Author: gregh121

I am a writer and editor who lives in New Orleans.

Paperback Writer

John Copenhaver, one of queer crime’s latest (and brightest) stars recently (you should read his books, frankly; I am looking forward to his latest, Hall of Mirrors) wrote a brilliant essay on the concept of writing complex queer characters, and the artistic need to push beyond ‘gay is good’ messaging and not worrying about the question of role models which you can read by clicking here. I highly recommend it–it’s well thought, reasoned, and stylishly written, and the kind of thing I wish I could write.

But reading this essay made me think about my own work, the pressures I’ve had–either real or imagined–about representation and addressing social issues through the framework of queer people and characters, and made me think about the work I do from not only a creative view (which is how i always view my work) but from a cultural, political, and societal perspective. That’s not something I’ve ever really consciously done (“oh, let’s make this political“) but one thing I’ve never done is worry about how straight people might react to my work…primarily because it isn’t really for them that I write my books in the first place. If my work offends straight people that isn’t my problem, nor is their whining about how queer people see and perceive them…and it’s not like there aren’t millions of books designed as comfort reads for cishet white people. I’ve also never understood taking offense at a book. I’ve read plenty of books whose point of view I’ve neither understood nor care to; and I tend to not read anything that I think is going to either offend me or be antithetical to everything I read–I tend to avoid Westerns, international spy thrillers, and war novels, and mostly for the same reason I tend to avoid most cishet white male authors. Your work isn’t written for me, and I can’t imagine westerns to be not problematic1–likewise, I’m not interested in reading about toxic male he-men that are racist rah-rah-rah books to make white men feel better about themselves (you know who you are) and so I avoid covers that pretty much spell out to me what the contents are going to be–women who exist only to be beautiful sex toys, any gay characters are offensive stereotypes and usually die, and so on and so forth; I love my country in spite of its flaws, and that love is strong enough to bear critiques on our nation and the people who run it, so I don’t need to read fiction designed to make me thump my chest and scream AMERICA LOVE IT OR LEAVE IT at anyone who dares critique the country and its domestic and foreign policies.

If cishet white people enjoy my work, fine. If they don’t, well, as I said it isn’t intended for them in the first place.

first author photo

When I first dreamed of being a writer, it never occurred to me to write about gay characters or themes. I was a child, for one, and for another that child was terrified that anyone might figure out that I wasn’t one of the “normies”, and what I actually was inside was something they’d all view with contempt. When I was a kid I wanted to write a kids’ series, like Nancy Drew or the Hardy Boys, and even came up with multiple different ones that I wanted to write, and came up with a rather lengthy list of titles for the books (which I still have, because I’d still like to try this at some point before I die), and gradually moved on to wanting to write other styles of books as I got older and began reading more. My addictions to soaps, both daytime and nighttime, during the late 1970s thru the early 1990’s, had me looking at writing more about towns and large casts of characters, and I always wrote a murder mystery into my ideas for these Peyton Place type novels I wanted to write; I also wanted to write Gothic suspense novels, and Stephen King had me also wanted to write mainstream horror novels…and later on, I moved into wanting to write horror/suspense/crime novels for young people.

It wasn’t until I met Paul, and I found gay bookstores, that I realized I could write gay stories and themes and characters, and I decided I wanted to write gay crime novels, set in New Orleans, and so that’s what I set out to do, starting a novel called The Body in the Bayou, which I had already thought up as a series about a straight Houston private eye–so I made the main character gay and moved it to New Orleans. I threw out the first ten chapters within two weeks of moving here, and started over again.

Promo photo for my old training business

And then I found myself in the conundrum John talks about in his essay so brilliantly; is it okay to have queer characters be the bad guy? Do we have to write all of our stories and novels from a thematic viewpoint that ‘gay is good’? Do we as creators have a responsibility to the community to only present queer people as heroic, or can they be flawed or even bad?

Author photo from 2007

I’ve talked about this before–how the idea for the case in Murder in the Rue Dauphine came to me, and I also worried about how the book would be received because I was explicitly creating a case and a world where not all queer people were good people. It was inspired by a gay man who came to New Orleans, got involved in the non-profit world here, threw a bunch of money around, and then disappeared overnight as his house of cards was about to collapse, stealing a shit ton of money and owing everyone a lot of money. That was when I realized how we always are welcoming to other queer people and we can sometimes overlook red flags and warning signs because you’re working with another queer person. We tend to give other queer people the benefit of the doubt and more chances than we would a straight person…and I wanted to explore that in fiction. Shining heroes without feet of clay also aren’t fun or interesting to write about, either.

Gay isn’t always good.

Most recent author photo, and I definitely need a new one.

And we aren’t doing our readers any services by creating “perfect” characters, either. Neither Chanse nor Scotty is perfect (although Scotty’s definitely an idealized person, I have to admit, but he does have flaws and blind spots) and the main characters in my stand alones are often messy, sloppy people who need to get out of their own way sometimes. Those are the kinds of characters I like to read about–because they are human.

I also find gay criminality enjoyable to read. James Robert Baker’s books were like being slapped in the face; full of gay anger and revenge and bitterness about the homophobic world in which we all exist–but Baker’s messy characters are active; they want revenge on the world and by God they are going to get it. The Ripley books by Patricia Highsmith are magnificent. Christopher Bollen’s A Beautiful Crime was terrific with its messy gay characters perpetrating a fraud.

