Category: diversity

Die Another Day

At some point, with all the book -bans and censorship that’s going on, I am going to have to recap and go over my own experience with being banned; but that will require logic, rational thought and revisiting my blog entries from that period to refresh my memory. Yesterday I got political on here for the first time in a long time, and you know–it kind of felt good to get that out of my system and into the public sphere. I do feel very complicit for not speaking out sooner, but…I’ve always worried, more so after turning fifty, that my opinions might cause trouble for others I am associated with; I work at a non-profit for one, and of course, I had a very long volunteer service ‘career’ with Mystery Writers of America. It was probably at least nine years of service all told; and I didn’t want anyone claiming I was speaking for MWA (particularly when I was serving as Executive Vice President) when I was expressing myself personally; nor did I want anything I might say or do to reflect poorly on the organization–or have my words used against it in any way. As EVP, I was one of only two people authorized to speak for the organization publicly; and that last year after pandemic restrictions were lifted I traveled a lot, representing the organization at several conferences and events. And even though I personally knew where the lines were drawn and what was and wasn’t separate, I couldn’t count on other people to keep or recognize those same distinctions…and I was far too busy with everything to willingly risk more things to have to deal with by opening my mouth on here. That’s part of the reason I dialed that all back–along with the “preaching to the choir” element–but yesterday morning I realized you don’t have to be careful about what you say publicly anymore and it was incredibly liberating. So yes, I will sometimes be taking on things that I feel strongly about and not keeping my mouth shut the way I have for so long. (In my narcissistic hubris, I also sort of blame myself for the state of the world right now because I kept my mouth shut for so long.) Besides, if you read this blog or my books (hopefully both), it should be readily apparent that politically I am basically a Jacobin–albeit one who understands how our government runs and functions and how it is supposed to work…which some people serving in Washington don’t seem to know, which is odd. Surely the ones in my age group had to take Government or Civics in high school? I don’t see how they could have passed it, but here we are.

So be prepared, Constant Reader. There’s a lengthy tome coming on the Virginia Incident.

But I finished editing the manuscript I was working on (not one of my own) last evening and sent it back to the author, and I can breathe. I have a ZOOM call scheduled with my editor, so we can talk out all the issues and scheduling for Mississippi River Mischief, which I am actually itching to get back to work on. I think I’ll take today and tomorrow as free days from writing, and then I will jump back into the book on Sunday. I want to do it the way I always do my editing and revisions; by chapter as opposed to entire manuscript, which is what I had been doing and I think this change of work habits, on top of the depression and everything else, made it impossible for me to get the book finished. I don’t think I’ll get it done by the end of May, but surely I can get it finished by mid-June, and then can move back to Chlorine–which will also require me going over and revising the opening chapters again so I can get the voice down again. I am also going to go back to my chapter-per-week project I was working on before my life blew up late last year, and I feel marvelous about everything. I feel very excited about this, and about getting back to writing again. This hasn’t been the best year for me thus far, really, and I also need to stop thinking oh I need to understand why I feel like this or trying to deconstruct everything in some kind of pseudo-psychological processing. My mother died after a slow, lengthy decline, at an extremely difficult time for me professionally. I need to stop feeling guilty about grieving, or being unable to do anything because of depression. Of course I am experiencing some depression; I’d have to be inhuman not to feel anything. And like with all previous traumas, I am learning to navigate grief as I go–although maybe I should read Joan Didion’s The Year of Magical Thinking–and like all previous traumas, it creates a bipolar existence where one day you are fine and the next you’re back in the pit of despair. Sometimes the day will start out great and will flip as it goes on. I have nothing wise or profound to say about loss or grief; although there is something to be said about the numb emotional deadening the HIV/AIDS crisis brought in its wake. I would never want to be that zombie-like ever again, drifting through the days waiting to hear someone else is in the hospital, someone else has died, and there’s another funeral in a few days–but I also have to start recognizing, at this great advanced age, that I’ve never processed or dealt with that time either. (It’s a Sin was a strong reminder of that very thing. I was also thinking Longtime Companion deserves a revisit; it’s always been hard to watch for me, but the beach scene at the end always makes me sob. I’ve also been thinking about the literature of the plague; has anyone ever compiled a list of the classic HIV/AIDS writings? There’s a thesis for a grad student.)

Last night I slept like a log; the sleep of the righteous for finally finishing that editing job. I feel great this morning–rested and relaxed. I do have some work at home duties to accomplish today, and the kitchen is a complete disaster area. I have decided that I am going to finish reading Lori Roy’s Let Me Die in His Footsteps (which is fucking brilliant in every way), as well as reread the openings of the Scotty books this weekend, to see if I can get his voice back into my brain–I feel like that’s the big problem in Mississippi River Mischief–I haven’t nailed the voice and tone in any of the drafts yet, so I need to re-familiarize myself with Scotty’s voice and his wicked, wicked ways. I am actually excited about getting reacquainted with him. This is our ninth outing together, and I always wonder with each one if this is the last or not. I think there’s at least two more Scottys within the reaches of my brain–Hurricane Party Hustle and Quarter Quarantine Quadrille for sure–but you never know what is going to happen next and what may come along your road to write from out of nowhere. I’d like to get both Chlorine and Muscles finished this year, as well as the novellas, and maybe a short story collection by the end of the year. I have also been thinking that one thing that is missing from the annals of New Orleans (or Louisiana, for that matter) crime fiction is the environmental novel. John D. MacDonald deplored what politicians and greedy developers were doing to the tropical paradise of Florida, and slipped that social commentary into almost every Travis McGee novel and many of his stand alones (Barrier Island comes to mind). Louisiana has been in an environmental crisis for decades, and yet no one ever writes about the eroding coastline, the greed of the oil companies and the politicians they buy and pay for every year; Cancer Alley along the river between Baton Rouge and New Orleans being a hotbed of toxic waste; and of there was the Bayou Corne sinkhole a few years ago. I don’t know that I have the knowledge or the time to do the necessary research to write such things, but it’s something someone needs to write. And you know what I always say–if you think someone should write it, that someone should be you.

