Tag: Brendan DuBois

Get Used to It

Wednesday Pay the Bills Day blog! And it’s also the middle of the week, and the three day weekend looms large. I don’t feel tired or groggy this morning, which is odd, but hey–what can I say? I slept well and feel good. The coffee is also good this morning, and I had the last piece of king cake this morning (yes, it’s all gone already and no, I didn’t have more than three smallish pieces); I’ll pick one up on the way home from work tonight, as I have to make some groceries to get us through until the weekend. I can’t wait for next week, when miraculously all prices will suddenly drop by at least 75% and gas will be back to a dollar. Woo-hoo, life-changing! As if. The presidential troll has already walked that lie back, as he is walking all of his campaign lies back, and things will just be worse, and of course, it’ll be the fault of Democrats somehow, despite the Right controlling all three branches of government and are going to overplay their hand (they always do)–but they will not give up power voluntarily so we’re looking at violence in the next election (should there be one) as the republic continues to limp on and try to recover from the latest Republican attempt to turn the entire country into Alabama. (And I say that as someone from Alabama–although Mississippi, Arkansas, and Tennessee would work just as well.) I mean, if you want to get a sense of what one-party Republican rule looks like, pick a fucking red state and see how it’s doing on every scale of quality-of-life metrics. Funny how regularly blue states aren’t on government welfare, isn’t it? So why would a view of politics and government clearly doesn’t work on a state level work on a national one?

Oh yes, Black and Brown people. You can never go wrong boiling everything right-wing to bigotry and prejudice of some sort. People will always vote against their best interests if you consistently tell them they are oppressed and play to their most basic instincts–it’s not YOUR fault, it’s Black/Brown/gay/trans people’s fault! THEY’RE TAKING AWAY YOUR BIRTHRIGHT!

Ironically, the “party of personal responsibility” loves to blame everyone else for their utter and complete failures.

The Internet continued to roil yesterday over the latest publishing scandal, and it’s even more amazing how many people “just had that vibe about him” and “everyone at his publisher knew not to leave female interns around him” and so on–to me, the latter goes to show how people in power covered for their cash cow, and while I know it’s generally not smart to take shots at big name people who are generally beloved, some of this anger should be directed at the institutions that covered for him and allowed him to get away with it for so long? There’s absolutely nothing wrong with trusting someone who has been kind or generous or supportive of you; I tend to not ask people who are that way with me whether or not they have problematic behaviors or values or beliefs; no one does. When you get a good impression of someone you tend to not look for reasons to not like them. Abusers are generally masters at gaslighting, and sadly, you can’t tell by looking at someone that they are a predatory abusers with a trail of victims in their wake. I also don’t feel like the gaslit people an abuser fooled need to publicly made statements or so forth to distance themselves. I get that the natural instinct is to make sure no one thinks you sympathize with them, or are a collaborator or are complicit, but I also don’t think it’s necessary, either. I also get that it’s hard when your hero takes a fall–which is why I think hero-worshipping is usually a mistake. People are fallible; that design flaw is baked in. You’re always going to be disappointed when someone you’ve given your money and your affections to do something that is against your values and system. But…no one’s values or beliefs are going to perfectly align with yours, and sadly, art doesn’t discriminate–people who do bad things can create amazing (and influential) art. Can you enjoy the art after (or already) you know the artist is a problem? I think that’s up to you. Caravaggio was deeply problematic, but his gorgeous art has lasted for centuries. And granted, someone who’s been dead for centuries is a bit different than a rapist who is still alive. Personally, having the works of a problematic current day artist in my house makes me a bit uncomfortable, but your mileage may vary.

This recent public rending of garments and gnashing of teeth in the wake of the latest “good guy turns out to be predator” publishing news seems funny (in the weird/strange meaning way, not haha funny) to me. For one, I’ve never completely trusted men who claim to be feminists; maybe it’s because I learned feminism from lesbians, but I refuse to identify as a feminist–as a male, I can’t truly be a feminist because I will never completely understand or appreciate the experiences of being a woman. I call myself a feminist sympathizer–please note I don’t say “ally” for the simple reason that I grew up in a society and culture of toxic masculinity, and no matter how much I think I’ve recalibrated that out of my system, every once in a while I’ll have a thought, immediately followed by man, it’s so hard to break that programming, isn’t it? I’m not sure why people feel guilty simply because they knew a predator and thought he was nice. The reasons predators succeed for as long as they do is because their carefully constructed persona is camouflage for the darkness within. Last spring someone I knew in the crime community1–well enough that I not only had his email address but I also had his cell number stored in my phone (if I have your cell number saved in my phone, I consider you a friend and have let you inside a bit). Was I surprised when he was arrested and charged with possession of (an incredible amount of) child pornography? Absolutely. Had I ever seen any sign of such a possibility at any time in any of my interactions with him over the last fifteen or so years? No. I didn’t berate myself for not seeing it sooner, or not having my primordial instincts triggered by his badness. There weren’t many, if any, kids around at writers’ conferences and award ceremonies and other professional environments where I ran into him. Granted, he also wasn’t a hero of mine, either. But…Stephen King’s support of J. K. Rowling was disappointing, and I don’t read him anymore. I didn’t get upset about it, nor did I mind donating all my copies of his books to the library sale. I didn’t know him personally; we met once and had a lovely, if brief, conversation. I don’t know if I have an equivalence for Neil Gaiman in my life?

But it does make me think that I am right to be so guarded with straight white men.

Which reminds me of another book I’ve wanted to write. Sigh.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader!

  1. An anthology I was in with him is being reissued with his story removed in a week or so; more to come on that. ↩︎

Essence

And here we are, on a very hot Saturday July morning in New Orleans, feeling rested and relaxed, which is becoming the norm and I have to say I really quite like it. I think some of it has to do with the lessening of stress and anxiety with the lightening of my over-all schedule; it’s nice not being constantly busy and always feeling guilty (anxious, stressed) about the things undone when I had to call it quits for the day from sheer exhaustion…and then of course that stress/anxiety/guilt made it impossible for me to sleep. I even cut back drastically on my caffeine intake during this period–cutting back to only three cups of coffee (which is probably still too much, really) and only one 16 ounce bottle of Coke per day. It’s helped my sleep some–and I am not willing to up my caffeine intake to find out, either–but I’ve been sleeping so well the last few weeks since I recovered from the trip that I am almost not afraid talking about it will jinx it…but the streak continued again last night. I’m not sure what the difference is–probably the reduction in stress and anxiety.

Finding out that my mother suffered from anxiety was also incredibly helpful. Finally, at age sixty-one, nearly sixty-two (less than a month away), I realize that I, too, suffer from almost crippling anxiety, but never realized it because it’s just my reality, if that makes sense? Everything stems from anxiety: the self-deprecation, the not taking my work as seriously as I should as well as being dismissive of it rather than proud, the issues with public speaking–all of it stems from anxiety. But that’s because it’s always been for me, I just figured, as one would, that it was normal and everything else has the same issues because that’s all I know. The Xanax has helped somewhat with reducing my anxiety or lessening it enough for me to be functional, and now recognizing that it is an actual chemical brain condition that I’ve had most of my life has opened my eyes in many ways, and I am trying to rewire my brain to accept and understand that anxiety causes me to want to self-destruct at times. I wish I had known this about twenty years ago, even forty, but would it have made a difference?

Yesterday wasn’t a bad day, really. I woke up later than usual (same this morning, staying in bed until just past seven thirty like a lazy slattern) and feel very rested. I spent most of the day going over forms doing Quality Assurance as well as did some on-line trainings. Once the work day was over, I repaired to my easy chair with my journal and scribbled notes in it for awhile until Paul got home from the gym. We watched this week’s episodes of Minx (smart adding Elizabeth Perkins to the cast for the second season), The Crowded Room, and Hijack, and moved on to some more Awkwafina is Nora from Queens, which is rapidly becoming one of my favorite half-hour comedies of all time (the queefing episode is a non-stop laugh riot, seriously).

Today I want to spend some more time on a kitchen cleaning project, in which I am cleaning out the drawers and the cabinets in the kitchen. Things tend to accumulate around here, and there are things that get tossed in drawers that I’ll never need, have never needed, and just held on to for some reason unknown to my conscious brain. I also want to work on the kitchen rugs (which never stay in place, ever) and the floors a bit more. I need to purge more books, too, and work on the kitchen. There’s a mess now because I cleaned out some things already and now that stuff is scattered all over the kitchen and I need to either find a place for it all or toss it, I also am going to spend some more time with Megan Abbott’s Beware the Woman over my coffee and perhaps a few more Alfred Hitchcock Presents short stories before I run today’s errands: groceries, mail, library sale to drop off books, and maybe a car wash. The tire pressure light has been on in my car since I drove home from Kentucky, but the heat has been so intense I’m not sure I’ve been able to get an accurate gauge reading of the tire pressure; I’ll probably swing by the gas station before doing any errands to try equalizing the pressure again. I also want to spend some time trying to write today–whether it’s a new book project, a revision of a short story, or even a brand new short story entirely (that Malice anthology deadline is approaching), but I want to get back into writing again, flex and stretch those creative muscles that have been so dormant for so long.

I got the table of contents for another anthology that I am appearing in, School of Hard Knox, edited by the amazing Jeffrey Marks and coming from Crippen & Landau. The author of the Father Knox crime series, back from the Golden Age, had come up with a list of ten rules that should never be broken by a crime/mystery writer; we each chose a rule and wrote a story breaking it. Mine was “no supernatural events or beings”; which was kind of perfect for me. I dug out an old Alabama/Corinth County story that had been moldering in the archives for decades called “The Ditch,” which I revised and rewrote and made much stronger. I was pleased when the story was accepted, and I was even more pleased to be told that the copy editor thought my story was “powerful.” (I’ll write more about the story, and the anthology, when its release date is imminent.) I also got paid for my story “Solace in a Dying Hour,” and cannot wait to get my contributor copies of This Fresh Hell. I don’t know why I get so much satisfaction out of selling and publishing short stories; but subconsciously I think of each sale/publication as another knife into the corpse of that wretched college writing professor who told me I’d never publish. Given how revenge and “I’ll show you” will always drive me to prove someone wrong about me, I’m starting to think that professor may have been a blessing? I’ve certainly proven him wrong with over forty novels, fifty short stories, and over twenty anthologies edited, not to mention countless articles, interviews, book reviews, and essays I’ve published over the years.

Anyway, here is the TOC for School of Hard Knox:

Introduction – Jeffrey Marks
Not Another Secret Passage Story – Donna Andrews
A Matter of Trust – Frankie Y Bailey
THe Dinner Partty – Nikki Dolson
The Intruder – Martin Edwards
The Ditch – Greg Herren
Dichondra – Naomi Hirahara
Baby Trap – Toni LP Kelner
The Stolen Tent – Richie Narvaez
The Rose City Vampire: An Accidental Alchemist Short Story – Gigi Pandian
Chin Yong Yun Goes to Church – SJ Rozan
The Forlorn Penguin – Daniel Stashower
The Island Boy Detective Agency – Marcia Talley
Ordeals – Art Taylor
Knox Vomica – Peter Lovesey

Look at those names. I am so honored and thrilled to be in an anthology enabling me to share the interior with these amazing, glittering names. More on this anthology as things develop–release date, cover reveal, etc. I’m very excited to be in this book, which will be a strong contender for Best Anthology short lists next year, as well as the stories making Best Short Story shortlists. I’m particularly proud of my story, to be honest. I think my metier in writing is writing about Alabama, to be completely honest. I know I am known as a “New Orleans writer,” and to be sure, my greatest success has come from writing about New Orleans, but I feel more drawn to writing about Alabama now that I am in my sixties. I am sure some of it has to do with losing Mom–somehow, it’s like writing about Alabama keeps me connected to her in some weird, complicated and twisted logic only my brain is capable of making, but it’s true.

