Tag: Auntie Mame

Strange Way

Well, Christmas itself has passed and now we are in the slide to New Year’s and Twelfth Night…which means it’ll be Carnival season again soon. I don’t think I’m ready for Carnival this coming year, but is anyone, ever? I am back up before dawn to go into the office today; I don’t think we’re going to be very busy in the clinic today–I checked the schedule and we will definitely be busy on January 2–because we’re in that weird in-between-holidays time. I hope everyone’s Christmas was pleasant; mine was. I slept in yesterday and did nothing around the house other than some of the dishes. It also rained, and we drove out to Elmwood via Airline Highway, which was fun. Airline isn’t a highway I use very often (like the Earhardt), and it’s actually a great back way to Jefferson Parish and that part of the metropolitan area. I don’t know that part of town very well, so it’s always interesting to go out there. (Elmwood is out by the Huey P. Long bridge across the river.) We did see Babygirl (more on that later), and gorged on popcorn and soda. It was kind of nice just kicking back and not stressing about getting work done or cleaning the house (although I probably should stress myself out about the housework more often, or at least more regularly); I think from now on I am going to treat myself to a literal day off/holiday whenever one rolls around again. I’m also in that contemplative state that usually comes around between Christmas and New Year’s. What kind of year was it, did I have, and what do I want to accomplish in the coming year? That’s the thing about a year’s turning, you can’t help but get dragged into a contemplative reflective state whether you want to or not. I think it was a good year for me for the most part personally; it was mostly a recovery year for the horror that was 2023, to be honest. Ordinarily I would be thinking I am an utter failure for not accomplishing much of anything in a year–but I am being kinder to myself. The change in medications really kicked in this year (it began in December 2023), and there are still things I can get anxious about, but there’s not a physical reaction to anxiety and stress anymore and I really appreciate that more than anything else with the medication change; it was always the physical reaction (increased heart rate, nausea, sweating, trembling) which was the worst for me, which was why public speaking was always torture for me. (The reading the other night was a piece of cake, which was a lovely experience.)

I keep thinking today is Monday, which is more than a little annoying, honestly. My week is very screwed up. But it’s okay. I have to run errands after work tonight–grocery store and mail service–and I don’t have to come in tomorrow; I was going to cover for someone if they needed me to, but it turns out they don’t so I can work remotely.

I did not get to watch my two favorite Christmas movies this year (Auntie Mame and The Lion in Winter) because I would have had to pay to stream them; I do find it very interesting that films of a certain age aren’t streaming free anywhere. Why are old movies pay-to-play but many newer releases–even brand spanking new ones–are free to stream in numerous places? I guess I will never understand the economics of show business. We tried watching a gay horror movie last night (Ganymede, it’s terrible; we were an hour in and I wasn’t sure if the movie was pro-gay or anti-gay, and when you’re still not sure when there’s only a half an hour left? No need for us to watch that final half hour. The writing was bad, the acting overwrought, and I wasn’t really quite sure of the point of the film….so we gave up on it.

Babygirl was interesting, and made me quite uncomfortable more than a few times. Nicole Kidman is fantastic in it, but…this is one of those movies that I don’t think I can completely appreciate because I’m not a woman, if that makes any sense? Kidman plays an incredibly bright, driven and successful CEO of a major corporation…but is sexually dissatisfied in her marriage and her perfect appearing life. She literally has it all, but something is still missing in her life, and her desire to maintain her outward perfection while dealing with a weird sense of longing for something missing is portrayed quite compellingly. She feels drawn to an intern at the company, and he is drawn to her as well; that is never truly explored (what does he want?) but the movie is hers, and we see everything from her point of view. So, is she an untrustworthy narrator? We’re only seeing how she continues with her facade of perfection even in light of her torrid affair, that’s fulfilling some need in her–to be controlled, to be trained, and the sex and loss of control is exactly what she is needing, even though she is risking everything–career, marriage, family, wealth–here. Like I said, it was interesting; the story is the character study and evaluation of her life and her present. Is the ending happy? I’m not entirely sure, but in the final scene, and her delivery of the last line? That’s the character we’re never really shown, and that final scene is so brilliant that it changes the entire film from what you think you were watching.

And on that note, I am heading into the spice mines. Have a lovely Boxing Day, or day after Christmas if you’re not in a commonwealth of the Empire.

We’ve Got Tonight

Who needs tomorrow? Well, it’s Christmas tomorrow, Mr. Seger, so I’d say we could all use a little Christmas this year, couldn’t we?

So it’s Christmas Eve in the Lost Apartment, and Sparky and I are the only things stirring. Paul is sound asleep, and I am going to let him sleep as long as he wants. I am going to order our pizza around twelve, I think, and I am going to go to the gym in a little bit first, methinks. I am going to take today and tomorrow off from anything other than light chores (unless I get a wild hair) and just read and relax and watch things on television and cuddle with Sparky. I can’t think of a better way to spend this holiday, can you? Sparky seems to have that same secret superpower of inducing sleep in us by simply cuddling up and going to sleep on or near either of us that Scooter had. I took two short naps this past weekend, and I blame that entirely on having Sparky sleeping on me–I never take naps! When I got home from work, he’d been cuddling with Paul off and on all day, and he spent the evening going back and forth between us. We finished The Day of the Jackal yesterday night, which was really fun

I was correct about yesterday being an easy day at the office. We were on a skeleton crew, most of the managers and supervisors were out, and thus I was able to focus and get a lot of my work done. It was marvelous. I was able to leave early, and when I got home I even figured out what short story to write for this queer anthology I’ve been invited to participate in, and I’m working on this other one for another anthology I’ve agreed to write for. I am going to take some characters from another project and write a short story about them…I think it’ll work, and then I can just plug the short story into the longer manuscript, which seems rather genius to me. I mean, why not make your work work for you? I’m a firm believer in that–even if I always worry about recycling plots. This morning I am going to clean the kitchen, drink my coffee, and read for a bit. I am intending to have a very relaxing two days off. Maybe I’ll do some work, maybe I won’t. I did finish my Substack essay on the blatant and horrific racism in the original edition of The Hardy Boys adventure The Mark on the Door, too.

The public theater of the Luigi Mangione trial–which is going to be reported on breathlessly by a media completely out of touch with their audience and will probably last throughout 2025, serving as a distraction for the people who cannot with the news from Washington anymore; Romans had their circuses to entertain the populace and keep them from rising; we have our modern media. What’s even odder to me is the disconnect between Luigi’s followers and the vastly smaller amount of law-and-order proponents (mostly in the media, for the record) castigating and moralizing about “condoning murder.” I have never been a fan of scolds or people who primly climb into their saddle atop their moral high horse and lecture everyone else about their moral failings. For the record, I do not respond to being lectured or scolded or condescended to very well–especially by people I do not know on the Internet. I don’t owe you space, I don’t owe you a platform, and you do not know me well enough to talk to me like you’re my mother. She’s dead, for one thing, and I didn’t even let her talk to me like that. You think you matter more to me than my mother? Arrogant much? Maybe have all the seats before coming at me as a fucking straight white woman of a certain age? I blocked two people on Facebook yesterday–one a priggish morally superior straight white woman who came onto my page determined to make the stupid faggot aware of her moral superiority; the other a gay man I’ve never met who did the same. I do my usual test of moral superiority with other strangers that I always do: hmm, what do I think you were doing during the HIV/AIDS crisis when gay men were dying by the thousands? And is you’re so law-and-order, that means you were probably being horrible about ACT UP and all the other in-your-face activism that needed to be done back then, some of which broke laws, which means you folded your arms and scolded rather than actually doing anything while people are dying.

Kind of like you are defending health insurance companies. You cannot be morally superior if you are defending the death panels. To me, that means you’d be a German who turned away during the holocaust and pretended it wasn’t happening, even though you lived in a village near a death camp and could smell it.

