Category: revising

Love Machine

Ah, Monday of the week that ends with the tenting and the Weekend o’Festivals. Just thinking about getting through this week and this weekend makes me tired. Very tired.

We started moving perishables and other things that could be poisoned by the termite gas over to the carriage house yesterday; even as we did so, I kept remembering and finding more things that need to go over there. I’ve never experienced termite genocide before, that oh-so-uniquely New Orleans experience that so many others have before multiple times. It’s got me thinking about the possibility of murder by termite tent, of course–although I am pretty certain I’ve read a book where that happened, I think it was by Elaine Viets.

Murder-a-Go-Go’s officially releases today as well, so those who preordered it should be getting it delivered to your electronic reading devices and those who ordered hard-copies should be getting them soon. Huzzah! I love book birthdays; my own for Survivor’s Guilt and Other Stories is soon to come; April 10th, officially. Order, order, order! And don’t forget, the first ever Chanse MacLeod short story is in this book!

I reread my story for Murder-a-Go-Go’s again yesterday, primarily because another idea came to me yesterday, which I shared on social media: Someone really needs to write a spring break noir called WHERE THE BOYS DIE and I would read the hell out of that. I do think that’s a terrific idea; is there any better setting for a noir than a small beach town taken over by tens of thousands of partying college students? (I also had another idea for a book, based on an actual brutal murder that took place over spring break several decades ago; hat tip to Scott Heim for reminding me of that murder) I had always wanted to do one over the course of Southern Decadence weekend as well; I still might do that one. Anyway, I’m digressing. So, on my post about Where the Boys Die some suggested I write it, others that it sounded like an anthology, and then Jessica Laine said, you already wrote this story for MURDER-A-GO-GO’S, and I loved your story. 

The thing about being a writer is that all-too-often you don’t remember things about your work once it’s finished. “This Town,” my story for Murder-a-Go-Go’s, is one of my favorite stories that I’ve ever written, to be honest; I think it’s also one of my best. But, when I read Kristopher Zgorski’s lovely review and he singled out my story as one of many for individual praise, and then seeing Jessica’s lovely comment, I decided I should probably reread the story since my recollection of what I actually wrote was so vague…and there it was. Constant Reader, it’s good. I then pulled up my story “Neighborhood Alert,” which is going to be published in Mystery Tribune, and it, too, is good. This was revelatory for me; as I may have mentioned, another story of mine was recently rejected by Alfred Hitchcock’s Mystery Magazine, and that had, of course, put me into a bit of a tailspin as far as my writing of short stories was concerned…astonishing at how easy it is to have one’s confidence in one’s own work shattered, isn’t it?

And that also got me to thinking about the second Chanse short story, “Once a Tiger,” that has tragically been stalled for so long. Short stories are actually more intimate than novels; in that you have much less space to develop a story and less room for characters so it has to be scaled back some. “Once a Tiger” is struggling because, quite simply, there are too many characters in it; how does one investigate a death at a fraternity house on a college campus when there would have to be well over a hundred brothers and pledges? That was where I struggled with the story; even the police would have trouble sorting all of this out, so imagine the trouble Chanse would have with it, working alone as he does. I still want to write a murder mystery set at Chanse’s LSU fraternity, where Chanse has to come back and solve the crime, but I just don’t–at the moment–see how that can be done as a short story. Maybe now that I’ve said that it will come to me–just like the other day, how to weave the two plots for the next Scotty book came to me from out of nowhere.

I love when that happens.

And now back to the spice mines.

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Off the Wall

It’s Saturday morning and the Lost Apartment is close to being clean; I have to work on the kitchen a bit more today and do the living room floors. I also have to start packing up/throwing away perishables for the looming tenting for next weekend. Heavy heaving sigh. But…it’s also going to make me clean out my cabinets, and since everything has to washed after the tenting is over, also make me reorganize them.

Crazy!

I have a couple of errands to run today; I need to get the mail and I also need to get my brake tag taken care of today–it was due in January and now it’s almost April. Not very adult or responsible, I’m afraid; I really need to stop procrastinating about things and just get them done. I am going to clean out my email inbox, respond to Facebook messenger, and I also have to mail some things today. I want to work on the WIP, and I want to clean, and I want to finish reading The Woman Who Fed The Dogs so I can move on to Samantha Downing’s My Lovely Wife, thus completing my Festival homework, and then I need to prepare some questions. Moderating isn’t something I particularly enjoy, in all honesty, but I generally do a fairly decent job at it–at least, no one has ever told me that I suck at it. I know Paul thinks I’m good at it, or he wouldn’t keep trying to make me do it–although I also suspect it’s simply easier for him if I agree to moderate a panel.

So, yes, my plate is rather full today, but that’s okay. Hopefully, tomorrow I can do some writing in the morning and spend the afternoon reading the Downing (which, of course, is completely predicated on finishing Fed the Dogs today). The world figure skating championships are also going on currently, and I’d like to see the men’s competition, which is airing this afternoon. Americans are sitting in first, second and fourth after the short program–which is unlikely to hold through the free skate, but stranger things have happened.

And while next weekend is going to be fun and lovely–the Weekend o’Festivals always is–it’s also going to be exhausting, especially when you add in the fun of having to put the house back together that Monday. And it’s almost April already! When did that happen? How did that happen? Where did the first third of this year go, and what do I have to show for it? Very, very little…although I suppose I did finish writing a book, so that’s something.

And this past week’s episode of Schitt’s Creek was another one of those “get me in my feelings” episodes. Seriously, y’all, if you aren’t watching this show, you really need to be. There was one scene last night that should win Daniel Levy an Emmy, just for that scene alone–and of course Catherine O’Hara is a comedic gift that never stops giving.

All right. This spice isn’t going to mine itself, now is it? Happy Saturday everyone!

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You Decorated My Life

Friday, and the weekend looms. Alas, but this weekend is deceptive; it is the last weekend before the Weekend o’Festivals which means I won’t see Paul very much and I probably won’t be able to get a whole lot of relaxing done as I will be stressing about numerous things. I need to finish reading two books by next weekend, I need to get some work done on the WIP, and I need to clean this filthy apartment. I am behind on everything (like always) and really need to step up my game. I’ve been feeling slightly overwhelmed this week, but feeling overwhelmed only leads to paralysis and inaction and chaos, so…when I get home from work this afternoon I need to get to work. I need to stay off social media, close my Internet browsers, and just get on it. I need to get chapters revised; I need to clean thoroughly; I need to do all sorts of things, and this is the last chance I have to get any of this done before the Weekend O’Festivals.

And the house is being tented that weekend for termites; effective Friday, the termite tent is going up. So we also have to prepare the house for that.

I’ve got to get my reading done as well, so I also need to focus and try not to goof off as much. Scooter, of course, won’t mind me sitting in the easy chair all weekend reading, either–which should minimize the kitty whining I have to put up with over the weekend. (there’s always kitty whining)

Heavy heaving sigh.

What I need is to have a Type-A weekend. I haven’t had one of those in a while; not sure what that’s about, but as I said, I’ve felt disconnected from everything since the Great Data Disaster of 2018. The return of my allergies hasn’t helped much in that regard, either–it’s spring in New Orleans again! I guess the first step in getting my shit together is to make a pretty solid to-do list, and stick to checking things off on it. That’s always been the most effective way for me to deal with these things, and something I’ve been rather slipshod about for quite some time.

With the river so high and all the midwest flooding, I’ve also been thinking about, of course, Katrina and the flood that followed. It doesn’t help that the lead off and title story in my soon to be released collection, Survivor’s Guilt and Other Stories, is an aftermath story, with the character on his roof in the heat waiting rescue. It’s a morbid, creepy story; one that I was reluctant to tell, if I’m going to be honest about it. I evacuated; Paul and I packed up as much as could fit in the car, put Skittle in his carrier and fled north. We left the Lost Apartment shortly after eleven a.m. that morning; we didn’t get to Slidell until nearly seven, and the outer bands of the storm were already coming in as we crossed the Twin Spans across the lake. It does now seem like that was an incredibly long time ago, and yet the memories, while faded with time, are still relatively vivid–even though the distance makes it seem as though it happened to someone else. There’s an unreality about the entire thing, looking back over the years. It’s hard to believe something like that could happen, yet it did, and it does, every year, to somewhere. Puerto Rico is still recovering, and suffering, from Maria.

The other day on Facebook there was a post from the New Orleans Tourism Board about signs they’ve created that businesses here can hang in their windows, to show queer tourists that they are welcome in the business and in the city. Quite naturally, some homophobic trash (from Oklahoma) had to show up on the thread and say shit like well, looks like I need to cancel my reservations for New Orleans this May–guess it’s time for another hurricane! 

You really can’t fix trash. Particularly from some asshole who smugly thinks Oklahoma is immune from natural disasters. This reminded me, of course, of the congressional trash serving at the time who didn’t think New Orleans (the fifth largest port in the United States) didn’t need to either rebuild or recover from this disaster; they were willing to just let the city sink in the swamp and disappear. Steve King, the Klansman without a mask, was one of them; yesterday he said something similar again about how everyone affected by Katrina sat around waiting for help while “in Iowa we help each other.”

Really? Fuck you, you racist faux Christian piece of shit, and I do hope you have a lovely time in hell when you get there.

And despite the fact that Iowans clearly continue to reelect this excrement to Congress because he is a racist bottom-feeding monster, they still deserve our sympathy and our support and our help in this time of disaster for them.

Sorry you don’t have a soul, Mr. Congressman.

And now back to the spice mines.

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Tusk

As Constant Reader is aware, I’ve always had issues with my weight and, by extension, my body. I am trying–the goal is, anyway–to get down to 200 pounds. I am currently hovering at a plateau of 212, with fluctuations running from 210-215. Tuesday I tried on a pair of pants I’ve not been able to wear for several years and they fit comfortably; yesterday was the true acid test of my black Levi’s–which I haven’t gotten on in almost four years.

Not only did they fit, they fit fairly comfortably…and as the day progressed so began the ever-green struggle to keep pulling them up constantly as they slid down. I don’t know what that means–other than the reality that jeans do stretch when you wear them–but I’d like to think my body shape has changed. That fifteen or so pounds I lost has made a difference.

Huzzah! Now, of course, I should use that as motivation to improve my bad eating habits and start going to the gym with some degree of frequency…and also need to keep reminding myself that no matter how sore I may get, or how tired, or how little I want to lift the weights–I always feel better afterwards.

I worked a little on the WIP yesterday–not as much as I would have like or preferred, but so it goes, you know? I am still reconstructing that first chapter, which, now that I’ve started pulling it apart and trying to put it back together to try to make it more compulsively readable, isn’t quite as good as I may have thought it was when I originally conceptualized, and wrote, it. A lot of that probably has to do with originally conceiving the book as first person/past tense; and now I am shifting it to first person-present tense, so the reflective tone of the opening paragraphs no longer works.

The opening sentence, which I’d loved, has to go: My mother ruined my life the summer before my senior year of high school.

Don’t get me wrong, it’s still a good opening sentence, but it doesn’t really work anymore. Choosing to write in the present tense–which most y/a fiction I’ve read recently seems to be in–changes that dynamic; plus I always seem, at least in the early draft stages, to have a tendency to create a reflective, looking-back framing device for the story, like my character is remembering how it all happened from the vantage point of the adult he now is–and that’s just reflexive and lazy writing on my part. (It’s not a bad device, I’m not saying that by any means; but I use it too frequently, or try to, at any rate. I blame reading Herman Raucher’s Summer of ’42, which used this device beautifully; as did Pat Conroy’s The Prince of Tides. Perhaps someday I will use it when it is appropriate and will work. I need to reread the Raucher; I bet it doesn’t hold up–primarily since it’s theme is about a teenaged boy who has sex with a woman in her twenties and he basically stalks her; hmmm, there could be a really interesting essay in there…)

I hope to get that first chapter revised, restructured, and rewritten this evening, since it’s one of my two short days this week; and tomorrow I can move on to the next chapters. I  started reading The Woman Who Fed The Dogs, part of my TWFest homework, and I also need to get that finished so I can read the last bit of my homework, Samantha Downing’s My Lovely Wife. 

Always, always, always so much to do!

And on that note, tis back to the spice mines with me!

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In America

Wednesday morning and it’s not quite sixty degrees yet this morning in New Orleans, so the space heater is on to take the chill out of my kitchen and my office space as I swill coffee and prepare for my day. I was exhausted yesterday, and fell asleep almost immediately after tumbling into bed. I had a fabulous night’s sleep, and this morning I feel very rested and well–although I could have easily stayed in bed for a while longer. Tomorrow morning I have to get up early because I have to have bloodwork done, but I am also in the home stretch of the week where the half-days are happening.

Huzzah!

I started–very slowly–revising the WIP’s first chapter last night. I’d always envisioned the book opening with the line The summer before my senior year my mother ruined my life, and while it is a great opening, it doesn’t really work with the story I am actually writing–while my character still believes that to be true, of course, as a framing device for the actual story my WIP has become it no longer works. For one thing, I am writing the book in a very close first person, present tense; so opening with a sentence and paragraph in the past tense, where he is obviously looking back to what happened that particular summer in Alabama, the shift in tense is awkward and abrupt and really doesn’t work anymore. I am horribly stubborn about this sort of thing, and it usually takes me much longer to give up and recognize that the opening I love so much has to go–so I am kind of pleased about that I’ve already gotten past that, to be honest. And the story is much better for it.

As I was writing those first ten chapters, too, I recognized holes in the plot when I saw them but, as is my wont, I simply made note of them and kept ploughing ahead. Part of the reason I want to go back and do a second draft of these chapters before I move on to the second half of the novel is because fixing those plot holes and cleaning up those mistakes will make writing the second half easier…and the book might go to twenty-five chapters, rather than the twenty I was thinking about. I”m not going to worry too much about length at the moment–that can always be worked out later–but I am very excited to be writing something new again.

And not to worry, Scotty fans–writing this doesn’t mean I’m not making notes and doing research for the next Scotty. I may not get to it until this fall, but I am going to get to it at some point.

Now I need to get on the stick and get my TWFest homework done. I have to have two books read by next weekend! This is ordinarily not a problem for me, but all kinds of crazy shit is going on around here. I have to have bloodwork done tomorrow, we have to start getting ready not only for the Weekend o’Festivals but also for the house tenting for termites that is going to occur that weekend as well–which means the easy day I have planned for that Friday is turning into a nightmare–I have to take the cat to board; I have to clean out our freezer because the power will be off; I have a doctor’s appointment that day; I have to figure out how to get all my stuff down to the hotel in the Quarter without the car (no fucking way am I paying hotel parking in the Quarter); and how to get ready for that evening’s parties and so forth….then the following Monday, also a day off for me, will require me to retrieve the cat and the car and everything else.

Just thinking about it is making me tired.

But on that note, I am heading back to the spice mines.

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Refugee

Tuesday was yet another night of non-deep sleep; in which again I spent most of the night asleep than half-asleep then awake: lather, rinse, repeat.

I’m holding Daylight Saving Time solely responsible for this horror, I might add, because I was sleeping beautifully before this.

But last night was good; I slept through the night and feel very rested and very much better this morning. I made it through the rough part of my week and now have the easy, downhill path to my weekend. Being tired, I’ve accomplished little of note this week; I am not even keeping up with my emails…but now that I am past those two days and I’ve slept well, maybe now I can get caught up on everything I’ve tragically fallen behind on.

I do so hate when that happens.

But if I put my head down and just start ploughing through, I should tear through it all in no time. (Famous last works, no?)

But I sent the finished manuscript for Royal Street Reveillon in on Sunday, and I think part of the exhaustion (and not sleeping) comes from the inevitable relaxation and sudden drop of stress resultant from finishing a book. I always forget, from book to book, that there’s always about a week’s worth of resetting my brain that is required, and I rather stumble through that week, zombie-like, as my burnt out mind slowly resets and recovers. Bearing this in mind, I decided that it’s silly to beat myself up over not getting back into the current WIP immediately; I stopped that nonsense yesterday morning when the realization dawned, through my foggy, tired brain, that this is normal. So I’m going to instead spend this week getting focused on resetting everything, reevaluating where I’m at on things, and reading. The festivals are in two weeks, and I’ve got to finish my homework before the panel I’m moderating.

I’ve also got a diversity column to write for the next issue of the Sisters in Crime quarterly newsletter.

So, today I am going to focus simply on reading Alafair Burke’s fabulous The Better Sister, making a to-do list, organizing my bills, and figuring out what I need to get done by the end of the year; I also need to probably go back and figure out what projects I was planning on doing/working on this year.

It’s all about resetting.

And now back to the spice mines.

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Wait for Me

The first Monday after the time change is always the worst, isn’t it?

I was thinking, as I went to bed last night and didn’t feel tired in the least, that I’ve had several weeks running of good sleep, and I wondered if the time change would affect that. Sure enough, it did; I wasn’t deeply asleep ever all night, instead in that miserable half-sleep where you know if you open your eyes you’ll be awake. I fucking hate that, and as such, am feeling really tired and sleepy and frayed this morning; so much so that I even considered calling in sick for a brief moment. It’s currently pitch-black outside–which doesn’t help, and it’s seventy-three degrees, with a high of eighty-four forecast.

Complete and utter madness–which also means my sinuses are also acting up a bit, which probably also has something to do with feeling miserable this morning. But I am also confident I can make it through the week…if I can survive today and tomorrow, that is.

I wrapped up the final copy edit of Royal Street Reveillon yesterday, preparatory to turning it in today, and really feel terrific about it. I honestly believe it’s the best Scotty I’ve done since the original three, and writing it off contract was definitely the smart way to go with the book. I am probably going to spend this week mostly thinking rather than writing; I am going to reread the ten chapters I’ve already got written of the WIP and figure out what tweaks are necessary to those before finishing the second half of the book. I’ve got my main character pretty much figured out now, but there are also some issues with the plot and the pacing I need to get figured out. I also kind of need to figure out how to deal with April’s revision of the old WIP (as opposed to the current WIP) and how precisely I want to make that work.

As I’ve said before, I’ve been trying to force it to work based on an original story idea that has morphed over about thirty years into about five or six different plots and stories…but I’d also forgotten that I’d essentially used all the characters from that original idea for Sara, so yeah, I have to have new characters. The primary theme of that story, I think, is alienation, and that’s key to revising the hell out of it.

Ah, the writing life. Always such a joy.

And now back to the spice mines.

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Sara

Sunday morning, and the time change has me bleary-eyed and irritated. I hate losing an hour, absolutely hate it, and would gladly give up that extra hour of sleep in the fall that makes up for it being taken away now. It’s always disorienting, and it’s been hard enough recovering from the one-two-three punch of the Great Data Disaster of 2018 followed by the weeks of Carnival followed  by the Laptop Death of 2019. Seriously, I am so not in the mood for this.

But I suppose it’s a sign that spring is on its way, with the blasting heat of the summer right behind. I need to get caught up on my homework for the panel I’m moderating–I did have a lovely experience yesterday at the car wash while reading Alafair Burke’s The Better Sister while I waited for them to finish cleaning my car. I spent most of yesterday being a trifle on the lazy side; I was worn out and the rest was kind of necessary, although I probably should have read more. I did do the laundry, ran the errands that needed running, and wound up back home extremely worn out, and made the perhaps not good decision to simply relax and rest for the rest of the day rather than doing anything constructive.

I watched American Graffiti again Friday night for the first time in decades; it’s available on Starz, and as I scrolled through the available options I thought why not? The movie itself, which was a huge deal when released, made a fortune, and got a number of Oscar nominations (including best picture), was one I remembered a bit fondly, and in all the hubbub of George Lucas/Star Wars, people tend to forget American Graffiti was the hit movie  that actually made him, and made Star Wars financing a possibility in the first place. I think he was even nominated for best director? I don’t recall. But American Graffiti was notable to me as a young teenager because it triggered a nostalgia wave for the 1950’s at the time; the soundtrack was hugely successful, and anthology albums of hits from the 1950’s became all the rage. (The irony that the film was actually set in 1962 was lost on everyone.) It’s actually kind of a dark film, really; while it reintroduced Chinese fire drills and cruising and sock hops and the music of the period to teenagers (the Beach Boys also came back to prominence; their double album greatest hits compilation Endless Summer was released during this nostalgia craze) rewatching the film now, the darkness is plain to see. Vietnam is on the horizon, and the ‘innocence’ of these teens, on the brink of adulthood, isn’t all that innocent, really. There wasn’t really a cohesive plot; it was just a mishmash of interconnected characters with their own stories sometimes bisecting others–very Robert Altman-esque in that way.

