Everybody

Sunday morning in the Lost Apartment and I am sitting here, swilling my coffee and feeling very rested and relaxed, which is absolutely lovely. I came home last night after the Saints and Sinners anthology launch/reading; because I was exhausted and Scooter was home alone since Friday afternoon when I got my Lyft down to the Quarter. (And my poor baby kitty was lonely and needy, too.) I’m going to leisurely get ready this morning before I head back down to the Quarter. I have to moderate a panel at 1 with John Copenhaver, Kelly J. Ford, and Marco Carocari; and then I want to see the TWFest panel right after, moderated by Jean Redmann, with Shawn Cosby as one of the speakers (I don’t remember the other panelists and I don’t want to get it wrong, and of course, have no program here to consult. I was very tired yesterday. I had an eight am breakfast yesterday morning before my panel (young adult fiction) and so of course, spent the night at the hotel only to not sleep a wink all night–I should have just come home and gotten up early yesterday, dumb decision–and so was dragging most of the day. I had a reading in the late afternoon as well–I read from “This Town” from Murder-a-Go-Go’s, edited by the divine Holly West, and it went really well. I was also in the same reading session as Cheryl A. Head, Margot Douaihy, Chris Clarkson, and a couple of others whose names I’m blanking on. Everyone read very well, and Chris was on my young adult panel (he wrote That Summer Night on Frenchmen Street, which I am looking forward to read); he’s very charming and fun to talk to and smart. He also lives in our neighborhood!

As always, S&S is a whirlwind and the time just seems to fly by every day. I’ve had the great good fortune to be palling around with my panelists–which hopefully will make the panel easier to moderate–and been having a marvelous time. I’m feeling rather inspired about my own writing and my career–S&S always has that effect on me; all writer/lit cons do, really–and while I slept amazingly well last night, I know I’m probably going to tire out easily today. I also forget that I am not used to being around a lot of people all the time, plus public speaking has always tired me out; I have such stage fright that always triggers an adrenaline rush that departs from my body once its over, leaving me drained and tired. I think I’ve also changed my mind about what my next read is going to be; Margot’s book Scorched Grace, which she read from yesterday, just sounds so inventive and clever and original that I think I just want to go ahead and read it instead of Christopher Bollen’s The Lost Americans, which I am also really looking forward to, and then I want to read Chris Clarkson’s book. I am a reader first and foremost, and there’s nothing I love more than discovering great new books and finding new-to-me authors. (There’s also a lot of great books coming out this year yet, too–a new Shawn Cosby, a new Megan Abbott, a new Lou Berney, a new Laura Lippman; what an amazing year for reading this is going to be!)

My books also sold out this weekend by yesterday afternoon, which was really lovely.

This is also going to be a rough work week, as I will be heading into the week feeling exhausted and tired already. But that’s really okay; I will survive and that will make next weekend’s rest and relaxation that much better and needed.

It’s always weird every year when the Festivals are over. It’s always weird to go into the literary bubble for a weekend and then have to reenter reality again. But that’s the way my life goes; this weird duality and parallel lives I am living this time around. And everyone is always so kind about my books and my panels, it’s actually rather lovely. I guess I have, just by sheer determination and dogged perseverance, managed to stick around this crazy business for twenty-one years as an author; twenty-six if you count when I first started getting paid to write, and somehow maybe settled, unknowingly, into a ‘respected elder’ place. I don’t know, maybe my work has been respected all this time and I, being the oblivious type who always takes compliments with several spoonfuls of grains of salt, never noticed because I always had a bit of a chip on my shoulder. Something to think about, anyway, on those rare occasions when I can just sit around and reflect on my life, career, and the passing of time. (I know I’ve recently had some insights on situations and people in the past that I didn’t quite see or understand at the time; the wisdom from time passing, I suppose.)

And on that note, I am heading into the spice mines. I want to eat something and get cleaned up before I head back down to the Quarter; my panel is at 1 I think. Talk to you tomorrow, Constant Reader!

We Found Love

Friday and Saints and Sinners starts today! In fact, the box office is probably already open and people are picking up their badges and bags and programs as I type this. I’ll be heading down there later this afternoon–taking a Lyft to the Monteleone–because I do have some things to get done this morning and early afternoon. I’ve taken today off from work because I’ll be losing the weekend to Saints and Sinners, so all the things I usually do on the weekends, I have to do before I head down there today. I’ll be coming back tomorrow night to spend the night with Scooter and make sure he’s okay, and then of course after the closing on Sunday I have to get back home because I have to get up early for work on Monday morning. I will undoubtedly be drained and tired from all the talking and walking and socializing–things I’m generally not used to anymore–so I am glad that I took the time to get ahead of day job work this week so there won’t be a lot of pressure for me to get things done Monday; it’s nice to ease your way back into your reality after a weekend of talking about books and writing.

I didn’t get as much done as I might have hoped for last night, alas. I did get some good work on the book done, which is great, and I did do some things around here. I also spent some time watching this week’s Superman and Lois, which I am still enjoying but the recasting of Jonathan hasn’t really stuck with yet–which makes me feel bad for the replacement actor (I always thought of Al Corley as Stephen on Dynasty, even though his replacement Jack Coleman played the part far longer)–but I like the way the show portrays Superman and I also like the “cozy” aspects of the setting being Smallville. I meant to pick out a book to start reading last night but couldn’t decide which one; I’m thinking The Lost Americans by Christopher Bollen (his A Beautiful Crime is perhaps one of my favorite queer crime novels, for any number of reasons) or Margot Douaihy’s Scorched Grace, which sounds really fantastic. I also have any number of other crime novels on hand, and I’ve also been thinking that I should probably read in another genre for a while to cleanse the palate in a way; that’s kind of why Scorched Grace is appealing; it looks and sounds highly original and deeply clever. I won’t have time to read anything this weekend anyway, if I don’t have time to get started today on my reading. I am almost finished with The Power Broker, too; and I have a lot of thoughts about the book that coincide with other massive books I’ve read about political power and those who have and wield it which I will undoubtedly share with you, Constant Reader, once I’ve finally finished the book.

It’s a bit overcast outside this morning, and I also feel very well rested. I slept very well last night and I allowed myself to sleep later than usual. I woke up at three, five, and again at six, and decided that it was better to sleep in–although I probably should have gotten up early so I can sleep tonight at the hotel. Paul got the same massive suite he had last year, so it’s kind of fun to have that place as an escape from everything. I’ll take pictures and post them once I get down there. I do have to run get the mail, do some laundry and more cleaning as well as writing and editing this morning. I am also resisting the urge to take the manuscript with me down there this weekend; I doubt very seriously that I would ever have the time to actually sit down and work on it. I think I’ll just take the laptop and see if I can keep revising rather than copy-editing the first half just yet.

I stepped away from this for awhile and came back to it, after getting to work on the laundry and the dishes issues (unloading and putting away; washing and starting another load in the dishwasher). I am going to be able to run the errands in a little bit, and then I’m going to straighten up around here and try to get heading down to the Quarter a little earlier than I’d planned. I probably should pick up some things for the room–sodas and so forth–but maybe not. I don’t know. I always end up taking more stuff with me than I need, which I just then have to lug back home with me.

And on that note, I am going to bring this to a close and do more work around the house so I can run the errands and get down to Saints and Sinners. Have a lovely Friday morning, Constant Reader, and I will check in with you again later.

Ring of Fire

Professional wrestling is actually an excellent metaphor for reality television; in some ways, professional wrestling programs were the first reality shows televised. It was supposed to be completely real–the feuds and fights and title runs, personality clashes and “backstage” drama–and the wrestlers were supposedly exactly who they were before the cameras. It was until the steroid hearings of the late twentieth century that “kayfabe” (the idea that all wrestlers never give away any of the business secrets, including whether the matches were real or not, etc.) was thrown out the window and the idea of it being a sport rather than entertainment (which wouldn’t need regulating) was dead and over and history. Professional wrestlers now cross over into other areas of entertainment, like film and television; it used to be rare (although Andre the Giant in The Princess Bride remains my favorite wrestler crossover performance of all time, but John Cena in Peacemaker is a very close second and I love Dwayne Johnson in general).

To be honest, the final exposure of professional wrestling as scripted made it all the more interesting to me. After I got published, I started exploring the world of professional wrestling, with an eye to writing about it someday. I wrote a lot of wrestling porn back in the day when I first started publishing–pro wrestling has actually quite a subculture in the gay community, and it was a lot of fun. I worked with someone who was a legendary trainer a long time, who showed me a lot, and I met other guys who were pro-trained or had worked in the ring and tried to learn as much about it as I could–because it was interesting to me and I thought it would make a great setting for a gay noir novel. I’ve actually started writing that book–it’s called Muscles, because I am sure I’ve mentioned it before–primarily just for fun. I’m about four chapters in, and had to put it aside after thinking about it for years because I had other things under contract that I needed to write and get finished. I am hoping to get back to working on it once I’ve caught up on everything already contracted and maybe by the end of the summer there will be a working draft. We shall see.

So, needless to say, when I heard about Bobby Mathews’ Living the Gimmick, how could I not get a copy? A hard-boiled crime novel about professional wrestling? And it’s set in Alabama?

Sign me up, please.

Closing time, when the lights come up, the music is silenced, and the drunks go home. The tabs get paid, the regulars shuffle out the door and weave their separate ways home. Sometimes the couples come uncoupled, recoiling in near horror at who or what they were considering taking home. Brights lights and last call are the enemies of the drunken hookup. Except when they’re not.

I walked the last ones out, turned the locks closed behind them, and emptied the tip jars. Hit ‘No Sale’ on the cash register and changed singles out for twenties and tens. The cash went in my wallet. I closed out the day, and the register began spitting out its daily report on a long, narrow white spool of receipt paper. While it printed, I restocked the cooler. Two cases of Bud Light, a half a case of Miller and another case of Coors. Wipe down the bar with a mostly-clean damp rag and then pour the rest of the coffee into a thick china mug. I put it at the end of the bar and sat down to read the tape. The tensions in my shoulders eased as I read the tape. It had been a good night, for a Tuesday. Might make my nut this month. Sip dark, butter coffee and let the after-hours silence wash over my like a gentle wave.