I’ve also decided that I am going to submit to the Nashville Bouchercon anthology, even though I am not going. The theme, being Nashville, has to do with music, and its being edited by the incomparable Brendan DuBois, who is a fantastic short story writer and has found enormous success as a co-writer with James Patterson (I also like Brendan; we served on the MWA board together and he’s really a great guy). I would love to be edited and work with Brendan, and I think the story I’m going to write for it is “The Blues Before Dawn,” a period New Orleans story from before the first world war, which I’d been thinking about turning into a Sherlock Holmes in New Orleans story. That might make it stand out from the rest, one never knows. It also could get selected out by the anonymous readers who could be homophobic–it happens, and one can never be sure if your story isn’t good enough or if its homophobia–another joy of being a gay writer of gay stories.

And on that note, I am making another cup of coffee and going to read Megan Abbott for awhile. Have a great Saturday, Constant Reader, and I am sure to be back again later.

Boot Scootin’ Boogie

Wednesday morning, and the month of March is already slipping through our fingers like water in a sieve. It looks again to be a gorgeous morning out there–at some point this morning I am heading to the gym. I’ve just finished the long part of my work week–the two twelve hour days, and yesterday was particularly brutal, quite frankly. I didn’t want to get out of bed this morning, but alas, staying in bed all day won’t make the world go away nor will it deny the inevitability of Wednesday and all of its commitments arriving. So, I am going to slurp down some coffee, get some things organized, clean this messy kitchen/office, head to the gym, make a list of the errands I must get done today, and so on and so forth before I head into the office for four o’clock-ish.

I do feel tired this morning–I’m not sure if it’s tired from the two long days or a sleep hangover from my over-indulgence this morning–but I am sure the coffee will soon start kicking in and getting me over this hump. I did get a chance to write some more on my Sherlock Holmes story, but the primary focus for today needs to be my emails–at least for this morning–and maybe I can swing back around to working on the story later this evening. I’m relatively pleased with what I’ve done so far and the idea I have for the story; I am also working on another story with the same deadline–but this one is easier; I just have to revise a story that was turned down for another anthology and fix what was wrong with it to get it ready for this new submission.

But like the ant with the rubber tree plant, I’ve got high hopes.

This morning, the cover for the Joni Mitchell anthology I contributed to, The Beat of Black Wings, edited by the incomparable Josh Pachter, was announced and revealed over at the BOLO Books blog; click and go check out the cover  but the table of contents. I am enormously thrilled and excited to be sharing the TOC with such amazing writers as Elaine Viets, Donna Andrews, Art Taylor and Tara Laskoski, Sherry Harris, Brendan Dubois, and numerous other people who’s work I’ve enjoyed and admired for quite some time. My story was “The Silky Veils of Ardor,” inspired, naturally, by the song with the same name. When Josh graciously asked me to write something for the anthology, it was actually my friend Michael Thomas Ford (aka That Bitch Ford) who suggested which song to use. I will admit that while I am a fan and have always liked her work, I’m also not familiar with a lot of it, and also figured that the songs that I knew were most likely the songs everyone knows, and I wanted to do something not quite as famous as, say, “Free Man in Paris” or “Both Sides Now” or “Big Yellow Taxi” or “Help Me”. That Bitch Ford came to the rescue, suggested the song I used, and once I listened to it, I was like, hell yes, I can write this story.

I always say the best advice I’ve ever received or can give to a writer is to never throw anything away, and this certainly proved to be the case this time. I had written a dark yet delicious story set in a hotel bar at a writer’s conference with the TERRIFIC title “Death and the Handmaidens” (I still have hope for that title and the story, to be honest) which never got anywhere. Everywhere I submitted it to rejected it, so I clearly had missed the mark with it somehow, but I liked the seedy hotel bar setting, and after listening to Joni’s song, which is basically about a beautiful boy all the teenaged girls fall in love with, I started , naturally, thinking back to high school and the beautiful boys all the girls had crushes on…and the more I thought about it, the more I realized the seedy hotel bar setting was perfect for this, only instead of a writer’s conference it was a high school reunion, and my main character’s social anxiety disorder (something I experience from time to time) fit into this story much better than it did in the original. I took the original three paragraphs from “Death and the Handmaidens,” used it for the opening of this new story, and it just took wings (if you’ll pardon the allusion) from there. Josh gave me only a couple of edits, which was again enormously flattering, and now the story will be available soon–along with all the others, which I am truly looking forward to reading. I believe the anthology is going to be officially released in late April/early May; right around the same time that another anthology, The Faking of the President, will become available with my story “The Dreadful Scott Decision” included.