For me, though, the problem with research is how do you stop from going down wormholes and wasting days? Where do you draw the line, and when do you know you’ve done enough? As Constant Reader knows, I can never get enough of the sixteenth and seventeenth centuries of European history; I can spend days in wormholes of research about politics and wars and the powerful; it was an interesting time–when white Europeans began their colonization of the world, when Christianity had it’s huge splintering that led to war after war after war, the Hapsburgs continuing to expand their empire by marrying it, and on and on and on. Remarkable female leaders proliferated in the sixteenth century more than perhaps any other century before or since; which makes the sixteenth a bit more interesting than the seventeenth. The seventeenth interests me because it was the century when the world empires continued to grow and oppress natives around the globe, but it was also the time of the rise of the modern state, when the political games became more about state power rather than faith or old inheritance claims–when politics became more about the country than the King’s whims. I also go down New Orleans and Louisiana history wormholes a lot, too. I will never have the time to write everything I want to write, or research history enough to write about it. I really, for example, want to write about the German Coast rebellion of the enslaved; I want to write about Freniere, Louisiana being wiped off the map; and I want to write more historical stories set in New Orleans.

And I want to write a romance. I had that on my list of projects for this year, but then everything blew up in my face and my control over the year slipped right out of my fingers. But even though it’s mid to late May, it’s not too late to salvage the rest of the year from the wreckage of the first five months.

And on that note, I’m heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check in which you again later or tomorrow.

Don’t Tell Me

It’s the Monday after Mother’s Day and I managed to make it through somehow. I woke up this morning with a strong urge to remain comfortably in bed, but here I am swilling coffee and planning on how to make it through this week of work and everything else I have to get done. But yesterday wasn’t nearly as bad as I feared it might have been. I eventually became emotionally immune to Mother’s Day sales and the FTD reminders; my situation certainly didn’t require me to complain about others still celebrating with their mothers–why harsh everyone’s buzz? I can’t imagine anything more narcissistic than insisting everyone else calm down with the Mother’s Day stuff because it was hard for me. Next year I’ll know what to expect and will be one more year removed from the loss; time has a way of dulling the aches and pains and slings and arrows life hurls at us–all things become easier with the passage of time. A friend was in town yesterday and I joined him for a rather late lunch. I had a beer (!!!); a local IPA that was actually quite good–I’ve always only drank trash beer, and never really got into beer as an experience rather than as a method of alcohol delivery. (I also know nothing about wine.) That was a nice break from working, and last night we started watching The Consultant, with Christoph Waitz, on Amazon Prime. I don’t think we’ll continue. It’s well done but it’s very strange; it’s based on a Bentley Little novel, so it’s probably more on the horror end of the spectrum, but it didn’t really engage with us very much? I suspect we’ll be looking for something else to watch this evening after I finish working.

And because I never made a grocery run over the weekend I shall have to do it tonight after I get off work, which is hardly an appealing thought. I also have a ZOOM call tonight–I should be able to get home in time for it, I think–or maybe I don’t; it’s not on my calendar which is unusual, but there’s no meeting at all on my schedule for the month of May, which is very odd. I’ll have to dig through my emails to see, but I’m pretty certain it was tonight. I’m actually rather amazed that I remember that much, without it being on my calendar. I know i had some things I needed to do before that call, too–so that’s going on today’s list of things to do. MUST BE DONE.

But I feel like there’s a lot less on my shoulders this morning, which is also kind of weird. Was Mother’s Day that subconsciously brutal on my psyche that I was able to keep it out of the forefront of my mind while still carrying the load and only being slightly aware? My brain’s ability to protect itself (and me) from things I don’t want to think about or deal with at the moment is pretty uncanny; but I’m not sure if that’s entirely healthy. There’s a lot stored away in the dusty back corners of my mind that I’ve never processed or dealt with–watching It‘s a Sin on HBO MAX back whenever it was that first aired, for example, brought a lot of memories back that I’d not even considered, let alone dealt with and processed, since it all actually happened to me in my life. I said recently to a very young gay man lately (early twenties, so born in either the late 90’s/early aughts) “back then we just all figured we were all going to die before anything would be done about it” and he recoiled slightly from me, saying “But that’s terrible” , to which I shrugged and said, “that was our reality.” I’d never really thought about it much because it was the reality; and yes, it was indeed horrible. But I’ve blocked that all out so much for so long that it does sometimes seem like it was distant history, like it all happened to someone else, or that it was a book I wrote long, long ago and barely remember. The loss of memory from that time is no different, really, from the loss of memory of the times and years after Katrina or how all the pandemic/COVID years kind of jumble in my mind and I can’t remember timelines or when things happened or how they happened. Scrambled brains, I suppose, is the easiest way to say it; trauma and PTSD scramble our brains.