I think we relate to and enjoy messy criminal queers because they are so relatable to us. There’s no worse feeling than powerlessness, the inability to control your own destiny and life, and always wondering …is it because I’m gay? I’ve gotten angry about this any number of times during my life, and I have always wondered somewhat would this happen to a straight man? and the answer is always no.

But do read John’s article. It’s very well done and thought provoking, and I’m going to let it simmer in my head for a while longer.

  1. Westerns would be a good discussion for another time, actually.
    ↩︎

Down by the Lazy River

Happy Father’s Day to all who celebrate. As for me, I’m meeting Dad in Florida on Friday for a nice weekend in Panama City Beach, although I seriously doubt that I’ll be going outside very much. The older I get, the less I can stand to be in the heat–which is something younger Greg would have laughed at very hard. I no longer care about being tan, either, as yet another fragment of vanity disappears from my head. Today I have to go out into the heat to make groceries, but other than that I am staying happily indoors and trying to get some more work done. We also have Wednesday off, of course, for Juneteenth, which is going to make for an odd work week, methinks, which is also payday.

I am feeling a bit groggy this morning but I haven’t had my first cup of coffee, either. Ah, there’s that first sip, sending warmth and energy through my system. I plan to do some writing today; I had a really good time yesterday unpacking and deconstructing the 20k+ words I already have done for this project, and I do think expanding it out into a novel is a good idea; I think it will make for a very good book if it accomplishes what I am setting out to do with it–and of course, as soon as I have those ambitious thoughts good old Imposter Syndrome rears its ugly head. AH, well, but feeling like I’m back inside my writer’s skin inevitably was going to trigger that, wasn’t it? Sadly, it’s all part and parcel of being a writer, and I just need to shrug it off entirely and focus on the work. So, while I generally despise Imposter Syndrome, I welcome it now because it’s a signpost on the way to getting back to being a full time writer after several years of being swamped and stressed and everything else that went on since 2016, really. It’s been almost a decade since Mom’s first stroke and she started living, essentially, on borrowed time. I think that was the start of the cloud in my brain, and that odd sense that time is running out. It feels lovely to be out of that; I’ve not experienced it for quite some time now, and I think the rest of this year might actually turn out to be incredibly productive for me. Here’s hoping, anyway.

Yesterday was lovely. Sparky got me up before eight, which was fine (he let me sleep until eight this morning), and I got up and started working. I did some cleaning, and I also did some writing, and some planning. Last night I scribbled away merrily in my journal, listing characters and figuring out backstories for them, so that they can be fully realized when I write about them. I do think this one, and the one after, are going to be some of my best work, which feels great, you know? I was also looking over the prologue to The Summer of Lost Boys, and rewrote some of it in my head, which I will need to transcribe at some point today as well. I didn’t really leave the house yesterday, which was great. I spent some time reading the new Paul Tremblay, Horror Movie, which I am really enjoying. (I always enjoy reading Tremblay; he’s one of the best of the new crop of names in the horror community, and not a single book or story of his that I’ve read wasn’t an incredibly enjoyable experience.) We finished getting caught up on The Boys (it cracks me up that the right-wingers are suddenly realizing that the show actually makes fun of them, and the ‘heroes’ they were rooting for were actually the villains. Sucks to be MAGA), and then we dove back into After the Flood, which is absolutely terrific and interesting.

Oh! And House of the Dragon returns tonight. Huzzah!

I slept well again last night, so getting up to Sparky’s determination to get fed was fine with me this morning. The first cup of coffee is currently working its magic in my bloodstream and I am waking up, which is marvelous. I do have some things I need to do this morning–the kitchen is a bit of a wreck this morning, and the floors need to be done–but I am hoping to spend the day, outside of the grocery store, inside working on the book and getting my shit together for the week. Make a to-do list, try to remember all the things I want to submit to, and get organized. I never feel organized, and haven’t in a while, which is part of the off-balance thing that’s been going on since 2016 or so.

And on that note, I am heading into the spice mines. Have a lovely Sunday/Father’s Day, and I may be back later with some other posts about being gay and Pride and other great moments from my gay life.

Rocky Mountain High

I was really into soaps in the late 1970s and up until the mid 1990s or so. My fandom, how it came to be, and how much of an influence soaps were to me as a writer is a topic for another time, perhaps after Pride Month is over because it’s really not Pride related, except for how they related to me as a gay man. But by the late 70s, I was strictly an ABC guy: All My Children, One Life to Live, General Hospital and Edge of Night, with me having a special attachment to Edge, which will also be a subject for another time. But soaps were strictly a daytime medium for a very long time–at least until Dallas premiered. Originally, each episode was a stand-alone but the show very quickly moved to the serial format, and the ratings went through the roof–and of course, “Who Shot J.R.?” was a global phenomenon (I figured it out early on–when I saw that Mary Crosby was only contracted for four episodes in the following season and the reveal that the shooter’s identity would be revealed in episode 4…it wasn’t too big of a leap from there to “it must have been Kristin”. I was right.), and Dallas ruled the ratings from there on out..

The success of Dallas, of course, lead to copycats from other networks trying to cash in on the new craze; television is nothing if not a place where imitating success is seen as a no-brainer; the irony was that so many of the other soaps that launched at night in the wake of the huge success of Dallas…failed for the most part. The only post-Dallas night time soaps that enjoyed long runs were Knots Landing, Falcon Crest, and Dynasty.

I first learned of Dynasty in a People magazine profile on Linda Evans, who at the time was best known as the woman John Derek left for Bo (who was a huge star at the time), and it mentioned she’d done a two hour pilot for a night time soap called Oil. By the time the fall previews started dropping, the show’s name had been changed to Dynasty, and there was going to be a gay character on the show. Once I read that, I knew I was going to watch. And then the premiere of the show was delayed months because of a strike. The show also had some other cast members I knew of and was interested to see–Wayne Northrop, who’d played Roman on Days of Our Lives; Pamela Sue Martin, of Nancy Drew and The Poseidon Adventure fame; and of course long-time television star John Forsythe as Blake Carrington, the patriarch of the family.

The first season was interesting enough, but the show didn’t really catch fire until the second season, when Joan Collins joined the cast as Blake’s first wife and mother of his children, Alexis. By the end of the season Dynasty had climbed from middling ratings to the Top Five, and it had become must-watch television.

But my primary interest was the character of Steven.

Al Corley as Steven Carrington

Originally played by Al Corley, Steven’s storylines were made clear in the pilot; Steven is coming to terms with his sexuality, coming back to Denver for his father’s wedding despite the fact that Blake is homophobic and he’s been living with a man (Ted Dinard) in New York for the past few years. Steven still isn’t entirely sure of his sexuality (it never occurred to anyone in production that he could be bisexual; he only had a binary choice during the entire run of the show), and decided to go to work on an oil rig to “become a man.” His co-workers pranked and hazed him for being gay at first, and then tried to “straighten” him out by buying him a hooker, which doesn’t go well. He then embarks on an affair with his boss’ wife Claudia (played by Pamela Bellwood, who was probably one of the best actresses in the cast), who was also mentally ill and her sanity wavered throughout the run of the show. Ted comes to Denver to get Steven to come home, but Steven’s decided to stay in Denver and try to get on with his life and ends things with Ted. Unfortunately, Ted comes to the Carrington estate (which was ‘played’ by Filoli, gorgeous place that was also the ‘setting’ for Laurie R. King’s superb Back to the Garden) to say goodbye, Blake comes home already angry, becomes angrier to learn Ted is in the house, rushes upstairs to see them hugging goodbye, and in a homophobic rage pulls Ted off Steven, punches him and knocks him down–only he is killed when he hits his head on a fireplace guardrail–and now Blake has to go on trial for murdering his son’s gay lover; and now the entire world nows.

Alexis returned for the trial, entering the courtroom wearing a veil, and Fallon gasps, “oh my god that’s my mother” setting the stage for season two, and night time television’s greatest villains, Alexis.

Season 2 was disappointing in terms of Steven as he spent season two trying to be straight, getting involved with and marrying Sammie Jo (Heather Locklear in the role that made her famous), but eventually telling his entire family that he’s gay, he’s tired of trying to be someone he’s not, and leaves Denver. He is reported killed in a oil rig explosion in the south China Sea in season three, which was their way of recasting–“plastic surgery so he doesn’t look the same”–and he was replaced by Jack Coleman (at the time best known for playing a serial killer on Days of Our Lives).

Jack Coleman, the second Steven

Coleman was fine, but he was different, and the character changed to match the actor. His entire storyline for the rest of the series involved him getting married, ruining that by getting involved with another man–before deciding what to do with him again for the sake of storyline; showing how hard it was to actually integrate someone with a same sex attraction into the cast of a soap. Every man he was involved with was a new character, and soaps–whose mainstay bottom line is thwarted romances, marriage and divorce–really didn’t know what to do with a non-straight character, other than throwing him into relationships with women (???) to have them end badly and so on.

When the reunion film was done in the 1990s, Al Corley returned as Steven (no explanation of why he looked the way he did before the surgery) and he’d made peace with his sexuality, again living in New York happily with another man and raising his son (oh yes, the gay character also impregnated one of his ‘women’)…while never once raising the possibility of bisexuality; I guess getting the 1980’s home audience vested in a gay character was risky enough without bringing in bisexuality–which tells you where we were as a country in the 1980’s…and we shouldn’t also overlook the fact that it was Dynasty that brought HIV/AIDS to the forefront of conversations in this country. Rock Hudson’s AIDS diagnosis became public shortly after he appeared on the show, and there was a lot of panic because he’d kissed the Linda Evans character–had he infected her? (We didn’t know as much then as we do now; now that fear is laughable but it was palpable back then because there was so much ignorance about it then, thanks to the Reagan Administration and the deeply embedded homophobia in post-war American culture.)

I started rewatching the original show once it was available for streaming, and that first season really is a slog; Blake was the primary villain in the first season (Alexis took his place, turning him into a more traditional soap hero–flawed but a good person at heart) and he just didn’t have the gravitas to relish being evil the way Joan Collins jumped in with both hands and feet), so while I was enjoying seeing the more honest and realistic to life way Steven and his dilemma was displayed in that first season–even the affair with Claudia made sense the way it was written–they really didn’t know what to do with him after the recast, and he descended from the fully developed realistic character Corley played to the two-dimensional soap hero he devolved into after the recast.

But…it was still pretty daring for the 1980s, and I did appreciate the attempt at representation. I know the reboot, which I didn’t watch, made Steven straight up gay; even gender swapping Sammie Jo by turning her into Sammy Joe. Progress is progress, and we cannot ever dismiss out of hand the brave attempts at using homosexuality and familial homophobia as a source for story; they were fighting the network censors, the right wing, and most of the country was homophobic, too.

They did the best they could and it was important at the time…even if it doesn’t hold up well under modern understanding.

Roll Away the Stone

Saturday morning and Sparky flatly refused to let me sleep in this morning, but in fairness, I got a little more than an hour of extra sleep. My back feels a bit stiff this morning, but I do feel rested, and the coffee will most likely clear the cobwebs. I have to run to the grocery store today, and that may be all I need to leave the house for today, which is perfectly fine with me. It looks beautiful outside, but I am sure it is the usual forecast for New Orleans: hot, humid, chance of rain. I haven’t looked at the hurricane center yet to see what’s going on with the tropical systems trying to form, but I’ll most likely do that once I’ve finished this.

Yesterday was a nice work-at-home day. I did pick up the mail (got my copy of James Polchin’s Shadow Men, a queer true crime case from the 1920s, which is all kinds of awesome). After I finished working for the day, Paul and I finished watching season 3 of Bridgerton, which we both greatly enjoyed, before moving on to The Acolyte and the new season of The Boys, which is its last. I did some writing–I started pulling the novella apart, in order to do an outline and get a better idea about how to expand it; I actually want to start writing today, if I could be so lucky, I also intend to spend some time reading today; I need to reread some things I have in progress, and would also like to get started on my next read, Horror Movie by Paul Tremblay, which I am really looking forward to; Tremblay is one of my favorite writers. I also want to get the house cleaned up some, as well as make a grocery run at some point in the afternoon. (We don’t need much, really, but really need what I have to get.)

I also worked on my body culture pride post, which actually has now turned into quite a lengthy personal essay; so much so that I may not ever post it here. The essay itself can go on my Substack; I’ve been putting the Pride posts there as well as here because, I don’t know, it just seemed like a better place for them–which seemed silly to post them in both places. Last night, the recognition that the essay was probably a Substack only post made me think about what I am doing with a Substack and a blog, and last night I realized that I should use the Substack for longer form personal essays and keep the blog as it has always been; a daily report on my life and the occasional discussion of a book, television show, or film I’ve greatly enjoyed; the reviews might go in both places, too. I think I can still make the body culture post, but the essay will have to be whittled down and revised; maybe I should do it from the perspective of life lessons learned from getting in shape and actually working as a personal trainer. (Again, seeing that turn into a longer form essay even as I talk about it here and think about it as I type.) Writing these is also an exercise in memory for me, which also is kind of helpful as I am researching the early 1970s in the Chicago suburbs.

I have to admit I greatly enjoyed season three of Bridgerton. Penelope has been one of my favorite characters since the show started, and I’ve always deeply empathized with her as she was ignored, made fun of it, and made to feel invisible. It made sense for her to be Lady Whistledown, and the choice given to her by the show–either Lady Whistledown or the love of her life–was very cleverly done. I wanted her and Colin to resolve everything and get their happily ever after, but I didn’t think it was fair she had to give up who she was in order to get it, you know? This season really emphasized how shitty life really was for these society women during that period, and I’ve always been fond of the actress who plays her mother (she was magnificent in Rome as Atia of the Julii), and this season gave her a chance to really shine as well, as she realized the daughter she always overlooked and never thought would amount to anything was actually the true jewel of her children–and who made the best match in the end. (I also predicted the end several episodes in, involving the Featherington money and title.) It was, all in all, very well done, and I think it may be my favorite of all the seasons, and precisely because Nicola Coughlin is such a compelling actress. It’s nothing serious, of course; Bridgerton is a light fluffy confection, meant to look beautiful and present this wonderful tapestry of what Regency England could have been like, and who doesn’t love a tricky romance with obstacles that must be overcome?

I’ve always wanted to write a romance, but in all honesty am not really sure if I can. I think I’ll put that on the writing agenda for 2025. Why not try? It would most definitely be a challenge to write, and I always prefer challenges.

And on that note, I am going to finish this, get another coffee, and get my day underway. Have a lovely Saturday, Constant Reader, and I’ll probably be back later on. I’m tricky like that. 🙂

This is NOT why I am a football fan, but it certainly doesn’t hurt. 🙂

Ranger’s Waltz

Work at home Friday! Woo-hoo!

Yesterday saw a return of the weirdness. I was fatigued and my muscles felt tight when I got up yesterday morning, but as the morning went on I started feeling more mentally awake and less tired, and how does that make sense? I got nothing, seriously. But it was a pretty good day, overall. I was in a good mood at work and was feeling outgoing, chatty and cheerful, which always makes the sessions better. (I’ll talk more about my job at some point later in the month; I generally don’t talk about what I do for any number of reasons, but my day job definitely deserves a Pride Post of its own) I did feel tired when I got home, but I did my chores, which was awesome, and so I don’t have as much clean-up to do today while I work at home. My lower back is stiff this morning, and my legs a little achy, but other than that I feel fine.

And it’s almost the weekend, hip hip hurray!

I worked on a Pride post last night, which was actually a longer-form essay I wanted to write at some point (most of my Pride Posts are actual shorter essays than what they were originally planned to be; I still may expand them out into something longer eventually), and it’s one I am a bit nervous about sharing–it’s the one about body culture within the gay male community. It’s very easy to say something insensitive or thoughtless, which is something I always worry about here. The only people I don’t care about offending are the deplorables, and frankly, I love offending them, or pissing them off because they deserve it for their uncaring hearts. Maybe I overly parse things, but it’s always a good idea to delete something you’re not sure about–because if you aren’t sure it’s offensive to someone, then don’t go public with it, you know?