On the surface, Living the Gimmick appears to be a very simple, point A to Point B crime story. Our point of view character is a long-time pro who has since retired and opened a bar in Birmingham, Alex Donovan. Alex never became a star; he was a journeyman who worked matches up and down the card throughout his career–but his brightest shining moments were his friendship and partnership with a Ric Flair-style superstar, Ray “Wild Child” Wilder; a consummate hard-living hard-loving star who loves his stardom, loves what he does, and as a star, kind of feels like the rules that apply to other people don’t apply to him. But Ray and Alex had good times together, looked after each other, and when he shows up at the bar one night after closing time, Alex isn’t quite sure what his old buddy wants–until he is shot in the head from behind and dies in Alex’ arms; Ray feels obligated to his old friend/partner to track down his killer.

A deceptively simple premise, right? And a pretty standard one; buddy gets killed so Main Character must avenge his death or at least bring the killer to justice. It’s kind of a tired trope, because in the hands of lesser writers it turns it typical toxic masculinity bullshit I don’t enjoy reading and usually give up on before finishing. I’ve grown to loathe toxic masculinity and I generally don’t want to read about it for pleasure. But that’s where Mathews works his magic. This isn’t just a “let me avenge my buddy” book; throughout the book there are chapters where Alex flashes back to a past experience with Ray which he thinks about, reflects on, and now, as a more mature and settled-down kind of guy, sees through a slightly more jaundiced eye. And the more people he talks to as he follows clue after clue, he also begins to see Ray–whom he kind of hero-worshiped, back in the day–in a different, more mature light; Alex grew up but Ray never really did.

Mathews also brings these characters to vivid life as he shows us behind the curtain into the world of pro wrestling, as well as some good history of how the business has changed and evolved since the WWF explosion under Vince McMahon. You can smell the locker rooms, see the sweat glistening on their bodies, hear the dull rumble of the crowd. It’s a sentimental novel that never descends into cheap sentimentality; it’s honest and open and real.

My only complaint is that the book was short. I could have easily spent another hundred pages in that world. Check it out, peeps–you won’t be sorry.

Shut Up and Drive

Thursday morning and all is quiet and still in the Lost Apartment. Again, I didn’t want to get up this morning, but forced myself out–the constant whining from a hungry cat for the assist, seriously; he hasn’t shut up since I got up even though I have fed him–but that’s okay. I am taking tomorrow off because of Saints and Sinners, so being tired today is okay. I’m always tired by Thursday. I wasn’t that tired when I got home from work yesterday, so I was able to get some work done, which felt great–I also realized that after today I will be over halfway finished, with an end to the revisions in sight. It’s coming along very well and I’m quite pleased with it, and very happy I seem to have been able to get back into the groove after a very difficult period. I stopped by the post office to get the mail yesterday–some things I needed and ordered had arrived–and then came home to work for a glorious couple of hours before I started doing chores around here. I also watched the second episode of Ted Lasso, which I am still loving; I’ve seen some dissatisfaction on social media about the new (final) season; I have no quibbles or concerns with it so far. The show’s heart is still there, the character relationships are just as strong if not even more poignant, and I think they are taking us on a wonderful ride this final season. I love this show so much I don’t even wonder what’s going to happen or even speculate about it; I am more than content to simply enjoy the ride for what it is without looking ahead. (I don’t want to look ahead because I don’t want it to end.)

Tonight when I get off work I get to come home, do some more work on the book, and relax. Tomorrow I’ll move into the hotel for the night–I’m going to come home Saturday night to keep Scooter company, and then will commute back on Sunday before coming home in the evening. I also am probably going to try to do some organizing and cleaning before spending some quality time with Scooter in the easy chair. I also need to figure out what I am going to read from at the reading series on Saturday; but I can think about that tomorrow morning after I’ve slept in and feel a bit more rested than I do this morning. I slept pretty well last night; I pretty much slept through the entire night but I do remember waking up around one thirty in the morning before going back to sleep. But my coffee is jumpstarting my brain and body as I type this, and I am sure I shall make it through this day without a problem. I will probably just come straight home from work tonight; I can run errands tomorrow and get things done around the house before I head down to the hotel.

I’m looking forward to this weekend primarily to see people I’ve not seen in a hot minute. Some terrific crime writers are coming in for the weekend–Jean Redmann, Michael Nava, Cheryl Head, John Copenhaver, Marco Carocari, Shawn Cosby, and Kelly J. Ford, to name a few–and so am looking forward to seeing my crime fiction family as well as the other S&S regulars. I didn’t really do much last year because I was revising A Streetcar Named Murder, but this year I’ve managed to not be as far behind as I usually am at this time of year. (Make no mistake, though–I have a lot of catching up to do before May 1, believe you me.) Maybe when I get home tonight, after working, I can start reading something new. I haven’t decided on my next read yet, which is terrible since I finished reading my last book Sunday, and haven’t started anything new. I am almost finished with my years-long reading of Robert Caro’s The Power Broker, which has kind of turned into an Afghan War of sorts around the Lost Apartment; something that’s been going on forever with no end in sight. I think I am going to read something by David McCullough as my next major-length non-fiction read; either the Johnstown Flood or the Panama Canal one; I’ve not been able to decide but I think I have about another hundred pages or so of the Caro to go anyway so there’s plenty of time for me to decide.

I can’t believe March is almost over already, either.

I need to get my taxes done. Next weekend, for sure.

And on that note, I am going to head into the spice mines. Have a lovely Thursday. Constant Reader, and I will check in with you again tomorrow.

Rude Boy

And we’ve made it to Wednesday, Constant Reader! Isn’t it marvelous? Paul is moving into our suite at the Monteleone today; I will be moving (sort of) down there on Friday, but will be going back and forth between the Lost Apartment and the hotel over the weekend. Scooter is going to lonely and needy and definitely not happy, but who knows how their brains work and what their concept of time is? I am going to not head down to the Quarter until later in the afternoon on Friday anyway, and I’ll probably head back home after the reading/anthology launch on Saturday night before heading back on Sunday morning. I also have to do a reading on Saturday afternoon, so I probably should decide what I am going to read sometime before then and maybe practice a little bit?

I did get some work done on the book yesterday (huzzah!) which always feels good, and overall, outside of how cold it was at work (seriously, it felt like we were working in a refrigerator at the office yesterday; my knit cap was on most of the day), was a pretty good day. Yay for good days! I’m starting to feel more like myself than I have in a very long time, which is pleasant. I was beginning to think old Gregalicious was gone for good, another casualty of a pandemic, a crumbling society, and too much change too fast in too short a time. It’s nice to have the old Greg feeling again’; one where I am not stressed and have anxiety non-stop and can actually come home from the office, do some chores and some writing, and then relax in my easy chair with a purring kitty sleeping in my life and actually not feel guilty for not doing anything.

Because you know , sometimes you just have to do nothing. And enjoy it.

I went down another research rabbit hole the other day, too–I really want to write a book set in a foster-care home or an orphanage; crime or horror or some combination of both. One popped up on Facebook the other day on one of my old New Orleans pages; I think ain’t there no more is the page. Anyway, there was a Catholic boys’ orphanage in the area (actually, it was Marrero, so on the West Bank) called Hope Haven, where the boys were emotionally, physically, and sexually abused for years. (Thank God it’s closed now.) But it hits all my sweet spots, especially with the Archdiocese and the Catholic Church as the villains of the piece. And of course it was closed down after the scandals started hitting, about ten years ago.

I slept okay last night–not the greatest; I didn’t want to wake up this morning and I feel sleepy still, which means I’ll be dragging unless coffee comes to my rescue. I suppose I should be grateful that this is the first iffy night’s sleep I’ve had in a while. A lot of it, I think, has to do with Paul packing last night. I had already gone to bed by the time he got home, and he started packing once he was here. I woke up when he came home, and then had some issues falling back asleep but finally did. But here I am, forced out of bed at an ungodly hour, gradually and slowly waking up as I slurp my coffee and hope that time will slow down so I can put off going into the office. It’s really more the getting ready and driving over there that I dread more so than actually getting to the office, being there, and working. I just wish today were Thursday already, so the weekend would be closer. I am taking Friday off, so I don’t have to worry about any working-at-home duties, and can just spend the day at home doing things and getting packed and prepared to head down there before I actually do.

And of course, Paul won’t be coming home tonight or tomorrow, so Scooter is going to be needing lots of attention, so after I get home tonight and do some work–it’ll be over to my easy chair to be a cat bed for the rest of the evening.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Hate That I Love You

Tuesday and we survived Monday, Constant Reader–that has to count for something, doesn’t it? Actually, it wasn’t that bad, to be honest. I slept decently and woke up without problem with the alarm, and didn’t feel tired for most of the day. I had a highly productive day at the office, and then I came home and worked some more on the manuscript, which I am really starting to feel good about, believe it or not. I like my characters and I like the story, and I like that it isn’t set in either Uptown or the French Quarter or–where I always go–the Lower Garden District is always the default for me. This time out I set the book in the 7th Ward, on what we used to say was the “wrong side” of St. Claude (this is also the neighborhood where my office building is now, on Elysian Fields); even now people say this neighborhood is “unsafe”; and yes, we’ve had some instances where there was gunfire outside and we went into a code and locked down the office. Maybe I just have a false sense of security–which won’t change until something bad happens to me, as usual–but I never feel all that unsafe either going to or from my car before and after work. (I also love that realtors are trying to rebrand the neighborhood as ‘the new Marigny.” Um, no, it’s not and there’s no such thing as the ‘new Marigny.’)

I also slept well last night, which is great. I feel rested and relaxed this morning, but I also have to see clients today. I’ll probably be a bit tired when I get home tonight; seeing clients can drain you a bit, which is why I don’t see clients four days a week instead of three. I got some more work on the book done yesterday, and hope to get further along today as well–no relaxing until I get my work done tonight. I had a ZOOM meeting last night so I wasn’t able to get as much work done as i would have liked–still behind, of course, as always–but I am pretty happy with the work I am doing and how the manuscript is coming together, which is always lovely. I’m not hating the manuscript as I work on it, which is kind of a nice change, overall. Maybe I have finally gotten less self-loathing about my own work, after twenty-odd years? Nah, that can’t be it! Maybe I just feel centered for the first time in a long time? That is more likely.

