Tag: Captains and the Kings

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

It’s a Heartache

Thursday morning, and my first night spent alone here has passed. It’s so eerie and quiet around here without Paul and Scooter. It’s also weird having that big old bed to myself–Paul is rarely, if ever, not home; I’m the one who’s always traveling–and of course, the apartment always grows exponentially in size somehow when it’s just me in the house. Go figure, right? But I hope to get some things done around the house–I can, for example, spend an entire day upstairs on the weekend cleaning, using Paul’s computer to work on and I can stream stuff through the television upstairs while I clean and organize and try to get it into some semblance of order. I can also work on the downstairs every night and over the weekend, etc. I always plan to get a lot done and I inevitably end up not getting a lot done, which is part of my perpetuation of me being incompetent and lazy and so on; make so many plans there’s no way in hell you can complete them all even if you’re super motivated and driven, and thus can castigate myself once again as a lazy loser.

Lather, rinse, repeat.

So, I am planning on making the best of being a temporary widow. I am not going to be a slug, and I don’t have Scooter’s demands for a lap to sleep in to blame it on, either. SO THERE ARE NO EXCUSES. I doubt very seriously that Paul will come home to an apartment so sparkling clean and organized he’ll think he’s in the wrong house, but I can certainly make it all look better at any rate. I may even move furniture. I know, madness, right?

Stranger things have happened. And will again!

I was mostly productive last night; I decided to not really do a whole lot of anything much more than chores. I did several loads of laundry and several loads of dishes, picked things up, reorganized a bit and wiped things down–one would almost think I was on a very strict and tight deadline or something. I had a few pleasant down moments, because when doing laundry and loads of dishes sometimes you have to wait–and there’s not the time to start watching something or writing something, so it’s short little videos on Youtube time, and avoiding wormholes there is sometimes difficult, but it wasn’t last night. I spent some time moving and organizing computer files, and frankly, it was a nice and easy relaxing evening. I got things done, didn’t get sidetracked, and made a great start on the thorough cleaning the apartment needs. I am probably going to spend the weekend mostly working on the upstairs, because we are having work done on the downstairs; when I got home last night there was an enormous ladder and some other tools and things in the living room; and the work on repairing the walls had begun. I have no idea how long that is going to take, but obviously, there isn’t much point to doing a lot of work in the living room while that is happening. And…being forced to focus on the kitchen, laundry room, attic, and upstairs isn’t a bad thing at all. I can always take plug a flash drive into Paul’s computer and write while I am up there working, too.

The theory here is staying busy will keep me from feeling lonely or missing Paul and Scooter. (We really need to get a cat as soon as he gets back, seriously.) Hopefully tonight when I get home from work (and running errands) I can work on the book and do some more cleaning and/or organizing. I may even try to repair that wobbly drawer myself. The file cabinet itself needs a serious purge, as do some of the file boxes I have accumulated around the apartment in my tragic paper hoarding need. As I was looking around at the books last night and thinking about the next serious pruning, I kept coming across books where I would think at first oh, that can go, I’ll never read that again but as I reached for it remembered, oh yes, you wanted to read that because its hardboiled crime fiction set in Los Angeles in the same period as Chlorine is set, and there was a really horrific scene where a gay man is abused by the cops, and that could be helpful in getting into the mindset of how MY queer characters would view the LAPD in that period and so I moved on to the next book on the shelf. It was literally funny how almost every book in my apartment, on my shelves or yes, in the stacks on the floor, I could remember a distinct reason for wanting to read the book and in many cases, it involved writing something; whether a short story, a novel, or an essay about themes or characters or whatever within the book, there was some writing-related reason I wanted to read that book for the first time, or in some cases, like The Lords of Discipline or The Last Picture Show, for maybe the fiftieth time because I wanted to revisit it and see how I felt about it now, at this point in my life as a reader.

I’ve been trying to remember my influences, the cultural moments that resonated or impacted me in some way that changed the way I write because my perspectives had also changed. I recently acquired a copy of a juvenile mystery I remember reading, either from the library or from buying a copy at the Scholastic Book Fair, which I lived for when I was a kid, because I wanted to read it again–and already, just from seeing the image of the original cover and reading the description, I can still remember details from a book I read over fifty years ago; and those were the mysteries I read before I found the series mystery books for kids; once I started with the series, that was all I read…before moving onto novels for adults, which I read voraciously. I’ve talked about and written about books that I loved reading when I was a kid or a teenager, books that made an impression on me in some way and that I remember very fondly, like The Thorn Birds or Green Darkness or The Other Side of Midnight, and sometimes I wish I had the time to go back and revisit those books–but there is so little time and those books are all so long. Everything back then seemed to be incredibly long–The Winds of War, everything by James Michener, Captains and the Kings, Rich Man Poor Man, and even Dress Gray, the West Point murder mystery I always wanted to reread back to back with The Lords of Discipline. Genre fiction–mysteries, romance, scifi–were shorter books as a general rule. Even Harold Robbins wrote some door-stoppers of novels, like The Carpetbaggers and A Stone for Danny Fisher. Irving Wallace churned out incredibly lengthy books that ultimately really were thrillers at their beating heart; Irving Stone mastered the historical biography; and Irwin Shaw also wrote novels the size of leviathans.

And somehow I managed to read them all.

I am not the voracious reader I was when I was younger and had more energy and somehow more time (no cell phone or Internet, more like), and I also read a lot faster than I do now. Heavy sigh. But today is the last day in the office of the week for me, and the last time this week I have to get up this early–I did wake up several times during the night, but I feel rested this morning, if a little spacy–and that’s very nice.

And on that final note, I am heading into the spice mines. Have a lovely day, everyone, and I’ll check in with you again later.

Soon You’ll Get Better

Saturday morning in New Orleans, and all is as well as can be expected in this hellish timeline we are all living through at this point. I’ve been sleeping exceptionally well lately–not sure why, but don’t want to question it and simply enjoy it for as long as it lasts, frankly–and I may even just stay in bed as long as I want to tomorrow; I could have easily lazed in bed much longer this morning. I may treat myself to cappuccinos while I get everything on-line done that I need to get done before closing my browser and shutting the Internet down for the rest of the day so I can get to work on Bury Me in Shadows, which I haven’t even looked at all week, much to my deep and abiding shame. I’ve not completely adjusted to working 8:30 – 5 every day, really; and am always tired and mentally fatigued when the daily shift comes to an end; too mentally fatigued to read anything, let alone write anything. I did manage last night to clean up/organize some electronic files, though.

While I was condom packing yesterday (I filled three boxes of them, a personal best thus far) I continued my journey through 1970s cinema, with yesterday’s theme being paranoia. Paranoia was a big thing in the 1970’s, and the films and novels of the decade reflected that–not surprising, given it was also the decade where Vietnam came to an end (1975), when Watergate occurred (1972-1974), and of course, the decade where terrorism really became a thing–it was the decade of the Munich Olympic massacre, the Entebbe skyjacking, etc. It was a decade where trust in institutions began to erode and fade; where conspiracy theories really began to come into their own; and cynicism replaced optimism–if optimism could be said to have ever been an integral part of the American outlook and not simply another part of the mythology we were being sold. It was the decade of the Bermuda Triangle, the Amityville horror, UFO’s, and countless other strange conspiracies and/or cover-ups; when Area 54 really entered the public consciousness, and a time when it became much easier to believe that the government was lying to us about everything and that corporations and billionaires were truly running the world for their own benefit and profit. (This was, of course, the primary theme of Taylor Caldwell’s bestselling novel Captains and the Kings, a thinly veiled history of the Kennedy family’s rise to wealth and power, which was made into a mini-series later in the decade.)

The two films I watched yesterday while condom packing were definitely reactions to the paranoia of the times: The Parallax View (starring Warren Beatty) and Three Days of the Condor (starring Robert Redford). Both were based on novels; both were about conspiracies and/or cover-ups led by incredibly powerful people; and both had very cynical endings. The Beatty film was about the cover-up of a political assassination, in which Beatty played a crusading journalist trying to get to the bottom of the story; the Redford film was about a man who worked for a CIA front (the American Literary History Society) and whose job was to read books, articles, journals, etc., looking for coded references to spy organizations and conspiracies (which was, in and of itself, another example of paranoia); the Redford character finds some curious reoccurring references in some South American and Greek novels and articles and writes a report. One day when he goes out to pick up lunch for the office he returns to find everyone dead; even the guy who called in sick was murdered in his apartment. Redford, whose code name is “Condor”, is not a field agent and has no idea what is going on, other than his life is in danger and he needs help. He winds up taking Faye Dunaway hostage at some point at gunpoint and getting her to help him–she eventually succumbs to Stockholm syndrome, winds up helping him rather than escaping, and they even have sex together*–and throughout the course of the movie you never are certain who can be trusted or who cannot, as people keep switching sides, including the professional assassin (played by Max von Sydow), and the end of the movie is also cynical, implying that not even journalists can be trusted (subverting the popular 1970’s trope of the crusading reporters, inspired by Woodward and Bernstein’s coverage of Watergate).

It was an interesting decade to experience puberty and adolescence through, that’s for certain.

We’re nearly finished with The Alienist: Angel of Darkness, and are really enjoying it. I think we’re going to go with Never Have I Ever next; we’ve pretty much been watching non-stop noir-like heavy crime dramas for quite some time now (although the foreign ones have been absolutely delightful) but I think some light comedy will be welcomed gratefully into the Lost Apartment.

We also had an astounding thunderstorm/flash flood warning yesterday afternoon, which seems to be happening almost daily now. I love rain–I don’t even mind being caught in it as long as I am not having to lug shit into the house while it pours–and there’s nothing quite so comforting as being safely warm and dry inside while it pours outside and the sidewalks get covered in an inch or so of water. I’m not sure if it’s going to rain today–there’s nothing but sunshine and blue sky outside my windows this morning–but I feel fairly confident it will at some point; after all, it’s pretty much a daily occurrence now.

I also realized belatedly last evening that part of the funk I’ve been in lately has to do with the impracticality and uncertainty surrounding the football season for this year. I usually spent most of August excitedly reading everything I can about the Saints and college football, wondering what the coming season will hold; will it be an exciting one or a disappointment; but no matter what happens, I am always entertained–and last season was, as Paul reminds me pretty regularly, one for the books. As huge LSU fans last season was like a fairytale, a Disney film come to life–with every element in place for a great uplifting movie, and the ending was perfect, too; LSU stuck the landing and gave all us fans a season we will always remember with a smile. I am deeply grateful I got to see that championship team play twice in Tiger Stadium–we went to the season opener against Georgia Southern and the Florida game, which was one of the best times I’ve ever had in Tiger Stadium, and we’ve been to exciting games before but that one was everything–and am even more grateful I got to see Joe Burrow play, not only those two games last year but in the games we were able to see the year before. Not knowing if there’s even going to be a season, or if there is, what it will look like, has been kind of depressing on top of everything else; it’s as though all the things in life I find joy in are all gone, with just the bullshit left in its place. I’m not even sure how I feel about the conferences trying to make a limited season happen; it just seems vastly unfair to the players to put them at so much risk, and I don’t know if I should encourage that by even watching the games if they do happen and air on television.

I will never forgive the non-maskers for the loss of this football season, or however it turns out–whether it’s shortened, messed up, or cancelled. NEVER. Thanks for being such complete selfish assholes! You, for the record, are why we can’t have anything fucking nice–although the loss of college football is the LEAST of your crimes. Enjoy meeting your God with that black sin on your soul.

So, I am going to finish this and head back into email hell for a while, before showering and getting back to work on my book. I’ll probably try to do some cleaning and organizing while I’m at it; I still haven’t started–or even selected–my next fiction read, although Poe Dameron; Free Fall is sitting right there….but I also want to read Lovecraft Country before I start watching the show.

And on that note, back to the spice mines.

*This is the same trope that Robert Ludlum used in The Bourne Identity, in which his character, Jason Bourne, who has been shot in the head and now has amnesia and no idea why everyone is trying to kill him, kidnaps a woman and takes her hostage; by the end of the novel they are in love and making a future together–and no one thinks anything of this, and it’s presented as normal; another sign of the times, I suppose. I’ve been meaning to reread The Bourne Identity as well as revisit Ludlum; his career as a novelist actually began in the 1970’s with a paranoia novel, The Osterman Weekend, which was also made into a movie, and almost all of his books have some sort of paranoia at their heart. I loved Ludlum when I discovered him in the late 1980’s; I’ve meant to revisit him for quite some time now, to see how he holds up. My favorites of his were The Chancellor Manuscript, The Gemini Contenders, and of course, The Bourne Identity, but I read all of the books he wrote himself until he died–I’ve not read any of those written by other authors since his death.

If You Asked Me To

It’s Friday! I made it through my first week home after Bouchercon! Huzzah! Huzzah!

I kind of need this weekend, to be honest. I am still kind of discombobulated, out of it, wondering where and what I need to get done and when I need to do it by. I know I need to make a list, but I don’t even know where to start. It feels like whatever I was focusing on or doing before I left for St. Petersburg has been lost forever in the ether of my mind.

A scary thought, is it not?

But I’m working on a new story, and I have another idea for a book that I am noodling around with this week, and we’ll see how much I can get my life reset this weekend.

Yay, weekend!

I’ve also been watching the documentary series Bobby Kennedy For President on Netflix, and enjoying it–if you can say watching the history of a life and the potential for greatness snuffed out too young enjoying–but it has made me think about a lot of things. (I also highly recommend CNN’s documentary series The Fifties and each decade series that followed; we have such a tendency in our country to forget even our most recent history, and this lack of knowledge is at the heart of so many things wrong with our present day world….it makes me sad.) I remember 1968; I remember the night Bobby Kennedy was murdered. I remember the sense that, with all the rioting and murders and lawlessness seemingly running rampant in the country, that the noble American experiment in self-rule was coming to an end; that these seismic social convulsions would end with the downfall of the country and result in an uncertain future. I didn’t know much about Bobby Kennedy before watching this documentary; I know more now, and watching him in action, his speeches and what he believed in and what he was fighting for leaves no question in my mind that had he not been murdered in Los Angeles that fateful night he had a very good shot at becoming president that year. How different would our country, would our history, be had we not suffered through Vietnam until 1975; had there been no Watergate investigation and presidential resignation; had Spiro Agnew not been vice-president when his past crimes as governor of Maryland surfaced in 1973? But then again, who knows what would have happened had Bobby Kennedy not been shot in the kitchen of the Ambassador Hotel, or what his presidency would have been like. It’s hard to imagine, though, that the next eight years would have somehow been worse.

When I read Taylor Caldwell’s novel Captains and the Kings in the early 1970’s (it was also made into a mini-series) it was fairly apparent to me that she based the Armaghs on the Kennedys; one would have to be an idiot not to realize that, particularly when she wrote, in an afterward, about how she had warned President Kennedy not to go to Dallas. Caldwell, a conservative and a staunch Catholic, believed in what is generally known as a conspiracy theory involving a coalition of incredibly wealthy and powerful men around the world who decide elections and the future of the world, based on how it will impact their wealth to the positive. In her roman-a-clef about the Kennedy family, originally the patriarch was one of those “captains and the kings” who controlled world events; his ambition, however, for his son to become president eventually overrode his loyalty to the cabal, with the end result that his son is assassinated. The family matriarch believes the family to be cursed; there has always been talk of a curse on the Kennedy family as well.

Given the cruelty of fate to the Kennedy family–one has to wonder. So much death, so many young lives cut short. Awful.

I do recommend the documentary series. Kennedy haters won’t like it, but it’s a nice introduction to who Robert F. Kennedy was, and why he was so important to so many people in that terribly turbulent time.

And now, back to the spice mines.

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