Tag: Bette Midler

Friends

After we moved to the suburbs and had not only a house but a second car, my mother decided that maybe religion was missing from the lives of my sister and I, and began taking us to church–not the Southern Baptist faith she herself was raised in, but the Church of Christ, which was my father’s family’s faith. It wasn’t like my sister and I hadn’t been to church before; whenever we visited relatives in Alabama we were inevitably dragged to church with them, whether we wanted to go or not. It wasn’t even up for debate, so yes, in some ways, my father’s family kind of forced religion on us when we didn’t really go to church at home with our parents. I never knew why Mom decided we needed to start going–she wound up having an off-and-on relationship with the church for the rest of her life–but we did. Dad played golf every Sunday morning and often hit buckets of balls after or maybe went out for lunch with the other players; I don’t know. But not only did we start going to church, she rewarded us by taking us to Ponderosa for lunch (where I first discovered Catalina French salad dressing, a favorite to this day) and then we’d go see a movie. Most of the movies are forgotten now, collecting dust and cobwebs until I think about that movie again and remember it was one Mom took us to.

The Last of Sheila was one of those movies, and I fell in love with it as I watched. It had everything I could possibly want: an incredibly clever murder mystery, a cast of movie stars I recognized, and it was about Hollywood, even though set and shot along the Riviera. It was an inside look at the rich and glamorous–something I felt was like another planet to me in my subdivision house, in my lower middle class existence which was a place where I felt like I didn’t belong.

Shortly after seeing the movie, I was at Zayre’s with a couple of bucks to buy books with, and there were three I wanted–The Last of Sheila and two others, but I could only afford two of them, and I regretfully put The Last of Sheila back because I’d already seen the movie and I could get it the next time.

Constant Reader, it wasn’t there when I went back. I never forget there was a book, either–but I didn’t know whether it was a novelization or an actual book the film had been based on; and I didn’t mind reading novelizations, either. When I rewatched the film again during the pandemic, I remembered there was a book and started looking for it on-line. It was clearly rare and beloved, because whenever a copy would come up for sale on second-hand sites it was always priced anywhere from $150-$300, and I didn’t care about the nostalgic aspects of it that much. Then last summer two popped up on ebay; both more expensive than I would have liked but still–reasonable enough to consider. I put in a bid on one and then realized the other was a “buy it now”, so I went ahead and bought it. A few days later I won the bid–and a little confused, decided to go ahead and honor the bid since I had put one in but simply forgot about it, and I gave the other away to a friend who also loved the movie for Christmas.

And finally, I settled in to read it–after another, recent rewatch.

The Sheila rode at anchor, stern to the quay, stern lines fastened securely over the bollards. The Mediterranean sun glanced off the brightwork and made of the white hull a dazzling blur. Her eighty-seven feet dwarfed the sleek ketch on her port side, a racing vessel owned by the pretender to the Spanish throne, but the Sheila was in her turn outclassed by the ninety-five-footer on her starboard, a powerful yacht owned by a South African diamond billionaire. The Palma marina was, as usual in the summer, crowded with the pleasure craft of the wealthy, berthed as tightly together as possible, their anchor chains frequently fouling.

Lee Parkman swung her long slender legs out of the taxicab and stood somewhat shakily on the quay, shielding her eyes from the too-bright noonday sun that pierced even through the lenses of. her oversized sunglasses. Her legs still felt rubbery from the long, bumpy tide over the dursty roads that led from the Palma Airport to the marina. Mallorca was like that, she thought. The paradox of moderan airport and luxurious anchorage linked by an ancient and ill-kept road.

I don’t know if they still do novelizations of popular films as a merchandising gimmick–the cover of this one has a little admonition to see the film READ THE NOVEL and of course, the ever-popular Now a Major Motion Picture From Warner Brothers. There’s also a lovely cast photo prominently featured on the book cover–with the cast posed together in the same way they are in the photograph in the book, which holds the key to the very clever puzzle at the heart of the book, and what a cast of early 1970’s luminaries it contained! James Mason, Joan Hackett, Dyan Cannon, James Coburn, a gorgeous young Ian McShane, Richard Benjamin, and the fabulous Raquel Welch. All play, in a way, traditional Hollywood archetypes: Mason is the director fallen on hard times; Benjamin the writer who can’t get a script film so works on rewrites of other people’s work; Cannon the blowsy loud shark-like Hollywood agent (based on Sue Mengers, anyone remember her?), Coburn as the asshole abusive producer; Welch playing the stunningly beautiful actress with little talent; McShane as her loser husband/manager; and Hackett as the Hollywood heiress, whose father was a monstrous tyrannical producer like the Coburn character, married to the Benjamin character and the only thing keeping him out of hock.