I do love writing short stories, even if it’s like amputating a finger sometimes, and I really love getting them into print. Last year saw my short story collection, Survivor’s Guilt and Other Stories, see print with some new stories, and also saw the inclusion of my story “This Town” in Murder-a-Go-Go’s, edited by Holly West (all available for your Anthony ballots, just saying). “This Town” is probably my favorite of all my short stories ever published, at least in recent memory; if I do another short story collection I will probably make it the title story, aka This Town and Other Stories.

All right, it’s time to get my shit together. Have a lovely Wednesday, Constant Reader, and I’ll catch up with you again tomorrow.

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I Love Your Smile

I’m tired this morning.

Yeah, I know. Same old same old for one now officially fifty-seven year old Gregalicious. Bouchercon looms on the horizon and I still need to read two more books to be up to speed on my Best Paperback Original Anthony panel; and I have a lot of writing and editing to do before I leave so I can go with a clear conscience and not do a fucking thing while I am in St. Petersburg.

I really can’t wait for that week off…

A mild cold front passed through overnight, so today is hot and sunny but not humid. Which is lovely, and has helped my mood. I had a bit of a sinus headache this morning, actually, because of the dramatic shift in the barometric pressure, and wound up having to take a Claritin, which I haven’t had to do as much this summer.

Heavy heaving sigh.

The next story in Florida Happens is Brendan DuBois’ “Breakdown.”

BIO: Award winning mystery/suspense author Brendan DuBois is a former newspaper reporter and a lifelong resident of New Hampshire, where he lives with his wife Mona, their hell-raising cat Bailey, and one happy English Springer Spaniel named Spencer. He is also a one-time “Jeopardy!” game show champion, and is also a winner of the game show “The Chase.” He has published over twenty novels, and  has had more than 120 short stories published in such magazines as Playboy, Mary Higgins Clark Mystery Magazine, Ellery Queen’s Mystery Magazine, Alfred Hitchcock’s Mystery Magazine, and the Magazine of Fantasy & Science Fiction, as well as in numerous original short fiction anthologies. In 1995, one of his short stories — “The Necessary Brother” — won the Shamus Award for Best Short Story of the Year from the Private Eye Writers of America, and the PWA also awarded him the Shamus in 2001 for his short story, “The Road’s End.” He has also been nominated three times — most recently in 1997 — for an Edgar Allan Poe Award from the Mystery Writers of America for his short fiction. One of his short stories in 1997 was also nominated for the Anthony Award for Best Mystery Short Story of the Year. In 2010, the readers of Deadly Pleasures and Mystery News awarded him the Barry Award, for Best Mystery Short Story of the Year, for his story “The High House Writer,” which was published in the July/August 2009 issue of Alfred Hitchcock’s Mystery Magazine. He also won the Barry Award in 2007 for for his story “The Right Call,” which appeared in the September/October 2006 issue of Ellery Queen’s Mystery Magazine. In 2005, he received the Al Blanchard Crime Fiction Award for Best Short Crime Fiction Story at the fourth annual New England Crime Bake, a mystery convention organized by the New England Chapter of Mystery Writers of America and Sisters in Crime. This short story, “The Road’s End,” appeared in the Windchill crime anthology, published by Level Best Books.

His short stories have also been extensively anthologized, including the 1988, 1990, 1992 and 1995 editions of The Year’s Best Mystery & Suspense Stories, published by Walker Books, as well as the 1995 and 1997 editions of Year’s 25 Best Mystery Short Stories and the 1997, 1999, 2001 and the 2003 editions of Best American Mystery Stories, published by Houghton Mifflin. In addition, his short fiction has also been reprinted in the 2001, 2002, 2003, and 2004 editions of The World’s Finest Mystery and Crime Stories, published by Forge.

An anthology of his short fiction, The Dark Snow and other Mysteries, was published in 2001 by Crippen & Landru press of Virginia. This was followed by a second anthology, Tales from the Dark Woods, published by Five Star.

His stories have also appeared in two short story anthologies published in Germany as well as in South Africa and Japan.

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Visit his website here.

“Breakdown” by Brendan DuBois

It had been a long, long time since Ruth Callaghan had suffered a flat tire while driving, so it came as a bit of a surprise when it happened.  She wasn’t familiar with the Toyota Rav 4 she was driving, and so when the tire let loose, instantly there was a heavy vibration in the steering wheel and the car, which had been driving smooth and fair, was now lurching to the right.

She slowed and pulled the Toyota over to the side of the road.  She checked her watch, and also checked the Rav’s dashboard clock.

Both said the same thing.  She had about forty-five minutes to go before she had to make her appointment.

Not forty-four.  Not forty-six.

Forty-five.

Ruth got out of the car and went to the rear.  The right rear tire certainly was flat.

“Damn.”  She wiped at the back of her neck.  It was hot.  It was incredibly hot.

She looked around at her surroundings.   She was outside of Miami, in a wooded and flat area that had seen better times, just like the old industrial sections she had earlier driven through.  Decades ago those factories had made comfortable livings for hundreds of families.  Now, they were broken, shattered, making comfortable homes only for the homeless or rogue animals living out in the wild Florida landscape.

Like one of her instructors had said, years back, systems break down if they aren’t carefully cherished and maintained.

Breakdown.

The thing I love about Brendan’s stories is you never are quite sure where they are going; he is a master of misdirection and always manages to lead the reader down the wrong path and BAM! There’s a surprise twist–but they are never out of place, and once you’ve arrived at the twist, when you look back you can see exactly how the twist was foreshadowed all along. “Breakdown” is a terrific story, about a woman on her way to an appointment who blows a tire in front of a strange house and has to change it so she can make it on time. As she works on the tire, she observes some strange behavior at the house by its inhabitants–she’s even snapped at by one of them in an incredibly rude way–and then the story changes direction and delivers a terrific pay-off.

And now back to the spice mines.

What About Love

It is a lovely spring morning in New Orleans, and the sun is particularly, almost obnoxiously, bright. I woke up early after a short night’s sleep, but it was also a particularly restful sleep; I also broke out the cappuccino machine this morning and had one of those as I checked my email and prepared to face the day. In other words, I am surprisingly rested and chipper this morning; I’m not sure what that means for the rest of the day, but so be it.

The Edgars are this week, and Malice Domestic is this coming weekend; gatherings of crime writers where many of my friends will also be. I do hate missing gatherings of crime writers, and it is my goal that one of these years I am going to attend as many of these events as I possibly can. I miss New York, for one thing, and all my friends there; it’s been far too long since I’ve dashed up there for a lovely long weekend of martinis and lunches and gossip and dinners and talking about writing. I love talking to writers about writing; and I need to go to these things more often not just because I have a great time, but because I also draw inspiration from them and tend to refocus my energies on my writing afterwards; those events remind me why I do what I do. It’s so easy to get discouraged and feel alone out here in the hinterlands.

And I am luckier than most; New Orleans has a very vibrant literary scene.

Paul and I gave up on Friends from College last night; it’s just too difficult to watch a comedy which is predicated on a long-term affair between two married people, particularly when one of the couples is trying to have a baby. It may sound prudish, but I don’t find adultery particularly entertaining as a plot device for comedy; particularly when it’s straight couples who have supposedly committed to monogamy. I just don’t see how this is going to remain funny when they got caught–and they are obviously going to get caught; and their inability to stop seeing each other on the sly is kind of played for laughs. You just know the season finale is going to be the pregnant wife finding out that not only has her husband cheated on her for twenty years but with a woman she thinks is her friend all this time.

Yeah, I fail to see the humor in that.

The male adulterer is a literary writer who is now determined to sell out for money; there was some humor in that, particularly in scenes with his agent, also one of their friends from college, played by Fred Savage–who is also gay, and whose partner, played by Billy Eichner, is the OB/GYN who is helping them with fertility treatments and the in-vitro process. Yeah, this isn’t going to end well, and with each passing episode it seems even less funny. It’s a pity; they could have eliminated the affair and done the show as a kind of St. Elmo’s Fire update show; with them dealing with middle age and getting older and still not having achieved everything they want from life.

