Tag: Bobbie Gentry

I Go To Pieces

Sunday morning and I hope it finds you doing well, Constant Reader. It’s kind of gray outside my windows this morning, and it’s raining, off and on; not a gully-washer like the occasional tropical downpours we get on occasion, but enough so that everything outside is wet and glistening. It’s supposed to be lovely today, but the temperature is dropping overnight and it’s going to be in the bitterly cold thirties the rest of the week. Yay, but this too shall pass. Tomorrow is Twelfth Night and the official beginning of Carnival; so on my way home tomorrow night I’ll stop and get our first King cake of the 2025 season. Yay, king cake! We are both fans. Paul picked up this year’s copy of Arthur Hardy’s Mardi Gras Guide, a staple of the season. We’ve bought a copy every year we’ve lived here, and while the “parade watcher” app makes parade-going much easier, it’s also nice to have around.

What are we going to do when we lose Arthur Hardy? I don’t even want to think about it.

I have a lot to get done today. I did work some yesterday but not much; I was kind of tired after going to the gym (yay!) and making groceries, so I just kind of collapsed into my easy chair after putting the groceries away and just relaxed. I did finish reading Winter Counts (more on that later) which I enjoyed, and started reading my next read, Ode to Billy Joe by Herman Raucher. Last spring–and I don’t know why–I remembered Summer of ’42, the novel by Herman Raucher that was made into a film in the early 1970’s. I enjoyed both book and movie; it’s very poignant and sweet, and I later made the connection when I was writing my post about Robby Benson and my crush on him when I was a young gay…and then remembered he’d been in the film version of Ode to Billy Joe, which sent me down a rabbit hole–the song, the book, the movie–which is an interesting journey. I wound up ordering a copy of the novel from a second-hand book website, and so I started reading it finally. It’s weird; it was originally a haunting story song hit for Bobbie Gentry, and they decided to make a movie of it. They hired Raucher to adapt the song into a screenplay, and he went one better–not only writing the screenplay but writing a novel as well. So, is it a novelization of a movie, or a novelization of a song that became a movie? It’s actually very well written; the movie was dated and I didn’t enjoy my rewatch a few years ago, but the book still holds up. I also decided yesterday that I am going to alternate crime fiction with another genre or style of fiction, to broaden my scope and better inform my own writing.

I slept well last night, even if it took me longer to fall asleep than usual, which was odd. I wasn’t nearly as tired as I usually am when I went to bed, but I did drag my ass out of bed this morning. Sparky didn’t let me sleep late this morning–later than my usual, but far earlier than the last two mornings–so hopefully I’ll feel tired tonight. I made it to the gym yesterday, and so am a bit tight and sore this morning, but at the same time I am very pleased I did go. I tried to talk myself into waiting till today, but finally around one I snapped out of it and went. The one thing I’ve noticed besides the muscle fatigue is that mu shoulder is a lot looser and freer now–it’s been tight for a while, and sometimes it felt like it needed to, I don’t know, pop? Like a knuckle that won’t crack? But since I started working out again (granted, only twice but that’s also two more times than if I hadn’t, so there), it feels a lot better and more usable than before. Yay! Should have never stopped going last spring, but if wishes were horses and all that nonsense. Even the tightness of the other muscle groups feels kind of good. Now, if I can just remember to find time to stretch every day…

The weekend hasn’t been a waste for writing, either. I reread some works in progress, worked a bit on the synopsis of The Summer of Lost Boys, and reread Chapter 2 of new Scotty preparatory to revising it this morning. I have some short stories to work on and more to read–Saints and Sinners short story contest judging work–so I may not have as much time today to read for fun as I might want, but I think I can get through Ode to Billy Joe this week before moving on to my next read, which will be a crime novel from a marginalized author.

We finished watching Cross yesterday, and I have to admit we enjoyed it more than I thought I would. I’m not sure what I was expecting, but the show turned out to be a lot better than I was expecting. Shows produced by streaming services can often be hit-or-miss, and other than The Boys I generally don’t go into Prime shows with a lot of expectations. I think Cross could have been six episodes instead of eight, but they did an excellent job of juggling different crime storylines against each other as well as making the viewer wonder if it was two different cases or the same one. That’s not easy to do, and is even harder for a television series to pull off than a book. We then watched a really fun crime show called Killer Heat, which was a modern take on film noir/hard boiled private eye stories. Starring Joseph Gordon Leavitt (whom I will watch in anything), Richard Madden, and Shailene Woodley, it’s done very well and is quite fun to watch until they don’t quite nail the landing, but hey–it was an excellent attempt, and they got everything right–including excellent performances from the two main leads (Richard Madden was kind of wasted in the role of identical twin billionaires, one of whom’s murder opens the movie; the part wasn’t well written and any hot actor with a good body could have done the job)–and we definitely enjoyed it.