Coburn’s character, Clinton, invites all the others for a week-long trip along the Riviera on his boat, the Sheila, named after his late wife, killed by a hit and run driver about a year earlier. Sheila was a gossip columnist that Clinton truly loved, but she was also a typical Hollywood rags-to-riches story. She started out as a call girl and worked her way up to gossip columnist and married a rich producer before her tragic death. The driver of the car that killed her was never found. He claims to want to produce a picture, a way to honor his dead wife, called The Last of Sheila, which he wants Benjamin/Tom to write, Mason/Philip to direct, and Welch/Alice to star in. They will also spend the week playing a game–each person is assigned a card, and every night they will get clues they will have to solve to figure out who has the card. Once the person who has the card solves it, the game is over for the night so you have to find out who has the card before the cardholder does to get a point. None of them really want to play–but once the first night gets underway, some of them get into it and some of them don’t. There are also all kinds of clues and hints that something a lot more sinister is going on below the surface, as the guests become uncomfortably aware that the game is really about them and their secrets…and then there’s an attempted murder, and then Clinton himself is murdered on the second night.

It’s a fantastic set-up, and it’s an incredibly clever plot. The film’s screenplay, from which the novelization was adapted, was written by closeted gay actor Anthony Perkins and Stephen Sondheim (yes, that same Stephen Sondheim), which also lends depth and insight into this world of cutthroat behavior, backstabbing, and vengeance. The novelization itself is one of the better ones I’ve ever read; they were usually cranked out quickly by a pseudonymous writer trying to make a quick buck (no harm there; I’d certainly write them if the price was right and they were still a thing) who basically simply turned the screenplay into a book, without getting much into the story or layers or character development. But this one of The Last of Sheila is the rare one that you put down when finished and think, Oh, there was so much more that could have been told there–and it even fleshes the characters and the backstory–and the motives–out even further. It actually helps with your appreciation of the film by giving necessary back story to the relationships between them and their individual motives, and I am very glad that I read it.

The Last of Sheila will always be one of my favorite films, because it remains fresh and interesting and its cleverness never stops amazing me every time I watch it.

And of course, Bette Midler’s “Friends” plays over the closing credits–after the perfect ending–which was also my first real exposure to the Divine Miss M, whose debut album I bought shortly after seeing the film and I’ve been a fan ever since.

How did anyone not know?

Cherish

Give me faith, give me joy, my boy, I will always cherish you!

In case you didn’t notice, I am working my way through Madonna’s lengthy discography for my entry titles, and it’s actually kind of fun revisiting old Madonna music. She’s been a force in pop culture for nearly forty years now, which is a pretty amazing run when you think about it–not quite the Cher/Bette Midler mark yet, but still, pretty amazing. My first Madonna song (that I remember hearing, or taking notice of) was “Borderline,” and I bought that first album. And while I liked it a lot, I figured Madonna wasn’t going to be around for very long; artists who focused on dance music, especially white women, tended to not stick around the business for very long. But then came the Like a Virgin album (which is my least favorite of hers, in all honesty), and she turned into a phenomenon that wasn’t going away any time soon. “Cherish” I remember primarily because it was a light pop confection, nothing too deep but fun to listen to and bop along with, but the video, shot by Herb Ritts with all the hot mermen? (for the record, my two favorite Madonna albums as Like a Prayer and Ray of Light, neither of which should come as a big surprise)

Michael Denneny passed away over the weekend. I never had the occasion to meet him, but he was a hugely important figure in the development of queer art and literature back in the day, not the least for founding Christopher Street magazine. He was also important in the 1990’s, with his Stonewall Inn imprint at St. Martin’s, which eventually shuttered around the turn of the century. It’s possible I may have met him back in the days when I worked for Lambda; it’s very likely, in fact, but my memories have grown faded to sepia with time and there’s a lot I don’t remember from back then (it’s always mortifying when someone reminds me of us meeting back then and I don’t recall anything about it; there’s usually an amusing story that goes with it that makes it even more mortifying that I don’t remember). But hat’s off to you, Michael; you discovered and published a lot of authors who brought me hours of reading joy. Thank you for your life’s work.

I didn’t sleep well last night, which was something I was worried about happening. I woke up every hour or so, never really felt like I went in a deep sleep at all, and feel fried and tired today. Yay. But its okay, I can deal, and hopefully I’ll get a good night’s sleep tonight and feel great tomorrow. Heavy heaving sigh.

