it’s something I’ve unknowingly been gathering material on for many years, and rediscovering my journals will be an immense help in that regard as well. We shall see.

And on that note, it is perhaps time to return to the spice mines; I have many emails to answer and generate before I depart for the dealership on the West Bank this morning.

Here’s a Calvin Klein underwear ad:

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All Night Long (All Night)

Well, it’s Sunday. I made it through another week and it’s grim and gray out there again this morning, with a grocery run staring me down and some serious cleaning, organizing, writing and editing to do ahead of me for the rest of the day. Heavy heaving sigh. But that’s okay; I have a lot on my plate. Some exciting things dropped into my lap recently–pretty much all in the second half of last week–which means I have a lot of things to work on but very little time in which to do them. This also, of course, means all the damned procrastinating I’ve been doing pretty much this entire year needs to come to an end, and I’m already regretting the whatever it was that was allowing me to be lazy all year.

Bad Gregalicious! Bad Gregalicious!

I had wanted to get some more reading done this weekend–Alafair Burke’s The Wife is truly extraordinary and it’s killing me having to read it in bits and pieces–but it doesn’t seem likely. I’ll probably get to finish it this week, as I am doing a lot of testing events this week and can read between clients. We also finished watching Mindhunter last night, which was absolutely amazing, and started watching American Vandal, which is a clever idea…we’ll give it another episode because we’re a bit on the fence about it. Watching Mindhunter also put us behind on our other shows that are currently airing, so we’ll need to get caught up on those tonight.

I do feel extremely motivated today; I slept really well last night so am feeling all I can conquer the world today, which is an absolutely lovely feeling. It’s certainly been awhile since I’ve felt that way, and I really do love the feeling. I have to work late nights tomorrow and Tuesday; the rest of the week is normal, and of course next week is Thanksgiving! Where oh where did this year go?

And I have SUCH a plethora of riches in my TBR pile; the new Donna Andrews, the new Ivy Pochoda, the new Adam Sternburgh…not to mention everything else that’s in my pile and has been for YEARS.

And speaking of which, I need to get back to the spice mines or nothing’s going to get done.

Here’s a Sunday hunk for you, Constant Reader:

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Don’t Cry

Saturday in New Orleans. I have a big to-do list to get through today, and I must get it all done so we can stream season 2 of both Stranger Things and Freakish this weekend, guilt-free. I also want to get some writing/editing/reading done on Sunday before launching into yet another week of work. I also slept late this morning; which felt wonderful–probably because it is a mere fifty two degrees here (AIEEE!) but I feel rested, which is truly the most important thing. I’d wanted to get up earlier, but hey–them are the breaks, kids. So, when I finish this cup of coffee I’ll probably make one to go and start running the errands, so as to get them over and done with. We were going to go see It tonight, but decided to wait and stream things tonight; we can always watch it when it’s available for streaming later.

I did finish my reread of The Haunting of Hill House last night before going to sleep, and as always, it was just a wonderful experience. That final sequence on the tower staircase terrifies me, as it always does; my fear of heights and my fear of spiral staircases no doubt stems from reading this book and seeing the original film, which was fantastic and remains, to this day, one of my top five horror films. (Do NOT under any circumstances watch the horrific, embarrassingly bad remake.) After I finish all my errands today, I am going to dive into End of Watch, which will probably bring my Halloween Horror reading to a close for this year. I am most anxious to dive into some of these books by authors I love (Laura Lippman, Alison Gaylin, Donna Andrews, Alafair Burke, Adam Sternbergh), and then of course there are the books collecting dust for far too long in the TBR pile. I also realized yesterday that I’ve not reread Rebecca this year, but that may wind up being something I tackle over the Thanksgiving holiday season. (I was also thinking last night of the similarities between The Haunting of Hill House and Rebecca last night; which might make for an interesting essay at some point…must make a note of that.)

Heavy heaving sigh.

So much to do, so little time in which to do it.

And on that note, tis off to the spice mines…since I overslept I can’t get more in depth on The Haunting of Hill House  as  I would like to; perhaps later, when the errands are finished.

Here’s a Saturday hunk for you, Constant Reader.

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Tonight, I Celebrate My Love

Thursday. The weekend is nigh, and Paul and I are considering going to see It at long last, as there is no LSU game on Saturday. I also am going to Costco, and want to make it to the gym to do some detestable cardio. But I will also do some stretching, so there’s that. I really need to start getting into a regular habit of going again. I always feels so much better after I work out…you’d think that would be enough motivation to go, you know?

But you would be wrong.

I also am looking forward to getting back into my reread of The Haunting of Hill House, which blows me away on every reread. October is almost over, and so my concentration on just reading horror will come to an end with October 31st; I will go on to End of Watch by Stephen King when I finish this reread, and then I’m going to dig into all the ARCs and advance copies I got at Bouchercon, which is terribly exciting. Laura Lippman, Alison Gaylin, Ivy Pochoda, and Adam Sternburgh! My new Donna Andrews, The Finch Who Stole Christmas, also arrived yesterday, which is terribly exciting. I have a lot of great reading in store.