And even as I reread that last sentence, I am, as always, inwardly rolling my eyes at myself, So dramatic, my inner critic is sneering. You’re not the first person to lose a parent. It is funny, when you catch yourself being nasty to yourself and then start unpacking where that negativity and self-loathing came from. Childhood, of course, which is where so many of the scars were inflicted and lessons learned that have almost proven impossible to unlearn as an adult. There are no guidebooks for life; only experience and learning hard lessons. As someone who prefers a bit of structure to life, not knowing how I am supposed to handle things like grief and so forth inevitably results in me being harder on myself than I should be. How long are you supposed to grieve? How long before it stops hurting, before I can think about Mom without getting deeply emotional? Am I supposed to keep this to myself, or am I supposed to share it? Do people get tired of hearing about it and grow bored with me talking about it? I know I get bored with myself–and then wonder, is that self-abuse? Should I be kinder to myself? I never have been, really; so that would be a novelty in the first place. When does it cross the line from normal emotional response to wallowing in it?

I really hate that my parents lost my user manual so many years ago…

And on that note, I am heading into the spice mines. It’s a Monday, so take it as easy on yourself as you can–we can make it through yet another week of challenges and excitement, can’t we?

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

Drowned World/Substitute for Love

Saturday morning in the Lost Apartment and I finally slept well last night, and I even slept in for an extra two hours this morning. I could have easily (and gladly) stayed in bed for even longer, but I have too much to get done this weekend to allow myself to slovenly lay in bed for the entire morning, so once Scooter’s outrage about not being fed at six a.m. manifested itself into non-stop yowling, I got up and fed him. I feel very rested today, which is lovely. I was tired and dragging all day yesterday, and when I finished work I had things to get done. Paul and I ran out to Costco for a restocking (I hate that sometimes they have stuff and sometimes they don’t; they didn’t have several key things I always get when I go) and then I picked up the mail and a prescription. I need to get gas this weekend as well as make groceries, and the tires need to be aired up as well (the low pressure light came on in Alabama last weekend, but only one tire was low and it wasn’t officially low; it was simply lower than the other three tires), and there’s all kinds of other things I need to get done this weekend. I am editing a manuscript which needs to get finished this weekend; I’d like to do a little more work on my own manuscript; and I would absolutely love to finish reading Lori Roy’s brilliant Let Me Die in His Footsteps this weekend as well. It’s seem rather daunting when it’s put that way, but I am confident that not only can I get all of it completed but without driving myself insane, either.

Always a plus!

We watched The Boston Strangler film on Hulu last night (after an episode of Somebody Somewhere, which I am really growing fond of), and it was quite good. It focused on the two women reporters who figured out there was an actual serial killer and did all the pursuing of the case, all the while tweaking the police who were falling down on the job and forcing them to actually do their work. I wasn’t old enough when the killings were actually happening, but my dad had a copy of Gerold Frank’s The Boston Strangler and I did read that, as well as watched the Tony Curtis film version of the story when it was released to the television networks after its theatrical run. I don’t really remember much of reading the book, other than one landlady who was certain one of her tenants was the Strangler, and the story kept coming back to her and her suspicions. That always stayed with me over the years (what if your tenant/neighbor was a serial killer and you started to suspect? which became my story “The Carriage House”–yes, Virginia, that story gestated in my head for nearly fifty years before I wrote it) and to this day I still remember how chilling that was and how much I worried for the landlady. (It’s also the plot of the ancient Hitchcock film The Lodger, in which the landlady suspected her tenant was Jack the Ripper.)

I was thinking yesterday about the entry I wrote yesterday morning and the way I was/have been feeling for quite some time, and I realized that I’ve been a very passive participant in life; I’ve been kind of letting it happen to me for a while now rather than living my life actively. I don’t know if it’s exhaustion, both physical and emotional, or a reaction to trauma; or maybe, perhaps, even both. The last few years have been rough on everyone; I don’t think we’ll ever know the full extent of the trauma we all experienced as a result of that paradigm shift back in March of 2020; the shutdown, the battles over what was responsible and what was irresponsible; the insanity of the anti-vaxxer movement and everything else that was just plain wrong over the last few years. I suppose for some of us the trauma goes back even further, to the 2016 election. But it’s kind of true. I think I was very active in my own life and the pursuance of goals before 2016, and ever since 2016 I’ve just been kind of coasting along, letting things happen instead of making them. As a general rule I don’t like coasting through life; it was the recognition that was what I was doing in my early thirties that led to the big changes in my life, which was followed by the achieving goals I had always dreamed about, since I was a little boy.

But roadblocks and speed bumps encountered aside, I think had I been able to look ahead twenty-one years when my first book was released to see where I am today, I’d have been pleased and thrilled and more than a little bit smug about what I’d accomplished. A character trait I’ve never wanted to have is arrogance, and I am always afraid of sounding arrogant when talking about myself and my career. I never want to sound arrogant or smug (well, unless I am dealing with haters, in which case I love giving rein to smug condescending arrogance), but over forty novels? Over twenty anthologies? Over fifty short stories? Fifteen Lambda nominations, and seven Anthonys in total? Nominations for the Macavity, the Shirley Jackson, the Lefty, and the Agatha? How could I not be satisfied and proud of myself?

As I was making room for the Costco purchases once we got home, I was putting some things up in the storage attic and needed to move a box, so I looked inside of it to see what it was. Clippings and things from my career, it turned out–once I carried the box down the ladder to the laundry room I could see I’d written Career Memorabilia on it in Sharpie–and inside was all kinds of things. Back issues of Lambda Book Report from the days when I was either its editor or did some writing for them (or when they were reviewing my work), and back issues of Gay and Lesbian Review Worldwide, too, along with Insightoutbook catalogues (what a serious blast from the past). Of course I had to bring that box down and keep it for sorting through and scanning purposes (I am serious about cleaning shit out of the storage attic this year), and hilariously found the September 2000 issue of Lambda Book Report, with Michael Thomas Ford on the cover. (Peering inside, I saw that Paul actually was the one who interviewed him!) Scanning all of this stuff will be a huge undertaking, and I do actually hate the thought of throwing it all out once it’s done; I don’t know if Lambda ever archived the back issues or not, so this may be all that’s left of it out there. Same with Insightoutbooks; it was very important and crucial to queer publishing between 2000 and when it went under sometime around 2009 or 2010 (that may be wrong; I also found an issue of LBR from 2008 or 2009, and I would have sworn under oath that LBR stopped publishing a print edition long before that. (You see why I no longer trust my memory? Mnemosyne no longer comes to my aid anymore these days, which is most unfortunate–and yes, the reason the goddess of memory comes to mind is because of Carol Goodman’s marvelous The Ghost Orchid–more to come on that score.)

But I also did some cleaning up and filing around here while I was making dinner (ravioli) last night, so this morning the office doesn’t look as bad as it usually does on Saturday morning; the sink is filled with dirty dishes and there’s a load in the dishwasher to put away, but more of the things I generally wind up doing Saturday morning are already done, so there’s no excuse for me not to be highly productive today other than malaise and laziness.

And on that note, I am going to get these minor chores handled while I keep drinking coffee and my mind finishes awakenening.

Beautiful Stranger

Wednesday and it’s Pay-the-Bills Day again; how does time pass so goddamned quickly?

We were in a flash flood advisory yesterday evening when I left the office, and on my way home I could see that at some point yesterday some of the streets I traverse every day had flooded at some point in the afternoon. I did get a little work done on the book yesterday, but was ultimately forced to surrender to fatigue and repaired to the chair. I was also still feeling some of the after-effects of the Anthony nominations being released on Monday–was still getting congratulatory posts and emails and messages, which I had to acknowledge; everyone is so kind and lovely. So many people are delighted and happy for me, which always comes as a surprise. I guess you never really outgrow the PTSD from being a queer kid?

But I also got to see this week’s Ted Lasso last night (they drop on Wednesdays, but we always can get it at 8 pm central on Tuesdays on Apple Plus) and it was maybe one of my top five episodes of the entire series. Yes, I’m partisan, and yes, I am prone to love anything well-done with gay themes and yes, I am also very highly critical of gay themes in film and television. Stop reading now if you want to avoid Ted Lasso spoilers. When it was revealed earlier in this final season that Colin was actually a deeply closeted gay player I got a bit excited. I’d wondered if the show would address homophobia in sports, and what’s it feels like to be a closeted gay professional athlete, and it was handled so beautifully. The scene with Trent Crimm and Colin talking about it in front of the Homomonument in Amsterdam was just brilliant, and then last week Colin’s friend Isaac grabbed his phone from him to delete nude photos (long story, but YOU SHOULD BE WATCHING) and of course saw his text conversation with his boyfriend. Isaac just gave him a disgusted look and walked away…and my heart broke a little bit for Colin. I know that feeling all too well–the friend who becomes a former friend once they find out or you come out to them (and yes, coming out is a process that goes on for your entire fucking life)–but it’s Ted Lasso–I knew this wouldn’t turn out badly, and it really didn’t. Yes, I am biased, but this episode is one of my favorites of the entire run of the series; everything was clicking and humming along the way it usually does–this season has felt a little uneven–and everyone was pitch perfect, from Roy to Ted to Keely to Rebecca to Higgins to even Nate, whose redemption arc I am enjoying. Yes, I was disappointed when he turned in Season 2, but I am delighted to see that he’s still the same Nate, still figuring things out but at heart a really good guy. And Roy’s growth and development–courtesy of a swift hard kick in the pants from Rebecca–is epic. The end game of the show is now in sight, and I think we’re all going to be delighted with the direction in which it’s going to go. I hope there’s a bit with Trent Crimm doing a book launch for his book on the season and Richmond and Ted’s philosophy of coaching. I cried a few times during last night’s episode, won’t lie–and I absolutely cannot wait to watch it again when I get home this evening. I have to run some errands on the way home–post office and prescriptions–but I am hoping I’ll get home and be able to have a lovely evening of writing before I wind up turning into a cat bed.

I don’t feel tired today although I had a relatively restless night of sleep–sorta sleep as I call it, where your mind feels sharp the next day but physically you’re tired. I need to start stretching (and yes, I know I’ve been saying this for months) but it does help keep you nimble and loose; the aches and tiredness comes from tight muscles, and the best thing to do with tight muscles is stretch them. Maybe I should put that on the to-do list? I didn’t want to get up this morning–the bed was incredibly comfortable and I felt really relaxed–but I can look forward to not getting up to an alarm on Friday morning.

And on that note, I am heading back into the spice mines. Thanks again, everyone, for all your kindnesses about the Anthony nominations; I still can’t believe it myself, you know? Three? Madness. Have a great Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Frozen

Yesterday started off really well for me. I woke up, felt a little groggy, brewed a cup of coffee while I washed my face and brushed my teeth (also checking my scalp for sunburn acquired on Sunday) and then sat down at my computer to touch the space bar to wake it up. The first thing I saw was a DM from my friend Kellye, saying, okay double nominee and, as always, replied with “wait what?” She replied, have you not checked your email since last night? so I went to my inbox and there it was: the Anthony Award finalists for San Diego 2023…and I was on it three times. THREE. In all honesty and modesty aside I figured/hoped/thought my best chance to score a nomination was for the 2022 Bouchercon anthology (what kind of monster do you have to be to edit the Bouchercon anthology and NOT get on the short-list for their awards?) but Best Humorous for A Streetcar Named Murder? Best Children’s/Young Adult for #shedeservedit? How absolutely lovely and kind and totally a surprise. It’s kind on unreal. Last year I was nominated twice, which was stunning in and of itself (losing both was no surprise, and seriously there is no shame in losing to Alan Orloff and Jess Lourey; two very talented, funny, and lovely people), but three? I know Shawn A. Cosby was nominated for three I think last year, too? That’s some good company to be in, let me tell you what. I’d be lying if I didn’t say I am thrilled, and how delightful that Streetcar and #shedeservedit are getting some award love. The Anthony nominations announcement sort of derailed my day–but what a nice way to have your day derailed, right?–but I was able to get some things done.

