Sometimes Love Just Ain’t Enough

Happy Labor Day!

I spent yesterday cleaning and trying to organize; I still have some writing to get done today of course, and I am being interviewed on the air about Florida Happens at 3 pm CST, which you can listen to here, live as it occurs! Thanks to Pam Stack for having me.

There’s also a new tropical storm out there and heading this way; naturally, the forecasts have it coming through here currently at various times on Wednesday, amongst which include our flight time, which might be incredibly inconvenient. I immediately flashed through every worst case scenario possible, from annoying delays to flat out cancellations and inability to get over there at all–(worst case–I could drive. If we leave on Wednesday morning we could be in St. Petersburg on Wednesday night, but I will be one crabby as fuck bitch when I arrive).

And how about them Tigers?

One of the things I loathe about the pre-season in college football–and pre-season rankings–is, no matter how amazing you are as an analyst/coach/commentator, it’s just guesswork with far too many variables involved for anything remotely approaching accuracy. These rankings can only be based on how the team did in the last season, the new additions to the team, and coaching guesses. No one knows how much chemistry a team will have, what pieces might be missing from the previous season and creating holes on offense and defense that might need to be filled, etc. etc. etc. That said, all portents to ranking Miami in the top ten were there–with a bit of a question mark since they lost their final three games after a 10-0 start. As I said to Paul as we were watching the first quarter of the game last night, “I just realized why I hate Miami so much when I never did before–I have actually kind of always liked Miami. But it’s because Mark Richt is their coach now, and in my subconscious playing Miami now is like playing Georgia.”

PAUL: Well, they’re my favorite team in the state of Florida by far.

GREG: Excellent point, mine, too.

Mark Richt is a good coach, but he was never a big game coach during his run at Georgia, where he could have had national champion contenders every year but somehow always managed to blow it, which eventually led to his termination and the hiring of the coach (whose name escapes me now) who took Georgia all the way to the national championship game last year. And after last night, I would imagine there are some questions about his coaching ability and some rumblings at Miami.

But LSU looked terrific last night, with some exceptions–opening game jitters in the first quarter–but once they settled down they looked much better than anyone gave them any pre-season credit for. They’re only going to get better as the season progresses, and as long as their confidence can keep growing with each game, this could be a terrific season. Next weekend is the Southeastern Louisiana game (SLU from Hammond), and after that, it’s off to top ten ranked Auburn, which knocked off a higher-ranked top ten team this past Saturday in Washington, and surely Auburn is going to want some payback for last season’s stunning come-from-behind upset in Tiger Stadium (while we were in Toronto for Bouchercon). And with both teams from the national championship game on this year’s schedule (Alabama and Georgia), along with Texas A&M, Florida, Arkansas, Ole Miss, and Mississippi State–well, there are a lot of tough games and a lot of trap games on the LSU schedule. But I will say this: if LSU can make it through their murderous schedule with only one or two losses, they belong in the Top Ten for sure.

We shall see as the season plays out.

But in the meantime, GEAUX TIGERS!

5b8c943a3c216.image-1

So much to do today, and so little desire to do any of it. Ah, well, life goes on.

And it ain’t getting done with me just sitting here.

This Used To Be My Playground

GEAUX TIGERS!

I watched the Auburn-Washington game yesterday while I cleaned the downstairs. I did a lot of chores and errands yesterday; and also did some reorganizing and cleaning so the living room doesn’t look quite so…book hoarder-ish. 

I’m getting better about it. I’ve realized that the true value, for me, of the ebook is that if I read a book I really like and think I’ll want to hang on to for one reason or another, I can donate the hardcopy and buy the ebook; if I’m patient enough and pay enough attention to email alerts and so forth, I can usually get it at a much discounted price. I don’t feel quite so bad about buying ebooks at low sale prices as I would had I not paid full price already for a print version. So, I’m really buying the book twice.

(I also find myself taking advantages of sales on ebooks by a particular author whose books I loved and would love to revisit sometime. I have the entire canon of Mary Stewart on my iPad, and a shit ton of Phyllis Whitneys. I’m also occasionally finding books by Dorothy B. Hughes and Charlotte Armstrong and Dorothy Salisbury Davis, which is lovely; I’ve also managed to get some of Susan Howatch’s lengthy family sagas, like Penmarric, The Wheel of Fortune, and Cashelmara. There are many treasures to be found through e-retailers.)

And I also find that, once I’ve let go of the hard copy, I’m not usually all that anxious to buy the e-version. Most of the books I want to keep is because I think it might be something I’d want to write about in a broader, nonfiction sense; like a book about the Gothic romances of the 1960’s thru the 1980’s, what they were inspired by, and how they were books about women’s fears; yes, there was romance involved, but they were also about the dark side of romance. Or a lengthy essay or study about how gay men are portrayed in crime novels written by authors who aren’t gay men, like the rampant homophobia in James Ellroy’s Clandestine or the male/male relationship in James M. Cain’s Serenade or any number of gay male portrayals over the decades of American crime fiction. Then there are, of course, the nonfiction tomes, about periods of history that interest me that I hold onto because I may need them as research for a book or story idea that I have.

I also keep copies of books by my friends, and whenever a friend has an ebook sale I will always grab a copy if I can.

I still haven’t really shifted from reading hard copies to reading electronically, but I am slowly but surely getting there. Anthologies are really helpful in that way; short stories are, of course, self-contained and by definition can usually be completed in one sitting.

I also finished reading James Ziskin’s wonderful Cast the First Stone, and am now eighty percent of the way finished with my Bouchercon homework.

cast the first stone

Monday, February 5, 1962

Sitting at the head of runway 31R at Idlewild, the jet hummed patiently, its four turbines spinning, almost whining. The captain’s voice crackled over the public-address system to inform us that we were next in line for takeoff. I’d noticed him earlier leaning against the doorframe of the cockpit, greeting passengers as we boarded the plane. He’d given me a thorough once-over–a hungry leer I know all too well–and I averted my gaze like the good girl that I’m not.

“Welcome aboard, miss,” he’d said, compelling me to look him in the eye. He winked and flashed me a bright smile. “I hope to give you a comfortable ride.”

I surely blushed.

Now, just moments after the handsome pilot had assured us of our imminent departure, the engines roared to life, and the aircraft lurched forward from its standstill. Juddering at first as it began to move, the plane rumbled down the runway, gathering speed as it barreled toward takeoff. I craned my neck to see better through the window,  holding my breath as I gripped the armrest of my seat and grinned like a fool. I sensed the man seated next to me was rolling his eyes, but I didn’t care. Of course I’d flown before–a regional flight from LaGuardia to Albany on Mohawk Airlines, and a couple of quick hops in a single-engine Cessna with a man who was trying to impress me with his derring-do. Alas, his derring-didn’t. But this was my first-ever flight on a jet plane.

This is a terrific start to a terrific novel. The fifth book in James W. Ziskin’s highly acclaimed and award-winning Ellie Stone series, it is, alas, the first Ellie Stone I’ve read. I met the author at a Bouchercon some time back (I don’t recall which one) and of course, I’ve been aware of the awards and the acclaim, and have been accumulating the books in his series for my TBR pile, but just haven’t gotten to them yet, much to my chagrin. So while I am not a fan of reading books out of order in a series (a crime I committed earlier in my Bouchercon homework with Nadine Nettman’s wine series), I certainly didn’t have the time to go back and read the first four.

Now, of course, I am going to have to–and what a delightful prospect this is.

Ellie is a delight, for one thing. The book/series is set in 1962/early 1960’s; and Ellie is a report for the New Holland Republic, not taken terribly seriously by the men she works with or for (with the sole exception her direct editor), even though she is the best reporter and the best writer on her paper. (It kind of reminds me of Mad Men in that way.) The opening is terrific; Ziskin captures that excitement of your first jet flight in a time period where it wasn’t terribly common to fly beautifully, and using that experience to not only showcase how adventurous Ellie is but to introduce her to the new reader as well as give some of her background. She is flying out to Los Angeles to interview a local boy who’s gone out to Hollywood to be a movie star, and has recently been cast as the second male lead in one of those ubiquitous beach movies the 60’s were known for, Twistin’ at the Beach. But he hasn’t shown up for his first day of shooting on the Paramount lot, placing his job in jeopardy, and soon the producer has been murdered…and the deeper Ellie gets into her story and her search for Tony Eberle soon has her digging through the seaming, tawdrier side of the Hollywood dream and system. Saying much more would be giving away spoilers, but Ziskin’s depiction of the secretive side of Hollywood, what studios were willing to do back in the day to protect bankable stars, and what that meant to those on the seamier side of the business is heart-wrenching and heartbreaking, and sympathetically written.

I can’t wait to read more about Ellie Stone.

And now I have moved on to Thomas Pluck’s Bad Boy Boogie, the last part of my homework. LSU plays tonight (GEAUX TIGERS!), and I want to go to the gym, do some more cleaning, and do some more writing today.

So it’s back to the spice mines with me.

Finally

Saturday morning, and my ten day vacation from work began last night at around eight thirty, when I got in my car to drive home from passing out condoms all evening. It was a rather long day– I had to work at the main office first for several hours before heading down to the Quarter–and I was physically sore and exhausted and sweaty and crabby as fuck when I got in the car to come home. Once home I took a shower, relaxed, had some wine, and watched the US Open until it was time to go to sleep. I slept deeply and well; clearly, the shower made a significant difference in how this all played out for this morning. I have some errands to run today–groceries, mail, getting the big suitcase out of storage for the trip to St. Petersburg–and I have to do some writing for a website. I want to clean the house–make some progress, at any rate; I like to leave the house very clean when I go on a trip so I don’t have to come home to a dirty house–and I think I am going to try to just read the Scotty manuscript and make notes while the US Open is on. The second season of Ozark also became available last night on Netflix, and I’m really looking forward to seeing if the show can maintain its high level of quality for a second season. I also want to finish reading James Ziskin’s Cast the First Stone so I can start reading Thomas Pluck’s Bad Boy Boogie, and then my Bouchercon homework is done.

Huzzah!

And the LSU game isn’t until tomorrow night, so I may watch some college football–toggling back and forth between college football and the US Open (I still can’t believe it’s football season) while reading in my easy chair. I probably won’t be posting much, if at all, while I am in St. Petersburg at Bouchercon. I do have the WordPress app on my iPad (I don’t bother with my MacBook Air anymore; while I do love my Apple products as a general rule,  I regret buying the Air. I really need to take it into the Apple Store and have them fix some nonsensical things that I don’t understand are wrong with it) but I am not a huge fan of writing on the iPad. Maybe that will change. I did buy the keyboard for it, but I’ve never really had to write on it very much. Who knows–maybe in St. Pete I’ll discover that I love writing on it. Who knows? Stranger things have happened.

Maybe I could try practicing on it here this weekend before I leave on Wednesday? You never know. It’s really about getting used to it because it’s very different from writing on a desktop.

And when I get back I can get back to the Short Story Project! HUZZAH!

I still would like to get the Scotty revision finished by the end of September; and I think if I can focus and buckle down and really stick to it, it’s a definite possibility. And then I can finally get back to the WIP to make the changes it needs before heading back out into the world in search of an agent. I also want to at least get started on Bury Me in Satin by the end of the year; I’d hoped to be finished with it at the end of the year but I really don’t think that’s going to be happening any time soon, either. It’s a great idea, and I think I can do some great things with it, and while I am doing all of this I am going to start researching New Orleans history as I continue to think about writing another, different series. (And once Bury Me in Satin is finished, I hope to start working on Muscles, my long-planned noir.)

And on that note, it’s time to get going on my day. Have a lovely Saturday, everybody

37999991_1901637030130531_6205429471508430848_n

Remember the Time

Friday morning! I get to go into work late because I am, as always, passing out condom packs tonight in the Quarter for Southern Decadence; when we finish, I am officially on vacation all I ever wanted until I return to the office on September 11 (gulp). Huzzah! Huzzah! Part of that time will be, of course, spent in St. Petersburg at Bouchercon. (huzzah! huzzah!) I am still trying to get my Bouchercon homework finished; I am nearly finished with James Ziskin’s delightful Cast the First Stone, and hopefully will be able to finish Thomas Pluck’s Bad Boy Boogie before our panel next Friday. (If I can’t, I really need to turn in my book nerd card.) I am also hoping to take Madeline Miller’s Circe with me on the trip to read.

I don’t want to give the impression that Cast the First Stone isn’t as good as it is by taking so long to read it; I’ve been in a late summer/dog days of August malaise that has had me having a lot of trouble getting anything done; the house is a mess (worse than usual) and I’ve gotten nowhere on the Scotty book and I’ve done very little writing of consequence at all this month. I’m trying very hard not to beat myself up over this; it is what it is, and it’s not a reflection on anything I do or my career. August, particularly late August, is always hideous when it comes to trying to get anything done; the heat and humidity this particular year has been particularly hideous, and it really sucks the life and energy right out of you. I am taking the manuscript for the Scotty with me to St. Pete; and I am hoping I’ll be able to carve out time to reread and make notes and so forth over the course of the weekend.

I’m also trying to figure out the rest of the story for “The Blues before Dawn.” I am also wondering whether or not this is more of a novel rather than a short story. I can’t make up my mind about my main character, or a time period to set the story in. I fucking hate when that happens. But it also means I need to think about the story some more, which is also not such a bad thing; as it’s a historical I’ll need to do some more research–I’ve been realizing lately how skimpy my knowledge of New Orleans and Louisiana history (with a few exceptions) actually is.

Another mental challenge for this is my decision, made over the course of the summer, to think about creating a new series. The Chanse series is pretty much over; after I decided to stop with Murder in the Arts District I wasn’t sure I was, in fact, finished with the character and series, but as more time passes the less I am interested in writing another novel about him. That might change, but I am now more convinced than ever that ending the series was the right thing to do. I have, however, written a Chanse short story and started another (I’ve still not finished “Once a Tiger”), and feel relatively certain Chanse will live on in short stories from time to time. The endless struggle and utter lack of motivation I have in finishing this Scotty book is also kind of a tell that maybe it’s time to wind this series down as well–a much harder decision, as I love Scotty much more than I ever cared about Chanse. But in the meantime, I’ve been thinking about writing yet another series. I had thought about spinning Jerry Channing, the writer, who first appeared in The Orion Mask and then again in Garden District Gothic his own series; as a true crime writer who often follows and writes about true crime for magazines, and is always looking for a subject for his next book, he seemed perfect as the center of another series. But the character’s back story was problematic, and I realized his background, in some ways, might be far too similar (and thus derivative) to Scotty’s. Then again, so what if Scotty and Jerry are both formerly personal trainers? if that and being gay is all they have in common…I do have an idea for a Jerry novel that might work; maybe I should write that and see if a series might work.

But “The Blues Before Dawn” also has grown in my mind as a possible start for a series, and maybe it should be a novel rather than a story (this, by the way, happens to me all the time). I think writing a historical crime series set in New Orleans might be an interesting idea; there are only two in existence that I am aware of–Barbara Hambly’s brilliant Benjamin January series (which is antebellum and opens with A Free Man of Color), and David Fulmer’s Valentin St. Cyr Storyville series, which opens with Chasing the Devil’s Tail. (Don’t @ me; I am sure there are others I can’t think of, even now I am thinking James Sallis’ Lew Griffin series, the first of which is called The Long-Legged Fly, is historical.) But the other day I came across an interesting article about Algernon Badger, who was chief of police in New Orleans from about 1870-1876, as well as Jean Baptiste Jourdain, who was the highest ranking mixed race police detective in 1870, and in charge of the Mollie Digby kidnapping investigation.  There is so much rich history in New Orleans that I don’t know, have barely scratched the surface of; one of the many reasons I roll my eyes when people refer to me as “a New Orleans expert.” The concept of a high ranking police detective after the Civil War and during Reconstruction in New Orleans fascinates me; and I kind of like the idea of writing about the Prohibition era here as well.

I think I need to have a long chat with my friend, historian Pat Brady.

I also got a rejection yesterday for a short story; and was enormously pleased that it didn’t spend me into the usual downward spiral of depression. Obviously, I am disappointed my story won’t be used, but it was just so lovely to actually get a notification that they aren’t using my story that it just rolled off my back. (It was also a lovely note, which included some thoughts on the story; ironically, what they thought would have made the story better was something that I had personally thought when reviewing and revising; but I didn’t trust my judgment and didn’t make those crucial changes. You’d think after all this time I would have learned to trust my judgment!)

And now, I am going to go curl up in my easy chair and try to finish James Ziskin’s delightful Cast the First Stone.

37974616_1901683620125872_4497797199568044032_n

November Rain

So, I submitted two stories this week. Pretty cool, huh? One was “A Whisper from the Graveyard,” which was commissioned for an anthology (hope they like it!) and the other was “The Problem with Autofill,” which has already been rejected twice and this might be it’s final gasp. I also revised it again, and catching the mistakes and making some other things more clear in this version kind of also made me think, oh, well, there’s why it was rejected. I like the story a lot–I like both stories, honestly–and so we will see. I don’t know this new market I submitted it to, but nothing ventured and all that. And this morning that new market emailed me that they received the story.

If that wasn’t a breath of fresh air, I don’t know what is.

After today and tomorrow my vacation for Bouchercon begins, even though we don’t leave until Wednesday morning. Monday is, of course, a holiday, so I didn’t see any point in working on Tuesday and then being off again the next day. This way, I can also ease into my vacation, clean the house thoroughly, run errands, pack, and get everything in order the way it should be in order before we leave for St. Petersburg. I am looking forward to Bouchercon, but am also really looking forward to having the time away from work to recharge. My confidence in my writing–which is always an ebb and flow kind of thing–has been kind of low lately, so it will be lovely to be around other writers and readers for a lengthy weekend so I can reconnect with my writer self. I can’t believe August just flew past the way it did, and I got so very little done. Heavy heaving sigh. I am going to take the Scotty manuscript with me to St. Petersburg–yes, pretending that I’ll have the time to look at it and/or work on it–but there’s always the plane.

I also haven’t had the energy to read, either, and I am running out of time to get the books I need to read for my Bouchercon moderating panel finished. AIEEEEEEE!

Again, you see why I need to take all this time away from the office.

And on that note, it’s back to the spice mines.

