(She’s a) Very Lovely Woman

Saturday morning and it looks kind of gray outside the windows this morning as I look out at the world blearily and drink my first cup of coffee. I slept very well last night–which is always welcome–but woke up feeling a bit groggy this morning. I am sure the caffeine will work–it generally does–but as I glance around at the chaos of my office/kitchen my inclination is to pour the coffee out and go back to bed and sleep the rest of the day away, hoping magical elves or something else will show up whilst I sleep to finish organizing and arranging this mess into something resembling workable order. On the other hand, I don’t think that’s going to happen, so I am going to need to wake up, buckle up, and put my nose to the proverbial grindstone. I’ve got to contain this mess–and do it properly, no more sweeping things under proverbial rugs to get mess out of sight–and I’ve got to work on the book today and I need to run some errands. I also have to go to the gym today, so I will most likely follow football championship games today by periodically looking on-line to check scores only. Paul is going into his office this afternoon to do some work as well, and I need to update my to-do list and…yes, it’s a very busy day for a Gregalicious.

I finished reading Murder Most Fowl by Donna Andrews last night–charming, as always, delightful and witty and funny–and decided, since I was talking about how much I preferred Miss Marple to Hercule Poirot the other day, that I should revisit one of the Marple stories. I have a hardcover copy of A Caribbean Mystery–I don’t recall where it came from–but it has some sentimental value for me in that it was the first Marple novel of Christie’s I had read all those many moons ago when I was a child, holing up in my room on Saturdays with a book and a bag of Bar-B-Q Fritos. (My first Poirot was actually Halloween Party, which I also have a hardcover copy of and again, do not recall where I got it or how long I have had it; I read most Christies in paperbacks purchased at the Bolingbrook Zayre’s off their wire paperback racks) In those first few pages of the book, it spelled out exactly what I loved about the Marple stories–about how living in a small village actually exposes one to almost every kind of human behavior there is in a smaller ecosystem, and the great irony that the smallness and rural aspects of the small community are all too frequently seen as provincial and inexperienced in the world (why Grace Metalious’ Peyton Place was so shocking when it was originally published some seventy years ago; that placid, idyllic on the surface looking village/small town/rural community has a lot more going on than one would think at first glance). This is an excellent set-up, really, for the story Christie is writing about this fictional resort on a fictional West Indies island; her nephew, the successful novelist Raymond West, has paid for this trip for her to get some sun and recover from an illness…and when she originally protested about the expense and “who will watch out for my home in St. Mary Mead”–this response (which I hadn’t remembered) hit me right between the eyes:

Raymond had dealt with everything. A friend who was writing a book wanted a quiet place in the country. “He’ll look after the house all right. He’s very house proud. He’s a queer. I mean–“

He had paused, slightly embarrassed–but surely even dear old Aunt Jane had must have heard of queers.

Now, what is one to make of that? It was a jolt, certainly. It put me in mind of something I came across on Twitter the other day, written by Wil Wheaton, in which he had answered at a con somewhere a question regarding the current debate of “can you separate the art from the artist?” This is something I’ve pondered about quite a bit–most recently, the feeling of guilt I experienced in rewatching Chinatown, knowing now what I–we all–know about Roman Polanski. I enjoyed Chinatown every time I’ve seen it, and I was now watching–rewatching–through a different lens than I had before; I was watching in terms of my own Cynical 70’s Film Festival, to see how a 70’s film that actually harkened back to old-style crime/hard-boiled/noir styles, but with a more modern (at the time) sensibility fit into that 70’s cynicism and darkness about humanity and human behavior. But the discomfort kept popping up, particularly because Polanski himself appears in the film…and I eventually decided not to rewatch another favorite, Rosemary’s Baby, because of it.