I was pleased (and very shocked) at first to see the Supreme Court refused to ban abortion pills…until I saw that it was dismissed because the plaintiffs “didn’t have standing to sue” in the first place. So, now all the pro-fetus people need to do is find someone hateful who has standing. My theory is that if your “religious conscience” doesn’t allow you to do certain medical procedures or treatments…well, you shouldn’t be a doctor, period, and besides that, if you put your religion before your education and training, what are the odds that you’re a creationist and thus don’t believe in science? I personally don’t want a doctor that doesn’t believe in evolution or is a creationist. You don’t get to pick and choose which science is real and which isn’t, and besides, aren’t Christians supposed to be caring and loving and free of judgment? Oh yes, I keep forgetting the deplorable Christians don’t follow Jesus and are only cosplaying–but not being called out by the so-called “good” Christians? Then you’re not one of the good ones, you know?

And again, that’s why we have separation of church and state. The failure to understand that basic principle tells me everything I need to know about your patriotism. The only reason this country exists in the first place was because North America served as a refugee camp for Christians escaping religious persecution in their home countries. Not knowing this, or not knowing the Europe was drenched in blood from religious wars for nearly two decades, is no excuse for Christian Nationalism in this country; Christian Nationalism is in fact a betrayal of the basic concepts of the Constitution–but again, they only agree with the parts of the Constitution they can use against others, and of course they’ve done a lovely job of infiltrating the justice system.

And again, this decision by the Supreme Court signaled how they would actually rule–and I also firmly believe that if this wasn’t an election year, they would have upheld the ban, but this SCOTUS is in the tank for MAGA so they are doing their best to help his campaign. It worries me a little how blatant they are being with their increasingly unpopular opinions…common sense would indicate moving more to the center than further right the more unpopular your positions are, but in every case of backlash they not only stand firm but double down, which makes me wonder about the integrity of the election, because the electoral results every year since 2020 would indicate they are destroying themselves and their movement by forcing unpopular policy down the throats of a resisting population.

Heavy thoughts for a Friday morning and my first cup of coffee. Perhaps I should have a second? I am waking up though, the cobwebs are now lifting from my brain and the fatigue seems to be seeping out of my muscles, which is marvelous. I do have to run some errands today, and am dreading heading out into that insane heat today. But I need to get the mail, possibly some things from the grocery store, and pick up a prescription. I really need to wash the car and clean out the inside, but in this heat I don’t know if I can stand being outside that long. It’s not even officially summer yet. There are already two tropical systems out there–one in the Bay of Campeche and the other off the coast of Florida, so it’s going to be a rather long, scary summer. Yay.

And on that note, I am going to go make another cup of coffee, work on the laundry for a bit, and then head on into the spice mines for the day. Y’all have a great Friday; I am not sure if I’ll be back later or not. One never knows!

Screenshot

Puppy Love

Thursday and my last day in the office for the week. Huzzah! I am fatigued this morning. I went to the gym on my way home last night, and while these “workouts” seem hardly worthy of the name, the way my muscles feel this morning shows me that oh yes indeed, even as light as the weights are and as few sets I am doing, it definitely still is counting. This is why I have to be patient with the progress and not get ahead of myself. Last night, I was definitely tempted to add more weight and even had to talk myself out of it, feeling like I was wimping out–but how much more fatigue would I be feeling this morning? And yes, I slept like the dead last night, too–another sign. I may take an extra rest day and not go again until Saturday. I was also tired when I got home last night, so I didn’t do much of anything, including chores….so will definitely have to do those tonight when I get home. I picked up the mail yesterday, too, so I can come straight home tonight.

And of course, tomorrow is a work-at-home day. Huzzah!

I had another surprise at the post office yesterday, too–my Nancy Drew The Secret of the Old Clock action figure! It’s pretty cool, and I may save pictures of it for here until after Pride month, because I cannot think of a way to do a Pride post about–you know what? I just thought of a way to do it, so I guess I manifested itself into being. I also managed to get a Pride post done yesterday–Calvin Klein ads–and I have some more on deck, too; I’ll give you some hints about them–Dynasty, party culture, gym culture, etc.–and who knows when I’ll get them finished and posted, but they are definitely in progress.

I also got my copy of a book I read and reread over and over again as a kid: Stranger than Science by Frank Edwards. I am slowly remembering some other things about my childhood–my interests in the occult and the unexplained. There was a lot of this sort of thing when I was growing up in the suburbs of Chicago, and I am not sure why there was so much of this in the late 1960’s/early 1970s, but there was. The Bermuda Triangle was a big thing, and so were pseudo-sciences like Erich von Däniken’s Chariots of the Gods and so on; Thor Heyerdahl was having his adventures proving that Pacific Islanders traveled much further than most believed, and he also was proving Egyptians could have made it to America on papyrus boats, which was insane but interesting at the same time. I also loved things like Ripley’s Believe It or Not, which used to be a bigger deal than it is now; weird theories about space alien astronauts and forgotten history–I was really into this sort of thing–lost knowledge has always interested me, and books about recovering lost knowledge (or treasure) were catnip for Gregalicious. I don’t know if this was a natural progression of the 1960s movements, in which we became suspicious of government and less trusting, but the 1970s were a very strange decade, and immersing myself in my memories has been interesting. Anyway, Stranger Than Science is a book telling short tales of real events with no logical or rational explanation (this was where I first learned of spontaneous combustion, for one). Edwards used to have a long-running radio show with the same name and subject matter, and my interest in his book and other unexplained phenomenon (whether true, legend, or a combination of both) had more of an influence on me as a writer than I actually remembered. I’m looking forward to revisiting this book.

I also got Paul Tremblay’s Horror Movie yesterday, and I may be moving it up on the TBR pile. He’s become one of my favorite writers lately–since I read A Head Full of Ghosts a few years back, and I’ve not read anything of his that wasn’t compelling and unputdownable since. (I’m also enjoying Grady Hendrix and Riley Sager these days as well.)

And on that note, I am bringing this to a close so I can head into the spice mines. Have a marvelous Thursday, and look for a Pride post later!

Down Under

Remember him?

I’ll never forget him.

The marketing for Calvin Klein fashions and products has always been provocative, proving once again the old adage that sex sells. But on the men’s side, the company’s push to remove men’s underwear from the old, badly fitted, and horribly uncomfortable/unattractive underwear that always looked terrible after a few washes. If you see pictures of men in underwear in the 60s and 70s, it’s always high-waisted and baggy and not flattering in any way. Marooned in Kansas for the latter part of the 70s, I was very unaware of changing trends in men’s underwear, other than ads in magazines. Jim Palmer was one of the first celebrities to do an underwear ad; he was hairy and slim, pretty good shape but not exactly something to write home about. But it was a start, and when Calvin Klein decided to enter the market of men’s underwear, I’m sure people thought the company was crazy: why would anyone spend that much money for a single pair of underwear, when you could get several packs of three for that same price? But CK was onto something–sexy underwear that fit well, lasted a long time, and looked good was an untapped market, and of course the gays were all about fashion underwear.

And they used beautiful men with lean, ripped physiques to make their point for them. Surprise! It worked.

And Calvin kept selling us sex, and we couldn’t get enough of it. Obsession for Men became a must-have cologne, and they continued producing new scents that were popular and had enormously sexy ads. Other fashion companies began emulating the CK model (imitation is flattery and all that); designer underwear for men, colognes, after shaves, and on and on. And what was also happening were two things: the gay aesthetic for what is attractive in a man began to dominate the culture, and straight men began, oddly enough, to start dressing better, caring about their hair and shaving more, and their bodies…the rise of the ‘metrosexual.’ So say goodbye once and for all to those beefy, bulky, barrel-chested men with their high-waisted pants…

And then came the Marky Mark ad.

The great irony of homophobe and racial hate criminal Mark Wahlberg becoming a sex symbol for gay men will never stop making me laugh.

I mean, he was cute, the body was to die for, and the killer smile? And he’d already become known for dropping his pants and “performing” his music in his underwear. The Calvin Klein gig was probably a mistake for him, but he wound up with a successful film career and even was nominated for an Oscar. Goes to show, Hollywood doesn’t really care about a problematic history if you can sell tickets for them. I always had a soft spot for him, despite everything though–that first crush from seeing the video for “Good Vibrations” has never really gone away, despite knowing full well about the problematic past.

My first pair of Calvin Klein underwear changed my opinion about underwear forever. My mother always told me that the things you never skimp on–even if you have to save up money for it–are underwear, socks, and sheets. Everything else, you can buy discounted, on sale, or from bargain bins, but as long as you bought quality for those three things, they made up for everything else. Once I opened that gorgeous black and white box, and slipped them on…I was sold. I was never buying cheap underwear ever again, even if it meant having to save up money for a while to invest in the good pairs. To this day, I still wear Calvin Klein as my preference; I discovered Under Armor around 2004, but eventually went back to Calvins. I bought cheap underwear at Wal-mart after Katrina to get by until I got back to New Orleans…and regretted it. I hated the cheap socks and underwear, how they felt, how the elastic in the waistband loosened with every wear, how the material began to wear within a few weeks.

Calvin Klein introduced us to the term “underwear model” as a body type, too. Underwear model didn’t used to even be a thing; you’d only see underwear models in catalogues. Calvin Klein’s artistic spreads, with incredibly bodied models shot by the best photographers, certainly had a huge impact on culture–and certainly played a part in what I call the “gaying” of culture; in which men became sex objects in the way women always had been before.

And Mark Wahlberg’s natural progression from ‘rap’ musician who dropped his pants all the time to underwear model also changed the perception of celebrity models; if Calvin Klein wanted you for a photo spread, that meant you were fucking gorgeous–and they started including actors, dancers, and athletes to their rosters.

Number One tennis player in the world Carlos Alcaraz

I can think of several celebrities I’d like to see model for Calvin Klein–figure skater Guillaume Cizeron, several rugby players, Joe Burrow, Malik Nabers–but they also do a pretty good job of finding models.

My favorite cologne from Calvin Klein was Eternity, but it wasn’t my favorite–I liked Fahrenheit and Cool Water the best, but I stopped wearing cologne after we moved to New Orleans. In this climate, for most of the year there’s really no point in wearing it anyway.

Rockin’ Robin

We made it to Wednesday! Huzzah! Huzzah! Here I sit with my coffee on my middle of the week morning, and I feel pretty good, to be honest. I was very tired yesterday, but not in the “I can’t even think” way, but rather the “hmm, I feel fatigued” way, which is fine. Yesterday was Sparky’s birthday, and so I gave him extra treats and pretty much played with him for most of the evening until he went to sleep in my lap. He really is a dear, even when he has Big Kitten Energy.

It’s been a bit of a week thus far, hasn’t it? Who knew that Ginni Thomas wasn’t the most awful SCOTUS wife? AND THAT IS SAYING SOMETHING. I saw someone on social media suggesting we change it, as a society, from “Karens” to “Martha-Anns,” since that name isn’t as common and she is clearly the GALACTIC EMPRESS of “I need to speak to a manager.” Madame Torquemada wouldn’t think Isabella the Catholic wasn’t religious enough for her, and clearly she’d love to implement the Inquisition, too. Thanks again to the third party votes who gave us the president who would appoint him for your service–and again for your service in 2016. I mean, what a vicious, venomous little spider she is, sitting in her house brooding over people being mean to her, waiting for the day she can be spiteful–the irony is it doesn’t make her look like the wife of a Supreme Court justice, but the Alitos clearly have delusions of grandeur and think they’re superior to everyone else. Whatever, trash. Don’t call yourselves patriots when you’re preference is to wipe your ass on the Constitution, and I also love that Alito thinks he’s a superior legal mind to, I don’t know, say every previous justice, which is rather telling. He certainly should not be a judge. But again, me and everyone else not white-cishet were screaming from the rafters that 2016 was about the Supreme Court, and as usual, no one listened–and that was also the case with the 2000 election, too. Sigh. It’s the pits, sometimes feeling like Cassandra on the walls of Troy.

I do feel much more lively this morning than I have any morning this week, but that’s got to be the better night of sleep last night–best of the week, in fact. I have to go pick up the mail today, my copies of the new Paul Tremblay should be there as well as another book from my childhood, Stranger than Science, which I am justifying getting because I plan to use it in The Summer of Lost Boys, which makes it research. I started thinking more about the next book yesterday, too, and how to expand this novella out into a novel. I am of course still going back and forth on it; it could be a novel, or it could just be the novella I stick at the end of my short story collection, but I think it would be too long for that. I need to write the introduction for that and finish the final stories and get it turned in. I know that Never Kiss a Stranger is already about 23k words in length, and there are at least two other subplots I need to weave into it, which should make it all the more interesting. I’ve not done nearly as much writing this week as I would have preferred, but there’s still a few days left in the week, so I can hopefully make up for lost time. What I need to do is summarize what’s already done, figure out where to slot in the subplots, and then buckle up and do the work. Next week is also going to be a little odd; we have Wednesday off for Juneteenth, so I have to work two days, be off one, work two more, and then drive over to Florida to meet Dad for the weekend. Their anniversary is next week–the 20th, to be exact, so Dad wants to go visit Mom and then he’s going on down. It’ll be a nice, relaxing weekend, methinks.

I’m not even going to take my computer with me. I’ll be ignoring everything until I get back.

Today is also the anniversary of the massacre at Pulse nightclub in Orlando, God rest their souls. That resonated because of course it was a dance club, and I had images of it happening here at either Oz or the Parade, which is chilling–and I really hated that the reboot of Queer as Folk was set here and a club shooting was central to the story. Has there been a true crime book about that yet? I feel like someone should, but not me. I am not the right person to do true crime, because I write fiction, I’d probably be unable to resist the urge to twist facts and evidence to fit any theories I might have, and that’s a disservice to the victims. I have thought, numerous times, about the possibility about writing a true crime book based on this case I am following in Oklahoma–without actually talking to any of the people or visiting the area–because one of the more interesting aspects of it all is the reaction, and how it’s all playing out on just this one Facebook page I joined. It still doesn’t make sense that the investigation was so fouled up from day one. How did anyone ever accept the theory that he was hit and killed by the side mirror on an eighteen-wheeler, and besides, I don’t care how drunk you are–there are conflicting reports on how drunk he was, but the autopsy did say .14 blood alcohol content–you’re not going to be unaware of an eighteen-wheeler coming up behind you on a country highway. And there was no wreckage or debris of any kind where the body was found. Sounds intriguing, doesn’t it? At some point I’ll probably write a blog entry about this case, but I don’t think, as much as I believe I could base a compelling novel in it, that I’ll eventually do so unless I can come up with a artistic thesis (that sounds pretentious, doesn’t it?) for it.

It’s funny how writing is like just about everything else in my life, isn’t it? The more I do it the better I write, the more I enjoy the other parts of my life, and if I take a break from it, it takes a while to shake off the dust and scrape off the rust and reactivate my creativity and my writing muscles. I also forget how to write a book sometimes, and that becomes a bit scary until I start remembering things, like oh yes you always have a point to the book you’re writing and you know what theme you want to explore, or I’ll remember something about the process and wonder if I’ve always done it that way because I don’t really remember. I am also finding I am forgetting a lot of the scenes and characters and plots of some of the books I’ve written, which is even scarier–what if I repeat myself, like with Scotty’s predilection for getting into car accidents? Heavy heaving sigh. This is why being a writer is an exercise in madness, really.

And on that note, I am heading into the spice mines. Have a delightful Wednesday; there may be a pride post later on; one never knows.

See You in The Funny Papers

Do the few newspapers that still do print editions even have comics pages anymore? For many years, that was the only part of the newspaper I would read. I’d page through the rest of the paper and read things that were interesting, but I stopped taking a physical newspaper back when the Times-Picayune ceased publishing daily, and only had an on-line subscription, which I cancelled when they published an article by editorial staff that was vile, disgusting, unAmerican, and nothing I could support anymore. I cancelled the New York Times because of their Trump coverage and the legion of crimes they’ve committed against the queer community for decades. The Washington Post also was cancelled because of bad reportage on queer issues (there’s nothing like having your life “both-sidesed”; because yes, the homophobic trash who think I shouldn’t exist have a right to be heard). I would never go anywhere near the Wall Street Journal or Forbes; actually, the best reporting in the country on politics and queer life comes from Rolling Stone and Vanity Fair, of all places.

