A Beautiful Morning

Well, I finished reading The Underground Railroad yesterday, and will most definitely be blogging about it, once I’ve digested it some and thought about it some more. It was, to say the least, very powerful, and not only did it made me think about the subject matter–it also made me think about a lot of other things, which I will be more than happy to discuss once I’ve digested them. I also started reading The Nest by Cynthia D’Aprix Sweeney, which I am enjoying as well.

We were supposed to get heavy weather yesterday, but it arrived over night instead–everything out there is wet and dripping, which is always a joy. Ah, well.

I didn’t write yesterday, or at all over the weekend, which is, of course, terrible. I did get some cleaning done and some organizing–not as much as I would have liked–but we’re also working on getting caught up on our shows and I did want to power through and finally finish the Colson novel, which I did manage to do, and then we got caught up on The Walking Dead, watched last night’s Feud, and then it was bedtime.

I am greatly enjoying Feud, and am very impressed with how it’s taking on the issue of how Hollywood/entertainment treats women; which also, in some ways, goes along with another show I am looking to finishing watching–the season finale of Big Little Lies was also last night; which we will undoubtedly watch tonight as well as continuing to get caught up on Bates Motel (a show that is KILLING it now in it’s final season). The way two of my favorite old Hollywood actresses–Bette Davis and Joan Crawford–are being depicted is brilliant, and the two women playing them, Jessica Lange and Susan Sarandon, are turning in stunning, award-worthy performances. Last week’s episode, in which both Davis and Crawford are still not fielding any offers before the movie opens–and then it becomes a huge hit–was particularly brilliant; the moment when Joan Crawford, leaving the theater after the preview of the film that ended with a standing ovation, is recognized in the lobby and then mobbed with fans–when this happens, the look on her face–surprise evolving into pure joy at being treated like a star again, is so poignant it’s heartbreaking.

Last night’s, Oscar night when Crawford was snubbed in favor of Davis, was also almost painful to watch; the naked need Davis had for that third Oscar, the pain and anguish Crawford felt about being overshadowed once again by her rival (the scenes where Crawford talks to Geraldine Page and Anne Bancroft, asking them if she can accept for them, and the pity and sympathy Page and Bancroft feel for her, agreeing to let her do it because she needs to…wow)–and Judy Davis is also killing it as Hedda Hopper.

And last night, for the first time, Catherine Zeta-Jones actually delivered as Olivia de Havilland.

I got the idea for an essay yesterday about women’s fiction–using three novels to not only compare and contrast to each other but also to talk about how fiction by, for, and about women is so regularly disdained and dismissed as somehow lesser–the three being The Best of Everything by Rona Jaffe, Peyton Place by Grace Metalious, and Valley of the Dolls by Jacqueline Susann. I’ve been toying with the idea for quite some time, and I thought about it again yesterday, partly because of Feud, but also partly because of Big Little Lies. Of course, I have no idea where to publish the thing…and it’s not like I don’t have a million other things to write as well.

Heavy heaving sigh.

And on that note, back to editing.

Love is Blue

Monday morning. I didn’t want to get up this morning, and in fact, hit snooze repeatedly for over an hour before finally dragging my sorry, lazy ass out of bed shortly after eight. But I do feel rested, which is a dramatic improvement over how I felt last Monday when I started out the week already tired. Which is fortunate, because this weekend is TWFest/Saints and Sinners. Paul will be abandoning me on Wednesday to check into the hotel, and I don’t have to go till late on Thursday. I took Friday off as well, and am coming in late on Monday as well. So, I trust I can survive the weekend in one piece and without being completely exhausted by the time I return to work on Monday. We shall see, I suppose.

The weekend wasn’t as productive as I would have liked–then again, when is it ever–but it did accomplish its primary purpose: getting rested for the new work week. I read some more of The Underground Railroad, which is slow going. Partly because the subject matter is so intense, partly because it’s written so simply yet beautifully I want to savor the experience, and I am constantly having to put the book aside to think. The best books always make me think. It really is quite extraordinary, but not a quick or easy read.

