Take Me Home to Somewhere

Sunday morning and it’s sunny outside. It rained off and on for most of the day yesterday, with marvelous thunderstorms bracketing the day. The sky is clear and blue and the sun is out, so I suspect we’re done with the storms. I slept well–and late–this morning, and I’ve already decided to let the day take its own course. I have some dishes to put away and laundry to fold, and I also need to run a couple of errands this morning. I do feel rested this morning, which is a good thing. There are only three days left in 2024, and while I would ordinarily think good riddance to 2024, I don’t have very high hopes about how 2025 is going to go for any of us. Louisiana continues to circle the drain, as our governor seems determined to destroy the state and impoverish everyone (but there won’t be any of the woke nonsense down here, you betcha!), and we all know Republicans can’t govern for shit–already proven from 2017-2021–and they are already fighting a nasty civil war between their Techbros and the MAGA base currently, which gives us a pretty good idea of how the next four years are going to go. Yay.

I really didn’t do much of anything yesterday, really. I rewatched a classic LSU football game–Paul was out with some friends–and went down a bunch of rabbit holes on Youtube doing research. Researching the 1970s is trippy for me, and being reminded of things I’d long forgotten about–products, commercials, movies, books, etc.–inevitably brings a bunch of other memories back with them; buying Hardy Boys books at the Zayre’s, riding my bike to the 7/11 to get milk and a comic book, walking to the bus stop at St. Dominic’s (and walking home from there after school), and reading in bed on the weekends with a bag of either Taco-flavored Doritos or Bar-B-Q Fritos. Research is research, after all, and opening my mind to recollections of my past–which was a very long time ago–is kind of weird, since I spent so much of my life never looking back. I may try to do some writing today–stranger things have happened, after all–but I am not placing any demands on myself this weekend. I have Wednesday off for New Year’s, which is weird, and will probably wind up having the play-offs on all day while I do other things. I still haven’t finished reading my book, either, and I really need to get back to that this week, if not today. It ain’t going to finish reading itself, you know.

And I can’t get deeper into the TBR pile without actually, you know, reading the books.

Memories are tricky things, actually, and one of the most important tricks our (writers on a grander scale, and people in general) brains play on us is how it colors the way we remember things. We not only remember how things were said and who said them, but we also remember how we felt at the time–and those feelings also color how we remember things. I am sure all people, once they’ve reached a certain age, are stunned at how differently our parents remember things from our childhood, and how little we actually did understand when we were younger. It’s also possible for those memories, colored so strongly by protective emotions, to change and become more embedded in our brains with our coloring firmly in place. One of the reasons I never bothered to re-examine disputes or disagreements with people from the part is because I know my memories may not be exact and are definitely have been rewritten in my head to make me the innocent victim, or merely confirmed that I am a terrible person. The first few decades of my life were very chaotic; one of the things I’ve tried to work very hard on as an adult the last few decades was to remove chaos–or agents of chaos–from my life. If you’ve either hurt or deeply offended me, I don’t want to waste any more of my time on you. I don’t want to argue with you, I don’t want to explain why you were hurtful because I shouldn’t have to.

If I have to explain to you how you’ve been hurtful you really aren’t worth my time.

Part of the problem with writing about the past and going from your own memories and experiences is that tendency to make one’s self into a hero even when you have not been very heroic. I’ve kind of always considered myself cowardly for not coming out sooner, for not facing up to who I am, and not getting it all worked out in my head long before I actually did. Wanting to capture that sense of having a dark secret that you so desperately want to share, wishing the world was different yet knowing that it isn’t and probably never will be, looking ahead at the rest of your life as it yawns before you as endless misery and self-denial and self-loathing isn’t exactly inspiring, and capturing all of this on the page from the perspective of a twelve-year-old about to start high school is going to be hard without making him seem self-pitying and kind of pathetic. My own self-loathing about who I was as a child is also kind of self-defeating; I need to forgive myself at some point for not being a good little straight boy because that was never who I was supposed to be. If anything, I should loathe the middle-class cookie cutter suburban existence everyone tried to force me into–a square peg into a round hole, as it were. I suppose writing The Summer of Lost Boys will force me to face those feelings and work through them by writing about a character similar to me but not really me, if that makes sense? I know writing Bury Me in Shadows helped me come to terms with my family’s history–and Southern history in a broader context; #shedeservedit helped me come to terms with my own high school experience, and so maybe, this is the last step to letting go of a lot of things over which I had no control that I’ve punished myself for most of my adult life.

Chaos is never fun, really. I’ve also always felt bad for people who chose chaos rather than cutting it out of your life. I don’t want to waste any more of my life doing emotional labor for undeserving people who are determined to hold onto being miserable rather than letting things go and living more positively–who wants all that negativity in their life? Why would anyone choose that? And yes, I am sure I am vastly over-simplifying here–many people are trapped in horrible jobs and horrible life situations over which they have very little, if any, control over their lives.

There are several books I want to write about my suburb, in all honesty–just as there are any number of Alabama and New Orleans and Kansas books I want to write…which is never going to happen as long as I continue to not write.

And on that note, I am going to head into the spice mines and go run my errands. Not sure what I am going to do for the day other than that, but I like having a day with no plans to do much of anything, frankly. Have a great Sunday, Constant Reader, and I’ll check in with you again later or tomorrow before work! Thanks, as always, for stopping by this morning.

(She’s a) Very Lovely Woman

Saturday morning and it looks kind of gray outside the windows this morning as I look out at the world blearily and drink my first cup of coffee. I slept very well last night–which is always welcome–but woke up feeling a bit groggy this morning. I am sure the caffeine will work–it generally does–but as I glance around at the chaos of my office/kitchen my inclination is to pour the coffee out and go back to bed and sleep the rest of the day away, hoping magical elves or something else will show up whilst I sleep to finish organizing and arranging this mess into something resembling workable order. On the other hand, I don’t think that’s going to happen, so I am going to need to wake up, buckle up, and put my nose to the proverbial grindstone. I’ve got to contain this mess–and do it properly, no more sweeping things under proverbial rugs to get mess out of sight–and I’ve got to work on the book today and I need to run some errands. I also have to go to the gym today, so I will most likely follow football championship games today by periodically looking on-line to check scores only. Paul is going into his office this afternoon to do some work as well, and I need to update my to-do list and…yes, it’s a very busy day for a Gregalicious.

I finished reading Murder Most Fowl by Donna Andrews last night–charming, as always, delightful and witty and funny–and decided, since I was talking about how much I preferred Miss Marple to Hercule Poirot the other day, that I should revisit one of the Marple stories. I have a hardcover copy of A Caribbean Mystery–I don’t recall where it came from–but it has some sentimental value for me in that it was the first Marple novel of Christie’s I had read all those many moons ago when I was a child, holing up in my room on Saturdays with a book and a bag of Bar-B-Q Fritos. (My first Poirot was actually Halloween Party, which I also have a hardcover copy of and again, do not recall where I got it or how long I have had it; I read most Christies in paperbacks purchased at the Bolingbrook Zayre’s off their wire paperback racks) In those first few pages of the book, it spelled out exactly what I loved about the Marple stories–about how living in a small village actually exposes one to almost every kind of human behavior there is in a smaller ecosystem, and the great irony that the smallness and rural aspects of the small community are all too frequently seen as provincial and inexperienced in the world (why Grace Metalious’ Peyton Place was so shocking when it was originally published some seventy years ago; that placid, idyllic on the surface looking village/small town/rural community has a lot more going on than one would think at first glance). This is an excellent set-up, really, for the story Christie is writing about this fictional resort on a fictional West Indies island; her nephew, the successful novelist Raymond West, has paid for this trip for her to get some sun and recover from an illness…and when she originally protested about the expense and “who will watch out for my home in St. Mary Mead”–this response (which I hadn’t remembered) hit me right between the eyes:

Raymond had dealt with everything. A friend who was writing a book wanted a quiet place in the country. “He’ll look after the house all right. He’s very house proud. He’s a queer. I mean–“

He had paused, slightly embarrassed–but surely even dear old Aunt Jane had must have heard of queers.

Now, what is one to make of that? It was a jolt, certainly. It put me in mind of something I came across on Twitter the other day, written by Wil Wheaton, in which he had answered at a con somewhere a question regarding the current debate of “can you separate the art from the artist?” This is something I’ve pondered about quite a bit–most recently, the feeling of guilt I experienced in rewatching Chinatown, knowing now what I–we all–know about Roman Polanski. I enjoyed Chinatown every time I’ve seen it, and I was now watching–rewatching–through a different lens than I had before; I was watching in terms of my own Cynical 70’s Film Festival, to see how a 70’s film that actually harkened back to old-style crime/hard-boiled/noir styles, but with a more modern (at the time) sensibility fit into that 70’s cynicism and darkness about humanity and human behavior. But the discomfort kept popping up, particularly because Polanski himself appears in the film…and I eventually decided not to rewatch another favorite, Rosemary’s Baby, because of it.

I am not going to consign Agatha Christie to the trash heap of history; she was an extraordinary writer, and one of the most influential in the field in which I myself write. Nor do I think a simple throwaway line or two in a book originally published in 1964 is enough to dismiss Christie and her canon as homophobic and never revisit her work. In fact, given the time period in which the book was written, I am surprised the two sentences weren’t, frankly, much worse. Reading the sentences didn’t offend or outrage me; it was just a surprise, primarily because I didn’t remember them at all in a book I’ve read multiple times over the years–and I think when this hardcover came into my possession (I won’t swear to it, but I think I got it during one of my many eBay buying frenzies after Hurricane Katrina, when I felt it necessary to get copies of books with some sentimental value to me) I did actually read it again because I didn’t remember the plot–and this either went right past me or I noticed and didn’t think much of it.

Revisiting this book and viewing it through a modern lens is going to be interesting. And like I said, the reference could easily have been worse–but seeing queer used in this way reminds me of how it used to be used. The younger generations are reclaiming the word, and I myself have been advocating for it as a generic term for the non-straight community for eons…but I also can see why there are people of my generation/the one before me/the one after me who object to its use and why.

But I would a thousand times rather see the word queer used in an Agatha Christie novel than faggot. And I also remember the sympathetic depiction of a lesbian couple in my favorite Marple, A Murder is Announced.

Interesting thoughts on a Saturday morning. The sun has come out now and it’s not quite so gray outside; the second cup of coffee is certainly hitting the spot right now and the grogginess is beginning to leave from not only my head but from my body. I still don’t want to straighten up this mess, but there’s no choice, really, and I want to get some good work on the book done today and tomorrow. I need to go to the gym either today or tomorrow as well; perhaps later this afternoon once I get some writing/cleaning/organizing completed. I cannot be completely lazy this weekend, much as I would like to be; I have to get things done, and the more things I get done now the fewer things I will have to do later this month (I am not, for example, going to want to write on Christmas). But once a procrastinator, always a procrastinator.

And now it occurs to me that perhaps I am procrastinating here, so I am going to bring this to a close. Have a lovely Saturday, Constant Reader, and will talk to you soon.