It’s been a time, there’s no question about that. Mom’s health had been declining for years, so that was always weighing on the back of my mind, no matter how hard I tried to not think about it or even consider the possibilities inherent in recognizing that her health was failing; there was a pandemic and a dramatic shift/change in my day job; and of course I was doing a lot of volunteering around writing and trying to keep my authorial career going at the same time. I’m surprised I didn’t have more mental breakdowns over the last few years, in all honesty. It’s no wonder I was low energy, depressed, and tired all the time. There were paradigm shifts happening everywhere in my life, and I was completely unprepared for any of them, either physically or emotionally or intellectually. I don’t remember writing the books I wrote since the shutdown three years ago; Bury Me in Shadows, A Streetcar Named Murder, #shedeservedit–I remember the young adults because I’ve been working on them for years before I sold them; but the revision process? The editing? I don’t remember a fucking thing. I do worry some about how my brain works now; one thing that has definitely happened over the last three years is a complete loss of remembering how to deal with the ADHD, so focusing is a lot harder than it used to be. I don’t know if that’s related to the ten-day COVID I had last summer, or if it’s because of all the changes and shifts, or maybe it’s even a combination of all those things. I don’t know, but I know I haven’t been functioning at full brain capacity for quite some time now, and I am starting to feel normal (or what passes for that around here) for the first time in a long time. More like myself, I should say, rather than normal; I’ve always taken great pride in not being normal–once I accepted it.

But I also don’t remember much of my life post-Katrina, either; there are years after Katrina that are foggy memories, if that. It shouldn’t come as a surprise (or a shock) that things that occur during times of trauma and stress don’t go into the permanent memory bank (which isn’t as big and powerful as it used to be). I should be used to it by now, right? But I don’t think you ever get used to traumatic events, and your brain just figures out the easiest way to get through it all without causing more trauma, and if that means not remembering things that happen, well, who am I to question how my twisted brain works and functions?

I’m just glad it’s still functioning, really, even if it is all over the place.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Pon de Replay

Monday and back to the office with me this morning.

I slept very well last night and woke up quite easily. The weather took a turn for the colder over the weekend (yay)–the high today is a bitter 54–which makes it harder to get out of bed in the morning, but at least the heat is working properly; it really has made a significant difference getting that new system two or three years ago. I got some work done yesterday–good work, at that–and also managed to finish reading Bobby Mathews’ Living the Gimmick, which was quite fun; a nasty little hard-boiled tale of murder and vengeance behind the scenes of professional wrestling. More on that later, but it was a fun, tightly written little story. Now I’m trying to decide what to read next–either Christopher Bollen’s The Lost Americans, or Margot Douahy’s Scorched Grace, or Ellen Byron’s Wined and Died in New Orleans. A virtual plethora of excellent options. The Festivals are of course this weekend and I have to get my weekend planned, including reaching out to my panelists (I’m moderating a panel on Sunday) and of course, there’s always editing I need to get done. I’ll be commuting, so we don’t have to board Scooter, which will be a bit of a pain, especially if it’s cold (note to self: check weather forecasts for the weekend). Scooter is being a needy kitty this morning, he’s up on my desk and purring, but every time I put him into my lap he climbs back up on the desk and then of course gets between me and the screen wanting to give me headbutts while he continues to be an out of control purring machine. (Why he doesn’t want to be cuddled up with Paul in our incredibly comfortable and warm bed remains a mystery for the ages.)

The revision isn’t going as quickly as I would like, frankly–but it’s going and it’s going well; I am starting to pick up momentum with the revision and would love to have it finished before the weekend, but I don’t think that’s going to happen, unless I really stay rested and motivated and don’t get worn out during the day at work, which happens–especially when you’re getting up at six every morning during the week. My big fear here is that I’ll be very tired when the weekend rolls around, which isn’t good. Maybe I’ll take Friday off, so I can sleep late and not have to worry about being tired? That’s the day I’ll have to take a Lyft to the hotel with my little bag so I am there. I’ll probably stay down there Friday night, come home Saturday night, and then head back down there for Sunday afternoon and then back home yet again.

We started watching the new season of Ted Lasso last night, which is marvelous (I’d already seen the first episode–impatience, of course– but was more than happy to rewatch it with Paul); it really might be one of my favorite comedy series of all time, if not the absolute favorite (Schitt’s Creek is still up there), and it’s just as charming as ever. I’m curious to see how the season goes, especially since it’s going to be the last season–but I hope the talk of spin-off series for some of the characters comes to fruition; although whether the strong characters can tentpole a show of their own remains to be seen. I am confident that both Hannah Waddingham and Juno Temple could spin off into their own quite easily; the others I’m not as confident about, to be honest….although a Sam and Rebecca (how Cheers of them!) spin-off could be quite lovely.