47ec4d7b7c1b08598dcbec5cdf11aa87

Life is a Highway

Good Lord, it’s almost Southern Decadence, and college football is back this weekend! GEAUX TIGERS!

The US Open is also going on, which means I won’t be watching the series finale of Sharp Objects for a while as well as getting behind on Castle Rock. Ah, well, that’s fine, on this day next week we’ll be arriving in lovely St. Petersburg for this year’s edition of Bouchercon. I am going to be a very busy Gregalicious in St. Petersburg this year. I am doing the Coat of Many Colors event on Thursday morning; the anthology signing later that same day; and then three panels on Friday: the nooner sex panel at noon; moderating the Best Paperback Original Anthony panel at 3, and then appearing on the rainbow (?) panel at 4.

I really need to prepare. But I am still reading James Ziskin’s delightful Cast the First Stone, and am hoping to get that finished so I have time to read Thomas Pluck’s Bad Boy Boogie before next week.

Also, instead of working on the things I should be working on, I started writing a new short story last night, “The Blues before Dawn”:

A saxophone player lived across the street from me, on the third floor of a fading and dilapidated building painted a fading coral. Every night, without fail, after the band he played with was finished, he’d come home and crack open a cold beer. He’d take his brightly colored silk shirt off and climb out onto his rusty, sagging balcony. Wearing just his trousers and white suspenders stretched over his muscular torso, he’d straddle a chair and play his sax as he wound down for the evening. I usually got home around the time he launched into the second tune of his late-night concert, something low and sensual and sexy that made me think of warm skin, teeth nibbling on my earlobe, and the caress of firm muscle pressed close against my own body. I would get a beer from my own refrigerator and strip naked in the sticky heat of the early morning, the ceiling fan blades whistling as they spun over my head, listening to the mournful notes coming from his broken-hearted saxophone. I sat in my window on the fourth floor across the street with the lights off, sweat shining on my skin as I watched and listened, as the sinewy muscle in his shoulders and arms and chest clenching and relaxing as he played in the fading darkness of the night, the sun still an hour from rising but the light of the moon dying as a new day struggled to be born. I fell asleep many a sunrise lulled to sleep despite the heat and humidity by the purity of the notes he played.

So I got about a thousand words into this before coming to a halt. It turns out, as I wrote, to be about a gay prostitute in the 1920’s in Storyville; I don’t even know if that was such a thing, so should probably do some research on that, don’t you think? But I do find myself turning to New Orleans history more and more; I suspect a visit to the Historic New Orleans Collection will be in order at some point in my near future.

And now, back to the spice mines.

3a55bce919cdb1a5f6fe242eaddd7bd4

I’ll Be There

I loved to read when I was a kid; it’s something I came to early in my life and has never left me, really.

I used to  buy books through the Scholastic Book catalogue (which didn’t count against my allowance), and check out books from the school library and the Tomen branch of the Chicago Public Library, which was about three blocks from our apartment and on the way to Jewel and Woolworth’s; my mom used to drop my sister and I there while she went to the grocery store. When we got our allowances, she would walk us up to Woolworth’s, so we could spend our dollar-a-week. My sister would get 45 records, which only cost 79 cents.

I spent my money on comic books.

I started with Sugar and Spike and Archie comics; eventually I moved on to super-heroes and horror comics. My parents never restricted my reading material–they preferred to restrict my reading time only–and so i kept buying comics, all the way through high school, with occasional other forays into the world of comics throughout my life. (I have the comixology app on my iPad, and scores of comics I’ve bought and downloaded but have yet to read.) But comic books have always played a part in my life, inspiring me and teaching me how to tell stories in a different way than books do.

Recently, Alex Segura tagged me in a “post a comic book every day” thing on Facebook, and digging through the Internet to find the comics that influenced me brought back a lot of memories.

One of the strangest–but true–stories about my books and how they came to be is that Dark Tide was inspired by a comic book. This one, in fact:

bloody mermaid

January 1972, when I was eleven years old, I chanced upon this comic book on the comics rack at the Woolworth’s a few blocks from our apartment in Chicago. I often bought horror comics from time to time, mixing them in with my super-heroes, but this one, for some reason, always resonated with me. I don’t know why I bought it, but that cover is pretty fucking spectacular, isn’t it?

In the 1980’s, when I wanted to be Stephen King, I started writing a horror novel called The Enchantress, which was totally about a killer mermaid. I wrote an introduction and four chapters before giving up because I didn’t know where to go with it from there–like I’ve said before, plot is always my biggest problem–and in all honesty, it was totally,  at least in structure, a rip-off of Peter Straub’s Floating Dragon. I also used the same types he did for the main characters: a woman, a young boy, a man in his early thirties, and a retired older man. All of it was bad other than the chapter introducing the woman, which I’ve tried at very times to reshape into a short story. It was also set in the panhandle of Florida in a small town named Tuscadega; which I used again as the setting for my story “Cold Beer No Flies”, in Florida Happens (available for preorder now!). I eventually renamed and revised the story into one called Mermaid Inn; again, keeping the story about vicious, killer mermaids. Mermaid Inn eventually morphed into Dark Tide; in fact, the entire story is pretty much set at a place called Mermaid Inn, only I moved it to south Alabama, below Mobile.