So, I made my weekly to-do list this morning, and am proud to say that I only had to transfer half of last week’s list to this week’s; which is always a good thing. I really need to get back into the habit of making the weekly to-do list. I don’t know when or why I stopped in the first place, because there is ever-so-much satisfaction in crossing things off the list; even when you don’t finish everything on it, you know? It felt really good this morning crossing off the things I got done last week, and even in adding the uncompleted tasks to this week’s list was, rather than ‘oh, you lazy bastard’, more of a ‘oh, this will be easy to get done.’ We’ll see how it goes, of course, but at least making the list this morning wasn’t daunting and didn’t make me feel even more tired, the way it did last week.

Last Monday, as I worked on my story “Happyland” for a submission deadline the very next day, I suddenly realized the reason–despite several rewrites already–the story kept getting rejected every time I submitted it anywhere was because the way the story was structured it simply didn’t work–and I hadn’t even gotten to the scary part yet. I realized that the entire story needed to be overhauled; I had developed a bad case of the ‘lazy edits.’ This happens to me from time to time; an attempt to make small tweaks to a story that doesn’t work rather than starting over again from scratch while retaining the best bits. “Happyland”, as originally envisioned and written, simply doesn’t work. It’s nothing new, it’s nothing original, it’s nothing fresh, it has nothing clever to say for itself. It’s based on something that happened to me as a kid–one summer when my immediate family, along with aunts, uncles and cousins on my father’s side–were staying for a week at a beach house in Panama City Beach, Florida, only about three blocks from the water. There used to be an amusement park, the Miracle Strip, that we used to go to every time we stayed at the beach, and one time I got stuck with my youngest cousin who wanted to ride the haunted house ride and was also too small to ride the rollercoaster–so every time we rode the coaster someone had to stay off and mind him. I was annoyed and angry, it was hot and humid, and the haunted house ride–which was, even to my eleven year old mind, lame–this time it was actually intense and scary. There was something different about the interior that time; and I’ve had nightmares about it ever since. That was why I wrote the story in the first place; to dislodge it from my subconscious as well as to follow Stephen King’s admonition to ‘write about what scares you.’ But the story as I wrote it doesn’t work, and on Tuesday I started, slowly but surely, to rebuild the story from the very first line. It may not work this time, either–but I want to get it done this time.

That way it’s ready the next time a call I want to submit to comes around.

The new Scotty isn’t going as well as it should be either; again because I was trying to make it easy on myself rather than recognizing that the framework can stay but the story is new and different. Ugh, such an idiot, really. But every once in a while lightning strikes and I wake up.

Heavy heaving sigh. And I got started on my taxes!

And now back to the spice mines.

Grazing in the Grass

Good morning, Friday! How are you doing? I slept late again; it’s lovely to be able to sleep again but I would so love a happy medium; somewhere between insomnia and oversleeping would be somewhat lovely.

But I’ll take oversleeping over insomnia any day of the week, thank you very much.

The cold snap of the past few days has come to a merciful end, thank you Jesus, and our temperatures are supposed to go back up into the 70’s today, which will make for a lovely weekend. I didn’t take the car into the car wash the way I’d intended because I overslept this morning, but it will be a lovely chore for the weekend, most likely Sunday while everyone’s at church.

I made some progress on the book yesterday, which was a lovely feeling. Not as much as I would have liked, but I’ll take 1200 words. My writing machine is a bit rusty, so I am still working out the rust and kinks and having to warm up and stretch the muscles. The thought also crossed my mind last night that maybe I should put it aside and write something else first…but that’s probably just crazy talk.

But getting good sleep has made me feel energized again, and I am looking forward to all the things I need to get done this weekend. I even started pulling together my expenses for my taxes yesterday (RIGHT?), and may even be able to get all of that finished by Monday (rather than sitting down and making myself do it all at once, I am going to go slowly and do some here, some there, etc. until it is all finished and I am emailing my accountant). I also want to get my story “The Terrortorium” finished this weekend, and I want to start editing a secret project I can’t talk about publicly yet.

Never a dull moment around the Lost Apartment.

Here’s a hunk to slip you into the weekend:

Too Busy Thinking About My Baby

Another glorious night of sleep, and I feel terrific this morning. I’ve already done one load of laundry, am well through a second, had breakfast, and am about to put the dishes away. I have a shorter than usual day at the office today; I logged some extra time earlier in the week so I can go in later–which is truly lovely; I have my morning free both today AND tomorrow (tomorrow morning I will be getting the car washed on my way to work). I decided to wait until next Friday to get my new outfit for the Tennessee Williams Festival opening party (I’d debated going this weekend, but I really don’t want to face any mall on the weekend). My breakthrough on Crescent City Charade definitely is working; I am very pleased with the flow now, and I am also hoping to get the rewrite of the short story finished up this weekend. All in all, a win all around.

I also got some book mail this week: Lisa Unger’s In the Blood  and Jonathan Beckman’s How to Ruin a Queen. Constant Reader will remember how much I enjoyed the first Lisa Unger novel I read last year, and I am definitely looking forward to reading more. The Beckman book is history (although that would make a great title for a noir about someone obsessed with revenge on a drag queen); it’s about the Affair of the Diamond Necklace, a huge scandal from the 1780’s that helped set the stage for the French Revolution. I’ve always been vaguely aware of the story, but not in any great detail. Someone from an old noble house of France, the Cardinal de Rohan, claimed to be an agent of  Marie Antoinette’s in order to buy a fabulous necklace for her–once the necklace was purchased the Queen claimed to know nothing about it, and a trial ended up happening. Marie Antoinette was so hated by this time that popular opinion was solely on the side of the Cardinal de Rohan; he was eventually found not guilty and there was a massive celebration at this public humiliation of the Queen. Every step of the way the royal family mishandled the situation, but I’ve never read enough about the Affair of the Diamond Necklace to know exactly how it played out and it’s never made a lot of sense to me. So, I am really looking forward to diving into this one (I also recently acquired a book about an enormous scandal at the Court of Louis XIV, The Affair of the Poisons, which I am also looking forward to reading). As you can tell, Constant Reader, right now I am going through a French history period.

I also want to get this essay about being a gay crime writer finished this weekend, and I also need to do the deep clean of the Lost Apartment.

I also can’t believe it’s almost April. Then again, time flies at the beginning of the year always, as it’s one thing after another in New Orleans. We’ve been having a slight cold snap this week–temps in the 50’s and 60’s–which after the gloriously beautiful spring days we had for Carnival seems completely unnecessary, wrong, and flat-out vile.

As this is also the last weekend before the Festival kicks into gear next week, I doubt Paul will be around much; as it is, I’ve barely seen him the last few weeks. He gets home after I got to bed and sometimes leaves after I do, so he’s still sleeping when I leave the house. He’s already out the door this morning; I got to see him awake for all of ten minutes. Sigh. But soon enough things will be normal around here again. Heavy heaving sigh.

Or what passes for normal, at any rate.

All right, I suppose I should return to the spice mines.

Here’s today’s hunk.

 

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Suspicious Minds

I had insomnia both Sunday and Monday night, and the sleep assistance I usually rely on did not work. So both days I was tired, sleepy, crabby and miserable, unable to focus on anything. I was trying to finish a short story for a submission call with a deadline of yesterday; Monday as I worked I realized the story, as it stood, simply didn’t work and needed a complete overhaul. Ordinarily, two days to overhaul a story where the basic framework was already in place wouldn’t be a problem for me (whether it would have been accepted, of course, is a whole other ball of wax), but tired and unable to think clearly? No, that made it completely impossible. I’ve also been kind of stuck on the Scotty book–but last night, as I kept dozing off in my easy chair, it came to me how to get past the place where I am stuck with the Scotty book; as I suspected, I simply hadn’t gotten back into his voice. So, I am hoping to make some progress on it this week as well as rewriting the story–that way the story will be ready the next time something it might be appropriate for rolls around.

Win-win.

There really is something horrible about the inability to sleep. I can’t afford to have sleepless nights, as I am always juggling so many things that I really can’t have a day where I get nothing done. And while I didn’t sleep through the whole night–I woke up around five, and then slept on and off until it was time to get up for Wacky Russian–those six or so hours of deep, restful sleep have certainly made an enormous difference today.

I may even start pulling my taxes together. #madness

I’ve also been too tired to read, so I am also hoping I can get back to The Underground Railroad this week and get it finished. I think I am going to read Ben Winters’ Underground Airlines next; I thought it would be interesting to read the two books back to back for a compare/contrast kind of thing.

My goal is to write/revise a short story every week while working on the Scotty book. We’ll see how that goes, but hey, best intentions and all that. I am also going to start revising a secret project as well; getting back to it is long overdue, and I am kind of excited.

Again, it’s amazing what a good night’s sleep will do for someone.

So, here’s a hunk for you to get you through Hump Day.

 

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Crystal Blue Persuasion

A gloomy Monday morning with the threat of rain hanging over our heads; needless to say, the chill in the air and the gloom weren’t exactly the right combination to get me leaping out of bed this morning, ready to get to work and face a new week with good cheer and optimism. It is astonishing to me how little I actually managed to get done this weekend; part of it is because I wasn’t sleeping well; I don’t function on little sleep and so am trying to mix up the sleeping assistance since it’s no longer working. Heavy heaving sigh.

I didn’t get started on my taxes this weekend, which is terrible. I really need to get going on that; it’s not fair to my accountant to make her wait until the last minute…although I suspect it doesn’t take her very long to actually do my taxes, to be honest. It’s such a tedious chore, though, tallying up my expenses. It does make me feel rather homicidal, to be honest. But it generally only takes me a couple of hours to get it all done…maybe if I get a start on it and do a bit every day I can get it finished this weekend and be done with it. ’tis a thought.

While I was cleaning the house this weekend–I am really looking forward to doing the deep clean that this weekend’s cleaning was a preparation for–I also started doing some researching for some book ideas I am currently sitting on. I always do this; it’s also an interesting way to learn about my own past by finding out historical stuff about the places I am from or have lived. I learned some really interesting Alabama history this weekend by doing that; I also found some really interesting criminals on a website–The Most Notorious Criminal from every country in Alabama, which was fascinating. I am also interested in Kansas history, and found some interesting things there.

I also got the first issue of a new comic book series featuring the Hardy Boys and Nancy Drew: The Big Lie.

Rebooting the Hardy Boys as a hard-boiled/noir style comic book is a great idea, quite frankly; just as the rebooting of Archie comics as a dark, moody noir style television show was a great idea. I’ve read all of the original Hardy Boys mysteries in their blue-spined editions; I’ve not kept up with the various reboots/restarts over the years. The premise of the comic–that Fenton Hardy was a police detective who was fired and accused of taking bribes and being corrupt; and then was murdered–and his sons are the prime suspects–is quite clever; plus making the two brothers not quite as close as they were in every other iteration was also quite clever. I am looking forward to seeing how this all plays out.

I doubt that the original series will get revised again; in the 1950’s the earlier books started being revised; I think all of the originals were eventually revised before the series was sold off in the late 1970’s. Those books are still in print and still sell, even though they are kind of archaic and incredibly dated now…I’ve always wanted to write a Hardy Boys book. Maybe once I have an agent…

And now, back to the spice mines.

Crimson and Clover

Constant Reader knows I love history.

One of the (many) reasons I didn’t major in history was because I really couldn’t pick a period to specialize in; there are so many different periods of history that fascinate me. I talk on here a lot about the sixteenth century, but I am also interested in the seventeenth. I’ve actually been toying with a book idea set in that century for going on ten years now; periodically I will read some history of that century as background, but there is still so much I don’t know. I am reading Royal Renegades right now, about the children of Charles I of England–fascinating stuff; I knew basics about the English Civil War but not a lot–and the Stuarts of that period were particularly entwined with France. Charles I’s wife was Henrietta Maria, youngest sister of Louis XIII and aunt to Louis XIV; she fled to France for safety and some of the royal Stuart children also made it over there at some point. Henrietta Anna, Charles I’s youngest daughter, grew up at the French court; she eventually married Louis XIV’s brother, Philippe, the Duc d’Orleans.

And therein lies a tale.

My interest in Louis XIV–and Versailles–led me to discover that the Sun King’s younger brother, Philippe (whose existence, for that matter, completely invalidated the plot of Dumas’ The Man in the Iron Mask, although I’ve always loved that story), was, if not a gay man, then bisexual: he had children by both his first wife, Henriette Anna Stuart, and his second, Elisabeth Charlotte, Princess Palatine. In fact, Philippe is called the Father of Europe because all of European royalty in the nineteenth century were his descendants.

As a small child reading history, I picked up on the homosexuality that most historians always tried to gloss over (Edward II and Piers Gaveston; James I and first Robert Carr, later George Villiers; Richard the Lion-Hearted; Henri III of France; etc) but there was never any real attempt to gloss over Monsieur’s (Philippe was known throughout his life as Monsieur, after the death of his uncle Gaston, from whom he inherited that particular title as well as the title of duc d’Orleans) sexuality. He had a long term relationship with the Chevalier de Lorraine, which started when he was a young man and lasted until the Chevalier’s death. Monsieur’s first wife put up with it but didn’t care for it; his second wife didn’t care one way or the other.

The story goes that his mother, Anne of Austria, made him that way–which is, in modern times, a laughable thought (a domineering mother, etc etc etc)–by dressing him as a girl when he was a child, and continuing to do so after he was of an age to start wearing male clothing. Apparently, Queen Anne was concerned that Louis XIV and his younger brother would have an adversarial relationship the way her husband Louis XIII had with his own younger brother, Gaston. The troubled marriage of Louis XIII and his Spanish wife is also fascinating; they were married very young, she had two miscarriages, and he blamed her for the second one and they became estranged, not living together as man and wife for a very long time afterwards (the second miscarriage was around 1619, I believe; Louis XIV was not born until 1638 and his younger brother in 1640)–this estrangement between King and Queen–and the way George Villiers, Duke of Buckingham shamelessly flirted with Queen Anne when he came to Paris to negotiate the marriage of Charles I to Henrietta Maria–were the seeds from which Dumas also wrote The Three Musketeers.

Since so much time had passed (almost nineteen years) since Louis XIII last slept with Queen Anne, there were lots of rumors and talk that her two sons were not Louis XIII’s; there are many who believed Cardinal Richelieu fathered the boys with the Queen (fictionalized in Evelyn Anthony’s The Cardinal and the Queen); but there was never any question that the two boys were Bourbons. (Like the Hapsburgs with their genetic ‘jaw’, the Bourbon ‘nose’ was also relatively famous; both Louis and Philippe had the nose–but then that could simply mean that their father was a Bourbon rather than confirmation that Louis XIII was)

Monsieur often dressed as a woman for court functions, even as an adult; despite this proclivity he was a great soldier and commander of the French army–he was so successful in the field that his brother was jealous of his successes and often removed him from command.

His second wife was a diarist and a compulsive letter writer; her memoirs and letters are one of the best sources for information about life at the court of Louis XIV.

I’ve always been a little surprised that, while there are scores of biographies of Louis XIV (who, despite his incredible ego, wasn’t as great a king as he thought he was; he accomplished a lot but he also succeeded in planting the seeds for the French Revolution and creating the court system that also played a big part in the downfall of his dynasty. He also wasn’t successful militarily and diplomatically; his wars were expensive and ruinous–although all of Europe had to unite against him in order to beat him.) there are very few, if any, of Monsieur. I would think a biography of him would be something a gay historian would be interested in writing, because of the ability to look at his sexuality, his difference from the others at court, and how, as a prince, he was able to be himself–despite his own religious mania, Louis XIV never seemed to care about Monsieur’s proclivities–and on his own terms. Not to mention how incredibly difficult and strange it would have been to be the younger brother of the egomaniacal Sun King.

Was Monsieur gay? Bisexual? Transgender? Was this a result of his mother dressing him as a girl when he was young or was that just a coincidence?

As I said, the seventeenth century is interesting. And a lot was going on as well–the Thirty Years’ War was the last European war over religion; there were civil wars in both France and England; the colonizing of North America by the British, French, and Spanish truly got into full swing; and it was also the time, of course, of Cardinal Richelieu, the first great modern statesmen.

I hope to write this book someday. But in the meantime, I am having a great time doing the background research.

And now, back to the spice mines.

Dizzy

Friday morning and I don’t have to be at the office until this afternoon. I thought about running an errand this morning–St. Patrick’s Day Irish Channel parade tomorrow will make moving the car impossible, so I am just going to make tomorrow my ‘down’ day where I do stuff around the house AND GO TO THE GYM–but I am very tired this morning and don’t have the energy to face it. So, I’ll have to do it all on Sunday. AIEEEEEE! But I can hang, especially if I get a nice day of rest tomorrow.

Last night I went to the offices of the New Orleans Advocate to hear Colson Whitehead speak. First off, the new offices on St. Charles Avenue are amazing. What a gorgeous building and space; hats off to John Georges and the New Orleans Advocate. The place was packed; I’d say there were well over 100 people there, and it was interesting to listen to Whitehead talk about being a writer, how he became a writer, and where The Underground Railroad came from. I gave one of my co-workers the copy I was reading and bought another last night, so I am hoping to finish reading it this weekend. (I also found my copy of Peaches and Scream; it somehow found its way under my passenger seat in the car. So I can get that finished soon, too.)

I am going to work on the Scotty some more; it’s still taking shape in my head. I kind of know what I want to do with it, but it’s not going to be easy. But that’s the thing, isn’t it? I love challenges. Wicked Frat Boy Ways was also a challenge; the problem with challenges, of course, is that you’re never sure if you’re up to it, or if you’re actually rising to it. I like to think I am up for it, and can do it–I always do–but then the insecurity starts taking over when I am actually doing the writing. I want to work on a couple of short stories, too, while I am at it; some submission calls I want to try for.

I also need to get it together, I can’t blame the post-Carnival malaise anymore. Well, I can–this was the first real post-Carnival week, after all. SO yes, this weekend I will focus on making lists and getting organized and reading and getting it all back on track.

And on that note, it’s back to the spice mines with me. Here’s a hunk to ease you into the weekend, Constant Reader.

Honky Tonk Women

I made a little progress on the book yesterday; only another couple of hundred words or so, but progress is progress. I also started reading Colson Whitehead’s The Underground Railroad yesterday (I am going to see him speak tomorrow night); the book is extraordinary, and I have a lot of thoughts about it already–despite only being half-finished. I may have to wait a few days after I finish reading it before I write about it, because it’s something I am going to have to mull over and think about; not a blog entry I’ll be able to just dash off the top of my head while I drink my morning coffee and try to wake up.

I did make it to the gym this morning for the first time in weeks (stupid Carnival) and I am very tired. I always feel better after I work out–until the endorphins wear off, anyway–and I really need to get back into a regular routine; I also need to start eating better and in a more healthy way. I realized during Carnival–as my feet, back, legs, knees, ankles, and hips all ached–that I DO need to get into better physical condition, and the longer I wait to get started on that the harder it will be and the worse things will get. My schedule is crazy, of course, but I do need to make time for self-care and doing things for me. I also realized, with a stunning shock of self-awareness, that I used to always think that I worked out and ate healthy in order to be healthy; looking better physically was just a lovely side-effect.

Obviously, the fact that I can’t motivate myself to get to the gym regularly on my own and eat right proves that I was deluding myself all those years; and without the motivation of wanting to look good when I went out and to look good for Carnival and Halloween and Southern Decadence, as well as no longer doing the wrestling–in other words, as soon as it was no longer important for me to look good the motivation to go to the gym vanished.

It’s a bit sobering to realize you were deluding yourself for a really long time, but I prefer being honest with myself, and it’s better to figure these things out sooner rather than later–although I will say this was pretty late to figure this out!

So, this weekend I am going to commit to getting to the gym at least twice more a week. I’ve already started eating better–or trying to, at any rate–and while I don’t think I’ll ever get down to the lean 180 pounds I was ten or eleven years ago…I can probably lose twenty pounds.

Here’s a shot of me eleven years ago.

Aquarius/Let the Sunshine

I stayed up late last night reading, and as such slept through my morning. When I got home from running errands yesterday I couldn’t find my copy of Peaches and Scream, which meant I either left it somewhere yesterday (the horror! It was signed) or I left it in the car–which I will check shortly–but while I was cleaning and doing laundry and all of that yesterday, I decided not to walk back out to the car but to just pick up another book–the next on the TBR pile–and I got very caught up in it, caught up so much that I wanted to see how it ended.

The book was Big Little Lies by Liane Moriarty.

“That doesn’t sound like a school trivia night,” said Mrs. Patty Ponder to Marie Antoinette. “That sounds like a riot.”

The cat didn’t respond. She was dozing on the couch and found school trivia nights to be trivial.

“Not interested, eh? Let them eat cake! Is that what you’re thinking? They do eat a lot of cake, don’t they? All those cake stalls. Goodness me. Although I don’t think any of the mothers actually eat them. They’re all so sleek and skinny, aren’t they? Like you.”

Marie Antoinette sneered at the compliment. The “let them eat cake” thing had grown old a long time ago, and she’d recently heard one of Mrs. Ponder’s grandchildren say it was mean to be “let them eat brioche” and also that Marie Antoinette never said it in the first place.