And as I said earlier, it did lead to a 50’s nostalgia craze, which eventually led to shows like Happy Days and Laverne and Shirley, which also wound up starring Ron Howard and Cindy Williams, as the film did. Richard Dreyfuss also has a lead, and this was before Jaws and his Oscar for The Goodbye Girl and Close Encounters of the Third Kind. The movie kind of launched quite a few careers. It was also one of the first “teen movies” to be quite so dark, a big change from the silliness of the Disney films for teens at the time or the beach movies of the 60’s. An argument could, in fact, be made that American Graffiti set the stage for the 1980’s teen movies that redefined the genre.

I’ve also always kind of thought that the kids from Graffiti who went off to college became the adults in The Big Chill, but that’s just me. (There was a sequel, More American Graffiti, that was made in 1979, but the less said about that the better.)

I also rewatched Play Misty for Me, which is also available on Starz. Play Misty for Me was the original Fatal Attraction, also was Clint Eastwood’s first film as a director (he also starred), and scared the crap out of me when I was a kid; we saw it as a family at the drive-in, part of a triple feature with another Eastwood film, High Plains Drifter (which I think is his best Western), and a really bad low-budget movie starring country singer Marty Robbins called Guns of a Stranger–which was so laughably bad it became kind of a benchmark/joke for my family for years. I’ve never seen Play Misty for Me again, and so was curious; I remember Jessica Walters played Evelyn Draper, the “Alex Forrest” of the movie, and was absolutely terrifying as the psycho woman obsessed with Clint Eastwood’s Carmel deejay (I also recognized a lot of the locations as the same ones used for Big Little Lies). It doesn’t hold up as well on a rewatch some forty years later, alas; it has a lot of “first director-itis”, and kind of has a “made for TV” feel to it, but it was a pretty adequate little thriller, and was groundbreaking in its way–it was really the first movie to deal with a stalker situation.

I seem to have also developed some kind of a strain in my right calf muscle; I’m not sure what that’s all about, but it’s not incredibly painful or anything; but I am always aware of it when I’m walking. Crazy.

So, I have lots of plans for today now that my coffee is starting to kick in; I’m looking forward to doing some cleaning today, writing some, and of course, reading. Alafair Burke’s The Better Sister is quite good, and I can’t wait to get caught up in it later today when I finish my chores and to-do list.

And on that note, ’tis back to the spice mines with me.

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Drivin’ My Life Away

We left the Orpheus parade last night when it started raining and the wind picked up. It was already cold out there, but that weather shift was going to take it from merely unpleasant to intolerable pretty fast, so we skedaddled back to the Lost Apartment and called it a night.

But Orpheus is a beautiful parade, and the floats simply breathtaking.

And there’s nothing like Carnival to make me remember why I love this city so much. Carnival is pretty much unavoidable , no matter how hard you try, and there’s no point in resisting it because it isn’t going away. Even those who hate Carnival (which I don’t understand, unless they are also the people who kick puppies and so forth) have to ride the wave until it’s over. Today is the last day of my Carnival related vacation, and it’s been absolutely lovely. Did I get everything done that I wanted to get done? Of course not. I never do. But I did do some thinking, and thinking time is often in short supply. I’m looking forward to getting back to work on the WIP–I may go back and revise the first ten chapters to weave in the threads that are missing before writing the second half of the book–and with any luck, I can have a decent draft of it finished by the end of March.

Fingers crossed.

It’s very cold this morning for a Mardi Gras Day, and I kind of am glad Paul and I don’t do Fat Tuesday anymore. Not that it wouldn’t be fun, but all the costume planning and so forth, and I doubt seriously I could drink all day anymore and still make it to work on Ash Wednesday and be functional. Sigh, the pleasures of getting old. But I always feel like my time is borrowed, and the life I have is a gift I never thought I would see. So there’s that, you know?

I do have some cooking to do today; I need to make bacon for lunch sandwiches and I am going to make the chili today–thank goodness it’s cold, right? I am also going to go ahead and make chicken salad for Paul’s lunches this week.

I am trying to decide what I want to write next, if I do another Scotty. There’s an amorphous idea boiling in the back of my head that’s been back there for quite some time–Hollywood South Hustle–which would combine two stories I’ve been pondering for a while (I am leaning toward this one as the next Scotty because the other two–Bywater Bohemia Bougie and Redneck Riviera Rhumba–don’t have even an amorphous story dancing in my head other than the titles. I think Redneck Riviera will have to have something to do with Frank’s wrestling career and the other has to do with gentrification, but that’s all I’ve got. Hollywood South on the other hand has two different plots I want to write–one about a film industry scam that actually happened here in New Orleans, and the other about the victim of a vicious assault, twenty years later. It’s just about trying to figure out, really, how those two plots roll into each other and can run parallel to each other in order to make a cohesive story. Plus there’s another plot element that needs to be wrapped up, carried over from the current, and I think this plot can accommodate that story pretty well. This is kind of the Scotty book I originally intended to write as the fourth book in the series, but Katrina pretty much buried that, at least for a while. (I’ve already spun part of that original plot into Murder in the Rue Ursulines; but since it was a Chanse book it changed a lot; enough so that using the original idea as a Scotty would absolutely work.)

But…it’s nice to have another idea for Scotty lingering in my head, on the back-burner. Maybe I’ll even get to it later this year.

Stranger things have happened.

I also want to work on Monsters of New Orleans. I’ve not done any short story work in a while, and I kind of miss it. I had another story turned down by Alfred Hitchcock’s Mystery Magazine, but that’s only whetted my appetite to try to get something else published in there. There’s a long story, novella-length, called “Never Kiss a Stranger” that I’d also like to get back to work on, but on the other hand, I’m wondering if the story might make for a better novel than long-form story. I suppose I should finish a draft before making a decision, one way or the other.

And on that note, it’s back to the spice mines for me. I was thinking about working on some stuff today, since I’m not leaving the house, but I think I’ll just read instead.

Happy Mardi Gras, everyone.

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One Fine Day

IRIS SATURDAY!

Iris has always been my favorite Carnival parade; so much so that it’s the only parade I’ve put in a book thus far; Mardi Gras Mambo opens with the boys on the neutral ground of St. Charles Avenue, watching the ladies of Iris on a beautiful Saturday afternoon:

Of all the parades, my favorite is the Mystic Krewe of Iris. There are several reasons for this. First, Iris is a women’s krewe, which means the masked figures on the floats tossing things are not men. Men always look for women (the larger the breasts, the better) and children in the crowd to reward with their largesse. They only throw to men by accident, or if someone yells particularly loud. This sucks if you like to catch throws. However, the ladies of Iris are just as sexist as the male krewe members. They throw to men and children. Flirting with the ladies definitely works. And since Iris rolls on the Saturday afternoon before Fat Tuesday, usually it’s sunny and warm. Sunny and warm means I don’t wear a shirt. (And a lot of guys don’t. It’s basically a beefcake bonanza out there on St. Charles Avenue the afternoon of Iris. Did I mention how much I love Iris?)

I get lots of throws at Iris every year.

Carnival so far had been a bit of a disappointment.  Mardi Gras was early this year, which meant despite the fervent prayers of the locals, there was a strong possibility that Fat Tuesday itself could be cold, gray and drizzly. If the weather on Fat Tuesday sucks, it adversely affects the tourist numbers of the following year, so the City Fathers were keeping their fingers crossed and praying just as hard for sunny warm weather as the rest of us who just want to run around half-naked.  Unfortunately, every night since the parades started, it had been gray, cold and wet. The parades still rolled despite the inclement weather, but all the newscasters were despondent about low numbers of people out for the parades. They fail to take into consideration that standing in a slight drizzle on a cold night waiting for a parade isn’t fun. You’d think they’d realize it as they stand out there in their trench coats broadcasting. And actually, it’s better for the businesses. Instead of being out there on the streets, the tourists were in the restaurants and the bars staying dry and warm spending their tourist dollars to support our economy.

Every night after we got home from the gym, I’d ask the boys if they wanted to go out and watch the parades. I hate standing out trying to catch throws when it’s cold, so I didn’t try very hard to convince them. I’d have gone if they wanted to, but Frank and Colin weren’t into standing around in the cold rain just to have beads thrown at them, so we pretty much blew off the earlier parades. After all, there’s always another day of parades, and the Goddess wouldn’t be so cruel as to have the weather suck the day of Iris.  Regardless, I love the Iris parade, and unless the streets were flooding, we were going. Besides, my sister Rain is one of the ladies of Iris, so going was also a family obligation. Actually, most of my relatives are in one parade or another, but Rain’s appearance in Iris is the only one I care about.

Fortunately, that Saturday dawned bright and sunny and warm.  All three of us had gotten up early, so we could go to the gym and pump up—as I said, the sexist ladies of Iris really notice muscles. We caught a ride with my best friend David Uptown, where he managed to find a place to park on Baronne, and walked the two blocks over to St. Charles Avenue.

That’s another important thing to remember about Carnival. NEVER watch parades on Canal Street. That’s where the mobs of tourists are, drunk and boisterous and pushing and shoving and just getting on your nerves. It’s much more fun to go Uptown and watch along the St. Charles route. That’s where the locals go. It isn’t as crowded, there aren’t any breasts being bared, and instead you can see what Carnival really is supposed to be like—or what it was like before the college students found out about it. That’s where you see families out with their kids, portable barbecues set up on the streetcar tracks, and coolers full of beer everywhere.  Of course people are drinking, but New Orleanians know how to pace themselves—after all, we have to all year long. Drinking might be a city pastime, de rigeuer for every social event in town, but you don’t see people puking or passing out on St. Charles. You don’t see men taking a piss in a corner.

Many locals leave town during Carnival. They’re sick of the hordes of tourists, the problems getting around the city—St. Charles and Canal, the two main streets in the city, close for the parades, and it’s easy to get trapped inside the parade route. I can only imagine how frustratingly annoying it must be to live Uptown during Carnival. There’s also the familiarity. If you’ve been dealing with it your entire life, after a while I guess it can get old for some people, but I am not one of those people. After all, do you get sick of Christmas? And so far, it hasn’t gotten old for me. I feel like a kid again every year when the parades roll. I don’t believe I would ever get sick of Carnival. I love everything about it. I love the green, purple and gold decorations everywhere—the huge masks adorning balconies, the beads hanging from the tree branches and the telephone lines. I even love the tourists, even though they do stupid stuff they would never dare to do in a million years at home. I love the parades, catching throws, the non-stop fun atmosphere. I even like the pervasive smell of grease from the vendors hawking corn dogs and French fries and those bizarre sausage sandwiches made with fried onions and green peppers. I love the signs in front of bars advertising BIG ASS BEER $3.95—40 OUNCES!! Okay, it’s not like living in New Orleans is ever boring, mind you—it’s kind of like living on a non-stop rollercoaster ride sometimes—but Carnival is different. The whole city is in a festive mood, and everyone is relaxed and just wants to have a good time. What other American city throws such a huge party and invites the whole world to come join the fun?

Doesn’t that sound like fun? My very first Mardi Gras, back in 1995, was also my first experience with Iris, and I fell deeply and madly in love with the ladies of Iris. They showered me with beads, year after year. I used to have an Iris party every year; we even accidentally created a drink the first year we named the Iris: champagne, cranberry juice, and vodka.

It’s delicious.

And I finished revising Royal Street Reveillon yesterday. I still need to work on the prologue and write the epilogue, and I probably will go over Chapter 25 again, but for all intents and purposes, it’s done done done. Huzzah!

And now back to Iris prep.

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