I still can’t believe it. And if I didn’t say thanks or “heart” your congratulations on social media, my apologies. Thanks to everyone, really. It still doesn’t seem real; like always, it never does until I’ve actually not won the night they are presented, but like Paul said, “Three more opportunities to extend your losing streak!”

So, yeah, not much progress was made last night. I wasn’t tired when I got home, but I ran some errands and got home rather quickly–that was a surprise–but did some laundry and a load of dishes, but every time I tried to write anything I’d get more notifications and I am obsessive about thanking people; I never want anyone to think I don’t appreciate their being kind to me. And really, not bad for a queer writer, right? Granted, there’s not much queer about either Streetcar or the anthology, but I am still a queer writer no matter what it is I write, it will come from a queer societal perspective. That’s the thing, you know, about queer writers. Even if we aren’t writing about queer characters and themes, we cannot help but bring an outsider’s perspective towards everything we write, and while perhaps being on the outside colors our viewpoint, it also gives us the opportunity for a different perspective and the ability to sometimes see things a bit more clearly than our straight counterparts, who are all wrapped up in their straightness and their perceived straight world.

Obviously, I am still a bit aglow from the great big hug I just got from my colleagues–and still waiting for the correction email–but today I have to firmly reaffix nose to grindstone. I simply have too much to do to allow myself the ease of indulging in my exhaustion–although it is necessary sometimes for recharging purposes–but time is slipping through my fingers like quicksilver and I’ve got to get all this shit done. I must say, career-wise, this has been a good year so far. But I really am having a good year on the score; it just would be nice if my career wouldn’t only go well during times of trauma so I could enjoy the highs a little bit more? Oy.

But I did have another good night of sleep last night and I do feel rested for the moment–my legs are tired, though; I really need to start stretching daily–so we’ll see how the days goes. I’d like to finish reading my book (Let Me Die in His Footsteps by Lori Roy, which is superb) at some point, and of course there are things to edit and emails to answer and things to write too–and I definitely need to make a to-do list as well as a Costco grocery list as well.

And on that note I am heading into the spice mines. Have a lovely Wednesday Eve, Constant Reader, and I will check in with you again tomorrow.

Erotica

Work at home Friday, woo-hoo! The excitement really never stops, does it? Ah, well.

Yesterday was a pleasant enough day, despite my complete exhaustion by the time the afternoon rolled around. I was fine in the morning, focused and getting things done, but once I went back to seeing clients after my lunch break, I was physically and mentally fatigued. I also had to pick up the mail on my way home–the traffic wasn’t nearly as terrible as it had been the day before; I do NOT know what that was all about, nor do I want to know, frankly. I came home, did some things, and then collapsed into my easy chair. We started watching that new HBO MAX show about the Watergate burglars starring Woody Harrelson and Justin Theroux (and if you would have told me in 1989 that Woody from Cheers would become one of our best character actors, I wouldn’t have stopped laughing until 1992), but while it’s exceptionally well done, E. Howard Hunt and G. Gordon Liddy aren’t the kind of people I want to know better or see anything about as the lead characters of anything. It was eerie how well they reproduced suburban life in that period (also having Cersei Lannister playing Mrs. Hunt was an interesting twist), but again…I couldn’t get a sense of whether this was parody or striving for accuracy (which shows how insane Hunt and Liddy both are/were), so after one episode we tapped out and switched over to The Diplomat, which is amazing. I fell asleep during the second episode (I’ll rewatch it to get caught up at some point) because I was, simply stated, completely exhausted from a week of working and not sleeping well and emotional upset, I suppose. Last night I slept like a rock–completely dead to the world all night, and even slept for nearly ten hours before rising this morning rested and refreshed. It is quite lovely, frankly, and I feel terrific for the first time all week. Of course tomorrow I have to drive to Alabama (and back again on Sunday) but I have already selected Carol Goodman’s The Ghost Orchid to listen to on the ride to and fro, and I am kind of excited at the chance to listen to yet another brilliant book by one of my current favorite authors.

I’ve not had a chance to pick up Lori Roy’s brilliant Let Me Die in His Footsteps, which I was reading on the way home from Malice last Sunday and loving every word. Despite the fact she has two Edgars and another nomination from her first three books (which is pretty amazing on every level), I think her more recent work is even better than her earlier work. This book is also pretty fantastic, and I can see why it did win the Best Novel Edgar. Roy has a very hypnotic writing style, and is a master of voice; this story is told by two very different and very distinct voices with an alternating dual time-line, which is also something I love, love, love. The pity is that when I finally do finish this book, there will only be one Lori Roy novel left that I’ve not read, When She Comes Home, and I’ll have to hold onto that one until she publishes another book unless I want to (sigh) finish her entire published canon thus far.

I dread the day when I run out of Carol Goodman novels to read, for example.

It’s been a tough week, and I think that its my subconscious dealing with the issues of what this weekend means, really. Over the course of my life I’ve become really good at compartmentalizing my life into different rooms in my brain and shutting and locking the door on things, thinking I can’t deal with that now, I’ll deal with it later but some things are too big to be locked away, and they seep out through the cracks around the door in its frame and drag like a heavy stone at my being and emotions. I hit a major wall when I got home from work on Wednesday; I just got overwhelmed out of nowhere with grief and collapsed into my easy chair for some purring cat therapy. I also find that my moods can easily be shifted with essentially a snap of the fingers this week. I am unused to this kind of grief, and periodically wonder–with a sense of dread and horror–how much worse this will be when I lose Dad, as he is the only parent I have left. I know I am lucky. I had my mom for nearly sixty-two years; most people don’t get that long with one parent, let alone two. How much harder would this have been to deal with when I was younger and more immature?

But that is the kind of thing I always dismiss when it comes to mind–the path of regret is one of futility, wasted time and energy and emotion. You cannot change anything, so what is the point of trying to figure out or thinking about how different things might have been had you chosen A instead of B at this point, or D instead of Y then? The ripple effect of every choice we make reaches people we don’t know in ways we’ll never know, so maybe different choices made by me could have resulted in horrible things happening to other people, and why on earth would I wish bad things for people I don’t even know? That sounds terrible, frankly, and nothing I would ever want.

In some ways, this morning I am kind of looking forward to the drive north. I mean, yes, the destination is grim and sad, but it’s a beautiful drive; I have a great novel to listen to, and I really am looking forward to seeing my father. I want to get a good look at him, you know, and listen to him and see how he is doing. It’s so hard to tell via email or text, you know? Nothing like having eyes on someone for a proper assessment. I’ve decided to go up there this summer for a while, keep him company and spend some more time with him. (And yes, hateful little voice inside my head, I am very aware that I should have been doing this when Mom was alive. No sense in regrets, but I don’t want to feel this way when I lose Dad, so…changes in mentality and thinking are necessary going forward. I do wish it were easier to get up there than it is, though. I don’t think anyone can fault me for thinking that, either.)

Ah well, I have work-at-home duties to take care of as well as chores, so I am going to bring this to a close and head into the spice mines. I’ll check in with you again tomorrow before I leave, Constant Reader, and have a lovely day.

Human Nature

Wednesday!

I was tired yesterday. I slept okay Monday night, but not deeply and I did keep waking up so it was a restless night at best–and I sure as hell didn’t want to get up when the alarm went off yesterday morning. I was also behind at the day job when I got there, so had to play catch up a bit between clients. It was all good, but still a bit more stressful than I would prefer; I also kept thinking it was Monday all day which drove me a bit insane.

I also discovered that my insurance actually does not cover hearing aids for adults; I must have missed the part about having to be under eighteen when I looked it up. Which kind of sucks that in order to hear I have to pay for it out of my own pocket. The good news is I’ve made it this far without them, so I guess I can start trying to save up to pay for them somehow, or maybe I can get them financed or something. I’m not entirely sure, but it’s irritating. Our health care system has been fucked up since, well, the Reagan administration (quelle surprise; what modern day horror doesn’t date back to that bastard?), but the decline of the airline industry actually can be dated to Carter; he was the one who deregulated the airlines under the guise of increasing competition so fares would be more competitively priced. We see how well that worked out, haven’t we? American, United, Delta, Southwest and Jetblue are all that are left now from the glory days of air travel–Eastern, Pan Am, TWA, Continental, Northwest and many others having either folded or been taken over by another airline. Glad we have all these choices now, right? (Sorry, I was thinking about how the airline industry has declined over the course of my lifetime while at the airport the other day, and clearly it was still in my subconscious. I love Jimmy Carter, but this was a mistake.)

I slept better last night. I still woke up a couple of times but I feel very much more rested this morning than I did yesterday. I was tired when I got home from the office so immediately put the dishes away and started another load before the fatigue overtook me. I got caught upon Vanderpump Rules–more on that later–and when Paul got home from the gym we watched this week’s Ted Lasso, which was lovely and melancholy at the same time. (My God, how I love Jamie Tartt! Phil Dunster is killing it in the role this season, too. What an incredible character arc–and now we are seeing a lovely redemption for Nate, who disappointed me but we get to see our Nate again this season, which is so nice)

I did manage to work a little on the book yesterday, and it took me a little while to get reacclimated to the story and everything. I think I’ll be back on track with it again today and thru the rest of the week before I leave for Alabama on Saturday morning; and while the drive up there and back over the weekend will probably be tiring, I think I can see the end of the book coming. It might take me awhile to get there, but the end game is there and I need to really focus at some point to get it done. I may have to take a long weekend in mid-May to get there. Heavy heaving sigh. It’s always about time management for me, isn’t it, and being tired? How did I used to do this all the time? Oh yes, I was younger and hadn’t had COVID yet. *shakes fist at universe*

I need to stay away from Twitter more. I get so angry whenever I go there, and am always tempted to say something snarky or in kind to a troll–I don’t always succeed in deleting the tweet before hitting send, either–and while I am not worried about going viral or getting cancelled (if it happens, it happens, you know, and if I fuck up, I kind of deserve it), I am trying not to be that person. I don’t want to troll trolls on-line, nor do I want to get into tweet-fights with anyone. It’s all just a waste of time and energy that can be utilized better elsewhere (I do, however, reserve the right to troll anyone trolling a friend), and does no one any good. Twitter is the worst of us, really; originally intended for people to connect and interact with each other, it basically evolved into a place for people to complain. Oh, someone cut you off in traffic? Tweet angrily about it! You watched a show you didn’t enjoy? Tweet about it! And so on and so on. Twitter can be fun; I’ve certainly had fun there with friends and of course there’s always my “Greg meme” face, which can be used for surprise, shock, or horror (I actually have the picture saved on all devices for easy access and use as “the horror”); for some reason that always makes people laugh. It is a funny photo, and I will always be grateful that Josh Fegley snapped that shot so perfectly timed to get that expression on my face when the Evil Mark said, well, something evil while we were at Drag Bingo at Oz. I’ve tried repeating that photo without success; it was something in and of the moment, I guess.