Also, slavery was legal in this country until 1865. So you would have supported that? Jim Crow was also the law, Ms. Black-and-White-Binary, and so were the eradication of the natives of this land and the Japanese internment camps in the 1940s and I could go on and on and on. Your lack of nuance is very telling.

And for the record, I never said I condoned or condemned the murder; all I’ve ever said is that I understood the mentality behind it because I have been there myself. I don’t share my own horror stories about health insurance–because all these people do is fold their arms and wrinkle their brows (think Susan Collins) and scold anyway. It’s also amazing to me that people will barge into one of your posts when they do not know you, do not know your situation, do not know your history, to smugly inform you how morally superior they are to you. With that fucking profile picture, bitch? Right before Christmas? Literally, go fuck yourself with barbed wire, skanky bitch, and take the morally superior gay man with you. It’s very easy to judge people (I’m doing it right now) without knowing the full story, but I also shouldn’t have to explain why I feel the way I do in order for other people to consider my opinions valid–that’s dehumanizing, and if you came running up to me at a conference or in a public space and started screaming at me (which is basically what you are doing, dear Ms. Morality), I wouldn’t stand for it, and I will not stand for it on-fucking-line. 1

For me, this case fascinates me, and what is even more fascinating is how this is being reported. There’s definitely been a slant to the coverage of the case, and there has been since it first happened. It was very shocking–a CEO being mowed down like a dog in the street on his way to an investors’ meeting–and very daring, very well-planned. It was, very much, intended as a political assassination; a protest against our incredibly broken health insurance industry. The fact that it was the CEO of United Healthcare immediately raised my eyebrows; they aren’t my insurer, but I work in a clinic for the under or uninsured and believe me, I have never heard a single person with United Healthcare who actually liked their insurance carrier. It’s always horror stories, and believe me, I’ve witnessed some myself. United Healthcare is garbage, it’s expensive, it has high deductibles, and they refuse coverage over 30% of the time.2 Their clients have no recourse, either; none of us do when our health insurance companies deny coverage (a favorite of mine is the bait-and-switch; “we’ll cover all of this, no worries” only to find out later that “oh, no, you owe for this and this and this and this.” (That was my experience with my shoulder surgery last year.) I had a surgery that was, over all, about 95% completely covered by my insurance–but that 5% almost bankrupted me. So, miss me with your “sanctity of life” bullshit. Brian Thompson had no concerns about the sanctity of life of his clients, to the tune of billions of dollars of profit last year. I didn’t cry or feel bad when Reagan or Kissinger or Limbaugh died; I won’t feel bad when Anita Bryant or Maggie Gallagher or Donald Wildmon dies. The media also tried to paint Thompson as a “family man”–not that he was estranged from his wife and kids–and couldn’t find any on-line pictures of the family, which is kind of telling. Who doesn’t have at least one family picture on-line?

No one deserves to be murdered in cold blood, but our system is so corrupted and rotten to the core that most people feel helpless in the face of it–that’s the real story no one is reporting in this case, which is also very telling about the news media, how they report stories, and the narratives they try to shape–and feel like they need to step up for the good of everyone. (They were the ones who convicted the Menendez Brothers, after all.) Rather than think pieces and editorials about how “horrible it is that people are cheering for a murderer”–why isn’t anyone exploring or reporting or even considering why people are cheering for a murderer? Everyone was rooting for him before anyone knew what he looked like, and the fact that he turned out to be attractive? Made it a much harder sell for the media, so of course they ran with that–people only support him because he’s attractive, which again, is one-dimensional and offensive to the core. Ever since I walked away from legacy media last July, it’s so much easier to see the narratives and the spins they go for–both sides, really. MSNBC’s breathless reporting, along with their butt-buddy CNN, on the narrative from Fix and OANN and Trump that Biden was senile and dying ensured a Trump election, and I said it at the time and that’s why I walked away from it. The great irony that I agree with the right that it’s all “fake news” has not escaped me. They were right, but only half-right; they think Fox is honest, and they aren’t. The copaganda perp walk? How much money and how many resources did the NYPD waste on their “manhunt,” which accomplished nothing because he was caught by a tip called in? So, that was absolutely copaganda: see how seriously we are taking this, oligarchs? Keep approving our massive budgets which are a waste of money and time. Um, you didn’t fucking catch him, and it’s interesting that the NYPD will mobilize for a rich man’s murder and divert everything to catching the killer, while crimes go unsolved and uncared about on the daily in New York City.

We should be talking about about the health care insurance scandal in this country, and talking about how to fill loopholes and make insurers pay claims, rather than “you only support him because he’s hot.” I’m fucking sixty-three years old. Just because someone is hot doesn’t mean I either like them, support them, or want to fuck them (Zachary Levi? Mark Wahlberg? Nick Bosa?). So stop fucking condescending to me.

And don’t come on my social media scolding me. It won’t end well for you.

And on that note, I am going to get into the holiday spirit by going to my easy chair with Sparky and watching Auntie Mame, my favorite Christmas movie.

  1. The difference between me and so many people is I am exactly who I am on line. It’s not a persona. I don’t reveal everything because I only choose to share certain aspects of my life and who I am, and I don’t have to, either. I am not braver on line than I am in person; if anything, I tolerate more bullshit on line than I ever would in person. ↩︎
  2. How awful for me to empathize with all the people going bankrupt paying for health insurance coverage that doesn’t cover anything! How fucking dare me! That man’s life was sacred. ↩︎

Born on the Bayou

Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.

This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.

This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.
And this is where I started from with Colin.

I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.

But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.

I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”

And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.

I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.

While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.

It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.

And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.

  1. There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎

Fifty-Fifty Clown

Yesterday wasn’t pleasant. It wasn’t bad, it just wasn’t pleasant. I slept well but didn’t feel completely rested, and we were in ozone advisory for most of the day. The air conditioning at work isn’t functioning properly–it was 76 degrees when I got there in my testing room; 82 when I left–and it was also muggy; it rained late in the afternoon. Muggy and warm are a toxic combination for my sinuses, so that was making me miserable for most of the day. I ran errands after work, and picked up my copy of Beware the Woman, the new Megan Abbott, which is now next on my TBR Pile. Then Ted Lasso dropped later than usual, so I couldn’t stay up late enough to watch it and thus will have to avoid social media all day…which isn’t really a bad thing. I did work some on the book as well, but I am not sure if it was good work or not because I was out of sorts with the day.

It’s not the heat, it’s the humidity, as the T-shirts used to say. Do they still sell those in the tourist shops in the Quarter? I wrote about that in the first Scotty book, the French Quarter that used to be, just after the turn of the century. It had already changed and evolved from when we first moved here, some four or five years earlier; perhaps some of it was just me getting older and my own life situation changing. But I do remember how raggedy and dive bar-like Cafe Lafitte in Exile used to be, when that balcony wasn’t the safest place in the world to go out on while drinking. The 90’s were a different time entirely in the French Quarter, although I do wonder sometimes if I am doing the “rose-colored glasses” thing about New Orleans in the 90s. (Writing about that time period–Never Kiss a Stranger–does bring it all back to me in some ways, and I do hope that I’m not simply being nostalgic about the time because I’m writing about it.)

I’ve decided to cancel the cable appointment. The schedule at work this afternoon filled up quite a bit during the day yesterday, and it’s working for now. I know I’ll get irritated when and if the Internet proves to be an issue again, but here’s hoping it will happen when I can schedule them to come out when it won’t interfere with my job. I don’t think I slept very well again last night–surprise–but I can make it through the day. I can come home straight from work and watch Ted Lasso when I get home because Paul’s working from home today to write a grant anyway. (It did occur to me last night that I could just have Paul deal with it since he’d be home, but Paul has no idea how to talk to the cable people and it’s easier just to cancel, with a reschedule planned if needed.)