We finished season one of P-Valley and started season two–but weren’t too crazy about the second season. They are dealing with the pandemic, and I have to confess it never occurred to me what strippers would do during a pandemic; I did wonder, while watching, why none of them had an Onlyfans? Especially since one of them is attracting a large following on Instagram? Paul and I agreed to give the second season a second chance, but unless there’s a dramatic pick-up on the story, we’ll probably stop watching and may come back to it at another time. Which then begs the question what will we watch in the meantime? I have some things on my list, so maybe we can check out some of them tonight. And of course, if we don’t like something we can always stop watching it.

I did finish reading Margot Douaihy’s Scorched Grace yesterday, and it was quite a ride. The voice, the tone, the word choices and sentence structures…all of it unique and if not, then a fresh new way of doing something shopworn. Sister Holiday is a fascinating character with an equally fascinating back story; we glimpsed some of it in this first book (of three), and I like the idea of a hardboiled cozy with a lesbian chain-smoking nun as the main character. The book certainly subverts your expectations, and there’s a hypnotic quality to the writing, that pulls you in and makes you keep turning the page. I started marking pages that had sentences I really liked for when I do a post focusing on said book; I want to let the book sit in my head for a while before I devote an entire entry to it. It’s one of the best books I’ve read this year so far–and this year I’ve read some truly phenomenal books already and it’s only mid-April, with even more exciting books dropping throughout the course of the rest of this year.

And I really need to get more progress done on the book. The problem is not sleeping well during the week (see last night) and being too tired when I get home from work to do any more work on it. But tonight, after I get home from running errands on the way from work, I am hoping that I can start pulling some of the strings of the story without unraveling the entire thing. One can hope, at any rate, right?

And on that note I am heading into the spice mines. I thought about calling out for the day but would rather go in and gut it out. You have a great Monday, Constant Reader, and I’ll be back tomorrow morning.

History Has Its Eyes On You

Ah, Independence Day.

That’s really what the 4th of July commemorates–the day the Continental Congress ratified, and began signing, the Declaration of Independence, when the thirteen British colonies along the Atlantic seaboard threw off the yoke of the King of England and his Parliament and said, nah, thanks–we’re going out on our own. It was extremely radical–particularly since the British Empire was the greatest power in the world since the end of the Seven Years’ War (to the colonials, the French and Indian War) in 1763; perhaps the largest empire to date in world history.

And yet…no rights for women and there was still slavery for another ninety-odd years, give or take.

Someday I will write an essay about American mythology and how I learned it as absolute truth as a child; American history (or rather, US history) was my gateway drug to world history. I should have gone into History as my major in college; it’s entirely possible that History rather than English (or business; I switched back and forth between the two for a very long time) might have garnered an entirely different result when it came to my academic career. But I also would have had to have picked a time to specialize in, and how on earth could I have ever decided? There were so many interesting periods…although inevitably, I tend to think my metiér would have been sixteenth century Europe.

Someday–probably after I retire–I am going to write A Monstrous Regiment of Women.

Yesterday was rather lovely. I actually slept late, of all things; I cannot remember the last time that happened, and thus got a rather late start to my day. I started cleaning up around the house, and organizing things, but again–a late start kind of threw me off my game a bit, and I didn’t get near enough done that I had wanted to get done. I did read a couple of short stories for the Short Story Project, and I also read some more of Robyn Gigl’s wonderful By Way of Sorrow; that was lovely. I also listened to some Bette Midler albums on Spotify (joking on Facebook that I was doing my part to break down gay stereotypes by doing so); in particular I listened to It’s the Girls and Bette Midler, before moving on to Liza with the Cabaret soundtrack, and the little known sequel to Rocky Horror soundtrack, Shock Treatment, and then moved on to the Pet Shop Boys. I made meatballs in the slow cooker for dinner, and then we watched Fear Street 1994 (which was remarkably fun), then a few episodes of High Seas (which is really fun) and a few episodes of Happy Endings before bed.