Or I’m just older and my face sags so much I can’t replicate the expression. One or the other is the most likely, or probably both.

Heavy heaving sigh.

And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

I’ll Remember

Monday morning and I got home from Malice Domestic yesterday afternoon after a rather odd but interesting time at the airport–more on that later. I was very tired–exhausted would not be hyperbole–but also very glad I was home. I had a lovely, wonderful, splendid time; the only regrets I have are that there were times when I was tired and had to go rest in my room for a while and take a break rather than spend that time catching up with old friends while getting to know the new ones. I had trouble sleeping the entire trip, which was unfortunate; even going two days without having any Coke didn’t do the trick (and once it didn’t work, why continue depriving myself?). But what a marvelous, friendly event Malice Domestic turned out to be this year! I also got to thank some people in person for their kindnesses over the last year which was also lovely. I read Ellen Byron’s marvelous Wined and Died in New Orleans on the trip up, so didn’t mind the flight delay or the rush hour traffic my cab from the airport was unfortunately timed to cross paths with. But because of the delay I went for a long time without eating–nothing from my yogurt before I left for the airport until about eight o’clock that evening–so my blood sugar dropped and I never really caught up on it over the course of the weekend. That and the no sleep resulted in a very tired Gregalicious who arrived at the Lost Apartment much later than scheduled–which was yet another life lesson.

On my way to the airport in a Lyft (wonderful, friendly driver named Tyrone who got a 25% tip), just as he dropped me off Southwest texted me of a half hour delay on my flight. No worries–I got to the airport about two hours before the flight, so…an extra half hour, no big deal. Of course, it’s Washington National…small, cramped, overcrowded, and not many options for food once you’re past security. And then it seem like every half hour there was another text with another hour delay. Tired and uncomfortable, I started getting annoyed. But as the delays continued to pile up–along with gate changes, which meant moving and trying to find another place to sit–I moved from irritation to acceptance to amusement, along with a lot of empathy for the airline employees. While they never said what the problem was, I’d assumed it was weather–but now this morning, I am beginning to think it was a mechanical issue. The last text I got extending the delay to make it another two and a half hours after the airport was followed shortly thereafter by another text changing the gate and now moving the flight up from its previous 3:45 departure (originally scheduled for 12:45) to 2:00 pm, which clearly meant they’d exchanged an aircraft and crew for the original one I was supposed to be on. So, that was cool, and the flight was two-thirds empty, so I got an entire row to myself just as I did on the way up to DC. I also hadn’t eaten, and there was nowhere to eat during the delay other than a pizza place (and I wasn’t in the mood for pizza) so was starving by the time I retrieved my bag and car and headed for home. I stopped and got Paul and I dinner–I knew there wouldn’t be anything in the Lost Apartment to eat–and then came home, exhausted and happy to be back home. I love conferences; I love seeing my people and my friends and making new ones and discovering new books and writers to enjoy. My Agatha nominees panel was marvelous, and excellently moderated by Alan Orloff. I was fun being on a panel with Elizabeth Bunce again (and her Myrtle series is marvelous; check it out) and Frances Schoonmaker was an absolute delight. We also somehow all three wound up wearing red and black to the banquet, which was a delightful surprise. I got to sit next to Valona Jones (aka Maggie Toussaint) at the table–she’s lovely– as was everyone else at my table. Didn’t win–so, as per my post the other day, it now seems real to me, and I got my nominees’ certificate which I am going to proudly hang somewhere in the my office space. But there’s also no disgrace in losing to Nancy Springer and Enola Holmes, either. I got to talk about my book, which was nice-–when you’re as prolific as I am, sometimes conferences fall in such a way that I’ve had two out since the last conference, so sometimes I don’t get to talk about a book that I’ve written anywhere publicly other than here and social media. I also loved the questions Alan asked us on the panel; I’m thinking I may answer them at length on here because they were that great kind of question that you could literally spend an hour talking about instead of just the limited time we had for the panel. (I was also thinking I should maybe talk more about the book again? I don’t know. It was lovely. I had a lot of people tell me they’d read it and even more telling me it was a great title…so maybe I should talk about it some more? I don’t know.) I got to sit next to Mariah Fredericks at the signing, so I got to meet and talk to her a bit and she’s delightful (her latest, The Lindbergh Nanny, sounds amazing). I am glad I got to spend some time with friends, too–there was lots of laughter, which was wonderful–and I never got over-served, which was also a first for me at a mystery conference! Maybe that was why I couldn’t sleep? Nah, definitely not that. I also got to talk about being banned for the first time in years; for one thing, it’s hard to believe it happened eighteen years ago and now everyone is dealing with the shit I dealt with back then, too….so it occurs to me that in light of the return of the banning, I should probably write about it again from the perspective of how things are now. I also was thinking I should write about how much I love Elizabeth Peters/Barbara Michaels after going to the appreciation panel; she helped found Malice, which always puts Malice into a special place in my heart already because I loved her work.