I am not going to consign Agatha Christie to the trash heap of history; she was an extraordinary writer, and one of the most influential in the field in which I myself write. Nor do I think a simple throwaway line or two in a book originally published in 1964 is enough to dismiss Christie and her canon as homophobic and never revisit her work. In fact, given the time period in which the book was written, I am surprised the two sentences weren’t, frankly, much worse. Reading the sentences didn’t offend or outrage me; it was just a surprise, primarily because I didn’t remember them at all in a book I’ve read multiple times over the years–and I think when this hardcover came into my possession (I won’t swear to it, but I think I got it during one of my many eBay buying frenzies after Hurricane Katrina, when I felt it necessary to get copies of books with some sentimental value to me) I did actually read it again because I didn’t remember the plot–and this either went right past me or I noticed and didn’t think much of it.

Revisiting this book and viewing it through a modern lens is going to be interesting. And like I said, the reference could easily have been worse–but seeing queer used in this way reminds me of how it used to be used. The younger generations are reclaiming the word, and I myself have been advocating for it as a generic term for the non-straight community for eons…but I also can see why there are people of my generation/the one before me/the one after me who object to its use and why.

But I would a thousand times rather see the word queer used in an Agatha Christie novel than faggot. And I also remember the sympathetic depiction of a lesbian couple in my favorite Marple, A Murder is Announced.

Interesting thoughts on a Saturday morning. The sun has come out now and it’s not quite so gray outside; the second cup of coffee is certainly hitting the spot right now and the grogginess is beginning to leave from not only my head but from my body. I still don’t want to straighten up this mess, but there’s no choice, really, and I want to get some good work on the book done today and tomorrow. I need to go to the gym either today or tomorrow as well; perhaps later this afternoon once I get some writing/cleaning/organizing completed. I cannot be completely lazy this weekend, much as I would like to be; I have to get things done, and the more things I get done now the fewer things I will have to do later this month (I am not, for example, going to want to write on Christmas). But once a procrastinator, always a procrastinator.

And now it occurs to me that perhaps I am procrastinating here, so I am going to bring this to a close. Have a lovely Saturday, Constant Reader, and will talk to you soon.

Fine Line

Saturday rolling into our lives and taking no prisoners!

I slept really well last night, which was a good thing. Yesterday wasn’t a good day–suffice it to say I got through it–and after I finished my work-at-home duties I went to the gym, which was lovely (and my muscles are feeling it this morning, which is perfectly fine with me). Paul will be going in to the office later this morning and most likely will be gone for the rest of the dy, leaving me home alone. It occurred to me the other day that this year’s Festival widowhood is different; usually I don’t get off work most nights until eight or so, so I only have a few hours home alone in the evenings before he gets home. Me finishing work every day by five stretches the entire evening out in front of me alone; I think that might be part of the doldrums. It’s noticeable in a non-pandemic year, but this year those lonely evenings are taking a bit of a toll on me. Paul has always been my favorite person to spend time with, and always will be; his absence is always noticeable.

I asked for a two week extension on my deadline for the book, and they actually gave me a month. The weight of that deadline stress lifting off my shoulders was considerable; that means I can try to spend this weekend getting caught up on everything else that has been piling up (and dear God, has it ever been piling up) while also working on the book without the great stress of “oh my GOD it’s due on Monday!”) as well as working on cleaning. Cleaning for some reason is calming and relaxing to me–plus being occupied with my hands frees up my mind to be creative (Agatha Christie said, in my favorite writer quote of all time, “my house is never so clean as when I am on deadline”). I’m also becoming less attached to my books, which are sprawling everywhere and taking up so much room it isn’t even funny. My goal is by June to have cleared out, through donating to the Latter Library’s weekend book sales, most of the piles of books. Should we ever have the means or find a place to live that will provide me with an actual room to serve as my office–so I can have walls and walls of bookshelves–I should have no problem whatsoever with filling those shelves. It’s a long time project, of course, and will require, in many instances, the purchasing or repurposing of boxes, but the truth is the only books I should be holding onto are research ones–and even those can be replaced with ebooks as needed; and let’s face it, ebooks are much easier to use than hard copies because you can search for key phrases and words, etc. much easier than flipping to the index and so forth.

The pandemic, of course, has had a lot to do with the weird, eerie, dream-like existence of the last year; and these additional stressors in my life have, like the Katrina aftermath, affected my short term memory. This entire last year–our office officially shut down services on March 16th last year–is kind of blurry to me; I don’t remember when this happened or when that happened and so forth; I thought, for example, we had closed down earlier than March 16th and opened up for limited services much later than we actually did. I have no recollection of my birthday in August. This is also kind of understandable, as there were none of the usual markers of the year that generally mark the passing of time: no Southern Decadence condom outreach, no Halloween, no Jazz Fest, no Bouchercon, no board meeting in New York in January. I miss those things; I miss my annual events and seeing everyone that I usually see and the social interactions…and given my general misanthropist attitude, that is saying a lot. I miss my friends, I miss my co-workers, I miss the way things used to be. (I do not, however, miss the past administration in the least.) And that’s okay; that’s normal, and I really need to get to a place and point in life where I stop beating myself up for, you know, having the same feelings and experiences everyone has.

I’ve been doing a lot of unpacking in my mind over the last few weeks of issues–and yes, pain–from my past as well as reexamining things that happened. I’ve always been hesitant to write about my past–I’ve always been uncomfortable about writing my memories or a memoir or anything like that, simply because none of the people I’ve known and/or interacted with over the years ever gave me permission to write about them, or tell my version of their stories, which is also why I generally don’t talk about people I know or interactions with them or so forth on here. What constitutes an invasion of privacy in these cases? I really don’t want to find out the hard way. But I am going to start, I think, writing personal essays that will most likely never see the light of day–or maybe, I don’t know. But writing about things has always been the easiest and best way for me to process and deal with them, and while I may not want to pull off the scabs in public here on my blog…I don’t know, maybe someday I could pull together a collection of them. I know when I was using the discography of the Pet Shop Boys for my blog titles last year I kept thinking that not only do their songs have great titles, but those titles would also make great titles for essays, as well as great starting points and inspirations for the essays themselves. Do I have anything interesting to say, anything deep or profound? As Eve Harrington said as she accepted the Sarah Siddons Award for a role written originally for Margo Channing, “everything wise and witty has long since been said–by minds more mature and talents far greater than mine.”

I really need to watch All About Eve again.

So, we will see. Once I finish slurping down my morning coffee and get my gears in order this morning, mayhap I’ll start writing an essay. I am going to spend some time with the manuscript for #shedeservedit–I’ll have the cover art soon, and I can’t wait to share it, y’all–and clean, clean, clean and organize, organize, organize.

I also started watching Allen v. Farrow last night on HBO Max. It’s very well done. I’m very curious to see the rest of it. I never followed the story that closely back in the day–but it was one of those things you couldn’t help but be aware of and everyone had an opinion. I’ve never been a particular fan of Woody Allen, and haven’t seen many of his films–of the ones I’ve seen, my favorite is Bullets over Broadway–nor do I have much inclination to go back and watch them now. I recognize this is yet another one of those “art v. artist” things; and perhaps the distinctions I make in other cases (I won’t watch anything made by Roman Polanski after his crime, but will rewatch both Rosemary’s Baby and Chinatown–justifying those as being before he turned to criminal assault against minors, but apparently he was horrible to Faye Dunaway during the production….at the same time Dunaway is also notoriously difficult, so who is at fault in that instance?) are rationalizations to excuse myself. I won’t read Orson Scott Card nor Dan Simmons anymore, and really–there are so many books I want to read that I will never have time to read that cutting bigots out of my reading schedule isn’t an issue. I suppose the same goes for film–I’ll never have the time to watch every movie that I want to watch, so cutting out films made by predators or abusers or bigots really shouldn’t be an issue.

The art v. the artist! That could be an essay!

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader.