Hey You

Thursday and my final day in the office for the week. It’s been a good week overall–if odd at the office; it was a Mercury-in-retrograde kind of week there, with things not working right and odd situations occurring. Kind of tiring emotionally and intellectually, but not so bad as to drag me down and curl up into a ball in a corner somewhere. I’ve felt rested most of the week and the writing/revising has been going super well (I am so excited to see how much I can get done over the weekend you have no idea); even continued last evening. But I slept well again last night, and I feel pretty good this morning with my coffee, and I made it through almost another week of work.

Last night I watched the first part of the Vanderpump Rules reunion, and just…wow. I’ve never seen anything like that on any reality show reunion. The whole “Scandoval” of it all is just…I don’t know. I watch reality television (anyone who’s read Royal Street Reveillon knows this, of course); not a lot of it, but enough. I find it all fascinating–the way the fans get so deeply involved and vested in these mostly terrible people and what they are doing; the question of what’s real and what isn’t and what is manipulation or over-dramatization for the camera, and so on. The entire “Scandoval” mess? I have so many questions, and there are so many layers. This “scandal” peeled back the fourth wall somewhat, and the viewers got to actually watch as Tom Sandoval, an original cast member for ten seasons, with an assist from his best friend, tried to control the narrative of what we were seeing on screen while keeping his affair off; having the knowledge of what was actually going on while they were filming (and what was being kept out of the camera’s eye) made the attempted manipulation only that much more obvious, and even more fascinating than before. I hadn’t watched the show in years; I got bored, frankly, because it just seemed like the same thing over and over again, but this brought me back (along with a lot of new viewers, plus others who’d given up on it came back; the show is breaking records in the ratings for Bravo and reality shows). As I said to Paul last night, “it’s absolutely amazing how after ten years the show was able to completely flip the script and everything–everything that happened over the past ten years–has been altered as we now see these guys not as lovable goofballs, but dangerously narcissistic monsters manipulating the narrative to make everyone else look worse while making themselves look like heroes.” Future generations of social historians will look at the Scandoval in wonder, trying to puzzle out why this became global news, worthy of being covered in major newspapers, including both the New York Times and the Los Angeles Times.

A cheating scandal on a reality show made worldwide news and has trended every day on Twitter since the news broke months ago. I mean, how fucking insane is that?

I also realized at some point yesterday that the difference I’ve been feeling the last week or so around here means I’ve probably moved into another stage of the grieving process, rather than over it completely. And as I sat there with purring kitty asleep in my lap watching the marathon of the last few episodes of Vanderpump Rules before the reunion episode (part one of three!) aired, I realized you’re in the anger stage. I had noticed myself getting angry much more quickly than usual while scrolling through Twitter, and yesterday I sent some response tweets to assholes trolling friends that were pretty hateful, nasty and cruel (much as their tweets at my friends were). That isn’t like me; usually I’ll start typing the response and delete it unsent, as the actual writing of it vented the spleen and by the time I was finished and ready to send it, would think and how is this improving the public discourse as I deleted it. Not yesterday, so I am going to simply go back to the old “mute/block” trick, or just report them. I do report trolls for hate speech and conduct violations several times a day, with a rather high success rate percentage, if I do say so myself. And honestly, I prefer anger to the sadness, really. Not sure what that says about me, but the sadness paralyzed me and made me unable to write, but since transitioning to the anger stage the book has been flowing and I am enjoying revising it tremendously. Go figure. I wrote more last night, and I have to say, the book is beginning to take shape nicely. It’s amazing how regularly I repeat myself, but that also has a lot to do with my memory issues–oh, I need to explain this and forgetting I’ve already explained it in the preceding chapters…each of them, in fact. So there’s a lot of cutting and rewording and restructuring going on, but Scotty’s voice is starting to really come through and that’s the most important thing.

I was also saddened to hear that Tina Turner passed yesterday. I’ve been a fan of hers since I was a little boy and I saw her perform on some variety show–Dean Martin’s, maybe? I just know it was when we still only had a black-and-white television, which means we were still living in the apartment in the city (sidebar: interesting how television was dominated back then by variety shows and westerns, which are incredibly scarce today…the variety shows were no big loss, and the westerns were ludicrous, racist, and sexist, so no big loss in either case). I think it was “Proud Mary”? When she finally started getting the stardom and accolades and success she’d always deserved (and never quite reached) in the 1980s, I was delighted–and she gave us some truly great music, too. That voice! That power! That stage presence! It saddens me that we no longer have her in this world, but I’m grateful we had a Tina Turner in the first place.

But I will always think of Schitt’s Creek whenever I hear “The Best” now.

I also got the proofs for my short story “Solace in a Dying Hour” to go over prior to the anthology’s release, which is very exciting. I always love when I sell a short story, and love it even more when we get to the later production stages.

And on that note, I am heading into the spice mines. May your Friday Eve be as delightful as you are, Constant Reader, and I will see you again tomorrow.

Shock Treatment

Congratulations to the Anthony Award nominees!

BEST HARDCOVER NOVEL

Like A Sister by Kellye Garrett

The Devil Takes You Home by Gabino Iglesias

The Bullet that Missed by Richard Osman

A World of Curiosities by Louise Penny

The Maid by Nita Prose

Secret Identity by Alex Segura

BEST PAPERBACK/EBOOK/AUDIOBOOK

Real Bad Things by Kelly J. Ford

Dead Drop by James L’Etoile

The Quarry Girls by Jess Lourey

Hush Hush by Gabriel Valjan

In the Dark We Forget by Sandra SG Wong

BEST FIRST NOVEL

Don’t Know Tough by Eli Cranor

Shutter by Ramona Emerson

The Bangalore Detectives Club by Harini Nagendra

Devil’s Chew Toy by Rob Osler Writer

The Maid by Nita Prose

BEST HISTORICAL NOVEL

The Lindbergh Nanny by Mariah Fredericks

In Place of Fear by Catriona McPherson

Anywhere You Run by Wanda M. Morris

Danger on the Atlantic by Erica Ruth Neubauer

Under a Veiled Moon by Karen Odden

Lavender House by Lev AC Rosen,

BEST HUMEROUS NOVEL

Bayou Book Thief by Ellen Byron

Death by Bubble Tea by Jennifer J. Chow,

A Streetcar Named Murder by T.G. Herren

Scot in a Trap by Catriona McPherson

Calypso, Corpses, and Cooking by Raquel V. Reyes,

BEST CHILDREN’S/YOUNG ADULT NOVEL

In Myrtle Peril by Elizabeth C. Bunce

Daybreak on Raven Island by Fleur Bradley

#shedeservedit by Greg Herren

The New Girl by Jesse Q Sutanto

Vanish Me by Lee Matthew Goldberg

Enola Holmes and the Elegant Escapade by Nancy Springer

BEST SHORT STORY

“Still Crazy After All These Years” by E.A. Aymar

“The Impediment” by Bruce Robert Coffin

“Beauty and the Beyotch” by Barb Goffman

“The Estate Sale” by Curtis Ippolito

“C.O.D.” by Gabriel Valjan

BEST ANTHOLOGY

Low Down Dirty Vote Volume 3: The Color of My Vote, edited by Mysti Berry

Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon, edited by Libby Cudmore and Art Taylor

Land of 10,000 Thrills: Bouchercon Anthology 2022, edited by Greg Herren

Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon, edited by Josh Pachter

Crime Hits Home: A Collection of Stories from Crime Fiction’s Top Authors, edited by SJ Rozan

BEST CRITICAL/NONFICTION

The Alaskan Blonde: Sex, Secrets and the Hollywood Story That Shocked America by James T. Bartlett

The Life of Crime: Detecting the History of Mysteries and their Creators by Martin Edwards,

American Demon: Eliot Ness and the Hunt for America’s Jack the Ripper by Daniel Stashower

Promophobia: Taking the Mystery out of Promoting Crime Fiction by Diane Vallere

Scoundrel: How a Convicted Murderer Persuaded the Women Who Loved Him, the Conservative Establishment. and the Courts to Set Him Free by Sarah Weinman

Agatha Christie: An Elusive Woman by Lucy Worsley

And thank you, double nominee Gabriel Valjan, for making this Greg-specific Anthony nominee graphic. Three nominations for me, so so weird!

Take a Bow

Huzzah!

BEST NOVEL

Notes on an Execution by Danya Kukafka (HarperCollins – William Morrow)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Don’t Know Tough by Eli Cranor (Soho Press – Soho Crime)

BEST PAPERBACK ORIGINAL

Or Else by Joe Hart (Amazon Publishing – Thomas & Mercer)

BEST FACT CRIME

Tell Me Everything: The Story of a Private Investigation by Erika Krouse (Flatiron Books)

BEST CRITICAL/BIOGRAPHICAL

The Life of Crime: Detecting the History of Mysteries and Their Creators by Martin Edwards (HarperCollins – Collins Crime Club)

BEST SHORT STORY

“Red Flag,” Alfred Hitchcock Mystery Magazine by Gregory Fallis (Dell Magazines)

BEST JUVENILE

Aggie Morton Mystery Queen: The Seaside Corpse by Marthe Jocelyn (Penguin Random House Canada – Tundra Books)

BEST YOUNG ADULT

The Red Palace by June Hur (Macmillan Children’s Books – Feiwel & Friends)

BEST TELEVISION EPISODE TELEPLAY

“Episode 1” – Magpie MurdersWritten by Anthony Horowitz (Masterpiece/PBS)

* * * * * *

ROBERT L. FISH MEMORIAL AWARD

“Dogs in the Canyon,” Ellery Queen Mystery Magazine by Mark Harrison (Dell Magazines)

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

A Dreadful Splendor by B.R. Myers (HarperCollins – William Morrow)

THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD

Hideout by Louisa Luna (Knopf Doubleday Publishing Group – Doubleday)

 THE LILIAN JACKSON BRAUN MEMORIAL AWARD

 Buried in a Good Book by Tamara Berry (Sourcebooks – Poisoned Pen Press)

SPECIAL AWARDS

 GRAND MASTER

 Michael Connelly
Joanne Fluke

RAVEN AWARD

Crime Writers of Color
Eddie Muller for Noir Alley and The Film Noir Foundation

ELLERY QUEEN AWARD

The Strand Magazine

Vogue

Ladies with an attitude.

Fellas that are in the mood.

Well, we made it to Wednesday. I slept really deeply and well last night–didn’t want to get up this morning out of the warm and comfortable cocoon that is also my bed–but here I am, bleary-eyed and trying to wake up, because we have site visits from funders at the day job today. Huzzah! (Yes, that was sarcasm.) But for now, I am waking up with my coffee and thinking it will be a great day. I was exhausted when I got home last night–to the point where I even considered the possibility that I will just feel tired for the rest of my life–but did get some things done around here and did get some work done on the revision. It was just a drib, but it was the first step on a long journey, and it’s way past time that I took that first step. Now I have to step up my game so I can get the damned thing finished. I’ll have quite a bit to do tonight as well when I get home–dishes, mostly, and of course the damned book–but I am really looking forward to this week’s Ted Lasso. Paul got home too late to watch last night, but I did look at spoilers on Twitter this morning, and the spoilers just made me want to see it all the more.

I may just go ahead and watch it when I get home tonight. I don’t mind rewatching with Paul, and I’ve kind of have already done this a couple of times this season already (shhh, don’t tell.)

I feel good this morning, the best I’ve felt all week. I don’t know how long this is going to last–probably until the caffeine rush wears off around two this afternoon, most likely–but I am hoping this is going to be a good and highly productive day; if not, I hope it’s one filled with joy and laughter. I don’t feel as though we laugh as often and as regularly as we as a society used to, if that makes any sense? I was reading an article about how the 2016 election and the four hellish years that followed actually changed the country–and it’s true. People always want to go back to “normal” when there’s been some kind of seismic paradigm shift (Hurricane Katrina, the pandemic, the 2016 election) but the truth is we can’t ever go back. Things change. People change. Society changes. There was no way in 1946 that the world was going to just back to the way things were before September 1939; likewise, the 2016 election was another one of those massive paradigm shifts. I think a lot of white people lost the blinders they’d been wearing most of their lives about this country and its reality–or at least started to notice what they’d overlooked or been too blind to see before. I’m frequently surprised or startled to find out people I knew and liked are actually terrible people or at least are nice people who have some terrible beliefs and values (there’s a difference; the latter can change, the former not so much); I’ve found myself blocking and cutting people off more since that election. I don’t get upset any more when I find out someone I know has reprehensible beliefs or values; sadly, it’s not really a surprise. I also don’t subscribe to the notion that it’s my job to talk to people I used to care about to try to convince them to change their abhorrent values or beliefs. Life is short, and I’ve already spent enough of my life trying to educate people about queer equality, and I’m tired. Especially when it comes from people who should know better.

Especially.

It’s tough when people think they don’t need to change, or refuse to even take a moment and reflect to see where they might do better. Not being a racist is more than not saying the n-word. Being a queer ally doesn’t mean you support part of the community and can hate the rest. The fundamentalists who are trying to wipe us off the face of the earth–and make no mistake, that is their end game–aren’t worth engaging with because they aren’t coming from a place where they are open to anything other than their goal. To them, we are all the same–gays, lesbians, bisexuals, transfolk, aces and aros and queers and everything else that fits under our rainbow flag; the fundies do not differentiate. We are all the enemy equally and all need to be destroyed. You cannot claim to be an ally while trying to deny the existence of trans people. Period. It’s terribly sad to realize that someone’s ally-ship is actually just a “gay men love me!’ because you like going to gay bars where gay men will share their drugs with you and buy you drinks and fuss over you, and that’s as far as it actually goes, and you’re out there retweeting fundies and haters because they agree with you about transpeople. FUCK YOU, fuck your fake ally-ship, and you’d better not be using me as “your gay friend” which proves you aren’t homophobic. Get thee behind me, Satan, and I am sorry I ever knew you and truly regret being fooled into thinking you were a decent human being, which you clearly are not.

That’s why, I think, I’ve really been enjoying things like Schitt’s Creek and Ted Lasso–shows that make you feel better about people, and seeing that positive growth and change is possible if you’re willing to do the work and think about being a better person. I try all the time to be a better person, and I often fail. I have always been deeply pessimistic about human beings and prone to think and expect the worst; years of retail and working for an airline will do that to you. I will never understand why people find it easier to be cruel and hateful than empathetic and kind; which really should be our default when dealing with other people. I will be the first to admit I don’t always automatically default to that myself–don’t come for me or people I care about–but at least I am trying to do better. Granted, I am going to be sixty-two this year, but I also don’t think you are ever too old to stop growing and changing and evolving as a person. I’ve always feared calcifying; I recognize the comfort of tradition but also do not believe things should continue to be done a certain way “because that’s how we’ve always done it.”

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and we’ll touch base again tomorrow, okay?

Smiling Faces Sometimes

2023 ITW Thriller Awards Nominees

We’re thrilled to announce the finalists for the
2023 ITW Thriller Awards:

 
BEST HARDCOVER NOVEL
 
Delilah S. Dawson – THE VIOLENCE (Del Rey)
Jennifer Hillier – THINGS WE DO IN THE DARK (Minotaur)
Alma Katsu – THE FERVOR (Penguin/Putnam)
Jennifer McMahon – THE CHILDREN ON THE HILL (Simon & Schuster)
Chris Pavone – TWO NIGHTS IN LISBON (MCD)
Catriona Ward – SUNDIAL (Macmillan)
 
BEST AUDIOBOOK
 
Kimberly Belle, Fargo Layne, Cate Holahan, Vanessa Lillie – YOUNG RICH WIDOWS (Audible)
        Narrated by Dina Pearlman, Karissa Vacker, Helen Laser, Ariel Blake
Julie Clark – THE LIES I TELL (Audible)
        Narrated by Anna Caputo, Amanda Dolan
J. L. Delozier – THE PHOTO THIEF (CamCat Publishing)
        Narrated by Rachel L. Jacobs, Jeffrey Kafer
Jennifer Hillier – THINGS WE DO IN THE DARK (Macmillan Audio)
        Narrated by Carla Vega
Minka Kent – THE SILENT WOMAN (Blackstone Publishing)
        Narrated by Christine Lakin, Kate Rudd
 
BEST FIRST NOVEL
 
Lauren Nossett – THE RESEMBLANCE (Flatiron Books)
Sascha Rothchild – BLOOD SUGAR (Penguin/Putnam)
Hayley Scrivenor – DIRT TOWN (Pan Macmillan)
Stacy Willingham – A FLICKER IN THE DARK (Minotaur)
Erin Young – THE FIELDS (Flatiron Books)
 
BEST PAPERBACK ORIGINAL NOVEL
 
Mary Burton – THE LIES I TOLD (Montlake Romance)
Mark Edwards – NO PLACE TO RUN (Thomas & Mercer)
Minka Kent – UNMISSING (Thomas & Mercer)
Freida McFadden – THE HOUSEMAID (Grand Central Publishing)
Wanda Morris – ANYWHERE YOU RUN (William Morrow)
Holly Wainwright – THE COUPLE UPSTAIRS (Pan Macmillan)
Loreth Anne White – THE PATIENT’S SECRET (Montlake Romance)
 
BEST SHORT STORY
 
Dominique Bibeau – RUSSIAN FOR BEGINNERS (Ellery Queen Mystery Magazine)
Barb Goffman – THE GIFT (Down & Out Books)
Smita Harish Jain – PUBLISH OR PERISH (Ellery Queen Mystery Magazine)
Joyce Carol Oates – 33 CLUES INTO THE DISAPPEARANCE OF MY SISTER (Ellery Queen Mystery Magazine)
Anna Scotti – SCHRÖDINGER, CAT (Ellery Queen Mystery Magazine)
Catherine Steadman – STOCKHOLM (Amazon Original Stories)
 
BEST YOUNG ADULT NOVEL
 
Melissa Albert – OUR CROOKED HEARTS (Flatiron Books)
Gillian French – SUGARING OFF (Algonquin Young Readers)
Kate McLaughlin – DAUGHTER (Wednesday Books)
Francesca Padilla – WHAT’S COMING TO ME (Soho Teen)
Courtney Summers – I’M THE GIRL (Wednesday Books)
 
BEST E-BOOK ORIGINAL NOVEL
 
Bill Byrnes – EVASIVE SPECIES (Self-published)
Diane Jeffrey – THE COUPLE AT CAUSEWAY COTTAGE (HarperCollins)
Grant McKenzie – THE SEVEN TRUTHS OF HANNAH BAXTER (Self-published)
Rick Mofina – THE HOLLOW PLACE (Self-published)
Carrie Rubin – FATAL ROUNDS (Self-published)
 
ITW will announce the winners at ThrillerFest XVIII on Saturday, June 3, 2023 at the Sheraton New York Times Square Hotel, New York City.
 
Congratulations to all the finalists!

Umbrella

It’s funny, but the word umbrella is now forever linked to Tom Holland in my brain because of his brilliant lip sync of it.

I overslept this morning; I hit snooze when the alarm went off and the second time, I usually turn it off and get up. This morning I turned it off and fell asleep again. Fortunately, I woke up ten minutes later so no harm to my day, other than the off-balance feeling that comes from it not being the usual get up before dawn morning. (I easily could have slept another two hours, at least.) Tomorrow my work-at-home day will be built entirely around the delivery of the new dryer; they’re supposed to call me tonight to give me my “two-hour window” period for planning purposes. On the one hand, I kind of hope it’s early so I can get it out of the way and start catching up on laundry; on the other I kind of want it to be later so I don’t have to get up early yet again tomorrow. My coffee seems to be working, though; my brain is alert even if most of my body is still relaxed into sleep mode.

I made groceries yesterday on the way home from the office, and I broke down and bought some frozen Lean Cuisines to bring for lunch, as back-ups for when I don’t want to cook anything or things get out of whack the way they have been lately. Yesterday I brought a salad and by the time I got off work was so hungry I almost felt sick; naturally, by the time I shopped and got home and put everything away the hunger had gone away. I did empty the dishwasher and refill it to run another load; I still have some dishes in the sink and so hopefully tonight I will get the dishes caught up. I’m sure deliverymen have seen apartments in much worse shape than ours, but I still don’t want it to be disgusting when they bring the dryer tomorrow (really glad I cleaned out from behind the dryer when I had it moved; I should do that more than every seven to ten years, probably). Scooter of course wanted a warm lap and didn’t really give me much chance to get things done before the howling commenced, and he pretty much spent the entire evening in my lap. I know he’s missing Paul, who is hardly ever home in these weeks leading up to the Festivals, which is yet another reason I always commute between the hotel and the Lost Apartment over that weekend.

I turned in a story yesterday for an anthology that I am not entirely sure it’s right for, but I like the story and would love to see it finished and in print at some point. I also started pulling together another short story collection yesterday–just to see how much material I had and how much new material would be needed, and lo and behold, the collection currently sits at 72, 143 words without an introduction or conclusion; the sweet spot is always between 80 and 100k words. So, apparently not much more is needed; as little as two or as many as five to six stories, or one single novella. It’s going to be called This Town and Other Stories, and I also realized yesterday that, like Daphne du Maurier, the category of fiction where my short stories fall is macabre–a combination or cross between horror, suspense, and crime. (Maybe the title should be This Town and Other Macabre Tales?) It felt good to turn the story in–even if it’s wrong for the anthology–because I also had to edit and polish it before turning it in, and it felt good to be doing that kind of work again. I want to get a lot done this weekend–going to make lists for every day to keep me on track like I did last weekend–and will probably try to get any and all errands finished on Saturday so I can relax, sleep in, and just hang out around the house working and doing stuff on Sunday. I’m beginning to enjoy my weekends again, because while yes, I have a lot to do and a lot to get done, it’s nice to not feel stressed on my weekends with the sense of impending doom just out of sight–but visible out the corner of my eye. It’s nice to get relaxing sleep and rest for a change.