And we still have the whacked out, over the top joy of Outer Banks still to watch, too. Huzzah! Now if we can only live through this coming weekend and survive…

Its a bit hard to believe the first quarter of the year is coming to a close, and DAMN IT, I have to get my taxes organized and done, don’t I? Put that at the top of the to-do list for post-Festival. Heavy heaving sigh. I really should keep track every month, update a spreadsheet with the expenses for the previous month, and then at the end of the year it would all be ready to go, wouldn’t it? But why on earth would I ever do anything that would make my life easier in any way? Self-defeating, as always; I shall probably go to my grave wondering why I sabotage or undermine my abilities to succeed and/or get ahead and/or act like an adult. Ah, well, today and tonight I am going to try to get myself better organized and make a game plan for moving on with the rest of the year.

And on that note, I am going to head into the spice mines. Sorry to be such a crashing bore on a Monday morning, but that does seem about par for the course, does it not? See you tomorrow!

Little Lies

Sunday morning rolling around like a marble in the Mousetrap game–do they still sell that? We never had that game when we were kids–I remember having Clue, Monopoly, Life, and Chinese checkers, but never Mousetrap. We were a game family, often playing cards–Rook, Hearts, Spades, and Pinochle were enormous favorites within the family–and much later adding Uno and Trivial Pursuit (although no one will pay Trivial Pursuit anymore because I always win; and have even won on my first turn). Yesterday was kind of a lovely day, overall; I slept deeply and late, got up and did some things around the apartment; soaked my toe and slathered topical gel over it all day; read Bobby Mathews’ quite marvelous Living the Gimmick for a while, and worked. (Bobby’s book is really good, y’all) The work wasn’t easy but it also wasn’t difficult; in fact, I was kind of enjoying myself, which for me is lovely and encouraging. I do have to run out to the grocery store at some point today, but I’m not going to get terribly worked up and/or upset about it. I slept decently last night; I feel rested this morning but managed to get up early and am hoping that today will be a good, productive one.

The Lefty Awards were given out last night in Tucson: I lost Best Humorous to Ellen Byron and her delightful Bayou Book Thief; Kellye Garrett won Best Novel for Like a Sister; Wanda Morris won Best Historical for Anywhere You Run; and Ramona Emerson won Best Debut for Shutter. Congratulations to everyone! It was both a thrill and a surprise to be nominated in the first place, completely unexpected, and just a bit sad that the “race” is over. I can’t imagine being nominated another time, to be honest, but am very grateful for everyone who included A Streetcar Named Murder.

I still get to enjoy being an Agatha nominee for another month, though.

Yesterday was pretty good, over all. I did get a lot done, and I was pleased with the work I got done. I’m feeling a lot better these days about everything, really; it’s hard for me to explain but it feels like I’ve been operating on autopilot since even before the pandemic started; like there was a dark cloud inside my head that I somehow managed to get things done, but it was harder than it used to be. I don’t feel like that dark cloud is there anymore, at least not since last weekend, and it’s delightful to be free of that whatever-it-was. Depression and anxiety, most likely; I know I’ve been worrying about Mom in the back of my mind for years now, and I still kind of tense up when I get a text message alert from my phone. I guess a lot of that worry has now transferred over to Dad, but he’s healthy–or at least has been so far. The grief comes and goes still–far less frequently than before–but it still happens from time to time that I’ll get a bit overwhelmed and have to go withdraw from the world for a while.

While I was waiting for Paul to get home and after I had finished working for the day, I decided to watch a movie instead of just endless scrolling through social media and looking for things on Youtube to watch. I couldn’t remember if I had seen Uncharted or not; I like Tom Holland and still kind of enjoy Mark Wahlberg (while admitting that he’s probably not a great person–it’s complicated), so I queued it up and started watching. As I watched, I began remembering things from it, so I had seen it before, just didn’t remember it. It didn’t take long for me to start punching holes in the plot/story, and I remembered that it became so far-fetched that I didn’t enjoy it. I was about forty-three minutes into it when I gave up; the entire premise that Magellan had a fortune in gold that somehow got lost (he didn’t; he didn’t stay anywhere long enough to amass such a treasure) was simply taken for granted without explanation; that’s the legend so we just don’t question it. Props for using an actual historical figure to give it more authenticity, but…it also lost me. We watched the SEC Gymnastics championships (LSU came in third, but it really was a matter of tenths of points), then finished watching Servant, which was interesting and different and strange and very well done before catching this week’s The Mandalorian, which wasn’t a particularly good one. I’m not feeling this season, to be honest; and of course the best part–Baby Yoda–hasn’t really had much to do except just kind of be there.

Such a shame about Uncharted, really. I love treasure hunts, but they are so rarely (outside of Indiana Jones and Romancing the Stone) featured in good movies that I’m always a little hesitant to watch one. I still want to do my Colin treasure hunt book sometime, but God only knows when. The Festivals are this week, so Paul will be moving into the Monteleone Hotel on Wednesday, most likely, and I’ll probably go down there on Friday. I’m going to have to commute, which isn’t going to be easy–the limping toe, for example–so we don’t have to board Scooter, and means I will probably be exhausted by the end of the weekend. So be it, seriously. I definitely need to make a to-do list today; I’ve been operating without one for quite some time and I think it’s necessary for me going forward to stay on track with everything,

And on that note, I am going to read some more Bobby Mathews while my coffee continues to warm me up. I have some chores to do around the house (as always) and I am going to run over to the Fresh Market at some point to get some things (not entirely sure what is needed, to be honest, with Paul going away on Wednesday), and so I must be busy and productive today. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Smiling Faces Sometimes

2023 ITW Thriller Awards Nominees

We’re thrilled to announce the finalists for the
2023 ITW Thriller Awards:

 
BEST HARDCOVER NOVEL
 
Delilah S. Dawson – THE VIOLENCE (Del Rey)
Jennifer Hillier – THINGS WE DO IN THE DARK (Minotaur)
Alma Katsu – THE FERVOR (Penguin/Putnam)
Jennifer McMahon – THE CHILDREN ON THE HILL (Simon & Schuster)
Chris Pavone – TWO NIGHTS IN LISBON (MCD)
Catriona Ward – SUNDIAL (Macmillan)
 
BEST AUDIOBOOK
 
Kimberly Belle, Fargo Layne, Cate Holahan, Vanessa Lillie – YOUNG RICH WIDOWS (Audible)
        Narrated by Dina Pearlman, Karissa Vacker, Helen Laser, Ariel Blake
Julie Clark – THE LIES I TELL (Audible)
        Narrated by Anna Caputo, Amanda Dolan
J. L. Delozier – THE PHOTO THIEF (CamCat Publishing)
        Narrated by Rachel L. Jacobs, Jeffrey Kafer
Jennifer Hillier – THINGS WE DO IN THE DARK (Macmillan Audio)
        Narrated by Carla Vega
Minka Kent – THE SILENT WOMAN (Blackstone Publishing)
        Narrated by Christine Lakin, Kate Rudd
 
BEST FIRST NOVEL
 
Lauren Nossett – THE RESEMBLANCE (Flatiron Books)
Sascha Rothchild – BLOOD SUGAR (Penguin/Putnam)
Hayley Scrivenor – DIRT TOWN (Pan Macmillan)
Stacy Willingham – A FLICKER IN THE DARK (Minotaur)
Erin Young – THE FIELDS (Flatiron Books)
 
BEST PAPERBACK ORIGINAL NOVEL
 
Mary Burton – THE LIES I TOLD (Montlake Romance)
Mark Edwards – NO PLACE TO RUN (Thomas & Mercer)
Minka Kent – UNMISSING (Thomas & Mercer)
Freida McFadden – THE HOUSEMAID (Grand Central Publishing)
Wanda Morris – ANYWHERE YOU RUN (William Morrow)
Holly Wainwright – THE COUPLE UPSTAIRS (Pan Macmillan)
Loreth Anne White – THE PATIENT’S SECRET (Montlake Romance)
 
BEST SHORT STORY
 
Dominique Bibeau – RUSSIAN FOR BEGINNERS (Ellery Queen Mystery Magazine)
Barb Goffman – THE GIFT (Down & Out Books)
Smita Harish Jain – PUBLISH OR PERISH (Ellery Queen Mystery Magazine)
Joyce Carol Oates – 33 CLUES INTO THE DISAPPEARANCE OF MY SISTER (Ellery Queen Mystery Magazine)
Anna Scotti – SCHRÖDINGER, CAT (Ellery Queen Mystery Magazine)
Catherine Steadman – STOCKHOLM (Amazon Original Stories)
 
BEST YOUNG ADULT NOVEL
 
Melissa Albert – OUR CROOKED HEARTS (Flatiron Books)
Gillian French – SUGARING OFF (Algonquin Young Readers)
Kate McLaughlin – DAUGHTER (Wednesday Books)
Francesca Padilla – WHAT’S COMING TO ME (Soho Teen)
Courtney Summers – I’M THE GIRL (Wednesday Books)
 
BEST E-BOOK ORIGINAL NOVEL
 
Bill Byrnes – EVASIVE SPECIES (Self-published)
Diane Jeffrey – THE COUPLE AT CAUSEWAY COTTAGE (HarperCollins)
Grant McKenzie – THE SEVEN TRUTHS OF HANNAH BAXTER (Self-published)
Rick Mofina – THE HOLLOW PLACE (Self-published)
Carrie Rubin – FATAL ROUNDS (Self-published)
 
ITW will announce the winners at ThrillerFest XVIII on Saturday, June 3, 2023 at the Sheraton New York Times Square Hotel, New York City.
 
Congratulations to all the finalists!