But then that would be thirtysomething, and it’s already been done.

Now, I don’t know what we’re going to try to watch next. But I am also very excited because this is the week I am cutting off the cable. Yes, I am entering the twenty-first century and its time to stop paying the cable bill. We stream everything, and the only thing that had kept me tied to the cable company was college football and the Saints; and I can get that thru Hulu Live for a LOT LESS than what I am paying the cable company. So, this week I am cutting back to wireless service only from the cable company; and if I can find a reliable, less expensive company for that, Cox will be gone for good from my life.

Huzzah!

I also read some short stories.

First up is “The Long Lament” by Brendan DuBois, from Jim Fusilli’s Crime Plus Music:

The word went out that October that the head of the Campbell clan was dying, and for the next few days a steady stream of family members, relatives, and supplicants made their way to the city of Dundee, Maine, where a part of the widespread Campbell family arrived from the Highlands when the world-wide Great Depression had struck nearly ninety years earlier.

They drove in from the rest of the New England states, others took the ferry down from Nova Scotia, and a fair number flew into the Portland International Jetport from across the world, including Duncan Campbell–the younger son of the dying Colin Campbell–who had flown in to Maine from Phoenix, where he had lived for the past twelve years. Duncan’s oldest brother, William,  was already in Dundee, where he had never left. For the past several days, William had been keeping watch over his dying father in the upper floor of his modest two-story home in the Highlands section of Dundee, which offered a grand view of the rocky harbor.

Brendan DuBois is one of those writers you can always count on for a good, well-written story that will surprise you. This story is no different; it starts out with a younger son coming home with his wife to pay his respects to his father before he dies. As the story progresses, we learn the father is a crime lord and his older brother is a monster; the wife is Latina and the entire family are racists. And then the fun begins. As I said, Brendan never disappoints.

Next up in Crime Plus Music was “Unbalanced” by Craig Johnson.

The only part of her clothing that was showing were the black combat boots cuffed with a pair of mismatched green socks. She was waiting on the bench outside the Conoco station in Garryowen, Montana. When I first saw her; it was close to eleven at night and if you’d tapped the frozen Mail Pouch thermometer above her head it would’ve told you that it was twelve degrees below zero.

I was making the airport run to pick up my daughter, Cady, who had missed her connection from Philadelphia in Denver and was now scheduled to come in just before midnight. The Greatest Legal Mind of Our Time was extraordinarily upset but had calmed down when Id told her we’d stay in Billings that night and do some Christmas shopping the next day before heading back home. I hadn’t told her we were staying at the Dude Rancher Lodge, one of my favorites because of the kitschy, old brick courtyard and fifties coffee shop. Cady hated it.

This story is poignant and sad, but not terribly sad; it’s about the bonding of two strangers in a truck during the Christmas season and during a snowstorm; oddly enough, they bond over music and she resets the sound balances on his truck stereo to make the music sound better. It seemed like a Christmas story in some ways; one of those wonderfully sentimental stories that doesn’t cross the line into cheapness and manipulation. Craig Johnson is a superb writer, and this story really shows that.

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Raspberry Beret

I am afraid that the last two short stories I am writing, “Once a Tiger” and “Don’t Look Down,” have stalled for the moment. “Once a Tiger” I just need to step away from for a moment; I am definitely having some issues with that story, and it’s just getting harder. I did start it over yesterday, and do think the changes I made to the beginning make the story stronger, but…yeah, not really sure how to not only end it, but how to get it there. So, I am going to let it sit for a while before getting back to it.