The toe is still painful but now I can walk without limping or wincing. I’m aware of it, and of course the longer the days goes and the more I walk on it the more it starts hurting–I made it till almost bedtime last night without limping–but I am seeing my doctor next week. If it is either psoriatic arthritis or gout, at least there’s treatment and medication options. I already take enough medication that I am hesitant to add more to the mix…but then again, I am over sixty and have never taken care of myself so I should be grateful that there are still treatment options.

Tonight after work I am going straight home. The mail can wait until tomorrow, and I don’t have any other errands that are necessary before Saturday, anyway. I hope to put away the dishes, do another load, and possibly even start doing some laundry. I know there are at least two loads of clothes that need doing (always a joy) and I can still use the dryer in the carriage house–and since the toe isn’t so bad, walking over there and climbing the steps to the second floor isn’t as bad as it was. I want to read more of Cheryl’s book so I can write about it here (as well as start preparing for the panel I am moderating), and I need to get back to writing and editing and all of that fun stuff.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

Lust to Love

It’s literally amazing how much stuff fell by the wayside over the last couple of weeks, really. I realized yesterday that it was already the 26th and thought how can that be? Mom just died on Valentine’s Day–twlve days ago? But I went to the office the rest of that week and drove over for the funeral last weekend, and then I was on bereavement leave and worked at home–the Fat Tuesday holiday fell in the midst of my leave–and today I am going back into the office, which feels like a step in the right direction towards normalcy, of a sort. Life does goes on, and as I’ve moped around this last week, it also kind of feels like I’ve been in a fog of sorts for quite some time. I should be used to this sort of thing, as it always happens with a paradigm shift–like how the weekend before Katrina we’d gone to Hammond to celebrate my birthday and had a great time…and while we were evacuated, that seemed like was a different life, a different world, and even happened to different people. Murder in the Magic City/Murder on the Menu seems like it was months ago. And hadn’t I just turned in the manuscript that week before I left, with plans to get back on it as soon as I recovered from that trip? Then Mom had her stroke and everything went up into the air, and now I’m trying to find all the balls I dropped somewhere that I had been somehow managing to keep up in the air.

Yesterday was a gorgeous day; it was eighty degrees when I made groceries and gassed up the car. I kept the toe elevated and iced for most of the rest of the day while I read more of Abby Collette’s marvelous Body and Soul Food–which I am really enjoying–and then around five gave up on everything for the rest of the day. I printed out a short story I need to read to see if I can revise it into something that I can turn in for this anthology I’ve committed a story to, and of course I have to dive back into the manuscripts. I have to write something for Paul for Saints and Sinners; and I think I may have agreed to write something else? I need to do thank you cards and I need to mail the books to the winners of the Facebook page takeover giveaway that I did. I need to check in on my dad and sister, and of course at some point this week the fuse for the dryer is going to arrive so I can see if I can get that working again (prayers are appreciated and welcomed; not having a dryer has really sucked). I also ordered some other things I need. I just feel like I don’t have a grasp yet on my own life, and I don’t really like the way it feels. It’s almost like I am swimming through a fog, and things I used to easily remember and keep track of now just go right out of my mind like they were never there in my head in the first place. I don’t like this feeling; I don’t like not being able to trust my memory anymore–but even now as I write this I am wondering hasn’t this been the case for a while? Isn’t that why you started making lists in the first place–because if you didn’t write it down you’d forget?

I can’t even trust my memory about my memory. There’s a Kafka novel in there somewhere.

I’m also more aware of how quickly I tire now, too. I know that’s been going on for a while–since last summer’s horrific bout with Long COVID–but I am hoping that once I get back into the gym I will start building up my endurance again, and I also have to accept that it won’t be quick and my body won’t change at the speed that it used to. For one example, I was overweight when I moved back to New Orleans in August of 2001; I’d lost twenty pounds and tightened up everything by Halloween so I could wear a slutty costume. I’m not going to be able to return to the gym and be able to dress slutty again within eight weeks. (Not that I would dress slutty now–I’m in my sixties, for God’s sake, and I don’t care whether people think I look good or not anymore. It was never the priority of the gym for me in the first place. Yes, I liked looking good and yes, I liked getting flirted with and hit on, but for me that was a nice side effect to having the endurance to dance for hours, or feeling good physically.

God, I used to be so vain! I don’t really miss vanity, though.

One of the things I was working on before Mom had the final stroke was building a website–just something to play around with when I have time (ha ha ha ha ha, sure, Greg, that’s going to happen) and of course, that was the same fucking day I got the text from my sister, so I’ve not done a whole hell of a lot there, you know? I did get the domain registered, and I loaded a picture as well as info on A Streetcar Named Murder, but it’s going to take me some more time to learn how to do all the things I want it to do.

Because I am just swimming in free time.

I’m a bit groggy this morning, mainly because I am out of the habit of waking up to the alarm now–it actually jolted me awake, as opposed to me already being awake when it goes off, which means a retraining of myself yet again as this does not feel natural to me. It feels weird having to go back to the office this morning, as well. My toe’s not quite as painful this morning, either–it still hurts, mind you, but I can walk without limping and it’s not as bad as it has been, which is progress. I am still going to message my doctor today, though. We’ll see how it feels at the end of the day, won’t we? I suppose I can always ice it again once I am home tonight.

And on that note, I am heading into the spice mines. Have the best Monday you can, Constant Reader.

Beast of Burden

Wednesday and only two–count ’em, two–days left before the parades start rolling down St. Charles, so tonight after work I am taking the highway and swinging by Costco on my way home. Yesterday was an okay day in that I never really felt tired or drained, which is always a plus. I did manage to start working on the first stage of the revisions of the manuscript–and I started working on something cool and exciting and new, but must remain a secret for now until I get it all figured out and worked out–and that’s terrific. I am sure going to Costco after work today is going to be a draining experience–but it’s never as bad as just going to a regular grocery store or Walmart, frankly. I also have to clean up around the kitchen this morning because I am doing a ZOOM thing for the MWA-Midwest chapter tomorrow night. I also have to go in Friday morning for a staff meeting (yay) but that’s fine; I can run to the grocery store for last minute things and pick up the mail afterwards so we’re good through Monday.

Because the grocery store won’t be a zoo the first Friday morning of parades, either.

I’m a bit groggy this morning. I slept pretty much through the entire night, other than when Scooter began howling for food early in the morning. He’s such a sweetheart, though. I went to bed last night before Paul got home and fell asleep almost immediately. I woke up when Paul got home and Scooter was curled up, nestled inside my right arm with his head right next to mine. You have to love a cat that’s just a big ole cuddlebug.

While I waited for Paul last night–I am still in the final stages of the malaise, alas; my creativity at a very low ebb at the moment–I started going through the manuscript, this time getting character names and seeing which characters actually had their names changed from one thing to another over the course of the manuscript (which happens when you don’t have a character key, which I know and don’t know why I didn’t keep up with mine as the manuscript progressed…especially when you have a fashion show with how many drag queens walking the runway? But the manuscript, even with the slight glances I was giving to it as I went through pulling out character names, didn’t seem nearly as messy and sloppy as I remember it being while I was writing it–which can be either my faulty memory or my usual self-loathing of any and every thing I write. The latter is always possible, but so is the former. At some point I should probably address my failing memory on here…but not today; I shall save that for some morning when I am not awake before sunrise and can focus properly on writing about my aging mind.

I was too tired to read as well last night; I am hoping to break that tonight when I get home. I am in the midst of two really fun and well written crime novels–Abby Collette’s Body and Soul Food and Ruth Ware’s The Lying Game–and so maybe every night when Paul’s not home I should take a book to bed with me? I don’t know how that might work, to be honest; usually I am so groggy by the time I climb the stairs I’m not sure how much reading I could do–let alone retain–late in the evening. I was pretty worn out by the time I finished watching Airplane! on HBO MAX (I got tired of scrolling through Youtube videos to watch so decided to rewatch one of my favorite comedies of all time–which has some eyebrow raising moments, but still holds up for the most part) and maybe that’s what I should start doing on the evenings when Paul works late–watch an old movie, maybe even a rewatch of a particular favorite, like Rogue One or something I’ve not seen in years, like Double Indemnity.

But today’s goal is to finish the character list and start the outline, so I can see what corrections needs to be made, what sections might need moving, and where I need to add more. I am feeling more awake now–coffee always helps, but my legs feel like they’re still not completely awake yet, which is a weird feeling that I am not describing properly to get across. It’s not like they’re asleep and tingling, or even exhausted or fatigued or anything like that–they just feel like they’re not awake, which isn’t getting the way it feels across, is it? Ah, well, it doesn’t matter because they don’t feel like they’re still sleeping in the bed, anyway.

And I still haven’t gotten an Arthur Hardy’s Mardi Gras Guide 2023 yet, either.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader.

Angie

Alabama.

I drove all afternoon, first east on I-10 out of New Orleans and then north on I-59 to Birmingham. It was a lovely day for a drive, really, and I was listening to Carol Goodman’s The Night Visitors, which is gripping. She is truly a master at suspense, the modern day equivalent to Mary Stewart, I think. Part of the reason I am enjoying it so much is because one of the point of view characters is a trained counselor/social worker, who primarily works with domestic violence victims–and as someone who is a trained counselor who works with a LOT of social workers, the character of Maddie (or Mattie, it’s an audiobook so I am not sure how it’s spelled) thinks a lot the way I do sometimes about the techniques we are trained to use, when I’m taught a new method counseling…which makes me think that maybe, just maybe, I could write about a counselor. (Obviously, I wouldn’t be able to use actual situations I’ve handled with actual clients, but I know I could get that world-weary does any of this really work cynicism burned out voice down perfectly.)

I got into the hotel around six last night, met up and socialized downstairs with some of the other folks here for the event–as well as the event organizers–and that was nice. I love writers and I love readers, so it’s always nice to be around people who are into books. (Oh, how I used to dream about being around other people who loved books, too…) I am up insanely early this morning because we have to be at the library for nine, but I slept decently for a hotel night (thank you, sleeping medication–you always deserve a shout out when you work) and am thinking I might actually be coherent on my panel today. I know it’s rude, but I am going to bring the latest manuscript with me today; I doubt I’ll even look at it–I always enjoy listen to writers talk about writing, and often I take notes as ideas come to me while and after listening to smart people talk about creating. I’m lucky this year, too–I have this event this month; TWFest/S&S next month; and then Malice the month after–so three consecutive months where I get to be around other writers, have fun and be inspired. It’s also good timing, since I’ll be in the weeds with edits and writing something new and hopefully also discovering great new writers to read. I’m getting kind of excited about this year, to be completely honest. I’m really happy with the writing I’ve been doing these last few years, and I ak m kind of excited about the writing I am going to be doing. It’s kind of feel excited about writing again, you know? The pandemic years (and yes, well aware they are not past, no matter how much we pretend that they are) and even the few years prior to that, I don’t remember ever being really excited about the writing I was doing? I was so caught up in the “this is such drudgery oh hurray another deadline is looming” that I forgot how much I actually like doing it, how much I enjoy creating, and that as much as I hate to admit it, ever, I’m actually kind of good at it.

I hear myself talking sometimes, or I come back here to reread something I’ve posted for some reason or another, and I think oh you’ve become one of those old people who brings up the past to make a point about the present and I roll my eyes at myself. Part of it is because I refused to look backwards for so long–and even now, after all this time, that can still be painful and hard–that now that I am sort of doing it, reacquainting myself with my own past by submerging myself into the news and the culture of this time or that period because I want to write about it, so I have to remember now…and now that I’m older, it’s harder to remember and then I’ll read something or hear something or watch something that will contradict something I remember (like, “no, I’m pretty sure I remember that song coming out when I was in eighth grade because we sang it in choir and we couldn’t have sang it if it came out later than that”–and sometimes those things I come across are actually incorrect, so it almost feels like gaslighting…I am beginning to understand now in this later stage in life that I have been essentially gaslit my entire life), which always gives me pause. But I want to write a book set in the early to mid 1970s, and yes, the character will be the same age I was in that time, so I am reacquainting myself with the period. I am writing a novella set in New Orleans in 1994, so I have to remember what that summer was like for a gay man in that America, and also what New Orleans was like in 1994; the music played in clubs, the drugs everyone was doing, were short shorts out yet or just on the way out, where we stood with HIV./AIDS (not a good place, frankly), and how the gay nightlife scene in New Orleans has so dramatically changed from back then. We used to have two bath houses and two backroom bars (which always used to get raided right before Southern Decadence as a reminder to the club owners to tip their local police union well), and the city itself was simply crumbling in the bright sun and high heat.

That’s certainly not New Orleans today.

It’s also weird the kinship I feel for Alabama. I only lived here the first two years of my life, so I have no memory of ever actually living here, but I spent so much time down here as a child it always kind of feels like home here, even though it’s not and has never really been. I feel connected to Alabama in a way I never have to anywhere I’ve ever lived other than New Orleans (which is why New Orleans is my home now), and just being in the state–hearing the Google Maps lady interrupting Carol Goodman’s book to say welcome to Alabama always brings a smile to my face (just as the Bienvenue en Louisiane sign does)–makes me feel more creative, more connected to my creativity, and leaves me feeling inspired. The minute she finished saying it and the narrator of the book came back on I immediately started thinking about Bury Me in Shadows, and two Alabama novellas I have started but yet to finish, and about another book set in my fictional Alabama county, and my mind just kept spinning and weaving tales until I pulled into the parking lot and turned off the car.

Sigh.

And on that note, I am going to go forage for coffee. Because else it will not be pretty.

The Winner Takes It All

Mystery Writers of America Announces 2023 Edgar Allan Poe Award Nominations

January 19, 2023, New York, NY – Mystery Writers of America is proud to announce, as we celebrate the 214th anniversary of the birth of Edgar Allan Poe, the nominees for the 2023 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction and television published or produced in 2022. The 77th Annual Edgar® Awards will be celebrated on April 27, 2023, at the New York Marriott Marquis Times Square.

BEST NOVEL

Devil House by John Darnielle (Farrar, Straus and Giroux – MCD)
Like a Sister by Kellye Garrett (Hachette Book Group – Little, Brown & Co./Mulholland Books)
Gangland by Chuck Hogan (Hachette Book Group – Grand Central Publishing)
The Devil Takes You Home by Gabino Iglesias (Hachette Book Group – Little, Brown & Co./Mulholland Books)
Notes on an Execution by Danya Kukafka (HarperCollins – William Morrow)

The Maid by Nita Prose (Penguin Random House – Ballantine Books)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Jackal by Erin E. Adams (Penguin Random House – Bantam)
Don’t Know Tough by Eli Cranor (Soho Press – Soho Crime)
Shutter by Ramona Emerson (Soho Press – Soho Crime)
More Than You’ll Ever Know by Katie Gutierrez (HarperCollins – William Morrow)
Portrait of a Thief by Grace D. Li (Penguin Random House – Tiny Reparations Books)

BEST PAPERBACK ORIGINAL

Quarry’s Blood by Max Allan Collins (Hard Case Crime)

On a Quiet Street by Seraphina Nova Glass (Harlequin Trade Publishing – Graydon House

Or Else by Joe Hart (Amazon Publishing – Thomas & Mercer)

Cleopatra’s Dagger by Carole Lawrence (Amazon Publishing – Thomas & Mercer)

A Familiar Stranger by A.R. Torre (Amazon Publishing – Thomas & Mercer)

BEST FACT CRIME

Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls by Kathleen Hale (Grove Atlantic – Grove Press)

Tell Me Everything: The Story of a Private Investigation by Erika Krouse (Flatiron Books)

Trailed: One Woman’s Quest to Solve the Shenandoah Murders by Kathryn Miles (Hachette Book Group – Workman Publishing – Algonquin Books)

American Caliph: The True Story of a Muslim Mystic, a Hollywood Epic, and the 1977 Siege of Washington, D.C. by Shahan Mufti (Farrar, Straus and Giroux)

American Demon: Eliot Ness and the Hunt for America’s Jack the Ripper by Daniel Stashower (Minotaur Books)

BEST CRITICAL/BIOGRAPHICAL

The Life of Crime: Detecting the History of Mysteries and Their Creators by Martin Edwards (HarperCollins – Collins Crime Club)

The Bloomsbury Handbook to Agatha Christie by Mary Anna Evans & J.C. Bernthal (Bloomsbury – Bloomsbury Academic)

The Crime World of Michael Connelly: A Study of His Works and Their Adaptations by David Geherin (McFarland)

The Woman Beyond the Attic: The V.C. Andrews Story by Andrew Neiderman (Simon & Schuster – Gallery Books)

Agatha Christie: An Elusive Woman by Lucy Worsley (Pegasus Books – Pegasus Crime)

BEST SHORT STORY

“Red Flag,” Alfred Hitchcock Mystery Magazine by Gregory Fallis (Dell Magazines)
“Backstory,” Alfred Hitchcock Mystery Magazine by Charles John Harper (Dell Magazines)
“Locked-In,” Alfred Hitchcock Mystery Magazine by William Burton McCormick (Dell Magazines)
“The Amnesty Box,” Alcohol, Tobacco, and Firearms by Tim McLoughlin (Akashic Books)

“First You Dream, Then You Die,” Black is the Night by Donna Moore (Titan Books)

BEST JUVENILE

The Swallowtail Legacy: Wreck at Ada’s Reef by Michael D. Beil (Holiday House – Pixel+Ink)
The Area 51 Files by Julie Buxbaum (Random House Children’s Books – Delacorte Press)
Aggie Morton Mystery Queen: The Seaside Corpse by Marthe Jocelyn (Penguin Random House Canada – Tundra Books)

Adventures on Trains: Murder on the Safari Star by M.G. Leonard & Sam Sedgman (Macmillan Children’s Publishing – Feiwel & Friends)
Chester Keene Cracks the Code by Kekla Magoon (Random House Children’s Books – Wendy Lamb Books)

BEST YOUNG ADULT

Pretty Dead Queens by Alexa Donne (Random House Children’s Books – Crown BFYR)
Frightmares by Eva V. Gibson (Random House Children’s Books – Underlined)
The Black Girls Left Standing by Juliana Goodman (Macmillan Children’s Books – Feiwel & Friends)
The Red Palace by June Hur (Macmillan Children’s Books – Feiwel & Friends)
Lock the Doors by Vincent Ralph (Sourcebooks – Fire)

BEST TELEVISION EPISODE TELEPLAY

“One Mighty and Strong” – Under the Banner of Heaven, Written by Brandon Boyce (Hulu/FX)
“Episode 1” – Magpie Murders, Written by Anthony Horowitz (Masterpiece/PBS)
“Episode 1″ – Karen Pirie, Written by Emer Kenny (BritBox)
“When Harry Met Fergus” – Harry Wild, Written by David Logan (Acorn TV)
“The Reagan Way” – Blue Bloods, Written by Siobhan Byrne O’Connor (CBS)

“Eighteen Wheels A Predator” – Law & Order: SVU, Written by Brianna Yellen & Monet Hurst-Mendoza (NBC Universal)

ROBERT L. FISH MEMORIAL AWARD

“Dogs in the Canyon,” Ellery Queen Mystery Magazine by Mark Harrison (Dell Magazines)

* * * * * *

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

Because I Could Not Stop for Death by Amanda Flower (Penguin Random House – Berkley)

The Woman in the Library by Sulari Gentill (Sourcebooks – Poisoned Pen Press)
The Disinvited Guest by Carol Goodman (HarperCollins – William Morrow)
A Dreadful Splendor by B.R. Myers (HarperCollins – William Morrow)
Never Name the Dead by D.M. Rowell (Crooked Lane Books)

THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD

Secret Lives by Mark de Castrique (Sourcebooks – Poisoned Pen Press)

An Unforgiving Place by Claire Kells (Crooked Lane Books)

Hideout by Louisa Luna (Knopf Doubleday Publishing Group – Doubleday)

Behind the Lie by Emilya Naymark (Crooked Lane Books)

Secrets Typed in Blood by Stephen Spotswood (Knopf Doubleday Publishing – Doubleday)

THE LILIAN JACKSON BRAUN MEMORIAL AWARD

The Shadow of Memory by Connie Berry (Crooked Lane Books)

Buried in a Good Book by Tamara Berry (Sourcebooks – Poisoned Pen Press)

Smile Beach Murder by Alicia Bessette (Penguin Random House – Berkley)

Desert Getaway by Michael Craft (Brash Books)

The Marlow Murder Club by Robert Thorogood (Sourcebooks – Poisoned Pen Press)

SPECIAL AWARDS

GRAND MASTER

Michael Connelly

Joanne Fluke

RAVEN AWARD

Crime Writers of Color

Eddie Muller for Noir Alley and The Noir Foundation

ELLERY QUEEN AWARD

The Strand Magazine