I worked on revising the new Scotty a bit yesterday, and was terribly pleased to discover that what I’d already written wasn’t, in fact, a steaming pile of crap like I thought it was. Distance does, in fact, help. So I am going to try to get those initial chapters all revised by Sunday before putting it aside again and diving back into the WIP, for it’s last tweaks. I’m feeling a lot better about all of this, to be honest…not sure where this burst of out of nowhere self-confidence has come from, but there you are.

And on that note, ’tis back to the spice mines.

For Throwback Thursday, here’s one of my sluttier Halloween costumes, Gay Beach Volleyball Player.

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Always Something There To Remind Me

Monday morning.

I didn’t get as much done as I wanted to this weekend–do I ever?–and now it’s Monday morning. Ah, well, ’tis life, isn’t it? We have friends coming in this week–we’re having brunch Saturday at Commander’s–and I’m not sure what other opportunities we’ll have to see them this week.

I did manage to finish reading Donna Andrews’ latest, Gone Gull, over the course of the weekend, which was fun.

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“Wow, you could kill someone with that thing! Doesn’t that worry you?”

I counted to ten before looking up from the anvil, where I’d been about to start hammering on an iron rod. I’d only finished heating the iron to the perfect temperature for shaping it. If I was working in my own barn, I’d have ignored Victor Winter’s remarks.

But I wasn’t in my own barn. I was at the Biscuit Mountain Craft Center being paid–quite handsomely–to teach Blacksmithing 101. And however annoying I found Victor, he was a student. If ignored, he’d start muttering again about complaining to management. I didn’t want him doing that. Management was my grandmother Cordelia, owner of the center, and I didn’t think she needed the aggravation today.

So when I’d reached ten I put my hammer down, set the rod safely on the anvil, and pushed up my safety goggles. Then I smiled, and did what I could to turn his question into a teaching moment.

“Yes, Victor,” I began. “You could kill someone with this metal rod–even if it wasn’t heated to its present temperature of approximately a thousand degrees Fahrenheit.”

I love the Meg Langslow series, and eagerly await each new volume (there’s another one coming out in October, The Finch That Stole Christmas, huzzah! The Christmas ones–there are two already–are amongst my favorites).  Meg is, as you can guess from the above opening, a highly skilled and trained blacksmith; if I had any complaint to make about the series, it’s that Meg’s blacksmithing has taken a backseat to all of the many other things she somehow manages to do. This book is also not set in the small college town of Caerphilly, Virginia (I pronounce it carefully, because it makes me laugh), but rather in the Blue Ridge mountains, where Meg’s long lost grandmother (introduced in The Good, the Bad, and the Emus, another favorite) lives. (Although I do miss Caerphilly, but I am hopeful the October release will be set there.) Meg has an enormous family, a wry sense of humor, and is uber-organized, which is why she also ends up running so many, many things–almost all of which result in someone being murdered and Meg having to use her highly honed organization and deduction skills to catch a killer.

The premise of every  cozy series, of course, is that the main character manages to catch the killer before the police do; this is a very difficult thing to pull off, and Andrews does it every single time. The books are witty, and clever, and I don’t think I’ve ever even tried to figure out who the killer is, or solve the crime (which is something I tend to do whenever I read a crime novel) because I am enjoying the ride so much.

Gone Gull is a fine addition to a series that I hope Andrews never grows tired of writing, because I’ll keep buying and reading as long as she does.

Stand Back

I have to work today, so am spending this morning catching up on chores around the house. After I get off work, we are heading up to Baton Rouge for tonight’s LSU game, which I am quite naturally excited about. It’s also my first time taking the new car to an LSU game in Baton Rouge! Woo-hoo!

GEAUX TIGERS!

I also started reading Donna Andrews’ latest, Gone Gull, last night, and am enjoying it pretty thoroughly already. I’ve already laughed out loud a couple of times in the first few chapters, an excellent sign, and am looking forward to reading more of it. Since I am working today and going to the game tonight, I have to do other errands–get groceries, etc–tomorrow, but I am also hoping to be able to carve out some time tomorrow to do some writing/inputting edits. I am so far behind on the inputting of the edits–it’s such a tedious process–but maybe if I just devote myself to it tomorrow, I can power through it, and then spend next weekend making the necessary tweaks the manuscript needs to have made before I start querying agents.

Ah, the joyous sting of rejection to come. Woo-hoo. But I’m much better about that sort of thing now than I used to be. Now, as long as the rejection is handled professionally, I no longer mind. And by professionally, I mean that you are notified. There’s nothing more infuriating than writing something for a market–say, an anthology–and finding out you didn’t get into the anthology when the book is released. This has happened to me more than once, and I am really tired of it. I am also really tired of the people involved turning around and saying oh, I just don’t time to contact everyone. Um, it’s part of the fucking job. I notified every single person who submitted a story to Blood on the Bayou–in fact, for every anthology I’ve ever been involved with–to let them know I wasn’t able to use their story, and to encourage them to submit it elsewhere.

There’s no fucking excuse, otherwise.