Breakin’ Dishes

Well, it definitely is not gout, Constant Reader. The antibiotic cream prescribed by my doctor has made a remarkable difference with my toe since I started using it yesterday; this morning it isn’t even reddish anymore and bending it hardly is noticeably painful. AH, modern medicine, and sorry I doubted you, Doctor. I did get tired eventually last evening; shortly after finally finishing yesterday’s post I repaired to my easy chair where I watched a few more episodes of Netflix’ The Movies That Made Us, primarily the ones about Friday the 13th, Aliens, and Nightmare on Elm Street. It’s always somewhat lovely to revisit pop culture of the 1980’s, even though it was mostly a pretty shitty decade overall. The difference between 80’s movies and 70’s cinema was dramatic, as I learned during my Cynical 70’s Film Festival back during the early days of the pandemic when I was making hundreds of condom packs every day sitting in my living room during what I was never completely convinced weren’t the end times.

I do have some more cleaning and straightening up to do around here today around working on my book. Yes, I am definitely digging into the book today. I slept like the dead last night, and even stayed up later than usual (Paul came home before I went to bed) and slept an extra hour later this morning being a lag-a-bed until nine (the horror!). I’m feeling very well rested this morning on all three planes of existence–physical, emotional, intellectual–so it should be a great and highly productive day. It’s cold this morning–in the forties outside–and yesterday I had to turn the air on because it was stuffy in here and the clothes weren’t drying. Turn the air conditioning on and cool it down a couple of degrees and it made a significant difference. (I’m always interested in that weird range of temperature where it’s really not hot enough to need the air conditioning, but the air is thick enough so that clothes won’t dry unless it’s colder and the damp is taken out of the air; I also always sleep best on the night that I launder the bed linens) But I am going to have some coffee, do some straightening up here in the office, maybe read for an hour or so, and then get cleaned up and parked at my desk for however long I can stand it today. My coffee is tasting pretty marvelous this morning too; always a plus and always a good sign.

I also spent some time last night revisiting Vito Russo’s The Celluloid Closet in what was probably the first time in about thirty years, which is kind of terrifying when you think about it. I discovered Russo back in the day when I was discovering the rich culture and heritage of my community, when I was venturing into gay bookstores and had started reading the gay papers and magazines in search of my people and some sort of definition of what it meant to be a gay man in the United States at that time. The Russo book was the first seminal text in critiquing the entertainment industry and its participatory role in enforcing the homophobic standards of the times (if not helping to create those standards by the erasure of queer people and themes in entertainments). Russo set out to show how Hollywood’s erasure, or stereotypic rendering, of queer people served to enforce those social dynamics and mores that were suppressing our community and relegating those who identified as members of that community as outsiders, a lower caste, and separate from the dominant culture. I’d love to see a popular nonfiction version of Russo’s work that focuses on representation in crime fiction; I have neither the research skills nor the patience to write such a book myself. One of the things I enjoyed the most about the Russo book was finding out what films had queer content erased from their original source material; like the film Crossfire, about anti-Semitism in the military, was based on a book called The Brick Foxhole, which was about homophobia in the military; the murder victim wasn’t a Jewish soldier but a gay one. The alcoholic Ray Milland won an Oscar for playing in the film of The Lost Weekend drank because he had writer’s block; in the book he drank because he couldn’t handle his homosexuality in a homophobic society. The mini-series made from Dress Gray saved the reveal of the dead cadet’s sexuality for a plot twist at the end; in Lucien Truscott IV’s novel it was right there, revealed on page one and treated, really, throughout the entire book as not a particularly big deal (I’ve been meaning to reread Dress Gray; it was one of the few books I read as a teenager that didn’t treat homosexuality as a hideous moral failing, a massive sin, and/or something just revolting and disgusting, just as I’ve been meaning to reread Pat Conroy’s The Lords of Discipline–you just know there had to be a queer or two at Carolina Military Institute).

I also remember discovering queer mysteries for the first time at the gay bookstore in Tampa, and thinking you’ve always wanted to write mysteries, why don’t you write them with gay characters and themes? And thus the seed was planted–by Michael Nava, Richard Stevenson, and Steve Johnson–that grew into my becoming a gay mystery writer in every sense of the term: I’m gay, I’m a gay writer, and I write gay mysteries.

So, that’s where my mind was last night; thinking about the very limited queer rep I’d been exposed to as a reader growing up and how discovering gay fiction by gay writers about gay life and experiences–books–essentially changed my life and the trajectory of my writing. I think my writing began to improve when I started writing what I knew–the tired old trope of write what you know–because I was writing about my truths and experiences and feelings about being a gay man in a homophobic country; that was how I found authenticity and truth in my writing, and was able to extrapolate that outward into writing about other lives, other people, other experiences.

And of course, the Lefty Award banquet is tonight. I’m cheering on my friends and fellow nominees from afar. It’s a pleasure and a thrill to be nominated for Best Humorous Mystery; I never expected in a million years to ever be nominated for a Lefty and then it happened, so A Streetcar Named Murder continues on as my “first” of many things. I’m not sure which of the other four nominees will have their name called tonight, but it’s an honor to lose to any of my fellow nominees. (I also never thought I’d be nominated for an Agatha, and yet here we are; I’ve been having a hell of a twelve month period, am I not? Two Anthony nominations, a Lefty, and an Agatha; who’s a lucky Gregalicious?)

And on that note, I am going to make another cup of coffee and go curl up for a bit with a book for a little reading pleasure this morning before I go to work. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow.