Category: goals

Giving Him Something He Can Feel

GEAUX TIGERS!

I think I have finally, somehow, managed to come back into myself as a Gregalicious, after the long, drawn-out malaise of this past week. Everything conspired against me; I never felt mentally rested,  always felt slightly out of it or disconnected from my everyday life, etc. Bouchercon, and other literary events like it, have that effect on me, but it usually doesn’t take this long to start feeling Gregalicious again. I love my day job–it’s absolutely perfect for me, I can’t imagine doing anything else–and I am very lucky that at least I have a day job that neither makes me crazy nor that I hate.

And having had every shitty job imaginable (or so it seems), this is quite lovely.

I hope that today–since I awoke feeling rested and like myself for the first time this week–will result in me getting a lot done today, around the football games. The LSU-Auburn game this afternoon will be an interesting tell as to how good LSU actually is this year (how good Auburn is as well, for that matter) and has important division implications as well as national ones. The season is young, though, and the Murderer’s Row section of the schedule (Florida, Ole Miss, Georgia, Alabama, Mississippi State, Texas A&M) is yet to come. And after the Saints stunk up the Dome last weekend…GEAUX TIGERS.

We got caught up on Castle Rock, which actually took an incredibly interesting turn that I didn’t see coming, and so now I am really curious to see where it’s going to go from here. (I also continue to be blown away by the ridiculous beauty of Bill Skarsgaard.) We also watched the premiere episode of American Horror Story: Apocalypse, which also is off to a terrific and interesting start–but almost every season started off interesting, and so many of them wound up going off the rails (we never finished watching Hotel, for example) that we can never be sure what we’re going to get with the show. We also finished watching Sharp Objects, which was terrific (I see Emmys in the future for Amy Adams and Patricia Clarkson), and there are so many other shows now to watch, and movies released to Netflix and other streaming services, that it’s hard to believe just a few weeks ago we didn’t have anything to watch. I also want to finish reading Circe.

But the house is a mess, and I need to run the suitcase back to storage, and the car tires need air–but other than that and cleaning and writing, I have the weekend relatively free. Paul is going out shopping and running errands with our friend Lisa today–he has some ideas about turning the area outside our stairs into a sitting area for when the weather is better–and they are launching that project today.

It does feel nice being myself again, and I can spend the day doing some reading and cleaning. I am writing a new short story, and I need to read up a little bit on New Orleans history in order for the story to actually work. We shall see.

And now, back to the spice mines.

fb9f72c0610f30a658f22d1faf078e19

Don’t Let the Sun Go Down On Me

Thursday morning, and my quest to readjust to, ahem, civilian life is getting there gradually. I no longer feel like my batteries need to be recharged–at least, not for the moment–and there is some semblance of order to my kitchen. There’s a load in the dishwasher that needs to be put away, and once again there are dishes in the sink, but the situation is neither as dire nor extreme as it seemed the other day. I’ve still not finished catching up on my email, nor have I had the mental fortitude to get back to reading Circe (which is killing me), nor have I written a single word of fiction this week…but I will. I am almost to the end of my latest journal, which means I’ve been carrying around two with me this week–the almost-finished, and the new one–which means I need to make sure that ideas and story fragments inside of it must be marked or retyped or scanned or something, so as not to be forgotten.

I came up with the idea for a hilarious Nancy Drew type spoof one morning while hanging out with Dana Cameron; actually it’s a little more complicated than that, but that’s the easiest way to describe it, which I happily scribbled away about in my journal, and I also came up with an idea for a crime short story which I am interested in exploring at some point; I have the WIP to work through, and the rewrite of the Scotty manuscript as well. I need to buckle down, don’t I? But I think that this week of readjustment and recharging my brain is necessary. I am inspired and I want to work hard on my writing again, I just haven’t the energy or creative strength to do it this week.

I have to run errands this morning; I don’t have to be at work until later this afternoon.

I am just fascinating this morning, aren’t I?

I am also toying with the idea of writing a supernatural-style series; it’s been on my mind for a while, and while I was in St. Petersburg I thought of a way to make it work, and combine some of the short stories I’ve written about that area of Louisiana already (and yes, The Gates of Evangeline helped with that). I am also becoming more and more interested in the history of Louisiana, and the possibility of a historical series, maybe New Orleans in the pre-WW1 era, or the 1920’s. I can’t decide.

But even though I am not putting words down, I am thinking, and that kind of counts as working, doesn’t it?

