Tag: American Crime Story

Brothers in Arms

Ah, the Menendez Brothers.

I hadn’t thought about them in years until Ryan Murphy announced they would be the focus of the second season of Monsters (although it could also have been a season of American Crime Story, for that matter; how does he decide? How did he decide Grotesquerie would stand alone when it could have been a season of American Horror Story? For that matter, why is the Aaron Hernandez one American Sports Story instead of American Crime Story?). It’s been over thirty years since the original murders, and this case was the first one I remember that was, thanks to cable television, part of the public discourse; the trial was televised and people watched; everyone had an opinion; and the tabloid coverage was crazy. I don’t remember another crime story have this kind of impact before, but it set the stage for OJ’s trial, the Jon-Benet Ramsey murder, and so many since then it’s hard to really keep track of them all. But I do believe the brothers were the first to be so much in the public eye once they were arrested; a “viral” crime before anyone knew what that even meant.

I wasn’t sure I wanted to watch this latest take on the Menendez brothers and the murder of their parents, to be honest. I’ve watched at least one documentary on the case years ago, and I watched the made-for-TV movie with Billy Warlock of Days of Our Lives and Baywatch fame (I remember especially the scene when his wig was torn off his head), and of course I read Dominick Dunne’s coverage in Vanity Fair. As I mentioned, it was one of the first murder cases to get national attention, to be was all over the 24 hour news channels, not to mention Court TV and all the others. The national tabloids, magazines, and even local newspapers and stations scrambled for coverage1 . I remember the first trial ended in a hung jury, and I kind of lost interest after that–as did the media. The only reason I knew there was a second trial that ended in convictions was thanks to Dominick Dunne. The case would get back into the news periodically in the years since, but I didn’t really pay much attention. Books and documentaries and fictional adaptations continued to be churned out in the decades since their conviction, and like I said, I wasn’t really planning on watching this new series2. I thought they were psychotic killers who murdered their parents for their money.

And yet, one Saturday night after we’d finished watching all the football games, Paul suggested we start watching Monsters, and I thought, why not? If it’s not good, we can always stop watching.

I didn’t think the first episode was very good3, but we decided to give the show one more episode on Sunday, and then we were hooked. It’s a very Ryan Murphy show, to be sure: it’s visually beautiful, and the acting is excellent. The two young men who play the brothers, Cooper Koch (Eric) and Nicholas Alexander Chavez (Lyle), late of General Hospital, are gorgeous to look at, are often shown in some form of undress (including a full frontal shot of Koch), and they deliver some astonishing performance (so does the entire cast). There’s one scene that Koch does that is almost the entire episode, him doing a monologue about his life, his parents, his brother, and his failures, his weakness, that is an Emmy reel in and of itself. Javier Bardem and Chloe Sevigny are also fantastic, as is Nathan Lane as Dominick Dunne; Leslie Grossman and Ari Graynor also shine in supporting roles. One thing you always have to give Murphy credit for–incredible actors giving incredible performances is something you can usually expect from one of his shows. (Jessica Lange’s four seasons on American Horror Story is a masterclass in acting talent and range.)

While I know the family has had some objections to the series–not the least of which is the implication that the brothers had that incestuous closeness; but some of the scenes that showed that were from other people’s perspectives; for example, the scene in which they are in the shower together–a cousin has stated that the dad did make the boys shower together–and Lyle did testify under oath that when they were kids, his dad encourage him to also molest Erik. (I think seeing a report on that is what made me think there were hints of incest in their relationship; I honestly don’t remember as it was thirty years ago and I didn’t pay that much attention. I did think, when I first read about the murders, that they were guilty (they did shoot their parents) and when they switched the sexual abuse defense, I 1000% thought they were making that up (no one could say it didn’t happen) as a “get out of jail” free card.

And watching this show? For the very first time, I thought they might have been telling the truth. I knew boys were capable of being raped and molested and abused as children, even as teenagers; the priest scandals were just slowly beginning to come out into the light. but the amount of Americans–men especially–refused to accept the fact that boys could also be victims was astonishingly high. For one thing, most victims were too ashamed to do anything about it (another toxic masculinity issue), and because other men wouldn’t believe them, or think “they wanted it” (you know, the same things they say about women rape victims). The shame of “being unmanned” was still a thing in the 1990’s–the toxically masculine also have issues with gay men because it besmirches manhood or something fucking stupid like that, or “womanizes” men. And it was very difficult for anyone to believe a father could do that to his sons.