Wild that something I read when I was eleven inspired a book I published forty years later.

And were there killer mermaids? Afraid you’ll have to buy the book to find out. 🙂

And now, back to the spice mines.

Achy Breaky Heart

Monday, and only one more week until vacation and next week includes my departure to Bouchercon in St. Petersburg! Huzzah! I am really looking forward to this trip–you have no idea, Constant Reader. I am getting really excited.

I managed to focus and get two stories finished and revised and ready for submission, which I will do tonight after I get home from work.

I am still reading James Ziskin’s Cast the First Stone and really enjoying it as it hits its stride. It’s going where I thought it was going to go–although I am completely at a loss as to who the killer is or why or how etc.–and I really like the character of Ellie Stone, which means I am going to have to add Ziskin’s series to my must-read list, which is always kind of fun; I love discovering new-to-me authors who are terrific at what they do.

We also are nearing completion of watching the second season of Kim’s Convenience, and I am going to be terribly sorry when it ends, to be honest. I’ve become very attached to the Kims, and the actors playing the roles. It’s honest and funny and heartfelt; one of the better sitcoms I’ve seen in a while. I am also impatiently awaiting the release of Season Three of Versailles to streaming services, but will settle for  continuing to watch The Musketeers in the meantime.

The next, and final, story in Florida Happens is Reed Farrel Coleman’s “The Ending.”

BIO: Called a hard-boiled poet by NPR’s Maureen Corrigan and the noir poet laureate in the Huffington Post, Reed Farrel Coleman is the New York Times-bestselling author of thirty novels—including five in Robert B. Parker’s Jesse Stone series—short stories, poetry, and essays.

In addition to his acclaimed series characters, Moe Prager and Gus Murphy, he has written the stand-alone novel Gun Church and collaborated with decorated Irish crime writer Ken Bruen on the novel Tower.

Reed is a four time Edgar Award nominee in three different categories: Best Novel, Best Paperback Original, and Best Short Story. He is a four-time recipient of the Shamus Award for Best PI Novel of the Year. He has also won the Audie, Macavity, Barry, and Anthony Awards. He has been signed by film director Michael Mann to write the prequel novel to the movie Heat.

With their kids moved away to far off Brooklyn, Reed, his wife Rosanne, and their two Siamese cats, Cleo and Knish, live in the wilds of Suffolk County on Long Island.

His website can be found here.

NewHeadshot-200x300

Everything ends. He couldn’t argue that. But what he had tried to say to her all those years ago was it wasn’t always about the end coming, but how the end came. How mattered. It mattered a lot. It mattered to him then and it mattered more to him now as he stepped off the Southwest flight and walked to the rental car bus at Palm Beach International. When she had ended it, there was more to his life than there was now. There was a family and a career. There was still a family of sorts, but his wife was dead and the kids were moved away. His career had morphed into golf, sad memories, and revenge fantasies. Currently, how she had ended it mattered more than anything had ever mattered.

At the counter, the pretty young blond with impatient blue eyes asked if he wanted a free upgrade to a midsize car. It hit him, hit him hard so that the wind almost emptied from his papery old man lungs. Except for what he and Marlene had done for those ten years, he had always operated in a very narrow bandwidth. His life had been a midsize car. 

“You got a Corvette convertible?” he asked, barely believing the voice he heard was his own. “Red or yellow, something fast and sleek that makes a statement?”

The blond, her long silver-painted nails clicking on the keyboard, smiled at him in a way that made his blood run cold. Another old man looking for excitement on his way to the grave. But he hadn’t come here for her. Their ending would come as soon as she handed him the little paper binder and the keys.

“Yes, we have a red Corvette convertible. It’s in spot A12,” she said.

He didn’t pay much attention after that, wasn’t sure what insurance coverages he had agreed or not agreed to, wasn’t sure which gas option he’d taken. All that mattered was the red car in spot A12. The rest of his life, no matter how short, would no longer be easy to measure in bandwidth nor would he ever think of his life again as a midsize car.

“The Ending” is a melancholy story about how a man reacts to the end of an affair; an affair that was much more important to him than he realized until it was over. Coleman is a terrific write,r and this vignette really comes to life in his capable hands; once I read it, I knew it had to be the final story in the collection–so it could have a big finish.

I hope y’all have enjoyed my journey through the stories in Florida Happens as much as I enjoyed revisiting the stories.

And now, back to the spice mines.

Black or White

Sunday morning. Seriously, I got absolutely nothing done yesterday; no writing, no reading, very little cleaning, no trip to the gym.

Nothing.

I also overslept this morning. I didn’t wake up until after ten, which is completely inexcusable. I went to bed early last night (my bedside reading is Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America by Gilbert King, and it is riveting. We so frequently (deliberately?) forget just how awful our society was before the Civil Rights movement (awful as things can be now, sadly it was much worse back then),  that this book, and others about the Jim Crow south, should be required reading for all Americans…not that the racists would take anything profound away from it. Isn’t that always the problem? The people who should read a book are precisely the people who would never read it.

Today I may or may not make it to the gym–you never know, but sleeping so late has kind of thrown me off my gameplan (which is the problem with being so anal retentive/borderline OCD; when the plan gets thrown off I generally surrender and don’t try to make any of it work), so in a moment, after finishing my last cup of coffee for the day (I don’t drink coffee after noon; or rather, don’t make a cup in the Keurig after twelve) I am going to start reading “A Whisper from the Graveyard” out loud, followed by reading “This Thing of Darkness” out loud, and possibly “The Problem with Autofill”; I think I’ve found a place for it to be published (or at the very least, considered for publication). I also came across another place to submit a story; they are looking for historical crime stories…of which I have none, and might possibly mean having to write a new one. I might be able to find one that is in progress somewhere that might work…I have some stories set in the past but I also don’t know what they mean by historical crime. Does it have to be in the distant past, or can it be in the recent past, as I have some stories set in the 70’s and 80’s and 90’s. Of course, I could email them and ask for a more precise explanation of historical. It might even be fun to try to write something very far back in the past, like during the time of Catherine de Medici, or Michelangelo.

Which of course means I could play around writing notes in my journal, which is always kind of fun.

The next story in Florida Happens is “When Agnes Left Her House,” by Patricia Abbott.

Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels Concrete Angel (2015) and Shot in Detroit (2016)(Polis Books). Concrete Angel was nominated for an Anthony and Macavity Award in 2016. Shot in Detroit was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her storiesI Bring Sorrow and Other Stories of Transgression was released earlier this year.

She also authored two ebooks, Monkey Justice and Home Invasion and co-edited Discount Noir She won a Derringer award for her story “My Hero.” She lives outside Detroit. You can find her blog here.

Me

“When Agnes Left Her House” by Patricia Abbott

When Agnes left her house, she picked her moment carefully. Only the greenhorn oil trucker battling the steep road coiling around her house might have caught a flash of red gingham in his mirror.  He did not.

As she crossed the fields lying between the house and Haycock, her resolve hardened. A walk turned into a trot, and then into a sprint, as she moved as fast as she could toting Henry’s old track bag. She wasn’t sure where she was headed, having seldom been south of Lancaster and never east of Smoketown.

The boys would be home from school in a few hours and find the kitchen table scrubbed clean but no snacks laid out. Had there been a day in the last eighteen years when she hadn’t baked cookies or brownies, made popcorn, or cored apples? And dinner was usually half-made by one o’clock, the smell of soup or a stew welcoming their return. Today not a single pot sat on the stove and the oven was cold. The only sign of tonight’s dinner was the chicken in the fridge, lemon and thyme sprigs resting inside and garlic tucked under the skin. She’d prepared it before the idea of escape overtook her.  

 Last night’s words with Henry rankled until taking off seemed like the only sane course of action. Sane—that word was ping-ponged across the kitchen table in a battle lasting until three a.m. She’d successfully ducked the back of his hand and his reach for her hair, loosened in the struggle. Swinging wildly, he caught his foot on the table leg and fell hard. By the time he stood up, she’d locked him out of their bedroom. That was the last she saw of him. Surely, the kids had overheard some of their scuffle. She blushed with shame.

This story is a gem. Married to an abuser, and mother of five young sons, Agnes packs a bag and goes on the road, running away from her life. Florida is her final destination, and Abbott offers no sentimentality about how Agnes gets there and what she has to do to survive. It’s a shocking story in some ways, but utterly realistic and honest and painful to read. Women like Agnes–there’s not really any answer for them in our society, and her descent is terrible to read about….and yet never once does she think it would be better to head back home to her family. And there’s a lovely twist at the end. Stunning and brilliant.

And now, to read some of my own stories aloud.

I’m Too Sexy

How lovely to wake up to a terrific review of Florida Happens on the Mystery Scene website! You can read it here.

Huzzah!

I have to say I am very proud of this anthology, but even prouder that my story “Cold Beer No Flies” was also singled out for praise, which is lovely. As Constant Reader is aware, I don’t have a lot of confidence when it comes to my short stories, so those rare occasions when they get mentioned by reviewers is always a treat for me. (Which reminds me, I need to work on some this weekend. Sigh.)

It’s been a long week; I had trouble sleeping in the middle of the week but bounced back really nicely in the latter part of the week. Last night’s sleep was wonderful, long-lasting and deep and relaxing; I am still in sort of a rest-coma this morning. My kitchen is a mess–and something will have to be done about that sooner rather than later–and other than a social obligation today and a couple of errands that must be run (mail, prescriptions) the rest of the day is mine to do with as I please. The clock is running out on my Bouchercon homework, so I am going to need to curl up with James Ziskin’s Cast the First Stone in order to have time to read Thomas Pluck’s Bad Boy Boogie before Bouchercon, so I am prepared to discuss their books with the fine panelists on the Best Paperback Original panel. I also booked my rental car and paid for the  early check-in on Southwest–which apparently now is automatic; you don’t have to do anything and it checks you in thirty-six hours before your flight, which is actually kind of lovely. I need to read “A Whisper from the Graveyard and “This Thing of Darkness” aloud this weekend, and I want to start working on the revision of Royal Street Reveillon which I’ve been avoiding all month (now that the month is almost over, sigh).

So. Much. To. Do.

We started watching Kim’s Convenience last night, which is, simply put, a very endearing and funny show about a Korean family–the Kims–who own a convenience store in Toronto. I was worried, of course, that the show might deal in stereotypes, but the family dynamic and the relationships between the characters is very complex, and underlying it all is a deep sweetness; there is more to the Kims than you think at first, and the show is actually funny but not at the expense of the characters. Of course, I’m not Korean, so I can’t speak to its authenticity or to its not being offensive, but Paul and I are both really enjoying it. And Jung–the son who is estranged from his father for being a bit of a juvenile delinquent when a teen, even serving time in juvie–is sexy.  I highly recommend it.

The next story in Florida Happens is  “Frontier Justice” by John Floyd.

John Floyd’s work has appeared in more than 250 different publications, including Strand Magazine, Alfred Hitchcock’s Mystery Magazine, Ellery Queen’s Mystery Magazine, Woman’s World, Mississippi Noir, and The Saturday Evening Post. A former Air Force captain and IBM systems engineer, he is also a three-time Derringer Award winner, an Edgar Award finalist, and a three-time Pushcart Prize nominee. One of John’s stories appeared in the 2015 edition of Best American Mystery Stories, and another is forthcoming in the 2018 edition.

John is also the author of six books: Rainbow’s End, Midnight, Clockwork, Deception, Fifty Mysteries, and Dreamland.

img-1024

The car was waiting in the alley, with Eddie Stark at the wheel and half a dozen cigarette butts littering the pavement below the driver’s-side door. Eddie had flipped a seventh out the open window and exhaled a lungful of smoke when he saw Charlotte Baxter stroll around the corner and head in his direction. Even from a distance, Baxter’s face looked as calm as always. Eddie Stark’s was sweating.

Baxter climbed in, set a thick brown attache case on the seat between them, and peeled off her honey-colored wig. She also took off a pair of glasses and removed two wads of cotton from inside her cheeks. Eddie hefted the case up and over into the back seat. It didn’t feel as heavy as it had been, twenty minutes ago, and he knew why: half its contents had been left in the building across the street.

With trembling hands Eddie started the engine and steered the big Lincoln out of the alley and into the downtown Tallahassee traffic. Finally he turned to look at Baxter.

“How’d it go?”

“Fine.” Baxter leaned back and closed her eyes. “Mission accomplished, package delivered.”

“Sure nobody recognized you?”

“Would you have recognized me? What they saw was a blonde with a chubby face.”

John Floyd is one of our best short story writers; I first met him at the Edgar Symposium several years ago when he was on a panel I moderated. He was nominated for the Edgar for Best Short Story for “The Ledge,” which I thought was simply brilliant. His work has been nominated and/or won many awards, and I am always excited to read a new story from him. He contributed a great story to Blood on the Bayou, “The Blue Delta,” and I am more than thrilled to have “Frontier Justice” in Florida Happens.

“Frontier Justice” is about a heroin ring’s decision to kill the investigating district attorneys by planting a bomb in their office. Charlotte Baxter, as seen in the opening excerpt, is the woman they hired to blend in and plant the bomb. But as always with a Floyd story, there’s more going on beneath the surface than is readily apparent to the reader, and the way the story flips on itself in the closing pages shows just how much mastery Floyd has over the form.

And now, back to the spice mines.