Don’t Say You Love Me

Monday morning and I am back home. It was lovely to travel again, lovely to see people I’ve not seen in far too long, and even more lovely to be in a room full of people listening to writers talking about writing and books. I took voluminous notes during every panel I attended, got inspired about writing again, and it was almost kind of normal, like somehow (despite the masks) I had somehow slipped back into the Before Times.

Planes, trains and automobiles–last week I did them all, and I am still a little worn out from all the things I’m no longer used to; airports, train stations, being around large crowds of people. I am almost painfully shy and socially awkward (always have been) so interacting with new people has always been difficult for me, but Crime Bake was absolutely marvelous and welcoming. It so so nice being back in New York and taking the subway again and just walking around, marveling at the wonderful city. Boston is another place I love, and haven’t been there in many many years. Friends I hadn’t seen in years picked me up at South Street Station when my train rolled in; we then went to the incredible Isabella Stewart Gardner museum (Mrs. Gardner has always been of interest to me since reading Stephen Buckingham’s The Grande Dames a gazillion years ago), and her art collection–and the house itself–were absolutely stunning. We had dinner and they drove me out to my hotel, where Crime Bake was happening, and almost instantly I began running into people I’ve not seen and have long adored. I was very tired by the time I reached Dedham, but somehow found some more energy in the tank to talk and enjoy the company of people I’ve not seen in an eternity.

(I’d also forgotten–it’s been so long–how things tend to pile up when I am away to the point of being overwhelming; but one thing at a time and it will all get done, Gregalicious.)

I also read a lot of terrific books while I was traveling (These Toxic Things by Rachel Howzell Hall; Jar of Hearts by Jennifer Hillier; Invisible City by Julia Dahl; and am halfway finished with Barbara Ross’ Shucked Away) and those reviews will be forthcoming–another thing to add to my now endless to-do list–which reminded me how much I love to read. Reading has always been the one constant love of my life, ever since I was a little boy, and sometimes I need to remember–no matter how tired I am, no matter how little energy I have, and no matter how easy it is to simply allow myself to head into a Youtube wormhole (which I can always justify as research), what I should do every night when I get home to unwind is spend an hour in a book. I was reflecting on that very thing last night on my JetBlue flight back to New Orleans from Boston (this was also my first JetBlue experience and one that I loved very very much; I think I might have a new favorite airline), but what I also remembered by my deep reading dive over this trip was that limiting myself to a mere hour of reading could be very difficult to accomplish when I am reading something I am very much loving. I never want to put the book down once I am caught in its spell–which happened quite a few times over the course of the trip; I wound up staying up later than I should have in order to keep reading.

But oh! What marvelous books I was reading! Is there anything more fun that getting caught in the spell of a wonderful writer? I think not.

But it was also lovely to sleep in my own bed again last night–I really could have stayed in bed most of the day, I think, and were it not for having to head into the office this morning to return to reality, I probably would have slept very late–and it’s lovely to have my own coffee in one of my own mugs this morning; it’s lovely to be sort of back to what passes for normal in the life of one Gregalicious; but now I have a lot of writing and editing and emails and other business to get caught up on; so the first thing I need to do once this is finished and posted is make a substantial to-do list. I need to get back into the swing of going to the gym three times weekly–despite the coming of the Thanksgiving holidays and yet another trip, but I can’t keep putting it off with that excuse else I will never get back into the groove, and my body is getting squishy again. I also need to edit two stories to get them ready for submission/publication and I need to get caught up on the book I am writing. I also have an article to write for promotion for the release of #shedeservedit–while on this trip the hook of the article came to me, which again is why writers’ conferences are so important for me, because I find them to be inspiring and motivating–and of course, I need to get through the endless amounts of emails that have piled up while I was away. I also have to recenter myself with my day job; it feels like I haven’t been to the office in months. I need to make a Costco run at some point this coming weekend, and of course I have to make groceries too. I can make pasta for dinner tonight, but after that I am completely out of ideas and who knows what all is in my kitchen cabinets!

And so, it’s time to get cleaned up and presentable for the office this morning. Sorry to be so brief and short after a rather lengthy absence, but…there’s a lot I have to get caught up on and it ain’t going to do itself, so off to the spice mines again.

Make Me Smile (Come Up and See Me)

New York!

It really is a wonderful place, and I love it here. The energy, the rapid pace, the mobs of people everywhere–comparatively speaking, of course–it is all quite exhilarating, frankly. It usually wears me out being here–the constant activity of rushing from one meeting to the next; walking around slow walkers, hearing all the different languages and accents and voices; clambering down the steps to the subway and remembering my age as I climb back up at my stop, the towering buildings, the light show that is Times Square…it’s really quite marvelous, all of it. This time, though, I am not worn to a nub the way I usually feel when I am in the city. My sleep–never great when I travel–has actually not been so bad this time around; I wake up periodically during the night but for the most part I am actually getting some decent sleep, so I feel rested. Last night I did kind of hit a wall, though; I was very exhausted when I managed to make it back to my room and collapse onto the bed, too tired to read or think or much of anything, so I turned on the massive television here (which has Netflix) and it suggested that I watch Glee–soon to be leaving the service–and I hesitated for a moment before starting. I remember loving Glee in the beginning, but it became so bad and off the rails in later seasons that it went from “love it” to “what the fuck” to “hate watching” to “life is too short to watch bad television.” And there’s some weird curse on the show, too–several stars have died, Lea Michele turned out to be a bigger monster in real life than Rachel Berry (which is saying something–although to be fair, I already knew she was awful because I knew someone who went to Yale with her), and of course, Glee is the show that truly launched Ryan Murphy as a television production conglomerate. (His previous shows, Nip/Tuck and Popular were cult favorites; Glee’s huge success is what made him golden). It was interesting to watch it again, and see how subversive the show was for its time: a closeted gay teenager slowly making his way out of the closet, although terrified to admit it because he was already being bullied for being different; the absolute mockery of Chastity Clubs for teenagers; and while the show would probably have difficulties were it a new show starting to air today–playing off bullying for laughs, for one thing–it was still groundbreaking for the time.

It’s so interesting how things change so quickly, isn’t it? Over the course of my lengthy lifetime there has been so much change that things that were groundbreaking and transgressive at the time are now problematic; I’ve been thinking about this a lot lately, particularly in the wake of rewatching both Pillow Talk and The Rocky Horror Picture Show (which may be the first time those two films have ever been linked together in this manner–any manner, really; they are actually quite different films but…at their core they both challenged the status quo of their time), and especially now having rewatched the first few episodes of Glee.

And, as always, there’s probably an essay in there. I used to think about how much the world changed over the course of my grandmother’s life–she was born in 1910, during the Taft administration, and died during the Clinton–and all the changes she must have seen over the course of her lifetime, although in remote rural Alabama she might not have been terribly aware of those changes; she wasn’t able to get a telephone line until the early 1980’s–but now that I am past the sixty mark and no matter how much I want to believe otherwise, I cannot deny that I am on the downward side of the mountain of life I also marvel at how different the world is now than it was when I was a child. You never hear anything anymore about nuclear disarmament or the threat or potential of a full-blown nuclear war that could take civilization back into the dark ages again…but I also remember learning very young about atomic weapons and the damage they could do; I remember air raid drills when I was in elementary school and that there was a very large bomb shelter below the basement level of my school–you never forget seeing those triangular symbols on the wall over the staircase down. The right still drags out that cold-war era trope of communists! Communists! that they used to bleat about endlessly; I just saw it from moronic state legislator from Arizona on Twitter just the other day; and to this day they conflate socialism with communism as a scare tactic to drum up the base…who seem to think living as wage serfs from paycheck to paycheck, one medical bill or car accident away from bankruptcy and homelessness is better than any government assistance to ease their lives in any way–because there is nobility in suffering? But then, that also goes hand-in-hand with their embrace of a version of Christianity that tells them the more the suffer in this life the more wealth they will have in Heaven, which is weird. (I’ve never understood why they despise socialism and communism when in fact their ideation of heaven and the afterlife is…socialism.)

I’ve started reading Rachel Howzell Hall’s These Toxic Things, which is also quite marvelous. I am a bit behind on my reading of Hall’s canon; this is her release from last year and I also have her release from this year in the TBR pile as well; and I really want to go back and finish reading her Lou Norton series. The opening chapters of this are quite excellent, and I know what I’ll be reading on the train to Boston tomorrow. (One of the reasons I enjoy traveling as much as I do is because the uninterrupted reading time it gives me…I probably won’t finish all the books I brought with me on this trip–there are two others I’ve been meaning to read for quite some time; I love having time where I have nothing to do but read, although I suppose I could actually try to write on the train….nah. I may write in my journal instead if the mood hits me.)

I guess I should wrap this up so I can start getting ready to head out for my day. Don’t know if I will have time before my train to post in the morning tomorrow, but will definitely check in at some point–it’s weird to not being posting daily this week!

Happy Thursday, Constant Reader, and a shout out to all veterans on this Veterans’ Day as well!

Up To My Neck In Muddy Water

There seems to be a trend–at least to me–in mystery publishing that I am not sure how I feel about; primarily, that authors are moving away from writing series and going the stand alone route. Far be it from me to tell anyone what they should or shouldn’t write–if the market is stand alone novels are flying off the shelves while series books aren’t quite as popular, well, you have to write what is selling if you want to have a career; writing may be an art form, but publishing is a business. Why this is happening–or it’s entirely happening inside my brain and it’s completely made up from observations–is up for debate. I know with me, while I love discovering a new-to-me author and steadily working my way through their backlist is a joy, I also understand that you can look at an author’s backlist and think to yourself, oh dear God I will never have the time to read all of those books so why even try?

In my case, a great example of this is Michael Connelly. I had never read him, but a few years ago I read his debut Bosch novel, The Black Echo, and absolutely loved it. Yay! I thought. A new-to-me author with an extensive backlist I can dive into without fear of ever running out of something new to read! I had the same reaction when I read Louise Penny’s first Gamache novel, Still Life.

And yet here I sit, several years later, having not read anything else either of them have written. This isn’t a dis of either Connelly or Penny, for the record; I loved both books and sang their praises to the skies here on this blog when I finished reading them. I have the next two books in the Bosch series on hand, and I have the next four Penny novels here as well. I’m not sure why I don’t ever think to pick up their next novels when I am in search of my next read through the endless stacks and stacks of my TBR pile, but I do think it has something to do with the extant of the enormous backlists by both–and of course new books are coming out daily, and on and on and so it goes, forever and ever, amen.

I have also fallen behind on reading one of my favorite series of all time, Donna Andrews’ marvelous Meg Langslow series. Addictive as oxycontin, clever and witty and charming, I absolutely love these books. Caerphilly, where Meg and her cast of colorful, unique and lovable characters, made up of friends and family, is kind of like Schitt’s Creek to me; a charming, wonderful place with an underlying level and degree of kindness that always shines through in a believable and realistic way that you cannot help but love to go back to; it really does feel like coming home when you open the book to page one and start reading.

“Do you really think there’s room for all this luggage on the boat?”

“Ship,” I corrected. “I know it’s only a cruise ship, but I understand it demoralizes the crew when you call it a boat. And don’t worry, the porters will handle everything.”

Trevor Ponsonby-West sighed and looked put-upon. Well, he was put-upon. Being put-open was more or less his job. He was my grandfather’s personal assistant, which meant Grandfather delegated to him anything he didn’t want to bother with himself and couldn’t cajole his friends or family to do. Trevor’s job was demanding under normal circumstances and almost overwhelming when Grandfather traveled. And he traveled a lot. After all, even though he was now in his nineties, the world still expected to see Dr. J. Montgomery Blake rescuing endangered species, leading environmental protests, and appearing in the nature documentaries that had become such a staple on television channels like National Geographic and Animal Planet.

Trevor did a great job of getting Grandfather where he had to go, when he was supposed to be there, and equipped with whatever he needed to bring. If only he could do it without quite so much sighing.

What I wouldn’t give to write such a clever, witty, put-the-reader-right-into-the-middle-of-the-story opening for one of my books!

Meg and company are about to embark on a cruise–her grandfather is being paid to give lectures on board–but the cruise company is a smaller, less-famous one; one that isn’t an enormous floating hotel with thousands packed on board. Much of the regular cast–including her parents, cousin Horace the CSI, brother Rob and fiancee Delaney, cousin Rose Noire, husband and twin sons–are coming along for the cruise to Bermuda and back (it really wouldn’t be a Meg novel without the rest of the cast). And of course, whenever the lovably eccentric Langslow family goes or does anything…murder is sure to spring up along the way.

Sure enough, the arrival of a Diva at the pier, named Desiree St. Christophe, arrives in her Christian Laboutin stilettos, and all the pieces are in place. Desiree is a very successful romance novelist–early success, faded away, made a massive comeback–and there’s another group of writers also on board–who all hate her and blame her for the death of one of their group, a writer who’d been struggling with block for years, but had finally come up with a surefire winning manuscript (complete with bids from several publishers) before Desiree claimed she’d stolen one of Desiree’s manuscripts. The publishers withdrew their offers, her agent dropped her, and drowning in debt from a terrible divorce, their friend Nancy committed suicide. Desiree isn’t likable–demanding, unfriendly, and always drunk. On their first night at sea, Desiree apparently jumps overboard in a suicide…but it doesn’t make sense, and Meg and her mystery novel fan father soon think there may be foul play. The ship also becomes stranded out in the middle of the ocean, Trevor (from the opening paragraphs) appears to be missing, and the cruise quickly becomes one of those horrific Cruises from Hell.

But no one is more adept than Meg in a crisis!

The book is charming and wonderfully, cleverly written–there were times when I laughed out loud–as are all of the books in this marvelous series. The plotting is also terrific; I had no idea what skullduggery was going on, until Meg’s intrepid investigation starts uncovering clues and links in the chain of a diabolical conspiracy, and right up to the very end I had no idea who was responsible for all the things going on aboard the ship; which is the mark of a truly great mystery writer.

I can never stop reading once I’ve started reading a Meg adventure (misadventure?) and if you’ve not read this series, and it’s length (this is book 25) concerns you–you needn’t worry. You don’t have to start at the beginning (Murder with Peacocks), but can pick it up in the middle (I actually mistakenly started with book two)…but this is a series you absolutely should read from the beginning, because they are all a lot of fun, clever, charming, and like Schitt’s Creek, a lovely, wonderful world of love and kindness you’ll want to escape into over and over.

Here I Go Impossible Again

Later today I am leaving on a jet plane. My bags aren’t packed and I’m not ready to go–but eventually this morning I will get to that place. I have already made my packing list, have checked in for the flight on-line, have ground transfers negotiated and hotels booked; appropriate credit cards are in my wallet and I will get cash at the airport ATM. I have some errands to run this morning as well–prescriptions to retrieve from the pharmacy, treating myself to Five Guys because it has been far far too long–and I don’t have to leave for the airport until the mid-afternoon. So I decided to let myself sleep a bit late, futz around the Lost Apartment for a bit, and try to get things together that need to be gotten together before I depart, abandoning Paul and Scooter for far longer than I would prefer.

But I am taking a trip!

It’s almost like the before times.

Almost.

But when I think about how marvelous it felt to be in Tiger Stadium earlier this year, how normal it all felt to be there on Game Day (despite seeing my Tigers lose in person for the very first time in eleven years, but it was going to happen sooner or later and hey, the streak lasted an entire decade), and how that “normal” experience actually translated into feeling better about this world in which we live in general. Airports (and airplanes) generally aren’t pleasant experiences for me in the best of times and circumstances; I have so many horrible memories of nightmarish experiences working for that airline that literally going through the automatic doors of an airport concourse makes my entire body seize up with tension–I can feel the knots forming in my neck, shoulders, and back. But…I am thinking today I may be too happy and excited to feel that tension–not to mention grateful to actually be able to travel again.

Paul had a meeting on Sunday afternoon (!) and so I was left to my own devices after the Saints game ended; I caught up on The Lost Symbol (better than I remember the book) and Foundation, which really picked up steam (I also realized they aren’t following the exact timeline from the book series, either–for example, the existence of the second Foundation isn’t revealed until Book Three, not during the first Seldon Crisis–so much is coming back to me as I watch!) after a slow first two episodes–the Emperor thing is also different than in the books, but I am enjoying this entire idea of a clone threesome who run the empire, in fact embodying it to the point they are simply addressed as Empire, and also loving Lee Pace in the rule of Day, the adult yet not old Emperor (Dawn, Day, Dusk are the three cloned emperors; Dusk eventually dies and is replaced by Day, who is replaced by the no longer a child or teen Dawn, and a new cloned baby because the new Dawn. It’s interesting, and they’ve added a lot of creative flourishes filling in the missing brushstrokes; as though the Azimov novels were merely an outline needing to be expanded.

But when I was finished with Foundation, I still had some time left before Paul would get home and I didn’t really want to start something entirely new-to-me (having to stop when he got home) and my headspace after the Saints game wasn’t really in a place where it should be for reading, so one of the suggestions on my streaming app was The Rocky Horror Picture Show…and yes, I have literally seen it well over two, if not three, hundred times already. I’ve never watched it on television because talking back to the television by yourself is kind of…not sane? Certainly not as fun as being in a movie theater full of people with props and people in costume and so forth. It was interesting to watch it by myself and completely sober…it’s really a crazy movie that makes little to no sense, really, but it’s message resonates very strongly still with me today…I suspect there’s an essay there. I also think there’s a short story or a scene from a book I need to write about viewing The Rocky Horror Picture Show for the first time; I remember being quite taken aback–if completely enamored–by it. I do know that I bought the soundtrack album the day after and still know it all by heart even now, all these years later…

And yes, I did find myself answering the movie back. There are some problematic things in it, of course–what movie from that period doesn’t have something problematic in it?–but at the time…and for quite some time afterward, the movie meant a lot to all of us misfits out here, the square pegs that couldn’t be pounded into a round hole no matter how hard society–or we–tried. In that theater that first night–and all the other theaters on so many other nights–for about an hour and a half I was able to escape the strictures and stresses of a world in which I–and people like me–didn’t belong. As years passed props and toys were slowly but surely banned–who would want to clean up that mess, seriously?–but the loss of water pistols to simulate rain, flying rolls of toilet paper, etc. always seemed to lessen the experience.

Then again, I would have hated to have been the one cleaning the theater at two in the morning for minimum wage, too. Definitely an essay there, for sure–which would have to include the problematic parts that haven’t aged well. But man, did Tim Curry ever commit to that part, and he definitely understood what the movie was.

Last night we watched some more Big Mouth, which is hilarious, although I am never entirely sure if it is actually funny, or if the laughs come from wow I can’t believe they went there shocks. (I’m actually surprised there’s not more right-wing outrage at the show, honestly; maybe there is and I am unaware, but this is precisely the kind of show they would go for–a comedy about junior high students going through puberty that is completely frank about sex and sexuality and masturbation and so forth? You’d think the American Family Association would be eating the outrage with a fucking spoon in both hands.)

And on that note, I should probably start getting it together around here this morning. Have a lovely Tuesday, Constant Reader, and I will check in with you tomorrow morning from New York!

Moon & The Sky

The first Monday morning after Daylight Savings Time kicks in–or kicks out? I never can remember if we borrow an hour or return it–and it’s an exciting day ahead for one Gregalicious. (Isn’t every day an exciting day for one Gregalicious, really?) It is rather nice that it isn’t dark outside this morning for once, but at the same time it means it will be full dark when I leave the office every day now, which always feels oppressive for me. I think I am not a fan of the winter primarily because of the shortened days (the colder weather isn’t, despite my frequent harsh reactions to it, the worst thing; as long as there is no snow and ice I can live with it, frankly). I don’t like the darkness, never have; still feel uncomfortable in the dark, if I am not entirely afraid of the dark still.

The terrors of childhood are never truly outgrown, are they?

The Saints game was eminently disappointing–never fun to lose to Atlanta, especially the way the Saints did yesterday–but I did get the sense the team is getting there, starting to gel after losing the starting quarterback, Jameis Winston–so I don’t think the rest of the season is going to be a total wash. We may not make the play-offs this year (!!!) but you know, it’s the beginning of a new era for the Saints, the post-Drew Brees era, and there’s no telling what that’s going to be like. LSU is also going to be getting a new coaching staff for next season…and again, no telling where LSU is going to end up next year either.

I wound up getting a lot more organized yesterday than I was before this weekend, which is lovely. I got folders put away, counter surfaces and inboxes are emptied for the most part, and I am traveling tomorrow. I am going to New York for a few days and then Boston for the weekend; as I have already mentioned, this is my first non-family related travel since the pandemic started, and after everything I’ve seen on-line about airports and flights being disrupted by people who think rules don’t apply to them (a personal pet peeve of mine; the rules apply to everyone else why have rules in the first place?), but at least I have a non-stop flight so the chances of misconnections and lost luggage and all of those other things that make traveling an utter nightmare have been lowered substantially.

We started watching the new season of Big Mouth last night on Netflix–this show is so funny and honest and out-and-out blunt about puberty (clearly, it couldn’t be live action) and burgeoning sexuality (and masturbation) that it still amazes me that it gets made; it would have never aired on basic cable or the original networks. I feel rested after this weekend–perhaps it’s the extra hour and my body hasn’t adjusted yet–more rested than I’ve felt in a very long time. I didn’t get as much accomplished this weekend as I would have ultimately preferred, but that’s life and beyond my control. It’s not easy to either write or edit when traveling, but I am going to give it the old college try and see what I can done while on the road. Obviously, that is something I need to get better about going forward.

But I feel good, am excited about the trip, and just have to get through today. My flight tomorrow is later in the day, so I don’t have to deal with any of the crazed “last minute” packing and so forth; I can leisurely check the weather in both places, figure out what I need to pack, make a list (the crazed list-maker never stops, apparently), and then carefully pack so as to be certain that nothing is left behind (a bigger and bigger fear the older I get, sadly) and then get up tomorrow and slowly get ready for the departure. I have an errand I must run tomorrow before heading for the airport, and there are some things around the house I need to get done before finally heading on my way out. It’s going to be weird traveling again–I did fly up to Kentucky earlier this year, but that now seems like it was an eternity ago–but I will have my phone and a book; I am taking These Toxic Things by Rachel Howzell Hall, Invisible City by Julia Dahl, Jar of Hearts by Jennifer Hillier, and a Donna Andrews with me (not sure which Andrews; I am several books behind and desperately need to get caught up on them), which definitely should take care of my reading at the airport, on the trains, and on the planes. It will also help me fall asleep at night as well in strange hotels–I never sleep well in hotels, not sure what that’s about, but it has everything to do with it not being my own bed because I experience this everywhere–and I am looking forward to engaging with these books; it’s been a while since I’ve read a book through.

I reread Stephen King’s short story “One for the Road” from Night Shift yesterday, which, like “Jerusalem’s Lot,” is about the town from ‘salem’s Lot; this story clearly takes place after the events of the novel, so the two stories are book-ends for it–the former story being set over a hundred years in the past and explains how the town became basically cursed; the other being here we are a few years later when the town has become abandoned again. I’ve always wanted King to write a sequel to this book–it’s actually one of the few that kind of cries out for a sequel, as opposed to The Talisman and The Shining, which are the books he wrote sequels to; I know I read somewhere that he had the idea already of how to open such a sequel, and in all honesty it really whetted my appetite to read it. (‘salem’s Lot will always be one of my favorite Kings, if not my absolute favorite)

And on that note I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check with you later.

Storm in a Teacup

I first discovered Stephen King when I was a sophomore in high school. A friend was carrying a paperback copy of Carrie around with her, and I neither recognized the title nor the author. The cover was interesting looking, in that weird kind of alternate reality type way that speculative fiction covers so often got at that time. “What is this about?” I asked when I picked it up and examined the book.

“It’s about a bullied girl with psychic powers,” she replied. “My mom was worried about letting me read it because she’s afraid I’m like her.”

It rather broke my heart a little to hear my friend, who was overweight and had very bad skin but also incredibly kind and intelligent, say this; but I could also relate a bit because I, too, was picked on and bullied. I, too, knew what it was like to walk past a gaggle of kids both pretty and “cool”, notice that they stopped talking as I approached only to whisper and laugh once I walked by…while simultaneously feeling grateful that they had the decency to whisper so I couldn’t hear what was said (and typing that really made me sad).

I opened the book to the first page and there it was, about halfway down the first page, in italics: Carrie White eats shit.

The preceding sentence, not italicized, read: “Graffiti scratched on a desk of the Barker Street Grammar School in Chamberlain:”

The realism of this, its brutal reality and recognition of the horrors bullied kids face, was like a 2 x 4 across my forehead. I started reading, and kept reading, until the bell rang and I was about thirty pages in, completely drawn into the story. I’d never read anything like it before; it was so real, so honest, so like what high school was actually like as opposed to the cutesy stories I was accustomed to reading about teenagers, where the concerns were “who will take me to Prom?” or “should I go ahead and have sex now or do I wait till I get married?” This was visceral, and I regretfully passed the book back to my friend, thinking, “I’ll look for it at Zayre’s when we go there next.”

My friend, who shared my love of reading, just smiled and said, “I haven’t started it yet–why don’t you go ahead and finish it and then give it back?”

I read it instead of paying attention in my next class–it was Drama, the little play we were rehearsing for class had me assigned stage managing duties, so I really had nothing to do since I wasn’t rehearsing–so I sat in a seat in our school theater, reading. I read it on the bus ride home. I read it when I got home, sitting on my bed with my back propped up by cushions. And I finished it that night–establishing a pattern with King’s fiction that lasted for decades: I would read the book as soon as I got a copy from start to finish, usually in one sitting (It kept my up all night because I couldn’t put it down).

When I saw Night Shift on the wire racks of the News Depot several years later in Kansas, I was terribly excited. A new Stephen King! I bought it immediately and took it home…slightly disappointed to discover it was merely a short story collection, and I wasn’t a big fan of reading short stories; I only read the ones I was required to read for a class assignment.

I read the first story, “Jerusalem’s Lot,” and didn’t like it at all; I put the book aside and didn’t return to it until months later…the next story, however, was “Graveyard Shift” and it was amazing…suffice it to say, I read the rest of the book through in one sitting–and it’s also been my go-to for rereads and so far when I don’t have a lot of time, or I want to simply relax and enjoy reading…one of the reasons for years I would often reread a favorite book.

But last night we started watching Chapelwaite, which I knew was an adaptation of that first story I didn’t care for–and have never reread as a result–and so I decided to go ahead and revisit the story.

I am really glad that I did.

Oct. 2, 1850

Dear Bones,

How good it was to step into the cold, draughty hall here at Chapelwaite, every bone in an ache from that abominable coach, in need of relief from my distended bladder–and to see a letter addressed in your own inimitable scrawl propped on the obscene little cherry-wood table beside the door! Be assured that I set to deciphering it as soon as the needs of the body were attended to (in a coldly ornate downstairs bathroom where I could see my breath rising before my eyes).

I’m glad to hear that you recovered from the miasma that has so long set in your lungs, although I assure you that I do sympathize with the moral dilemma the cure has affected you with. An ailing abolitionist healed by the sunny climes of slave-struck Florida! Still and all, Bones, I ask you as a friend who has also walked in the valley of the shadow, to take all care of yourself and venture not back to Massachusetts until your body gives you leave. Your fine mind and incisive pen cannot serve us if you are clay, and if the Southern zone is a healing one, is there not poetic justice in that?

Yes, the house is quite as fine as I had been led to believe by my cousin’s executors, but rather more sinister. It sits atop a huge and jutting point of land perhaps three miles north of Falmouth and nine miles north of Portland. Behind it are some four acres of grounds, gone back to the wild in the most formidable manner imaginable–junipers, scrub vines, bushes, and various forms of creeper climb wildly over the picturesque stone walls that separate the estate from the town domain. Awful imitations of Greek statuary peer blindly through the wrack from atop various hillocks–they seem, in most cases, about to lunge at the passer-by. My cousin Stephen’s tastes seem to have run the gamut from the unacceptable to the downright horrific. There is an odd little summer house which has been nearly buried in scarlet sumac and a grotesque sundial in the midst of what must once have been a garden. It adds the final lunatic touch.

But the view from the parlour more than excuses this; I command a dizzying view of the rocks at the foot of Chapelwaite Head and the Atlantic itself. A huge, bellied bay window looks out on this, and huge, toadlike secretary stands beside it. It will do nicely for the start of that novel which I have talked of so long (and no doubt tiresomely).

When I first read this story (and disliked it so intensely) I was a teenager completely turned off by the archaic style of writing, as well as the concept of a story told in letters and diary entries (I wasn’t aware of the concept of epistolary fiction at the time; it was also why I stopped reading Dracula when I first tried as a teenager), and the story itself was just kind of…weird–with all its references to things inside the walls and “great worms” and “horrors from beyond the cosmos”…it wasn’t until I read King’s study Danse Macabre that I became aware of Lovecraft’s work and eldritch horrors; but remembering how much I disliked this story, it didn’t exactly inspire me to go on to read Lovecraft or works in a similar vein (the cultural war over Lovecraft in the speculative fiction community over the last decade–not sure of the time line, frankly, and don’t care enough to go look; I am loosely affiliated with that community and have many friends in it, so can’t not be aware but simply observed).

But watching Chapelwaite put me in mind of this source material for the show again, and I decided to reread it this morning, since I’ve never reread the story since its initial read back in the 1970’s. I’ve since read Dracula; Les Liaisons Dangereuses was the book that cured me of my disdain for epistolary fiction–the book is extraordinary–but yet, never gave “Jerusalem’s Lot” another try.

I’m glad I did.

This second read made me appreciation the story a lot more than I did over forty years ago. A quick glance at the copyright page for Night Shift shows that the story was an unpublished work included in this collection and seeing print for the first time; a shame, because it not only shows King’s incredible versatility as a writer but also it’s chilling and creepy; it’s almost Gothic in tone, certainly using a writing style from the past (although I don’t know that a man in 1850 would mention needing to relieve his bladder in a letter to a friend); one that is very formal and I didn’t care for much as a teenager but have come to greatly appreciate in the years since. The story is simple: Charles Boone, after some ill health after the loss of his beloved wife, has inherited a family estate on the coast of Maine. There was a family rift between his grandfather and great-uncle; the death of the former master of Chapelwaite has left Charles as the lone survivor of the family. Once he and his man-servant arrive, they begin to experience strange phenomena that they originally tribute to rats in the walls; but rats don’t explain when no one in the nearby town of Preacher’s Corners will come near the place, or will have anything to do with Charles. A few miles from the house is a pristine yet abandoned village: Jerusalem’s Lot (yes, the same name of the town from King’s classic vampire novel ‘salem’s Lot), and Charles–despite being warned (do people in horror stories ever listen to warnings?) investigate the little town, and…yeah.

GREAT story, and the end is *chef’s kiss*.

Very glad I decided to revisit the story, so thank you, Chapelwaite, for getting me to do so.

And I will add there’s another Jerusalem’s Lot story in Night Shift, “One for the Road”–which I deeply love.

And now back to the spice mines.

I Love Saturday

It’s true. I do love a Saturday.

Yesterday was gloomy in New Orleans–clouds everywhere; white and fluffy, but too thick for the sun to get through, so there was kind of a weird dullness to the light. I spent most of the day doing data entry for my work-at-home chores, and then starting proofing the pages of #shedeservedit, which are due on Monday. I hope to get a lot done this weekend; I have writing to do and edits to make and everything else; I am leaving on a trip on Tuesday to the northeast so writing is probably not going to be much of an option while I am traveling. I will try, however; just as I will try to write here every day so you won’t miss me terribly. (I crack myself up, seriously; no one would notice if I didn’t post! I am not that arrogant.)

But today is bright and sunshiney; I woke up feeling really good after a very lovely night’s sleep–long and deep and restful–and I feel like this morning is the start of a great new time for me. (It’s really amazing what a great sleep will do for one’s outlook, isn’t it?)

Yesterday was a work-at-home day, and by the end I was bleary-eyed from staring at a computer screen entering data for the most part. I was very glad to finish–it’s tedious, and while it does appeal to my obsessive-compulsive side as well as the completist aspects of my persona, any kind of simple data entry work can become tedious and make your eyes cross after awhile. After Paul got home last night we caught up on this week’s episode of The Morning Show and started watching Chapelwaite, with Adrien Brody from EPIX, which is, of course, based on Stephen King’s short story “Jerusalem’s Lot” from the Night Shift collection (which I now want to go back and reread, at least this particular story). “Jerusalem’s Lot” was never a favorite of mine of King’s, and I never revisited it; it was written a very old Gothic style, like Dracula–mostly epistolary, in the form of letters and journal entries–and King himself has said it was very Lovecraftian in influence and style (I’ve never read Lovecraft; something I should perhaps remedy at some point. I’ve always admitted my education in classics is sorely lacking.) and I didn’t much care for it as a callow youth. But as an adult I’ve become more enamored both of epistolary tales (I love the concept of people writing incredibly lengthy letters to each other; and Les Liaisons Dangereuses, one of my favorite books and stories of all time, is completely epistolary), and I suspect a quick reread of the story will actually give me a better appreciation for it. Plus, I think to get back into the habit of reading again, I may need to revive the Short Story Project. I’ve been struggling with my reading again lately, not sure why, but maybe reading short stories will help me work my way around it.

Today I have writing to do, as always. I am going to finish writing this and continue to swill coffee while finishing some odds and ends here in the kitchen; I’ve made some impressive (to me) progress with the organizational project I’ve undertaken (goal: to be completely organized by the end of the year), and I might even sit outside and read for a bit this morning. It’s definitely fall here now–yesterday it was in the 60’s–and quite lovely. I do want to go for a walk in the neighborhood where my book is set, to get another feel for it–so that will probably be on the agenda for either today or tomorrow.

In other exciting news, I may have found a home for one of my own short stories, a particularly dark and twisted tale no one I’ve submitted it to wants to touch. An editor compiling an anthology of gay-themed and written crime stories reached out to me this week; I spent a couple of days thinking about it, and realized that this story actually, with a few tweaks, could easily be made into something that fits this theme. So, add that to the list of things to do. I didn’t really do anything in the world of short stories this past year–something I hoped wouldn’t turn out to be the case; I’d been hoping to write and sell a few every year going forward, but this crazy year has just slipped through my fingers and as such, don’t really have much in the way of short stories to show for myself, which is terribly disappointing. Then again I rarely cease to find myself disappointing….

And on that note, I am going to grab my iPad and read that Stephen King short story. Have a lovely Saturday, Constant Reader, and I will check in with you yet again tomorrow.

Don’t Say Your Love Is Killing Me

Ah, Kansas.

Moving between your sophomore and junior years in high school isn’t easy on any teenager. I wasn’t quite as nervous about this move as I had been when we moved from Chicago out to the suburbs–which was a major shift in everything I was used to, moved me away from friends I’d been going to school with since first grade, and made me that thing no one wants to be: the new kid–primarily because I’d already experienced being the new kid once already, and had never really gotten over it. Suburban life wasn’t good for me, really–I got picked on and bullied alot, called gay slurs pretty regularly, kids didn’t want to be my friend because they’d open themselves up to the same bullying I was experiencing. So, while I was going to miss the people I did consider to be my friends–which was yet another eye-opening experience in and of itself, but more on that later–but I wasn’t going to miss the bullying, the being targeted, the snickers after I walked past people in the halls, and worrying about having a place to sit in the cafeteria every day (my sophomore year I joined Choir to get out of the lunch break–we were always dismissed fifteen minutes early so we could eat, so I would grab something quickly and eat it as fast as I could; I still eat fast to this day).

I even thought it could be a fresh start for me, and all of that could stay in the past.

While I sometimes will joke about how glad I was to get out of Kansas five years later, I appreciated my time there. My high school was actually–given its size–a much better school than the enormous one I attended in the suburbs; I actually learned there and participated in class. I was, of course, horribly lonely; it’s never been easy for me to talk to people I don’t know (painful shyness, to the point of anxiety), and as always, when nervous and uncomfortable I resort to humor and jokes and being a clown. I never felt like I fit in there, but it was so much better than my old school experience–and the slurs didn’t start there until the second semester of my senior year. That was fine; I just had to make it through a few more weeks by then and at that point I was ready to get out of there and move on with my life.

Kansas wasn’t a particularly welcoming place for a gay teenager in the mid-1970’s, but then most places weren’t at the time. I remember thinking I was the only gay kid in Kansas, the only one at either school I attended, and there was absolutely no one I could trust to talk to about it. I missed having real friends, ones like I read about in books or saw in movies and television shows; it wasn’t until much later in life that I realized I never had real friends because I never trusted anyone enough to actually be honest with them, tell them the truth about me–and the real basis of friendship is mutual trust. I obviously have always had serious trust issues–the whole no one can find out hell of my first few decades of life–but I never felt close to people because I didn’t trust them enough to not turn on me, walk out of my life, and/or mock me if I told them the truth.

So, for a long time I rather held it against Kansas and the area where we lived for not being more open and welcoming, and it was unfair. Would rural Alabama have been better? New Orleans? Nebraska or Texas or California? Even in the cities with a big queer population at the time–New York, Chicago, San Francisco–I wouldn’t say the life of queer kids going through the hell of being closeted in public school was better there. Maybe it was, maybe it wasn’t; I don’t know. But when you live in Kansas and are a queer kid in the 1970’s…I felt like I was marooned on a distant planet.

Oddly enough, the little book store in the county seat, the News Depot–they had a massive newspaper/magazine section, and also carried comic books; it was there I started reading them again–that I found the books that were my foundational queer reading: Gordon Merrick’s The Quirk, Patricia Nell Warren’s The Front Runner, and Marion Zimmer Bradley’s The Catch Trap (and yes, I am aware of the allegations against her as well as her husband–and his, I believe, actual crimes; but I cannot deny the book was foundational reading for me, either). The clerk didn’t even give me a second glance whenever I bought one of these books; I also had to bury them in my room in stacks of other books so my mom wouldn’t find them (my biggest fear was always one day my mom would get bored, wander into my room to find something to read, and wonder, ‘The Quirk? What’s that about?”). There were sex scenes in them, too–sex scenes I read over and over again, memorizing the page numbers so I wouldn’t have to use a bookmark or turn down a page, which was far too risky. I already had a vague idea of what gay sex was like, gathered from insults and comments in other books; but these were pretty graphic and left no doubt in my mind whatsoever about what was involved.

And boy, I wanted to find out how it actually felt.

(I never actually found a gay bookstore until I moved to Tampa in 1990. But I would spend hours in bookstores in the years prior looking for anything that might even be remotely gay or gay-friendly; and occasionally I would find something like Dancer from the Dance or The Swimming-Pool Library but what I really wanted was something fun to read with positive gay characters. characters who weren’t stereotypes or to be pitied or felt sorry for; gays who lived their lives openly and proudly, and maybe solved crimes, fell in and out of love, experienced life that wasn’t all solemn and dreary and sad. Don’t get me wrong–I am not dogging either of those books; they are wonderful novels and beautifully written, but…I am a genre guy, not a litfic guy, and I wanted to read some gay crime or horror or romance or something entertaining. Once I discovered the wealth of books and authors that actually existed in the genres? There was no turning back.)

I had always felt like I didn’t belong anywhere–my earliest childhood memories are of me being aware I wasn’t like the other kids, in many ways, and how odd and different I felt. That feeling never changed growing up–hell, there are still times when I feel like I am from another planet–and the moving around didn’t help, either…I do remember thinking, every time I moved to a new city and state as an adult, ah, here we go again–no friends, no life, and no idea how to find anyone who is like me–if there are any people like me.

It was often discouraging. I felt like I was going to always be alone.

By the time I was twenty it was time to go, to leave Kansas and never go back. I felt so stunted, and so unhappy, like my potential hadn’t been tapped and never would if I remained there. I knew if I stayed in Kansas I would wind up probably very unhappily married, with kids and a whole life I didn’t want, had never wanted, but was expected of me. I knew I would never be happy there, completely happy–and so when the chance presented itself to move to California (California! You can imagine how exciting that sounded to me), I took it and never looked back.

With the passing of time and more perspective, a lot of the bitterness I used to feel about my experience there has changed. I don’t know that the experience there now would be any different than it was in the 1970’s, but I suspect that even had we stayed in the suburbs of Chicago those last few years of high school and first years of college would have been equally scarring and stifling; that’s pretty much how it was for queer kids everywhere back then. Some of the kids I was friends with, or knew, from my old high school in Kansas have friended me on Facebook, and me being a big ole queer must not bother them too much; it’s not like I hide it anymore (those days are forever gone) and they don’t unfriend or block me (although my feed could be hidden from their walls; I’ve certainly done that). I’ve revisited Kansas some in my work already–some short stories, a novel here and there–but this latest visit there in the world I created for #shedeservedit might be a bit unfair; but in a town where toxic masculinity has been allowed to run unchecked, I can’t imagine it would be a comfortable place for a gay teen.

And that’s enough for today. Hope you have a lovely Monday, Constant Reader, and I will check in with you again tomorrow.

Take a Chance on Me

I got my boosters shot yesterday; other than some arm soreness, I seem to be okay–no gills have developed, no wings, and no scales–but the day is young. The weather here turned very cool yesterday, which was incredibly lovely; fall and spring are so divine here, it makes us forget the swampy hell of the summer every year. Yesterday wasn’t a bad day; I managed to get a lot of work-at-home duties done, while watching Foundation (I am all in on the show now) and then started, of all things, Peacock’s original series adaptation of Dan Brown’s The Lost Symbol (more on that later). I have quite the busy day ahead of me now; lots of work at home duties and as always, the Lost Apartment is a disaster area. I am actually up much earlier than I have been getting up on my non-going-into-the office mornings, and it kind of feels good. The light outside is different than it has been–another indication that the world’s turning has shifted and daylight savings is looming on the horizon (next weekend)–and it’s a nice morning here with my coffee here in my kitchen-office.

The house was power-washed this week, and despite the fact we’ve been living here on this property since 2003, I had always thought under all the accumulated grime from the air here (our air quality is something I try not to think about very often, but it’s hard when you see how much of it gets on your car and windshield) the house was painted a pale blue; turns out it is pale coral. Who knew? They also power-washed the concrete sidewalks around the house; the difference is very startling. I am taking the power-washing as a hint that the apartment needs an even deeper dive cleaning. There’s no LSU game tomorrow (thank God, really; I am dreading the Alabama game next week), so I have the entire day free. There are some good games airing, but there’s no need for me to sit in my chair and spend the entire day watching college football, either. There is a Saints game on Sunday–Tampa Bay and Tom Brady–but that’s late enough for me to watch so I can get things done during the day; and a 3:25 start time is also a nice time to call it a day on everything else I am doing around here.

I haven’t started Scott Carson’s The Chill yet, either; ironically I got a copy of his new release. Where They Wait, this week (as well as a copy of Lucy Foley’s The Guest List), so I should probably crack the spine of The Chill at some point today. Scott Carson is the name Michael Koryta (one of my favorite authors) uses now to write horror (he used to write it under his own name. Not sure why the switch/rebrand, but probably has something to do with Koryta being branded for top notch crime fiction; seriously, check out his work if you haven’t. I recommend starting with The Prophet, and if you’ve not read Megan Abbott’s Dare Me, they pair together very nicely).

I also really, really need to write this weekend. I need to write a lot. I also have to do the page proofs for #shedeservedit, but they aren’t due until a week from Monday, and I think the more time I take away from that manuscript the better job of proofing I will do on it. I am a shitty shitty shitty proofreader, which is probably why there are more mistakes in my finished books than there should be in anyone’s printed books. But at least there’s time for me to let them sit and percolate before I jump on them; I am usually so heartily sick of any book at the proofreading stage that I don’t pay as close attention as I might. On the other hand, it’s also entirely possible that I am being too hard on myself, which is something of which I am frequently guilty. No one is as hard on me as I am on myself. At some point in my life I pretty much decided if I was super-critical of myself, other people’s criticisms wouldn’t hurt me as much as they had before–and it became deeply engrained into my psyche, and it’s actually more damaging to me than accepting criticisms from others.

Many years ago I decided to stop being unkind to writers and their books on my blog. If I read a book I didn’t care for, I wasn’t going to dis it on the Internet–because I don’t want to hurt anyone’s feelings, primarily, and I am not always highly receptive to negative nastiness about my own work. (I tend to say “I’m not the right audience for this book” now.) I didn’t want to be become like those professional reviewers who hate everything, and make their reviews about how smart the reviewer is and how bad of a book they are destroying in print. At the time I made that decision, I also decided there were two exceptions to my rule: Stephenie Meyer and Dan Brown. What was my small voice, after all, in the chorus of critics and readers worldwide who loathe their writing? It did strike me as hypocritical from time to time, and so I stopped even doing that. They are, no matter how much success and money they have, still human beings with feelings, and there’s a sense that mocking and insulting their work, no matter how small my platform or voice, is just piling on.

Having said that, I will admit I greatly enjoyed The Da Vinci Code when it was released, enough so that I went back and read the first Robert Langdon novel, Angels and Demons (which I actually thought was better). It was a great ride, and I already had some familiarity with the idea of the Christ bloodline, having read Holy Blood Holy Grail at some point in the 1980’s, with its outlandish (if interesting) claims that were eventually turned out to have been based in a great fraud. It combined a lot of things that tick off boxes for me: treasure hunt based in history, actual historical events, the Knights Templar, the Cathar heresy, the Crusades, and of course, making the Catholic Church the great villain of the story (the only better villains are Nazis, really). Was it greatly written? I honestly can’t say now, it’s been so long since I read it. But I did read The Lost Symbol, his follow-up, when it was released and absolutely hated every word of it. I tried to read the next, Inferno, and gave up after the first chapter. I’ve never watched any of the films–although now I am thinking it might be interesting to do so. When I saw the Peacock was adapting The Lost Symbol, I actually (thank you, faulty memory) thought it was the Brown novel I hadn’t finished. After I got caught up on Foundation but still had at least another couple of hours’ worth of condom packing to do, I decided to try The Lost Symbol. Even as I watched the first episode, none of it seemed familiar to me, and it wasn’t until they mentioned the painting “The Apotheosis of George Washington” (that may not be the actual name; but it’s the painting in a government building ceiling where it looks like Washington is being greeted into heaven as a god) that I began to suspect that I had actually read the book; by the time they descended into the tunnels below the city and met the Architect of the Capital I thought, oh yes I did read this and didn’t much care for it. But the show itself held my attention–it’s an adventure story, after all, and Ashley Zukerman was very well cast as Langdon. I look forward to continuing watching it–at least while I wait for the new episodes of everything else we are currently watching to be loaded for streaming.

And on that note, it’s time for me to head into the spice mines. Have a lovely Friday, Constant Reader–I’ll come back tomorrow to check in.

Love to Hate You

Working at home today, but heading into the office this afternoon to get my booster shot. Yay, booster shot!

It’s hard to believe that Halloween is this weekend. WHERE THE HELL DID OCTOBER GO? Granted, when I think back to the summer or spring (let alone the winter) it does seem like it was a million years ago; time seems to slip past very quickly but when looking back, I don’t think, “wasn’t it just Labor Day?” This year has certainly been something–but I much prefer 2021 to 2020, any day of the week, and maybe, just maybe, 2022 will be better than 2021.

Fingers crossed, at any rate.

This has been a strange week. My fuse has been shorter than usual; I don’t know what that is about because I’ve been sleeping really well and have been productive, but at the same time I’ve not actually been writing, and that always causes trouble for me in the long run; if I don’t write, my mood darkens (something I always seem to forget). I’ve not been tired this week–at least not until I get home from the office, at any rate; I generally have been running out of steam around six or so in the evening, which means neither writing nor reading anything; although I’ve been going over my edits in the evenings and will probably do my proofing in the evening as well. I want to step away from the book for a few days anyway; there have been so many drafts and so many changes that I was slowly beginning to not completely trust my memory for the edits (I couldn’t remember if something was in the current draft or I was remembering a former one; I eventually gave up on my memory and trusted that my editor was getting things right because there was no way I could be certain….this memory thing is really becoming problematic).

The memory thing is becoming enough of an issue that I may need to end the Scotty series because I can’t remember what has happened in the past books…I keep meaning to make a series Bible–even took the time to go through a set of the series with little post-it notes, color-coded by character and location…just never got around to extracting the information. Maybe one of these days when I am really tired, or really bored…it probably wouldn’t be a completely terrible idea to reread the entire series from beginning to end, either. Sigh. I really don’t like rereading my own stuff because inevitably I will always find things I want to fix or correct and revise…and of course, it’s too late.

Last night we had the most terrifyingly powerful thunderstorm. The thunder sometimes seemed it wasn’t going to end, and there was more of a downpour than we had during Hurricane Ida. I mean, I was watching television (Paul had gone to the gym) and if I notice that it’s raining–if I can hear it–that means it’s literally getting close to time to build an ark. I actually wondered if I should move the car…and am still a little nervous about getting into it later to drive to the office for my booster to find out it flooded or something. It ended before Paul came home from the gym, but I was worried about him–the lightning and thunder was so intense, and the downpour so strong…it was pretty bad in the parishes so damaged by Ida, too, particularly in Lafourche and Terrebonne.

Louisianans don’t get near enough credit for toughness and resiliency, methinks.

I started watching Foundation again last night, and am really glad I did, as the action and story begin to seriously pick up in episode 4. There’s a weird gap of time between the second and third episodes–definitely a risk by the producers and writers–which isn’t really explained; episode two ends on a major cliffhanger and when the third episode begins, it’s like thirty or more years later, with no explanation or follow-up to the second episode–which was jarring to me as a viewer. But enough happens in episode four that I started to finally get sucked into the story, and episode five was spectacular; I am definitely all-in on the show now. It’s incredibly well-done; visually it’s gorgeous and stunning and epic in design, and it also expands heavily on the original stories. (I read the Foundation trilogy–it was originally a trilogy–back in my brief scifi/fantasy period of the 1980’s; I also read all the follow up Foundation novels, and loved them all. I don’t remember an awful lot of the books, but I do remember being very impressed by them and the universe they created; I loved them so much I went back and read much of Azimov’s past science fictions–the robot books, the Lije Bailey/Daneel Olivaw novels–and really came to an appreciation of Azimov as a visionary writer.)

We also watched the most recent episode of Dopesick, and what a stunning indictment of our capitalist system it is. The fact that the Sackler family’s greed resulted in our current opioid crisis and I don’t even know how many deaths and addictions and crimes…and the fact they are going to not only get away with it but keep most of their ill-gotten gains is sickening and disgusting to me. Sure, Purdue Pharma is bankrupt and going out of business, but the real evil here is the family that owned it–and the fact they are not going to have anything happen to them other than losing a few billion (out of over a dozen)–gosh, how will they fucking sleep at night? The Sacklers certainly make me understand why people so fervently believe in hell.

And on that note, it’s back to the spice mines with me. Have a lovely day, Constant Reader, and I will check in on you again in the morning.