We also finished watching Chicago Party Aunt, which we really enjoyed. It was surprisingly funny–and the dynamic between the low-rent Chicago sports fan version of Auntie Mame and her gay nephew was surprisingly well done, and also hilarious.

Feeling rather dull this morning, so I am going to bring this to a close and head into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Me!

Hey there, Saturday! It’s gray and raining here in New Orleans, which explains why I slept so deeply and well last night–there’s really nothing like the sound of rain to put me to sleep. (I wish it would rain every night, quite frankly.)

I didn’t write at all yesterday. After I finished work I went to the gym and did my workout, then came home and was quite tired, both physically and mentally. I repaired to the easy chair with a bottle of Sunkist (I’m trying to reduce my caffeine by not drinking as much Coke, but I also like sugary fizzy drinks, so non-caffeinated Sunkist works just fine as a substitute; I am also considering 7-Up) and switched on the television, going into a loop of Ted Lasso reviews, clips, etc. Everyone is already starting to prepare their Best of the Year lists, and I wish that I could do the same, but trying to remember 2020 isn’t particularly easy. I know I didn’t read as much as I usually do, and most of what I did read I’ve forgotten already–even forgotten that I read them, to be completely honest. I also really can’t remember much of what I watched on television or what films I watched or what short stories or documentaries or movies. But Ted Lasso continues to stand out for any number of reasons–it also helps that I regularly recommend it to people who then wind up loving it as much as Paul and I did. I know a book I read early in the year–Elizabeth Little’s Pretty as a Picture–is making a lot of Best of lists; I read that before the pandemic shut down when the world changed, and literally, it seems like it was a million years ago when I read it.

Then again, I also don’t limit myself to things that came out during the calendar year when I make a best-of list; my list is the best things I read or watched during the calendar year, regardless of when they were actually released. My list, my rules. So, at some point I guess I will go through my blog entries and find the things I enjoyed enough to talk about on here, and will thus pull together a list of what I enjoyed most in 2020. (I know that television is going to be a three way tie between The Mandalorian, Schitt’s Creek, and Ted Lasso–and I am also going to have to come up with a foreign-language television so I can mention Dark and Elite and Toy Boy.)

Today I plan to write all day–or most of it–around doing household chores and so forth. There’s literally no need to turn on the television and watch football–although as a diehard LSU fan I’ll have to tune in to the horror that will be the Florida game tonight–and so I might as well take as much advantage of a free-from-football day to write and get caught up on the book. Two chapters a day this weekend will take me to Chapter 21, with only five left in this draft, which will–again, as I have reiterated over and over–give me some down time to let it rest before going over it one last time before turning it in. I am also very excited about the prospect of getting back to work on the Kansas book one last time before turning it in and calling it a day on it as well.

I also want to spend some time reading The Spy Who Came In From the Cold. John LeCarre is widely considered one of the greats when it came to spy novels–or whatever the genre is called–and while it has been quite some time since I read Ian Fleming, Helen MacInnes, Robert Ludlum, and Alistair MacLean, I am very interested in reading LeCarre. The first few chapters of this book haven’t exactly grabbed me, but I do appreciate the writing. One of the things I love the most about the mystery genre is there are so many fascinating and interesting subgenres–the broad spectrum of what is routinely considered mystery fiction is quite vast; everything from traditional mysteries to romantic suspense to police procedurals to international intrigue. (I also want to finish it so I can move on to the new Alison Gaylin, and I also have the new Lisa Unger–and I think I have the new Ivy Pochoda as well) Spending the rainy morning reading really sounds like a lovely way to spend the morning, does it not?

Yesterday I watched The Ruling Class while I was making condom packs for the Cynical 70’s Film Festival. The film hangs entirely on yet another award-worthy performance by Peter O’Toole as the fourteenth Earl of Gurney, who is completely insane–and yet because of the terms of his father’s will (his father was into auto-asphyxiation, which finally went terribly wrong and he hung himself while wearing a military jacket and a tutu) the entire estate is his–and any attempt to break the will means everything will go to a charity. So his vile family cooks up a scheme to get him married and produce an heir, after which they will promptly have him committed. It’s a satire, and occasionally the cast will suddenly break into song-and-dance; which was disconcerting the first time it happened, but after that I went with it. Coral Browne–most famous for playing Vera Charles to perfection in Auntie Mame–is also a standout here as his grasping aunt-in-law; she really should have had a bigger career. When we first meet the new earl he thinks he’s God and insists on being called “J.C.”–and as the family continues to try to either cure him or have him committed, O’Toole could easily have started chewing the scenery and gone over the top; yet he is remarkably restrained and completely believable in the part. He was nominated for an Oscar (losing to Marlon Brando in The Godfather), and deservedly so; his great misfortune as an Oscar contender was to always be nominated against performances that became legendary. The film is quite a send up of the British class system and how it rotted and how it really didn’t make sense from the very beginning–noblesse oblige, indeed, and yes, cynical. It would be interesting to see how a remake/reboot could work, with one of our fine British actors of the present day in the role–but I also can’t see how anyone could ever outdo O’Toole.

And now, I am going to repair to my easy chair with John LeCarre, get under my blankets and hope that Scooter joins me for some kitty cuddling–if he hasn’t gone back upstairs to bed with Paul. Have a lovely Saturday, Constant Reader!

Goody Two-Shoes

Friday! I made it through another week! Huzzah!

Have you ever wondered how my mind works? Let me give you an example from yesterday:

Before I started the car to run my errands on my way to the office, I saw a headline on my phone as I was stashing it in the center console. The headline had something to do with Melania Trump; I don’t remember what it was. And this is how my thought process went:

Melania is an interesting name, I’ve never heard that name before, but then Michelle Obama was the first First Lady named Michelle, and Laura Bush was the first Laura…they’ve all had unique names, really, Hillary and Barbara and Nancy and Betty and Pat and Ladybird and Jacqueline and Mamie…Mamie is an odd name, I wonder if it was a nickname…those awful bigots in Auntie Mame called her Mamie..gosh I love that movie and haven’t seen it in a long time…I wonder why no one has ever written a book or made a movie called Auntie Maim? It seems like such a natural.

And after I chuckled over the horror novel/movie Auntie Maim:

Rosalind Russell was so great in that movie, she was friends with Joan Crawford, they were in The Women together, it was that unflattering picture in the paper with Roz that convinced Joan to  never go out in public again…I should write an essay contrasting Baby Jane with Sweet Charlotte..Olivia de Havilland was terrific in that but what a movie it would have been with Crawford in that role, I always wanted to write something like Sweet Charlotte…I remember I had that idea twenty or so years ago, what was it called… oh yes, that, how could you write something like that today, oh maybe instead of having the Charlotte character be a woman she could be a gay man, which would have been equally scandalous to be having an affair with a married man but then how would you do the Miriam character they couldn’t both be gay men because that would be a stretch well maybe instead it could be that the lover was murdered and that outed the character and the character ran away and instead of being her cousin the other character is his sister and now Papa’s dying and the thrown away gay son is coming home to make peace with the dying homophobic father and the old crime was never solved…

And then as I pulled into the parking lot at work I wrote the opening in my head, and typed into the Notes app on my phone on my way into the office.

That’s how my mind works.

If you think that’s scary, imagine having to deal with that imagination all the time.

Heavy sigh.

I have maybe three chapters of line edits to input before this bitch of an edit is finished. Only. Three. More.

And I’ve been keeping notes on what and where to tweak.

And for the record, the last time I looked, I’d trimmed 101, 265 words down to around 78,000, give or take a few.

That was a serious line edit.

So, it will probably end up being around 80-85,000 when it gets queried to agents.

Fingers crossed.

And here’s your Friday hunk to slip you into the weekend:IMG_2769