And bearing that in mind, I completely understand why the Menendez brothers wouldn’t have told anyone, nor would they have told the cops or their original lawyer. It makes sense. And they only admitted to it when it looked like they were definitely headed for the chair.

It. Makes. Sense.

And I would have probably voted to acquit.

The show also highly sexualizes its young stars in a way that we are seeing more of these days (certainly in Ryan Murphy series; I have to say I do approve of the objectification of men–and I also like that the gay male beauty standard, so often maligned within our own community, has clearly spread to straight men of all ages. I’m amazed, for example, how many young men have realized the importance of leg day and building up a lovely round hard butt. The two young actors playing the leads, Cooper Koch (Erik) and Nicholas Alexander Chavez, are incredibly gorgeous; Koch even does a full frontal scene sans prosthetic. They also had good chemistry between them, which…I can certainly understand why the family was furious about the hints of incest in the series–but that was what the person whose perspective was being shown thought. Lyle also testified to abusing Erik when they were younger–and like I said, they seemed almost unnaturally close.

And when it was all over, Paul asked, “do you think they were abused?”

GREG: I didn’t at the time, but now I’m not so sure. And they’re the only ones who know for sure, so we’ll never know.

I think the show had changed a lot of minds about the brothers–and now that a member of Menudo had come forth to claim he was also sexually abused by Jose Menendez, they may even finally get out of jail…but would they have been so “viral” at the time if they weren’t good looking young men?

Sexualization, Party of Two?
I could be wrong, but I don’t think men’s bikinis were cut or worn like this in 1990.
See what I mean about sexualizing them? There’s an entire scene of him doing squats with dumb bells FROM BEHIND.
This is another example of the “incest inference” scenes. It doesn’t look like anything off until you think, would two young men talking in a pool float this close together?
  1. When we got to the episode on the Ryan Murphy series where OJ went on the run in the Bronco. Paul turned to me and said, “The 90’s were a time, weren’t they?” to which I replied, “Jon-Benet Ramsey, Versace, OJ, the Menendez brothers–yeah, it was one major crime mystery after another.” ↩︎
  2. I have a love/hate relationship with Ryan Murphy productions. When he hits the ball cleanly, he knocks it out of the park. But most of the time his shows collapse under their own weight and endings rarely resolved everything. But his better shows are usually based on a true story… because the story’s already written. ↩︎
  3. It was very over the top and campy; it wasn’t until later that I realized that each episode is the story from someone else’s perspective (aka Rashomon), which is something I absolutely love, so I should rewatch that episode to get a better sense of it. ↩︎

Running Through The Garden

Friday morning work-at-home blog!

I have data to enter and things to do today, Constant Reader. I’m leaving on Monday for Kentucky and will be gone for a week, so I have to seriously buckle down over the course of this weekend and get things done. It was cold here last night–in the thirties–and this morning the downstairs floor is cold beneath my feet, and the chilliest spot in the entire Lost Apartment is here at my desk. Heavy sigh. But that’s okay, I can deal with it. I have a load of laundry in the dryer, need to empty the dishwasher and refill it again–and of course the entire place from top to bottom is a complete disaster area. Hopefully I’ll be able to get the house under control as well as get all my work finished that I need to get finished not only today but over the entire weekend. Yesterday I was, not surprisingly, very tired when I got home from work. I did get some laundry folded and another load going, and yes, I loaded the dishwasher last night and stumbled around a bit in my tired state, but eventually Paul came home and we were able to watch the season finale of Half-Bad or The Bastard Son and the Devil Himself or whatever the hell you call it, which felt kind of anticlimactic, to be honest. I enjoyed the show, love the concept and the actors are very appealing–I am especially fond of Gabriel, the pansexual witch, to be honest–and we also watched a new episode of American Horror Story: NYC, which was kind of odd and weird, with a kind A Christmas Carol feel to it. I don’t know, it just seemed more like filler than anything else to me, and of course the AIDS allegory isn’t exactly subtle (why not just make it AIDS? The plague in the 1980s wasn’t horrible enough for a season of American Horror Story? Although AIDS in the first two decades would have been better suited for a season of American Crime Story….) but it is unsettling.

I’ve been doing, if you’ve been paying attention, the occasional Blatant Self-Promotional (BSP) entries for A Streetcar Named Murder, which has been kind of fun. I’m not sure what the next one will be–I’ve done the character, the store, and the neighborhood she lives in; I suppose the supporting cast should be next. I’ll figure it out at some point, I am sure; it’s not like the book drops until December 6th or anything–although I’ve been seeing pictures of already delivered copies on social media, which doesn’t make sense, but I’ve learned to not question things like that. It is what it is, and if people are already getting copies several weeks of release date, who am I to wonder the reasons why? Publishing is one of those businesses you never can completely figure out…because once you think you have a handle on something, it changes almost immediately.

I’m also looking forward to getting a handle on the current Scotty. I’ve been too tired from work this week to get as much done as I needed to get done, so this weekend is going to result in a big push. I have of course all the data to enter for my day job today, and I need to run some errands once I am finished for the day, but I remain hopeful that my energy won’t flag and I’ll be able to dive headfirst into the book this weekend without either having to force myself or for it to be like pulling teeth. As I have mentioned, the LSU game isn’t until the evening and it’s not really a big one; non-conference opponent, and of course I want them to win, but it’s Alabama-Birmingham (although I suppose completing the trifecta of beating Auburn, Alabama and UAB would make LSU state champions of Alabama again) and so there’s not the same urgency as there will be when we play Texas A&M the Saturday after Thanksgiving. What a wild, crazy and all-over-the-place college football season this has been…certainly nothing like I expected.

But I think the cold helped me sleep better last night than I have all week. I didn’t wake up super-early either; wide awake at seven, which is something I absolutely can handle, and feel very rested this morning. I did do one of those “oh you’re getting so old now” things this week–in which I turned my torso to do something here in the kitchen but did it at precisely the right angle to aggravate or irritate something, so now I am vaguely aware of some stiff soreness in my upper body. I can’t describe where exactly it’s located or how it feels, but it’s kind of like how when you have a respiratory thing going on and when you try to take a deep breath it feels tight? It’s kind of like that but not in my lungs, if that makes any sense. I’ll probably try to use the heating pad and the massage roller to work whatever the hell it is out before I leave on Monday morning.

I suppose the clock is ticking on Twitter, but I can’t really muster up enough energy to care much one way or the other. I use it, of course–I remember setting up the account because co-workers suggested that I should have one–and I go there periodically, primarily to waste time when I’m in line at the grocery store or the pharmacy or wherever; or when I am sitting in my easy chair at night with a purring cat in my lap while I am waiting for Paul to come home and I am watching Youtube videos on autoplay. Last night it kind of felt like high school graduation, as people were saying goodbye to everyone and it all had a touch of “signing the yearbook my senior year” to it all. I know a lot of people love Twitter, and I certainly had a lot of fun there over the years–primarily interacting with my friends and readers, mostly–but it’s also a horrific hell-scape with trolls lurking everywhere and nastiness for the sake of nastiness popping up every now and then. I find myself writing horrible responses to horrible people all the time before deleting them, and in some instances it’s too late–yes, you can delete tweets, of course, but that also seems kind of cowardly to me and besides, the Internet is indeed forever; I screen cap bad takes (aka “receipts”) all the time to save them just in case…and as I typed that even now I was thinking just in case? For what? In case I need to remind someone I don’t know of a bad take they had a few years ago? I have little to no desire to learn how to use a new social media service, so I am not migrating to another platform or any such nonsense; perhaps I will if and when the Twitter universe comes to a crashing halt. But while I’ll miss the interactions with my friends–and the opportunity to post that picture of me with the shocked look on my face everyone loves so much–I think I’ll somehow manage to survive.

And on that note, the dryer just stopped so I need to fold some laundry. Have a lovely Friday, Constant Reader, and I will talk to you tomorrow.

Dancing on the Ceiling

So, yesterday I managed to finish the afterward to the short story collection; worked on “Never Kiss a Stranger” a little bit (also figured out the rest of the story, crucial!); decided on the story I am going to revise/rewrite to submit to Cemetery Dance; did some thinking about the Scotty book and where to go with it next; and continued the copy editing of Bourbon Street Blues.  I am about a quarter of the way through with this; hoping to have it finished by the end of the month so I can get the ebook/print-on-demand up before the end of summer. The book has been too long out of print, and by the way, I fucking love the new cover I got for it and the new one for Jackson Square Jazz.

I’m having some seriously terrific luck with covers this year, methinks.

So, I didn’t get as much done as I would have liked this weekend but again, progress, which is everything. As long as I am moving forward, I celebrate the win because staying in place is a loss.

Last night, I started watching the new Ryan Murphy series, Pose, and was most impressed with it. I still have not watched the Versace season of American Crime Story, but that’s on my ‘to-watch’ list. The thing with Murphy is that his series are so frequently hit-and-miss. Often they start out fantastic (Glee, Nip/Tuck) and then go south; the uneven quality of pretty much every season of American Horror Story is legendary. So, I am not holding out much hope that Pose won’t derail; but at the moment it’s high-quality, riveting television; taking us back to those awful days of the late 1980’s and shining a spotlight on queers of color, which doesn’t happen very often–and especially, the transwomen and drag queens, who rarely get to see themselves on television or in the movies. Having the show set during the height of the HIV/AIDS crisis was also a brilliant move; there was, I think, a tendency in the late 90’s and ever since, for queer publishing to shy away from HIV/AIDS; it enveloped so much of queer writing for so long…and I’m thinking that it might be time for us to start addressing it again.

HIV/AIDS plays a part in “Never Kiss a Stranger” and in “The Feast of St. Expedite” (the story I started writing last week); both are set in New Orleans in 1994 and you simply can’t write about gay men and the gay male community in that time and not have it be a part of the story in some way. The question of whether I am handling it properly or not remains to be seen…but I’ve been spending a lot of time in the past lately, and it’s been kind of fun.

I had gotten tired of most of my iTunes playlists last week and then remembered, duh, the new car has an actual CD player in it; you can listen to some of your CD’s. This thought led me to browsing through our CD tower–yes, we still have one, and yes, it’s covered in dust–and discovering a lot of great music that I don’t have in digital form and haven’t listened to in a long time. I found a lot of dance music mix CD’s, including Deborah Cox: The Remixes and so every time I get in my car I’ve been listening to old gay dance music. I even was playing some of them while I was cleaning the house on Sunday (the only CD players in the house are in the computers), and yes, I’d forgotten how much easier dance music makes cleaning (note to self: always play dance CD’s in the computer when cleaning).

In the car this morning I was listening to a Pride 2001 CD, and a song come on called “Movin’ Up” (I think) and without even realizing it I was singing along with it and this lyric popped up: I take my problems to the dance floor. and I was flooded with memories. I remember someone in the bars back then had a T-shirt that said this, and although I don’t remember his name, he was around a lot back in those days and he always had a great time on the dance floor; and I enjoyed watching the joy and sheer abandon with which he danced.

I do kind of miss dancing.

And now, back to the spice mines.

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On the Dark Side

Sunday morning. I didn’t get as much done as I would have liked yesterday, but I did get some things checked off my to-do list, so i call that a win. I finished a first draft of my short story “The Trouble with Autofill,” which will need some serious revision and work–not a problem–but while I am displeased with the result, I am pleased that I got the first draft done. As I always say, you can always fix what you wrote–but you have to have something to fix. 

We finished watching Broadchurch last night, and my, was that series finale, wrapping up not only the story of the Latimers–whose son was murdered in Season One–but also the rape case that opened Season 3. I have to say, the show was really terrific; I greatly enjoyed it, and I thought it did a great job of putting real human faces on terrible tragedies. As I processed what I’d seen once it was finished, I realized that probably the reason I enjoy crime fiction so much is precisely that; it’s exploration of humanity through dealing with the unimaginable; and that’d also kind of what I’m doing with my short stories. I’m also really glad that I made the Short Story Project a year-long thing; I’m learning so much about short stories by reading so many different ones by so many different writers.

I also have to correct myself; I  do have a hard copy of Lawrence Block’s anthology In Sunlight or in Shadow. I was moving books around in the bookcases yesterday–and uncovering more anthologies and single-author collections as I went–and even though I’d spent a lot of time trying to find it over the past week to no avail, yesterday there it was, right next to Cary Elwes’ memoir of filming The Princess Bride, As You Wish. Why I hadn’t seen it or noticed it prior to this moment in time is one of the unsolved mysteries of my life and brain.

We also watched the first episode of American Crime Story: The Assassination of Gianni Versace, and I wasn’t overly impressed with it beyond the surprisingly strong performance of Darren Criss as Andrew Cunanan. Visually, it’s splendid, but…I’ll give it another episode or two before consigning it to the scrapheap. The beauty of our streaming society is I can always give it another shot later; maybe I’ll like it better at another time. Black Sails, for example, continues to be something I really am enjoying; I watched half of Episode 3, Season 1, on the treadmill Friday and yes, I can’t help but keep asking myself why on earth did you not like this the first time?

The only problem I’m really having with the Short Story Project is that I am not reading any novels; so my TBR pile is not being reduced in any way. I want to read John Morgan Wilson’s Moth and Flame, and it’s been sitting on my side table next to the easy chair for over a week now; but I’m in such a short story groove…anyway.

Tomorrow is the release day for a book I read in ARC (advanced reader copy) form months ago, The Wife by Alafair Burke.

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In an instant, I became the woman the assumed I’d been along: the wife who lied to protect her husband.

I almost didn’t hear the knock on the front door. I had removed the brass knocker twelve days earlier, as if that would stop another reporter from showing up unannounced. Once I realized the source of the sound, I sat up straight in bed, hitting mute on the TV remote. Fighting the instinct to freeze, I forced myself to take a look. I parted the drawn bedroom curtains, squinting against the afternoon sun.

I saw the top of a head of short black hair on my stoop. The Impala in front of the fire hydrant across the street practically screamed “unmarked police car.” It was that same detective, back again. I still had her business card tucked away in my purse, where Jason wouldn’t see it. She kept knocking, and I kept watching her knock, until she sat on the front steps and started reading my paper.

Alafair Burke’s The Ex made my Top Ten list of 2016; it was the first of Alafair’s books I’d read (I have a bunch more in the TBR pile) and it absolutely blew me away. I wasn’t sure what to expect, and having met and liked Alafair, there was an element of worry; what if I don’t like her book? But it wasn’t an issue; from page one on, I was hooked and it was a book I deeply resented having to put down to do other things. Obviously, I was really looking forward to The Wife–maybe I’ll focus this year on reading the rest of her canon–and was thrilled when I got an ARC at Bouchercon this year.

The Wife does not disappoint, either, and boy is it ever timely! Angela Powell, the wife of the title, has a pretty terrific life; married to a very successful man who is getting even more successful every day, a beautiful home in Manhattan, good friends she can rely on, and a son she dotes on. Angela’s almost too-perfect, too-good-to-be-true life slowly but surely begins to unravel when one of her husband’s interns goes to the police and files a criminal complaint for sexual harassment against him. But Angela is not only rocked by the charges against her husband–she’s also worried about any investigation into their lives, particularly by the press…because she has some dark secrets in her own past that she doesn’t want seeing the light of day. No one, other than her husband and her mother, knows anything more about her past other than she was a catering service waitress who eventually started her own business and is a great chef–she met Jason at a party she was working at–but there is a lot more there. And as the truth about Angela’s past slowly is revealed to the reader, each revelation is even more shocking than the last.

The book has a powerful enough story, with just Angela dealing with this assault on their life and having to wonder if her husband has done what he’s being accused of, and if so, how did she not see it–or whether she should believe in his protestations of innocence and stand by his side? The exploration of what does a woman do in this instance might have been enough for a lesser novelist, but it’s not for Alafair Burke; there’s a reason why she has moved onto my ‘must-read’ list.

The Wife is going to be one of the best books of the year, and will be surely nominated for every crime writing award in 2019. I urge you to read it. You won’t be sorry.