Mrs. Ponder picked up her television remote and turned down the volume on Dancing with the Stars. She’d turned it up loud earlier because of the sound of the heavy rain, but the downpour had eased now.

She could hear people shouting. Angry hollers crashed through the quiet, cold night air. It was somehow hurtful for Mrs. Ponder to hear, as if all that rage was directed at her. (Mrs. Ponder had grown up with an angry mother.)

I’ll be completely honest: I would have never heard of this book were it not for the HBO show, which Paul and I are watching. I primarily focus, when it comes to fiction, first on crime novels, followed by young adult, then horror, and finally queer fiction; as my reading time is relatively limited I can barely keep up with what’s au courant in crime, let alone anything else. Liane Moriarty, an enormously successful Australian novelist, is classified as chick lit, a term I’ve always found to be, at the very least, demeaning–not just to those who write it but to those who read it.

And there are a LOT of readers in this particular field.

The primary problems–which I will address now, before moving on to the things I really enjoyed–I had with this novel really are all about me, rather than the book itself. As someone who writes crime fiction, and therefore reads a lot of it, has edited a lot of it, has judged it for awards, Big Little Lies actually can be considered a crime novel, particularly if you look at the definition of the genre from Mystery Writers of America; because the book is about a crime, in a way; and the way the book is structured is a very much a crime trope: from the very beginning we know some kind of crime has happened, but we don’t know who or what or how. The book unspools by giving us all the backstory leading up to the commission of the crime, exposing all the secrets and lies involving a trio of three women, connected by having a child in kindergarten at one particular school, and then it gives us the crime itself, and it’s aftermath. There’s kind of a Greek chorus of voices at the end of each chapter, snippets from police or newspaper interviews, from various other characters but not the main ones, and Moriarty uses this device to not only build suspense but keep the reader hooked and intrigued and turning the page. The problem, of course, is that if you are a regular reader of crime fiction, many of the big surprises and twists to the plot…well, they aren’t shocking and surprising; in fact, I predicted every single one of them many chapters before the reveals. But I didn’t know who the victim would be, or how it would happen, or who would actually do it; Moriarty does an excellent job of juggling all the little threads and making you guess how it would all come down when you finally reach the climax of the novel, which kept me turning the page.

Those quibbles aside, Big Little Lies is compulsively readable. Moriarty does an excellent job of creating characters the reader can not only identify with but sympathize with, and there is also a lot of wit and sly social commentary in the book as well. As I mentioned earlier, the three main characters–Jane, Celeste, Madeline–are all connected by having a child in kindergarten. On the morning of kindergarten orientation, Madeline gets out of her car to lecture the teenaged driver of the car in front of her at a stoplight about texting and driving, only to turn her ankle on her way back to her car. Jane, new to the area, is in the car behind her and gets out to help her, and a friendship is born. Celeste is eventually drawn into their orbit, and we get to know these three women very well–as well as their secrets. Celeste is filthy rich, Celeste middle class, Jane borderline poor; Moriarty does an excellent job of showing the contrasts in their lifestyles as well as how those differences affect their behavior as well as their relationships. She also does an excellent job at showing the sensitivities and competitiveness between the moms who stay at home and the moms who work; Moriarty takes us into the world of women as mothers of young children and is very sly about the modern world of the helicopter parent; particularly on that first day of kindergarten orientation, when one of the children has been bullied and accuses Jane’s son of doing it, and how that accusation splits the school into two warring factions; of what it’s like to have your child accused of something heinous and the worry that comes along with that; the fierce desire to protect your child even if it means calling another child a liar; the terror that there is something psychologically wrong with your child. Moriarty is excellent at this; this women are incredibly real and fully developed and realized. She also writes with wit and flair and clever use of language; she has an innate ability to hook her reader and keep them reading.

It’s easy to see why she is an international bestseller.

I can highly recommend the book, despite the slight problems I had with it; it’s a great, enjoyable ride, and like I said to begin with, I stayed up until almost two in the morning reading it, and the first thing I did when I got up this morning, rather than messing about on-line and answering emails and reading social media, was get my cup of coffee and get back in my easy chair to finish reading it.

And that says a lot about Liane Moriarty as a writer. I do intend to read more of her work.