And on that note, I am heading into the spice mines. Have a lovely Sunday, and I may be back later. One can never be entirely certain, can one?

Ode to Billy Joe

Robby Benson. Swoon. I mean, LOOK at him.

Eat your heart out, David Cassidy!

I don’t know when I first became aware of one Mr. Robby Benson, but I do know he was a major crush of mine when I was a teenager–he and Jan-Michael Vincent–and I also think he’s another one of those who definitely helped create a type for me; dark hair and bright blue eyes, and that smile! Jesus Mary and Joseph!

ODE TO BILLY JOE, Robby Benson, 1976

I wasn’t alone in my teen years crushing on Robby; I think most teenaged girls of my generation all had a bit of a crush on him. For one, he was ridiculously beautiful; it kind of should be against the law to look that good. He was also photogenic and telegenic, and I loved his speaking voice. I know my teen years are also when I developed my love of jeans cut Daisy Duke short; and as you can see from the pictures above, Robby’s were cut so short they were basically speedo-sized. Years later, Daisy Dukes were my favorite shorts to wear, because all modesty aside, I’ve always had muscular legs; assets best displayed in shorts cut immodestly short.

But in looking up information on Robby Benson for this post, I realized I had never seen the movie Ode to Billy Joe, which was one of his best-known films. I knew about the movie, of course, but never saw it. It was released the summer we moved to Kansas and it never played in Emporia, and I never saw it on television, either. So, yesterday, I remedied that by watching it on Youtube, which has the entire movie uploaded for free.

The movie itself is simple. Based on the story song by Bobbie Gentry that is probably one of the biggest and best-known hits of all time, it’s ethereal and mysterious and unclear; and the lyrics themselves create an indelible image of a rural Southern lunch and the casual, unknown to anyone speaking, cruelty of the conversation. The narrator had a strong connection to Billy Joe, and his suicide affects her deeply, but nobody really notices. It’s genius in exposing that Southern mentality of “the girls don’t matter”–no one’s noticed that she is connected to him in some way, no one notices that she’s upset, and the way Gentry sings the lyrics is so matter-of-fact yet horrible as she recounts an emotionally troubling experience for herself, and paints such a powerful image of the invisible daughter, left to grieve on her own for the boy she loved, and does she know the reason he jumped? I’ve always liked the song, even if it doesn’t work for me musically (the lyrics don’t match the melody), because it tells so many truths about rural Southern girls that what actually happened isn’t the point–the point is the isolation and loneliness she feels, and the alienation from her own family.

The movie, screenplay and novelization by Herman Raucher of Summer of ’42 fame, fleshed out all those mysteries. It was from the movie and book that turned Ode to Billy Joe into a queer story and a tragedy; it’s also interesting that it wasn’t more of a scandal when the movie was released in 1976; maybe him having had a sexual encounter with another man and committing suicide took the sting and shock of the gay twist; after all, misery and suicide were the only possible outcomes for most queers in movies at the time. Watching the movie, but taking away my own quibbles about its depiction of southern rural life to talk about it as it stands as a queer film, it was really quite revolutionary. First of all, Robby Benson was a full-fledged teen heart throb with photo shoots in every magazine like 16 and Tiger Beat, and having someone who didn’t telegraph gay (or the societal images of what gay looked like then) who was also a heart throb playing the part was putting an acceptable face on a (at the very least) bisexual character. What was also interesting to me about the film was that it was produced by Max Baer (aka Jethro from The Beverly Hillbillies), and the man Bobby Joe had the encounter with was played by James Best, who would go on to greater celebrity and fame as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard later on in the decade. Glynis O’Connor is fine as Billie Lee (seriously, Bobby Joe and Billie Lee? I have an army of relatives from the rural south, and out of all of them there is exactly ONE who has that stereotyped Southern two first names thing), but Benson’s appeal is clearly on display here–and I understand why girls loved him so much: he always played sensitive and vulnerable young men, which girls love.

And he is just stunningly beautiful in this movie.

Benson’s most successful role of all time was, ironically, from voice work: he voiced the Beast in Disney’s Beauty and the Beast.

I also found it interesting the Bobby Joe committed suicide in the Tallahatchee River, which was also where the white supremacists dumped Emmett Till’s body…so that river is kind of hexed, wouldn’t you think?

He also aged incredibly well–Benson is still quite beautiful.