R. L. Stine and Christopher Pike, who were hugely successful writers of young adult suspense/mystery/horror in the 1990’s, actually had an influence on me as a writer, surprisingly enough. I read most of their novels when I lived in Tampa back in the day (I actually preferred Pike, to be honest), and I actually wrote three novels–Sara, Sorceress, and Sleeping Angel–for young adults during that time. I had always intended to do the Fear Street thing–where the books were all connected somehow and minor characters in one would become the lead characters in another–and spread them across the country, as opposed to one town, as Stine had done; mine would be scattered between Kansas, California, Chicago, and Alabama (one of those ideas became Dark Tide and another Bury Me in Shadows). Then I discovered, through Paul, gay mysteries and all those ideas went into a drawer, along with those manuscripts, and I started creating Chanse and his world, and what eventually became Murder in the Rue Dauphine.

Fear Street 1994 is a lot of fun, as I said, both a mystery, a slasher film, and horror–the main romantic story is a lesbian love story, which was very cool–and it also slightly involved class differentials between the town of Shadyside (often called Shittyside) and it’s wealthier, preppy neighbor, Sunnyvale. It was a fun homage to Scream as well, and it was clever, witty, and quite a fun ride. I do recommend you watch it, if you like those kinds of movies. Nothing deep, but lots of fun, and now I can’t wait for the next part of the trilogy, which drops this Friday: Fear Street 1978.

I did try writing yesterday, without much luck, logging in less than a thousand words. But rather than despairing, as I am wont to do (Oh no! I knew I was breaking my momentum!), I chose to understand and recognize that the scene I was writing needed to be set up better–which was why it wasn’t working–and it needed more than just the cursory slide over I was giving it. I am going to open the document back up later this morning–probably after getting another load of laundry finished, and emptying the dishwasher–and scroll back a bit to start revising and getting into the story again. There really is such a thing as thinking too much about what you’re writing; that’s when the door to doubt starts to open a crack and Imposter Syndrome starts saying pssst through that open crack in the door.

And on that note, I am heading back into the spice mines. Have a happy and safe 4th of July, Constant Reader!

False God

Yesterday’s big vacation excursion was Costco.

What? you may very well wonder in horror, You went to Costco TWO DAYS BEFORE THANKSGIVING?

It wasn’t bad at all, frankly. Costco’s parking lot can be packed and yet I rarely feel crowded inside the store, and the checking out and paying part of the trip never seems intrusive, never seems to take forever the way it can in other stores, and I never really mind. Plus, everyone who works there is so friendly, polite and nice–this makes the experience ever so much more pleasant. I even took Paul with me, and even that wasn’t as bad as I feared it might be. (I took Paul to Costco a while ago to get new glasses; it was his first time there and he loves it. How can you not, frankly? And every time I do go to Costco I wish I had a bigger freezer. Yes, honey, that looks wonderful, but we don’t have room for that in the freezer, sorry.)

I really hate that going to Costco makes me wish I owned a separate freezer.

Today is also Payday, aka Pay-the-Bills-Day. and of course, tomorrow is Thanksgiving. I have a million things to do today–including making groceries–but once I get home from today’s errands I have every intention of not leaving the house over the course of the next four days for anything other than the gym. My back is sore again this morning, which is odd; how can it have not been sore since the other day and then have the soreness return again is beyond me. But I keep meaning to use the massage roller and never get to it; perhaps that is something I need to take a little more seriously and should do every morning as I swill down my daily caffeine supply.

I didn’t write a damned thing other than my blog yesterday–and I really don’t know how that happened, or how the day escaped me the way it did. It would, of course, be incredibly easy to simply blame it on the Costco trip and be done with it; Costco is a disruption, no matter how you look at it, and of course the living room corner is filled with boxes now–but I really shouldn’t allow that to make the rest of the day essentially worthless to me for writing (although, really, in all honesty, I pretty much will seize on any excuse not to write), but I did make some notes in my journal about “The Rosary of Broken Promises”–its at that kinda-stuck place now–but I really need to be buckling down on Bury Me in Shadows. The cover is coming–I looked at options yesterday, which is always fun (and also makes the book seem more real in some ways to me)–and I am no longer looking at this week as oh look at all the free time I have anymore. I haven’t done any deep cleaning, I haven’t organized anything, and yet somehow I am already on day 5 of my vacation with very little to actually show for it, other than I feel incredibly well rested and level emotionally, which is always a plus.

I kept thinking, all day yesterday, that it was Thursday and today would be Friday. This is a direct result of working from home on Thursdays and Fridays for so long, methinks. It was quite disorienting, and even this morning I have to keep reminding myself it’s Wednesday and not Friday. I have a gazillion emails to answer–it really is a bottomless pit–and of course I must pay the bills this morning as well (a loathsome chore) and I am definitely am going to write today once I get all that out of the way.

That is the plan at the current moment, of course.

I don’t even know what I’ve been doing these past few vacation days, if I am going to be completely honest about it. Yeah, the Lost Apartment looks better, but I haven’t even been reading much, either.

We did watch the new Sarah Paulson movie Run on Hulu last night, and it was much better–and completely different–than I was expecting. Paulson is one of our finest actresses of this period, and I’m glad she was here for the explosion of great television so her talents can be appreciated fully. She was terrific in Ratched, and she is terrific in this as well. It’s another one of those crazy moms with Munchhausen by proxy, like the Gypsy Lee Blanchard story and that side plot on Season One of The Politician (how bad must season two have been, despite Judith Light and Bette Midler, that it came and went so quickly without much notice?), but it’s not the same story at all and it’s quite excellently suspenseful; imagine if that plot line was given to Patricia Highsmith or Daphne du Maurier to write–that’s what Run is. And quite enjoyable, frankly. It’s also not getting much buzz, at least not that I’m aware of, and that’s a real shame.

And on that note I am. heading back into the spice mines. Have a lovely Thanksgiving Eve, everyone.

Only in My Dreams

Sliding into Wednesday and pay day–or as it’s known around the Lost Apartment, Pay the Bills Day. Heavy heaving sigh.

But I sent in two stories for submission yesterday, which is always a lovely accomplishment. One is for a blind read so I can’t talk about that one, but the other is “The Dreadful Scott Decision,” for an anthology I was asked to write a story for. I’m never quite sure if that means we’re taking your story or what, but I tend to never take anything for granted when it comes to this literally insane industry I find myself a part of these days. And even more exciting, I woke up to a very pleased editor and a congratulatory email re: “The Dreadful Scott Decision.” Always lovely, particularly when one has little to no self-confidence when it comes to writing short stories.

I won’t find out about the other one for months. As it is a blind read, I can’t really talk about the story, but it’s for the next Mystery Writers of America anthology, this time being edited by one of my writing heroes, Michael Koryta. Getting into an MWA anthology is one of my bucket list items, and while I’ve submitted numerous stories to them over the years, I have yet to get into one. The competition is fierce, of course; there are only so many slots and lots of entries, which is what makes getting into one a major accomplishment. It probably won’t help in the self-confidence area for more than a day or two, of course, but one also never knows.

I also started revising another short story last night, which I’m probably going to try to get submitted somewhere today. I think this week’s focus is going to be on revising short stories, to cleanse my palette before I dive back into the manuscript of one of the books I’ve got in progress. Since the LSU game is so early on Saturday, I can spend the rest of the day rereading Bury Me in Shadows and making notes while flipping back and forth between other college games–I only have to give LSU my full attention, after all. I think Auburn and Florida are playing Saturday as well; both are in the top ten, and both are on LSU’s upcoming schedule. Auburn looked really good spanking Mississippi State last weekend–their offense looked very much like LSU’s, frankly, scoring at will–which means Auburn-LSU is going to be another one of those heart-stopping shootouts.

Then again, Auburn-LSU has always been a heart attack game, pretty much coming down to the last minute of every game most of the time.

I started reading Deliverance yesterday, but it’s not really grabbing me yet–but then, they haven’t gone into the wilderness so far.

We finished watching The Politician last night, which took a really surprising–and highly entertaining–turn last night, with the additions of Judith Light and Bette Midler to the cast to set up season two, which I wasn’t so sure about going into last night’s episode. but they did a truly terrific job of jumping ahead a few years, and letting us see what was going on with the kids from the high school now that they’re in college…and, like I said, they did an amazing job setting up the second season.

I’m also finished reading Lords of Misrule as well, which takes the history of Carnival (and it’s racial politics) up to the year before I came to my first Carnival, and two years before I finally moved here and got my life started. Since that’s also the approximate time period for my story “Never Kiss a Stranger,” reading this has been enormously helpful. It catches me off guard a little that the 1990’s is now so far away; kids born in the 1990’s are in college now, after all–are old enough to marry and have their own kids.

I also realized, last night as I was reading after we finished watching The Politician, that it’s October, which is when I usually read horror fiction–and since starting the Diversity Project, I was waiting for October to read some diverse horror. So, I will try to get Deliverance finished this week, do my annual reread of The Haunting of Hill House, probably over this weekend, and then next week I am going to read Silvia Moreno-Garcia’s Certain Dark Things, or her more recent Gods of Jade and Shadow.

And since today is Pay Day, I should probably go pay the bills. Have a lovely Wednesday, Constant Reader!

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