And now back to the spice mines.

6164672830_1243ca8506

Live and Learn

Trying to settle back into the mundanity of every day life again. Dishes piled up in the sink, a load in the dishwasher that needs putting away, books and files and papers and note cards and silverware, bottle caps and letter openers and my checkbook scattered about with reckless abandonment and no discernible pattern other than a concurrent lack of desire and energy and interest to do anything about it. Clothes are strewn across the floor of the laundry room while books gather dust on top of the dryer. For yet another day, I allowed myself to wallow in the malaise aftermath of a writerly weekend; a foot back into the swirling and comforting waters of my writing career. At some point–most likely tomorrow morning–I shall rise and make myself some coffee, answer the seemingly insurmountable amount of emails that have clustered in my various in-boxes, organize electronic photos downloaded and stolen from various social media sites to further document the weekend, and generate emails of thanks and gratitude. But tonight, realizing I didn’t even post a blog entry today, I chose to simply sit down as my tired mind and exhausted body wind down for bed and compose a start to tomorrow’s blog in an effort to maximize efficiency and leave more time in the morning for making lists and figuring out what needs to be done and what needs to be worked on, prioritizing and reordering and stepping full-time back into the day-to-day existence of going to work and running errands and cleaning and writing and reading and trying to stay on top of things and at the very least tread water rather than losing more ground.

Traveling does this to me, and especially traveling for writing; each time I am immersed full time into the writing/publishing/reading community it always takes me a little bit longer to pull back from it, to stop missing it, and get back to the business of being Gregalicious again.

One of the loveliest things about traveling, for me, is being able to read. I don’t know how people travel by air and don’t read, to be honest with you. The time just flies past and you can forget that you’re in a busy airport with some people who don’t care about clipping their toenails or other such horrific things in public, or hurtling through the air in a long metal tube thousands of yards above the ground through the theory of lift, a Physics principle I wish my father the engineer had never explained to me because now it creeps into my head every time I fly. I was not only able to finish reading The Gates of Evangeline by Hester Young as our flight taxied to the gate in Tampa; and I started reading Madeline Miller’s brilliant Circe on the way back and cannot wait to finish it.

But The Gates of Evangeline was truly a stunning work.

the gates of evangeline.jpeg

The sky is a dismal gray when I finally go to remove my son’s car seat. It’s raining, a cold autumn rain that feels both cliche and appropriate for a moment I’ve spent more than three months avoiding. I stand by my Prius, peering through the rear window at the empty booster seat, wondering for the hundredth time about the thin coating of mystery grit Keegan always left behind. And then I do it.

I don’t give myself time to think, just proceed, quickly and efficiently. Loosen the straps. Dig into the cushions of the backseat and unhook the metal latches. One tug, and the car seat lands with a thunk on my driveway.

They never end, all these little ways you have to say good-bye. I turn my face toward the drizzle.

The summer has gone, slipped away without my noticing it, and somehow October is here, flaunting her furious reds and yellows. Squinting, I take in the houses of my neighborhood their wholesome front yards: trim lawns, beds of waterlogged chrysanthemums, a couple of pumpkins on doorsteps. And leaves, of course, everywhere, blazing and brilliant, melting into the slick streets, clogging gutters.

These are actually not the opening paragraphs of the novel, but rather the opening paragraphs of Chapter One. I chose to not use the opening of the prologue to share, primarily because, while the prologue is extremely well done and gripping, it primarily serves to set the mood for the story, rather than introducing the reader to the main character, Charlotte Cates–whom everyone calls Charlie–and Charlie is the driving force of the novel; its success with the reader entirely depends on how you feel about Charlie, as a character, as a person, as a woman, and as a mother. That is key to the novel; if you don’t like Charlie, you aren’t going to enjoy the book.

Which is a shame. The plot of the book is powerful, an interesting mystery about a missing small boy of wealth and privilege who vanished from his room on the palatial family estate of Evangeline in Cajun Country, Louisiana. Charlie is a successful career woman, managing editor of a Cosmo-like magazine, divorced her husband for cheating, and was raising her son on her own. Her parents died young and she was raised by her grandmother; her parents were, as we say down here, “pieces of work.” But then her young son dies suddenly of a rare aneurysm, casting her down the road of grief, pain, blame, and horror. Whatever flaws she might have, Charlie is grieving, and her grief is so real and palpable that you start rooting for her as she leaves her job and drives to Louisiana to write a true-crime book about the disappearance of Gabriel Deveau. Many mysteries haunt the plantation, and Charlie has to navigate those while digging into what happened to Gabriel. The book is beautifully written, and how Charlie begins to slowly come out from under the dark cloud of her own grief, through her interactions with the others at Evangeline and the local people she becomes involved with, is even more powerful than the mystery she is trying to unravel. Charlie also has psychic visions she doesn’t understand, sometimes seeing the past and sometimes seeing the future; and one of those visions–of a boy being taken, rowed into a swamp by someone who has sexually abused him and plans to kill him–is the impetus that gets her to shake off her grief and head to Louisiana in the first place. The visions, which easily could be used to move the story along, etc., are intertwined into the story instead in such a way that seems organic and never seems manipulative.

I greatly, greatly enjoyed this book. As I said, it’s a crime novel but it’s really about coming to terms with grief, accepting tragedy, and moving on. I cried at the end. I will say I had a couple of quibbles, but over all, a great read.

There’s apparently a sequel, which I will definitely seek out.

Sometimes Love Just Ain’t Enough

Happy Labor Day!

I spent yesterday cleaning and trying to organize; I still have some writing to get done today of course, and I am being interviewed on the air about Florida Happens at 3 pm CST, which you can listen to here, live as it occurs! Thanks to Pam Stack for having me.

There’s also a new tropical storm out there and heading this way; naturally, the forecasts have it coming through here currently at various times on Wednesday, amongst which include our flight time, which might be incredibly inconvenient. I immediately flashed through every worst case scenario possible, from annoying delays to flat out cancellations and inability to get over there at all–(worst case–I could drive. If we leave on Wednesday morning we could be in St. Petersburg on Wednesday night, but I will be one crabby as fuck bitch when I arrive).

And how about them Tigers?

One of the things I loathe about the pre-season in college football–and pre-season rankings–is, no matter how amazing you are as an analyst/coach/commentator, it’s just guesswork with far too many variables involved for anything remotely approaching accuracy. These rankings can only be based on how the team did in the last season, the new additions to the team, and coaching guesses. No one knows how much chemistry a team will have, what pieces might be missing from the previous season and creating holes on offense and defense that might need to be filled, etc. etc. etc. That said, all portents to ranking Miami in the top ten were there–with a bit of a question mark since they lost their final three games after a 10-0 start. As I said to Paul as we were watching the first quarter of the game last night, “I just realized why I hate Miami so much when I never did before–I have actually kind of always liked Miami. But it’s because Mark Richt is their coach now, and in my subconscious playing Miami now is like playing Georgia.”

PAUL: Well, they’re my favorite team in the state of Florida by far.

GREG: Excellent point, mine, too.

Mark Richt is a good coach, but he was never a big game coach during his run at Georgia, where he could have had national champion contenders every year but somehow always managed to blow it, which eventually led to his termination and the hiring of the coach (whose name escapes me now) who took Georgia all the way to the national championship game last year. And after last night, I would imagine there are some questions about his coaching ability and some rumblings at Miami.

But LSU looked terrific last night, with some exceptions–opening game jitters in the first quarter–but once they settled down they looked much better than anyone gave them any pre-season credit for. They’re only going to get better as the season progresses, and as long as their confidence can keep growing with each game, this could be a terrific season. Next weekend is the Southeastern Louisiana game (SLU from Hammond), and after that, it’s off to top ten ranked Auburn, which knocked off a higher-ranked top ten team this past Saturday in Washington, and surely Auburn is going to want some payback for last season’s stunning come-from-behind upset in Tiger Stadium (while we were in Toronto for Bouchercon). And with both teams from the national championship game on this year’s schedule (Alabama and Georgia), along with Texas A&M, Florida, Arkansas, Ole Miss, and Mississippi State–well, there are a lot of tough games and a lot of trap games on the LSU schedule. But I will say this: if LSU can make it through their murderous schedule with only one or two losses, they belong in the Top Ten for sure.

We shall see as the season plays out.

But in the meantime, GEAUX TIGERS!

5b8c943a3c216.image-1

So much to do today, and so little desire to do any of it. Ah, well, life goes on.

And it ain’t getting done with me just sitting here.

This Used To Be My Playground

GEAUX TIGERS!

I watched the Auburn-Washington game yesterday while I cleaned the downstairs. I did a lot of chores and errands yesterday; and also did some reorganizing and cleaning so the living room doesn’t look quite so…book hoarder-ish. 

I’m getting better about it. I’ve realized that the true value, for me, of the ebook is that if I read a book I really like and think I’ll want to hang on to for one reason or another, I can donate the hardcopy and buy the ebook; if I’m patient enough and pay enough attention to email alerts and so forth, I can usually get it at a much discounted price. I don’t feel quite so bad about buying ebooks at low sale prices as I would had I not paid full price already for a print version. So, I’m really buying the book twice.

(I also find myself taking advantages of sales on ebooks by a particular author whose books I loved and would love to revisit sometime. I have the entire canon of Mary Stewart on my iPad, and a shit ton of Phyllis Whitneys. I’m also occasionally finding books by Dorothy B. Hughes and Charlotte Armstrong and Dorothy Salisbury Davis, which is lovely; I’ve also managed to get some of Susan Howatch’s lengthy family sagas, like Penmarric, The Wheel of Fortune, and Cashelmara. There are many treasures to be found through e-retailers.)

And I also find that, once I’ve let go of the hard copy, I’m not usually all that anxious to buy the e-version. Most of the books I want to keep is because I think it might be something I’d want to write about in a broader, nonfiction sense; like a book about the Gothic romances of the 1960’s thru the 1980’s, what they were inspired by, and how they were books about women’s fears; yes, there was romance involved, but they were also about the dark side of romance. Or a lengthy essay or study about how gay men are portrayed in crime novels written by authors who aren’t gay men, like the rampant homophobia in James Ellroy’s Clandestine or the male/male relationship in James M. Cain’s Serenade or any number of gay male portrayals over the decades of American crime fiction. Then there are, of course, the nonfiction tomes, about periods of history that interest me that I hold onto because I may need them as research for a book or story idea that I have.

I also keep copies of books by my friends, and whenever a friend has an ebook sale I will always grab a copy if I can.

I still haven’t really shifted from reading hard copies to reading electronically, but I am slowly but surely getting there. Anthologies are really helpful in that way; short stories are, of course, self-contained and by definition can usually be completed in one sitting.

I also finished reading James Ziskin’s wonderful Cast the First Stone, and am now eighty percent of the way finished with my Bouchercon homework.

cast the first stone

Monday, February 5, 1962

Sitting at the head of runway 31R at Idlewild, the jet hummed patiently, its four turbines spinning, almost whining. The captain’s voice crackled over the public-address system to inform us that we were next in line for takeoff. I’d noticed him earlier leaning against the doorframe of the cockpit, greeting passengers as we boarded the plane. He’d given me a thorough once-over–a hungry leer I know all too well–and I averted my gaze like the good girl that I’m not.

“Welcome aboard, miss,” he’d said, compelling me to look him in the eye. He winked and flashed me a bright smile. “I hope to give you a comfortable ride.”

I surely blushed.

Now, just moments after the handsome pilot had assured us of our imminent departure, the engines roared to life, and the aircraft lurched forward from its standstill. Juddering at first as it began to move, the plane rumbled down the runway, gathering speed as it barreled toward takeoff. I craned my neck to see better through the window,  holding my breath as I gripped the armrest of my seat and grinned like a fool. I sensed the man seated next to me was rolling his eyes, but I didn’t care. Of course I’d flown before–a regional flight from LaGuardia to Albany on Mohawk Airlines, and a couple of quick hops in a single-engine Cessna with a man who was trying to impress me with his derring-do. Alas, his derring-didn’t. But this was my first-ever flight on a jet plane.

This is a terrific start to a terrific novel. The fifth book in James W. Ziskin’s highly acclaimed and award-winning Ellie Stone series, it is, alas, the first Ellie Stone I’ve read. I met the author at a Bouchercon some time back (I don’t recall which one) and of course, I’ve been aware of the awards and the acclaim, and have been accumulating the books in his series for my TBR pile, but just haven’t gotten to them yet, much to my chagrin. So while I am not a fan of reading books out of order in a series (a crime I committed earlier in my Bouchercon homework with Nadine Nettman’s wine series), I certainly didn’t have the time to go back and read the first four.

Now, of course, I am going to have to–and what a delightful prospect this is.

Ellie is a delight, for one thing. The book/series is set in 1962/early 1960’s; and Ellie is a report for the New Holland Republic, not taken terribly seriously by the men she works with or for (with the sole exception her direct editor), even though she is the best reporter and the best writer on her paper. (It kind of reminds me of Mad Men in that way.) The opening is terrific; Ziskin captures that excitement of your first jet flight in a time period where it wasn’t terribly common to fly beautifully, and using that experience to not only showcase how adventurous Ellie is but to introduce her to the new reader as well as give some of her background. She is flying out to Los Angeles to interview a local boy who’s gone out to Hollywood to be a movie star, and has recently been cast as the second male lead in one of those ubiquitous beach movies the 60’s were known for, Twistin’ at the Beach. But he hasn’t shown up for his first day of shooting on the Paramount lot, placing his job in jeopardy, and soon the producer has been murdered…and the deeper Ellie gets into her story and her search for Tony Eberle soon has her digging through the seaming, tawdrier side of the Hollywood dream and system. Saying much more would be giving away spoilers, but Ziskin’s depiction of the secretive side of Hollywood, what studios were willing to do back in the day to protect bankable stars, and what that meant to those on the seamier side of the business is heart-wrenching and heartbreaking, and sympathetically written.

I can’t wait to read more about Ellie Stone.

And now I have moved on to Thomas Pluck’s Bad Boy Boogie, the last part of my homework. LSU plays tonight (GEAUX TIGERS!), and I want to go to the gym, do some more cleaning, and do some more writing today.

So it’s back to the spice mines with me.

Finally

Saturday morning, and my ten day vacation from work began last night at around eight thirty, when I got in my car to drive home from passing out condoms all evening. It was a rather long day– I had to work at the main office first for several hours before heading down to the Quarter–and I was physically sore and exhausted and sweaty and crabby as fuck when I got in the car to come home. Once home I took a shower, relaxed, had some wine, and watched the US Open until it was time to go to sleep. I slept deeply and well; clearly, the shower made a significant difference in how this all played out for this morning. I have some errands to run today–groceries, mail, getting the big suitcase out of storage for the trip to St. Petersburg–and I have to do some writing for a website. I want to clean the house–make some progress, at any rate; I like to leave the house very clean when I go on a trip so I don’t have to come home to a dirty house–and I think I am going to try to just read the Scotty manuscript and make notes while the US Open is on. The second season of Ozark also became available last night on Netflix, and I’m really looking forward to seeing if the show can maintain its high level of quality for a second season. I also want to finish reading James Ziskin’s Cast the First Stone so I can start reading Thomas Pluck’s Bad Boy Boogie, and then my Bouchercon homework is done.

Huzzah!

And the LSU game isn’t until tomorrow night, so I may watch some college football–toggling back and forth between college football and the US Open (I still can’t believe it’s football season) while reading in my easy chair. I probably won’t be posting much, if at all, while I am in St. Petersburg at Bouchercon. I do have the WordPress app on my iPad (I don’t bother with my MacBook Air anymore; while I do love my Apple products as a general rule,  I regret buying the Air. I really need to take it into the Apple Store and have them fix some nonsensical things that I don’t understand are wrong with it) but I am not a huge fan of writing on the iPad. Maybe that will change. I did buy the keyboard for it, but I’ve never really had to write on it very much. Who knows–maybe in St. Pete I’ll discover that I love writing on it. Who knows? Stranger things have happened.

Maybe I could try practicing on it here this weekend before I leave on Wednesday? You never know. It’s really about getting used to it because it’s very different from writing on a desktop.

And when I get back I can get back to the Short Story Project! HUZZAH!

I still would like to get the Scotty revision finished by the end of September; and I think if I can focus and buckle down and really stick to it, it’s a definite possibility. And then I can finally get back to the WIP to make the changes it needs before heading back out into the world in search of an agent. I also want to at least get started on Bury Me in Satin by the end of the year; I’d hoped to be finished with it at the end of the year but I really don’t think that’s going to be happening any time soon, either. It’s a great idea, and I think I can do some great things with it, and while I am doing all of this I am going to start researching New Orleans history as I continue to think about writing another, different series. (And once Bury Me in Satin is finished, I hope to start working on Muscles, my long-planned noir.)

And on that note, it’s time to get going on my day. Have a lovely Saturday, everybody

37999991_1901637030130531_6205429471508430848_n

Remember the Time

Friday morning! I get to go into work late because I am, as always, passing out condom packs tonight in the Quarter for Southern Decadence; when we finish, I am officially on vacation all I ever wanted until I return to the office on September 11 (gulp). Huzzah! Huzzah! Part of that time will be, of course, spent in St. Petersburg at Bouchercon. (huzzah! huzzah!) I am still trying to get my Bouchercon homework finished; I am nearly finished with James Ziskin’s delightful Cast the First Stone, and hopefully will be able to finish Thomas Pluck’s Bad Boy Boogie before our panel next Friday. (If I can’t, I really need to turn in my book nerd card.) I am also hoping to take Madeline Miller’s Circe with me on the trip to read.

I don’t want to give the impression that Cast the First Stone isn’t as good as it is by taking so long to read it; I’ve been in a late summer/dog days of August malaise that has had me having a lot of trouble getting anything done; the house is a mess (worse than usual) and I’ve gotten nowhere on the Scotty book and I’ve done very little writing of consequence at all this month. I’m trying very hard not to beat myself up over this; it is what it is, and it’s not a reflection on anything I do or my career. August, particularly late August, is always hideous when it comes to trying to get anything done; the heat and humidity this particular year has been particularly hideous, and it really sucks the life and energy right out of you. I am taking the manuscript for the Scotty with me to St. Pete; and I am hoping I’ll be able to carve out time to reread and make notes and so forth over the course of the weekend.

I’m also trying to figure out the rest of the story for “The Blues before Dawn.” I am also wondering whether or not this is more of a novel rather than a short story. I can’t make up my mind about my main character, or a time period to set the story in. I fucking hate when that happens. But it also means I need to think about the story some more, which is also not such a bad thing; as it’s a historical I’ll need to do some more research–I’ve been realizing lately how skimpy my knowledge of New Orleans and Louisiana history (with a few exceptions) actually is.

Another mental challenge for this is my decision, made over the course of the summer, to think about creating a new series. The Chanse series is pretty much over; after I decided to stop with Murder in the Arts District I wasn’t sure I was, in fact, finished with the character and series, but as more time passes the less I am interested in writing another novel about him. That might change, but I am now more convinced than ever that ending the series was the right thing to do. I have, however, written a Chanse short story and started another (I’ve still not finished “Once a Tiger”), and feel relatively certain Chanse will live on in short stories from time to time. The endless struggle and utter lack of motivation I have in finishing this Scotty book is also kind of a tell that maybe it’s time to wind this series down as well–a much harder decision, as I love Scotty much more than I ever cared about Chanse. But in the meantime, I’ve been thinking about writing yet another series. I had thought about spinning Jerry Channing, the writer, who first appeared in The Orion Mask and then again in Garden District Gothic his own series; as a true crime writer who often follows and writes about true crime for magazines, and is always looking for a subject for his next book, he seemed perfect as the center of another series. But the character’s back story was problematic, and I realized his background, in some ways, might be far too similar (and thus derivative) to Scotty’s. Then again, so what if Scotty and Jerry are both formerly personal trainers? if that and being gay is all they have in common…I do have an idea for a Jerry novel that might work; maybe I should write that and see if a series might work.

But “The Blues Before Dawn” also has grown in my mind as a possible start for a series, and maybe it should be a novel rather than a story (this, by the way, happens to me all the time). I think writing a historical crime series set in New Orleans might be an interesting idea; there are only two in existence that I am aware of–Barbara Hambly’s brilliant Benjamin January series (which is antebellum and opens with A Free Man of Color), and David Fulmer’s Valentin St. Cyr Storyville series, which opens with Chasing the Devil’s Tail. (Don’t @ me; I am sure there are others I can’t think of, even now I am thinking James Sallis’ Lew Griffin series, the first of which is called The Long-Legged Fly, is historical.) But the other day I came across an interesting article about Algernon Badger, who was chief of police in New Orleans from about 1870-1876, as well as Jean Baptiste Jourdain, who was the highest ranking mixed race police detective in 1870, and in charge of the Mollie Digby kidnapping investigation.  There is so much rich history in New Orleans that I don’t know, have barely scratched the surface of; one of the many reasons I roll my eyes when people refer to me as “a New Orleans expert.” The concept of a high ranking police detective after the Civil War and during Reconstruction in New Orleans fascinates me; and I kind of like the idea of writing about the Prohibition era here as well.

I think I need to have a long chat with my friend, historian Pat Brady.

I also got a rejection yesterday for a short story; and was enormously pleased that it didn’t spend me into the usual downward spiral of depression. Obviously, I am disappointed my story won’t be used, but it was just so lovely to actually get a notification that they aren’t using my story that it just rolled off my back. (It was also a lovely note, which included some thoughts on the story; ironically, what they thought would have made the story better was something that I had personally thought when reviewing and revising; but I didn’t trust my judgment and didn’t make those crucial changes. You’d think after all this time I would have learned to trust my judgment!)

And now, I am going to go curl up in my easy chair and try to finish James Ziskin’s delightful Cast the First Stone.

37974616_1901683620125872_4497797199568044032_n

November Rain

So, I submitted two stories this week. Pretty cool, huh? One was “A Whisper from the Graveyard,” which was commissioned for an anthology (hope they like it!) and the other was “The Problem with Autofill,” which has already been rejected twice and this might be it’s final gasp. I also revised it again, and catching the mistakes and making some other things more clear in this version kind of also made me think, oh, well, there’s why it was rejected. I like the story a lot–I like both stories, honestly–and so we will see. I don’t know this new market I submitted it to, but nothing ventured and all that. And this morning that new market emailed me that they received the story.

If that wasn’t a breath of fresh air, I don’t know what is.

After today and tomorrow my vacation for Bouchercon begins, even though we don’t leave until Wednesday morning. Monday is, of course, a holiday, so I didn’t see any point in working on Tuesday and then being off again the next day. This way, I can also ease into my vacation, clean the house thoroughly, run errands, pack, and get everything in order the way it should be in order before we leave for St. Petersburg. I am looking forward to Bouchercon, but am also really looking forward to having the time away from work to recharge. My confidence in my writing–which is always an ebb and flow kind of thing–has been kind of low lately, so it will be lovely to be around other writers and readers for a lengthy weekend so I can reconnect with my writer self. I can’t believe August just flew past the way it did, and I got so very little done. Heavy heaving sigh. I am going to take the Scotty manuscript with me to St. Petersburg–yes, pretending that I’ll have the time to look at it and/or work on it–but there’s always the plane.

I also haven’t had the energy to read, either, and I am running out of time to get the books I need to read for my Bouchercon moderating panel finished. AIEEEEEEE!

Again, you see why I need to take all this time away from the office.

And on that note, it’s back to the spice mines.

47ec4d7b7c1b08598dcbec5cdf11aa87

Life is a Highway

Good Lord, it’s almost Southern Decadence, and college football is back this weekend! GEAUX TIGERS!

The US Open is also going on, which means I won’t be watching the series finale of Sharp Objects for a while as well as getting behind on Castle Rock. Ah, well, that’s fine, on this day next week we’ll be arriving in lovely St. Petersburg for this year’s edition of Bouchercon. I am going to be a very busy Gregalicious in St. Petersburg this year. I am doing the Coat of Many Colors event on Thursday morning; the anthology signing later that same day; and then three panels on Friday: the nooner sex panel at noon; moderating the Best Paperback Original Anthony panel at 3, and then appearing on the rainbow (?) panel at 4.

I really need to prepare. But I am still reading James Ziskin’s delightful Cast the First Stone, and am hoping to get that finished so I have time to read Thomas Pluck’s Bad Boy Boogie before next week.

Also, instead of working on the things I should be working on, I started writing a new short story last night, “The Blues before Dawn”:

A saxophone player lived across the street from me, on the third floor of a fading and dilapidated building painted a fading coral. Every night, without fail, after the band he played with was finished, he’d come home and crack open a cold beer. He’d take his brightly colored silk shirt off and climb out onto his rusty, sagging balcony. Wearing just his trousers and white suspenders stretched over his muscular torso, he’d straddle a chair and play his sax as he wound down for the evening. I usually got home around the time he launched into the second tune of his late-night concert, something low and sensual and sexy that made me think of warm skin, teeth nibbling on my earlobe, and the caress of firm muscle pressed close against my own body. I would get a beer from my own refrigerator and strip naked in the sticky heat of the early morning, the ceiling fan blades whistling as they spun over my head, listening to the mournful notes coming from his broken-hearted saxophone. I sat in my window on the fourth floor across the street with the lights off, sweat shining on my skin as I watched and listened, as the sinewy muscle in his shoulders and arms and chest clenching and relaxing as he played in the fading darkness of the night, the sun still an hour from rising but the light of the moon dying as a new day struggled to be born. I fell asleep many a sunrise lulled to sleep despite the heat and humidity by the purity of the notes he played.

So I got about a thousand words into this before coming to a halt. It turns out, as I wrote, to be about a gay prostitute in the 1920’s in Storyville; I don’t even know if that was such a thing, so should probably do some research on that, don’t you think? But I do find myself turning to New Orleans history more and more; I suspect a visit to the Historic New Orleans Collection will be in order at some point in my near future.