Go figure.

Obviously, the last place I ever expected to run into queer representation on the comics page (Doonesbury added a gay character in the 1970s, and addressed AIDS with his death in the 1980ssssssss) was in a family comic strip.

On March 26, 1993, Lynn Johnston’s For Better or Worse began a short running story (I think it ran for two weeks; I could be wrong) in which oldest son Mike’s best friend Lawrence comes out to him, which starts a bit of an upheaval in both families, and spread out over several days in the paper.

Johnson wrote about Lawrence’s story here.

Whenever someone talks about how representation matters, I think about two things: this comic strip, and Ryan Phillippe playing gay teen Billy Douglas on One Life to Live around this same time.

I had seen queer representation before, of course; Billy Crystal as Jody on Soap, the eternally confused Steven Carrington on Dynasty, a show where no one even considered the possibility of bisexuality (which could have been an even more compelling story), and films like Longtime Companion and La Cage aux Folles and Victor/Victoria. But unlike those previous characters, most of whom were already adults. Billy on One Life to Live and Lawrence on For Better or Worse were teenagers–which definitely awakened ire in the homophobes and christians. Some papers refused to run this strip, which was incredibly moving and touching, as Lawrence and Mike come to terms with their friendship (nothing changed between them, just as Joey and Billy on OLTL remained friends), but he also had to deal with his parents’ reaction, the reaction of Mike’s family, and so forth. It all eventually worked out for the best–also like OLTL–and as I tore open the paper every day for those days this story ran to see what happened next.

I also kept thinking how much of a difference this would have made in my life when I was a teenager–both the show and the comic strip–which is why these kinds of things are important. No one on the homophobic “side” ever thinks about what it feels like to be a queer kid, constantly getting told (bombarded, really) that they aren’t normal, they are different, and therefore suspect. That’s why queer kids commit suicide at higher rates than their straight counterparts.

I can only imagine how much hate–and how many death threats–Johnston got for writing this series of strips. I always liked the comic–I also liked that the characters aged, grew, and changed–and someday I’d love to sit down with a collection of the entire strip, to catch up with the characters and see how they are doing now.

I also don’t think this comic strip gets enough credit for doing this, either.

It’s Four in the Morning

Tuesday morning and my alarm went off this morning–as well as the cat alarm–and so I am up, swilling coffee, and looking forward to my day. I did stop on the way home yesterday to get the mail and went to the gym to do Rehab. It was remarkably smooth, too–I was able to drive there, park easily, get in and out relatively easily, and get home. I feel a bit tired this morning, which is no doubt due to the unexpected rigorous exercise I put my body through last evening, so there’s definitely some muscle fatigue going on. We watched The Hit Man on Netflix, which was interesting and clever enough, and it was filmed in New Orleans–and that was the way to film in New Orleans; AKA, they just filmed it here like it was anywhere else, and didn’t feel the need to “Nawlins” it up (by which I mean constantly saying New Orleans, sending the characters out for beignets all the time, occasional mention of the Saints, etc etc etc), and there was only one scene where I was like, “if you work at UNO and live in Gentilly, why would you drive home via Liberty Circle?” It was a pleasant way to spend the evening, and it was a cute film; actually based on a true story here locally about an undercover cop (really a side gig) who played hit men in sting operations to arrest the person hiring him, and he’s actually good at it. Check it out, it’s a pleasant way to spend two hours.

I did spend some time writing yesterday, which felt good; I am now going to let that sit for a few days before marking it up with the proverbial red pencil (when I first started, you did use a red pencil or ink to mark up your manuscripts) and I am now going to start pulling Never Kiss a Stranger apart in order to piece it back together as a novel. I mean, why not? I love the main character, I love the minor characters, and the story itself is one I really want to tell and share with the world.

I also picked up the mail, and now have my copy of Summer of ’42, which I am hoping to reread relatively soon.

Hilariously, Harrison Butker (aka Hairy Butt) was in the news again lately for “saving” a teammate’s life, who’d gone into cardiac arrest. Turns out all he did was run for help–which, as someone who has been certified in CPR since 1997, I can tell you is the wrong thing to do. You’re supposed to call for help while starting CPR and ordering someone else to go for help, or to keep calling until someone comes. You’re never supposed to leave the person alone; seconds are critical and the longer before compressions starts the more unlikely it is they will be successful, not to mention the cessation of oxygen flow to the brain. Even if he was the person who was sent for help, it was hardly “his” heroism at play here; it’s really not all that heroic to go look for help when someone is having a medical issue. The irony that he got a female trainer to come out and save the man’s life–while getting the headlines for himself about his “heroics”; in many of the pieces the actual trainer’s name wasn’t even mentioned as they masturbated Butker’s fragile ego, as though saying to all of us who found his graduation antics in incredibly poor taste “see what a great guy?”

Given the other option was to let the man die, he literally did the bare minimum, but we’re supposed to call him a hero? No, heroes are my co-workers who run outside to administer NARCAN to an overdose and save lives. It’s become so routine now that no one even thinks about it, but watching my department immediately slip into crisis mode and work together quickly and efficiently to save a life is very impressive, and way more than Hairy Butt ever would do; he’d probably think the OD was God’s will or something.

The bar really is set low for cishet white men, isn’t it? They need praise for everything.

Sigh. The poor, sad, oppressed straight cis white man, right?

And on that note, I am heading into the spice mines. Wish me luck, and I’ll do the same for you, Constant Reader, and there’s going to be a Pride post later, I’m sure.

Screenshot