Agents who say on their website that ‘if you don’t hear from us in two months’ or some other time period? That’s different, because they are letting you know right up front they will only contact you if interested, and are giving you a timeline. Personally, I still think you should thank someone for submitting, but I’m also old school, and maybe agencies nowadays simply don’t have the staff or the time to do that anymore. I’m not an agent, have never been one, and have never worked for an agency, so I give them the benefit of the doubt.

And on that note, tis back to the spice mines.

Here’s a Saturday hunk for you, actor Caspar Van Dien.

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Beat It

Throwback Thursday!

Exhausted this morning after a lengthy day yesterday of office testing and then bar testing last night. I slept really well; my back is still a bit sore as are my hips; I may have to preemptively cancel Wacky Russian this week because I don’t think it’s wise to push my muscles when they are still recovering from whatever it was I did to them in the first place. I only managed to get started on another short story yesterday, “The Brady Kid,” and maybe got about eight hundred words of it done; I was too sore and too tired to do anything else. I hate losing work days like that, but at least this morning I don’t have to be into the office until later, and I feel rested and not quite as sore this morning. SO maybe, just maybe, I’ll get to be productive.

A boy can dream, right?

It’s raining right now; a thunderstorm rolled in sometime around five this morning. Thunder woke me into a half-awake state, and I was able to fall back asleep for a few more hours–another sign I was really tired and in need, desperately, of rest. I am awake now, on my first cup of coffee, and could easily slip back beneath the covers and return to sleep; it is truly amazing to me how crucial sleep–something I never really even paid much attention to when I was younger–has become to me as I’ve gotten older.

I’m hoping that I’ll be able to finish The Gods of Gotham by the end of the week. I haven’t decided on my next book–Blame by Jeff Abbott, or something by Eric Ambler (whom I’ve never read), or the new Donna Andrews, Gone Gull, are the most likely picks; I’ve also got an advance copy of Laura Lippman’s Sunburn; so many choices! My TBR pile is a veritable smorgasbord of good reading options.

And on that note, it’s back to the spice mines with me.

Today’s Throwback Thursday hunk, male supermodel of the 90s Marcus Schenkenberg:

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G. U. Y.

I love James M. Cain.

I generally give one of his books a reread every year; Double Indemnity is a personal favorite, although I also have soft spots for Mildred Pierce, Serenade, Love’s Lovely Counterfeit, and, of course, The Postman Always Rings Twice. I’ve not read all of his books, partly because I don’t ever want to be finished with the entire Cain canon, but also because many of his lesser-known are no longer in print. But yesterday, after I finished Lori Rader-Day’s sublime Little Pretty Things, I pulled out The Butterfly and read it in a little over an hour. (Many of Cain’s works are really short.)

She was sitting on the stoop when I came in from the fields, her suitcase beside her and one foot on the other knee, where she was shaking a show out that seemed to have sand in it. When she saw me she laughed, and I felt my face get hot, that she had caught me looking at her, and I hightailed it to the barn as fast as I could go. While I milked I watched, and saw her get up and walk all around, looking at my trees and my corn and my cabin, then go over to the creek and look at that and pitch a stone in. She was nineteen or twenty, kind of a medium size, with light hair, blue eyes, and a pretty shape. Her clothes were better than most mountain girls have, even if they were dusty, like she had walked up from the state road, where the bus ran. But if she was lost and asking her way, why didn’t she say something and get it over with? And if she wasn’t, why was she carrying a suitcase? When I was through milking, it was nearly dark, and I picked up my pails, came out of the barn, and walked over. “How do you do, miss?”

And so this is how Jess Tyler, abandoned eighteen years earlier by his wife, meets his now grown youngest daughter, Kady.

Cain’s novels are all relatively short (I think Mildred Pierce is actually the longest, at least of the ones I’ve read)–which is interesting on its face; many of my favorite writers (Cain, John D. Macdonald, Megan Abbott, Margaret Millar, Charlotte Armstrong) write short novels–and The Butterfly is only 118 pages long. The book is set in Appalachia; West Virginia, to be precise, and Cain’s grasp of what life is like for poor rural Southern people is spot-on, as he always was with every book. He also manages to get across the poverty, and the acceptance of that poverty, across without using vernacular; Jess says “hollow” instead of “holler,” as an example. It’s also amazing how he managed to get this book (or any of the others, really) published at the time he did; the subject matter seems a little bit much for the time. If Mildred Pierce is an opus on motherhood, and the strain of loving a child who is a monster; The Butterfly is the obverse, telling the tale of paternal love for his child that crosses that line that shouldn’t ever be crossed; from love to lust and desire. It’s quite chilling and disturbing, but also quite good because he makes it understandable, which makes it all the more chilling and disturbing.

The book was eventually filmed, as so many of his novels were, but this film was notorious as the screen debut of Pia Zadora. I’ve never seen it, actually–the only Pia Zadora movie I’ve ever seen is Voyage of the Rock Aliens, although I’ve heard The Lonely Lady is so bad it reaches epic camp proportions–but now I am kind of curious.

I also started reading Donna Andrews’ latest, Die Like an Eagle, yesterday while waiting for Paul to come home so we could go to the Parades.

And happy Mardi Gras to one and all.