And now, back to the spice mines.

3a55bce919cdb1a5f6fe242eaddd7bd4

Achy Breaky Heart

Monday, and only one more week until vacation and next week includes my departure to Bouchercon in St. Petersburg! Huzzah! I am really looking forward to this trip–you have no idea, Constant Reader. I am getting really excited.

I managed to focus and get two stories finished and revised and ready for submission, which I will do tonight after I get home from work.

I am still reading James Ziskin’s Cast the First Stone and really enjoying it as it hits its stride. It’s going where I thought it was going to go–although I am completely at a loss as to who the killer is or why or how etc.–and I really like the character of Ellie Stone, which means I am going to have to add Ziskin’s series to my must-read list, which is always kind of fun; I love discovering new-to-me authors who are terrific at what they do.

We also are nearing completion of watching the second season of Kim’s Convenience, and I am going to be terribly sorry when it ends, to be honest. I’ve become very attached to the Kims, and the actors playing the roles. It’s honest and funny and heartfelt; one of the better sitcoms I’ve seen in a while. I am also impatiently awaiting the release of Season Three of Versailles to streaming services, but will settle for  continuing to watch The Musketeers in the meantime.

The next, and final, story in Florida Happens is Reed Farrel Coleman’s “The Ending.”

BIO: Called a hard-boiled poet by NPR’s Maureen Corrigan and the noir poet laureate in the Huffington Post, Reed Farrel Coleman is the New York Times-bestselling author of thirty novels—including five in Robert B. Parker’s Jesse Stone series—short stories, poetry, and essays.

In addition to his acclaimed series characters, Moe Prager and Gus Murphy, he has written the stand-alone novel Gun Church and collaborated with decorated Irish crime writer Ken Bruen on the novel Tower.

Reed is a four time Edgar Award nominee in three different categories: Best Novel, Best Paperback Original, and Best Short Story. He is a four-time recipient of the Shamus Award for Best PI Novel of the Year. He has also won the Audie, Macavity, Barry, and Anthony Awards. He has been signed by film director Michael Mann to write the prequel novel to the movie Heat.

With their kids moved away to far off Brooklyn, Reed, his wife Rosanne, and their two Siamese cats, Cleo and Knish, live in the wilds of Suffolk County on Long Island.

His website can be found here.

NewHeadshot-200x300

Everything ends. He couldn’t argue that. But what he had tried to say to her all those years ago was it wasn’t always about the end coming, but how the end came. How mattered. It mattered a lot. It mattered to him then and it mattered more to him now as he stepped off the Southwest flight and walked to the rental car bus at Palm Beach International. When she had ended it, there was more to his life than there was now. There was a family and a career. There was still a family of sorts, but his wife was dead and the kids were moved away. His career had morphed into golf, sad memories, and revenge fantasies. Currently, how she had ended it mattered more than anything had ever mattered.

At the counter, the pretty young blond with impatient blue eyes asked if he wanted a free upgrade to a midsize car. It hit him, hit him hard so that the wind almost emptied from his papery old man lungs. Except for what he and Marlene had done for those ten years, he had always operated in a very narrow bandwidth. His life had been a midsize car. 

“You got a Corvette convertible?” he asked, barely believing the voice he heard was his own. “Red or yellow, something fast and sleek that makes a statement?”

The blond, her long silver-painted nails clicking on the keyboard, smiled at him in a way that made his blood run cold. Another old man looking for excitement on his way to the grave. But he hadn’t come here for her. Their ending would come as soon as she handed him the little paper binder and the keys.

“Yes, we have a red Corvette convertible. It’s in spot A12,” she said.

He didn’t pay much attention after that, wasn’t sure what insurance coverages he had agreed or not agreed to, wasn’t sure which gas option he’d taken. All that mattered was the red car in spot A12. The rest of his life, no matter how short, would no longer be easy to measure in bandwidth nor would he ever think of his life again as a midsize car.

“The Ending” is a melancholy story about how a man reacts to the end of an affair; an affair that was much more important to him than he realized until it was over. Coleman is a terrific write,r and this vignette really comes to life in his capable hands; once I read it, I knew it had to be the final story in the collection–so it could have a big finish.

I hope y’all have enjoyed my journey through the stories in Florida Happens as much as I enjoyed revisiting the stories.

And now, back to the spice mines.