Likewise, “Don’t Look Down”, previously known as the Italy story, isn’t so much that I don’t know how to end it; I do. I really need to go back to the beginning of it and start it over; I didn’t know the ending when I started writing and now that I actually do, I need to go back to the start and weave that story into it. But I opened the file yesterday, looked at it for a hot minute, and then went, not feeling this right now, and closed it again. So, rather than writing anything new, I decided to start editing and rewriting other stories. I also did something that a friend of mine does; I read them out loud to make sure the sentences spoke properly. I do not do that nearly enough, and I found a lot of mistakes in the wording, and I also found a lot of mistakes in the stories that needed correcting. One still needs some more work, but the others are close to being ready for submission. Whether there’s an audience for them or not remains to be seen…because, you see, two of the stories have gay characters.

One of the major problems one faces as a gay author is how limiting writing about gay characters, plots, and themes can be. Yes, we need to tell our stories, but when they are short stories–there’s not really a market for them anywhere. And when you send them to mainstream markets…you’re never sure if they are simply going to be rejected because, you know, gay characters, or if the rejection is because the story’s just not up to snuff. I fucking hate that. Part of the bipolarity of being a gay writer is just that; is my work not good, or is it the gay thing?

But as I was editing the stories and reading them out loud last night, I actually started thinking, you know, you’re actually pretty good at this writing thing. Last year was kind of a bad year for me; it started off with my confidence in my abilities as a writer being shaken to their very core–and let’s be honest, that confidence level has never been particularly high. My parents raised me to always be humble, to never accept compliments without being self-deprecating, to never talk about being good at anything: “if you are, let other people point this out.” As such, the promotional part of being a writer, of having a writing career, has always been difficult for me. Teaching classes about writing has always made me feel like an impostor, always waiting for someone in the back of the room to stand up and scream fraud!

But part of the goals for this year are to stop doubting myself, to stop doubting my abilities, and to believe in myself more. I always tell other writers that rejections don’t necessarily mean you suck, all it means is for whatever reason your work wasn’t right for that editor–as a former editor and an anthologist, I am very well aware that can mean any number of different things, none of which are you suck.

I don’t know why, but reading those stories out loud did something for me, made me recognize that I can, in fact, do this.

And I think the smart thing to do from now on is read my work out loud while editing it.

Thank you, Laura Lippman, for that brilliant advice.

As for the Short Story Project, first up today is  “After Georgia O’Keeffe’s Flower,” by Gail Levin, from Alive in Shape and Color,   Lawrence Block’s anthology I am absolutely loving.

I am so excited that Georgia O’Keeffe has finally agreed to meet with me! Getting her to come around wasn’t easy. At first she wouldn’t even reply to my letters. I kept at it. You know, persisted. Finally I reached her secretary on the phone. When I did get word from O’Keeffe, she complained there had been too many interviewers over the years. When I asked, she admitted that most of them were male journalists.

This story kind of threw me for a loop; it’s really not a crime story at all. It’s about a young feminist art historian meeting one of her idols, and finding that the idol isn’t what she imagined her to be. It’s a poignant story, and one I can certainly relate to: is there anything worse than meeting someone whose work you adore and then discovering that person is nothing like you imagined? That somehow disappoints you, and then you can never enjoy or view their work in the same way again? A really good, thought-provoking story.

Next up is “The Day After Victory,” by Brendan DuBois, from Manhattan Mayhem, edited by Mary Higgins Clark.

It was seven a.m. in Times Square, New York, on Wednesday, August 15, when Leon Foss slowly maneuvered the trash cart–with its huge wheels and two brooms–along the sidewalk near the intersection of Seventh Avenue and West Forty-sixth Street, shaking his head at the sheer amount of trash that was facing him, and the other street sweepers from the Department of Sanitation. He had on the usual “white angel” uniform of white slacks, jacket, and cap–which was stiff and felt new–and never had he seen so much trash. It was almost up to his knees.

Brendan DuBois is one of our genre’s top short-story writers, and his novels are pretty damned good as well. This story, set the day after V-J Day in 1945, is incredibly clever. DuBois gets the period right; I actually felt like I was there on the street with his protagonist that day, and the character is so beautifully drawn that everything he does makes complete and utter sense. He tackles something that I’ve not seen much in WW2 fiction, frankly; how were people who got out of serving viewed? Great, great story; and I would love to see it paired with Joe R. Lansdale’s “Charlie the Barber,” which I talked about earlier this week.

And now, back to the spice mines.

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