Anyway, I got home while it was still light out, unloaded my suitcase into the washing machine and got that started; put my dress clothes in a pile to take to the dry cleaner’s; and then spent the evening relaxing with Paul and Scooter while we watched Ghosted (the new Chris Evans/Ana de Armas action/adventure rom-com which was actually kind of cute and fun–the two stars are likable and charming and have good chemistry) and then more episodes of The Watchful Eye, which is quite strange and oddly entertaining. We’ll probably finish off the series tonight. I do have a lot to do today–I took the day off, and am very glad I did, as I was exhausted and OMG, I slept so good; there’s nothing like your own bed, seriously–and then we’ll need to find something new, although I think there are some shows we watch dropping new seasons this month. I have to get the mail, pick up a prescription, gas up the car, have a doctor’s appointment, need to get groceries, and have a ZOOM meeting tonight. I also have to dig back into the book; I am so horribly behind on this revision it’s not even funny. ANd it’s May already. Jesus. I also started reading Lori Roy’s marvelous Edgar winning Let Me Die in His Footsteps from 2015; Constant Reader, it is quite wonderful and I honestly can’t wait to finish reading it. Lori Roy is one of my favorite current authors, and doesn’t get nearly the attention she should. (She’s also one of those rare authors who hit the ultimate dual–Edgars for Best First Novel and later for Best Novel.) The kitchen is a mess, as always, but I’m glad I spent some time before the trip trying to get that shit caught up because it isn’t nearly as bad as it could be (and was).

And now I have a day to get caught up on life after being in my author bubble for a few days to ease my reentry into my regular life. I won’t get to be AUTHOR again until Bouchercon in San Diego. But that’s okay, you know. I like the balance of the two different parts of my life, and there’s nothing like working in an STI clinic to keep you not only humble but grounded in the real world.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and thanks again to everyone at Malice Domestic for a simply marvelous weekend.

Bedtime Story

Saturday morning of Malice and I am up at this ungodly hour because I have a very early (for me) panel, the Agatha Awards Best Children’s/Young Adult nominees panel. I still don’t believe I’m an Agatha finalist–that won’t sink in completely until after I lose tonight at the banquet (the noms never seem real to me until I lose). I am very grateful to everyone who voted for me to be nominated, and yes, it is absolutely 100% true that the nomination in and of itself is an honor. I’m definitely not the first queer author with a queer themed book to be nominated for an Agatha; there are two of us this year for sure (yay for Rob Osler!), but the past? Hard to say with any certainty without going back and reading everything that has ever been a finalist, but I’m still pretty proud of myself. The queer kid who used to dream big in his bedroom in Kansas has now been nominated for four Anthonys, a Lefty, a Macavity, and an Agatha, among others, and all of these have been a shock and a surprise–very very pleasant ones, at that–because it never even crossed my mind that any of that was even potentially possible for me, ever. Awards aren’t something I think about when I write anything (the very idea of hmm this might win me some awards is a completely alien concept for me; I think that’s the case with every writer. I could be wrong), but they are absolutely lovely.

And I try not to let the egomaniacal narcissist at the core of my being to get caught up in the competitive mindset. I learned that lesson the first time I was ever nominated for anything, when Murder in the Rue Dauphine was nominated for a Lammy. Oh, how I wanted to win that goddamned Lammy! I was still new to the business and very raw; still adjusting to the reality that everything I’d ever wanted in and for my life was happening, and I was still scarred from years of thinking (and being told, repeatedly) that my dreams were unrealistic and would never happen. I think I wanted the validation of winning an award more than the award itself; it was another opportunity to flip off the people who’d always tore me down and belittled me, made me feel unworthy of anything good. But when my name wasn’t called after the ritual opening of the envelope, I was overcome with disappointment and the thought still not worthy flashed through my head as the winner walked up on-stage to accept his award. But as I sat there, listening to the winner thank people, seeing how genuinely moved he was, and remembering he’s such a nice guy, I realized I was genuinely happy for him. The dark clouds parted and the sun started shining again. I’d been a finalist. Many writers are never nominated for anything; I’d say the vast majority of us are never finalists for any kind of award. Some only get nominated once and then never again. My little debut mystery novel that no agent wanted to represent had been picked by judges as one of the best five gay mysteries published in that year. It earned out and sold well. I should be grateful, not competitive. I don’t really like that competitive mentality that springs up in my head around this kind of thing, so I always try to stomp that mentality out whenever it rears its ugly head.

That first book started a career that now spans over twenty-one years, forty novels, fifty short stories, and over twenty anthologies edited. I’ve been nominated for so many awards over the years that I can’t even remember them all. I’ve even won a few times, which is incredibly humbling. I’ve shared a table of contents in anthologies with major writers whose work I admire and respect–and can call some of them friends. I am so incredibly lucky and blessed, and sometimes (frequently) I forget that. I have an amazing life. I live in a city I love with the man I love doing the work I love–both writing and the day job. The day job can be exhausting, but I actually do work that makes a difference in people’s lives, and I am not the kind of person who can be happy doing a job that I don’t feel makes positive change in the world. My day job has also been an incredible education; I’ve learned so much from my co-workers and my clients that it kind of seems wrong that I get paid. I have the most amazing friends in the world; incredibly smart and talented and kind and supportive people, the kind of friends I used to dream about having when I was that lonely kid in Kansas that everyone whispered about (some said it to my face, but while painful and awful at the time, I kind of respect them more than the ones who pretended to be my friend while mocking and laughing at me behind my back. For the record, it was a very small school and everyone talked, so I knew then who you all were and I still know it now. Have never once regretted getting out of that shit-hole state.). I know so many wonderful people now; so many that I really want to get to know better–what a marvelous problem to have, right? I know so many amazing people that I can’t get to know them all as well as I would like.

The kind of problems I never dreamed I’d ever have. Lucky, blessed, and charmed. Awards are really just lagniappe.

And on that note, I am going to get ready to go forage for coffee and get ready for my panel. Have a great Saturday, Constant Reader–and I will be very happy and proud for whoever’s name gets called tonight.