Author: gregh121

I am a writer and editor who lives in New Orleans.

Seven

Saturday morning and it’s rather chilly in the Lost Apartment . The sun is shining and there aren’t many clouds in the sky–I see plenty of blue up there at the moment–and I haven’t checked the weather yet. All right, I just looked and it’s currently forty-nine, with a high of fifty-three predicted for the day. Sounds like the kind of day when one just wants to stay indoors all day and under a blanket, does it not? I have a lot to get done this morning–the sink is full of dirty dishes; more than will fit in the dishwasher, so I am going to have to do two loads–and of course, there’s filing to do and organizing to be done; notes to be read on the work-in-progress as well as chapters to be revised; and I’d like to be able to read some more of The Bad Seed, if not finish reading it today. LSU is playing Alabama tonight, and it’s not going to be pretty, but at least it won’t be disappointing. It’s very weird, there’s always a minor hope, even in bad years, that we might beat them, but not this one. I love my Tigers and I’ll tune in–but I am under no illusions that they’ll pull off a major upset here. Our only hope is a sustained three and a half hour miracle, really; but this entire football season has been such a wash anyway–I really think it should have been skipped, which is what I’ve thought all along–yet here we are.

I do occasionally think that LSU having one of the greatest football teams and seasons of all time last year somehow broke the world, and if LSU having a shitty season is what it takes to reset everything, I can live with that sacrifice.

Yesterday was a good day. I had to swing by the office because I had run out of lube for the condom packs–I brought home flavored–so I had to swing by there to pick up regular lube tubes–and then after returning home, I made condom packs while watching Logan’s Run, yesterday’s entry into the Cynical 70’s Film Festival. I had never before seen it; I, of course, remember what it’s plot was–a world where everyone dies at thirty; the title character is about to turn thirty and he runs. Well, turns out that was a vast over-simplification; Logan, played by a stunningly beautiful young Michael York (I’ve waxed euphoric over his beauty before; I had a major crush on him throughout the 1970’s; have continued to appreciate his work as I got older; and he came to the Williams Festival one year, so I not only got to meet him but was delighted to find he was very charming), is a “sandman”–in the future, after over–population and depletion of resources and so forth, society collapsed and a utopian human city was built under a dome, and all humans devote themselves merely to pleasure, and when they turn thirty, they are renewed; in a ritual, everyone gathers to watch them sacrifice themselves, to be reborn–someone has to die in order for someone to be reborn. The “sandmen” are those who hunt down the ones who decide they want to live and run for their lives. When caught, they are killed and are dead forever–no chance of being reborn. Logan actually has about four years left before he turns thirty, but he is given the job to search for Sanctuary–a place all the runners try to get to safely–and the controlling computer also speeds up his life, turning the life clock in his hand all the way up to almost time for him to die. Jenny Agutter plays the love interest who can help him get to Sanctuary; they run, and it becomes very weird once they escape. The special effects are pretty bad–the movie was pre-Star Wars–and so are the sets and costume designs. It does, I decided, fit into the film festival because the film itself is kind of cynical; it basically took American youth obsession and created a world based entirely in youth; and it’s interesting they chose thirty as the end point of life–after all, the youth movement of the 1960’s always said “never trust anyone over thirty.” As I watched, I couldn’t help but think of all the possibilities they couldn’t explore in a two hour film–and thought, you know, this show could easily rebooted as a mini-series that could go into all of those explorations–the collapse of society, who built and created this new world, who actually is in power in this utopian paradise, how did they get the initial buy-in necessary–and so on and so forth. And with our country growing evermore obsessed with youth and beauty–yeah, this could be really good. Logan would be a good role for someone like Nick Jonas or Alexander Dreymon or any number of beautiful young actors in the business today.

The lovely thing about HBO MAX is they are continually adding more and more films to their TCM app–you can only imagine my delight to see the delightful Peter O’Toole film The Stunt Man was recently added; The Ruling Class is already there. I am a huge Peter O’Toole fan–the fact the man never won a competitive Oscar despite giving career-defining performance in those two films, along with My Favorite Year, The Lion in Winter, Becket, and Lawrence of Arabia never ceases to amaze me. Both The Stunt Man and The Ruling Class certainly fit into my Cynical 70’s Film Festival–they have also added the original The Omega Man and Soylent Green, both of which I intend to watch despite the fact both star Charlton Heston, the king of over-acting. But…both definitely belong in the Festival, and I really wish they would add Serpico.

I also would like to watch Cruising again–to see it from a present day perspective.

The Mandalorian continues to delight as well, and our favorite raunchy junior high puberty comedy, Big Mouth, also came back yesterday.

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader.

Style

Friday morning, and I had an absolutely lovely night’s sleep, thank you for asking. It’s the final day of the work week, the weekend looms, and as always, I have a million and a half things to get done before Monday. I somehow managed to fall behind on the writing again–by the time I was finished with my work-at-home duties yesterday I was exhausted again–and as such, didn’t write another word. So I need to get my writing going again today, knowing I am at least two chapters behind that need to be caught up, and yes–NO PRESSURE THAT AT ALL, is there?

I have some copy edits for an essay that dropped into my inbox this morning, which shouldn’t be too terrible an issue to deal with over the course of the weekend–then again, I’ve not really looked at them, either, so it could be absolutely horrifying once I open the document–but again, I don’t see that I won’t be able to get caught up on everything that must be done this weekend. What I really need to do is make a to-do list; I’ve been meaning to all week and yet somehow have not managed to get around to it yet. Gah. But that’s the kind of week this has been; 2020, after dragging all fucking year, seems to have now speeded up time now that it’s coming to a close, continuing to prove itself to be a shit-bag of a year.

Given how much optimism we all had for 2020 and what we ended up receiving, I am a bit afraid of 2021, to be completely honest.

I did manage to get some things done yesterday, and I managed to watch Superman whilst making condom packs yesterday; the 1978 version with Christopher Reeve. I hadn’t seen the movie in years–I saw it originally in the theater and then watched again when it was on HBO in the early 1980’s–and wasn’t really prepared for the impact it would still have, many years later, on a rewatch. As I watched, my nimble hands breaking off condoms in groups of four and shoving them into little plastic bags, along with a packet of lube and instructions on how to properly use them, I found myself catapulted backwards in time and remembering the time period. The movie’s slogan was You will believe a man can fly and you also have to remember the late 1970’s was when films–and special effects–were changed forever after Star Wars and Close Encounters of the Third Kind. Superman was the acme of super-heroes; perhaps the most famous, the most loved, and possibly the very first comic-book hero with superpowers, and bringing him to the big screen with a huge budget and special effects to make it look like he actually had powers was a huge deal. It was a huge hit, set the stage for several sequels, and showed Hollywood that comic book heroes were big-ticket items–it can easily be argued that there would be no MCU, no Arrowverse on television, and no Batman movies had there never been Superman first. The first sequel was also a huge hit, but the franchise began to run out of steam with the third, and the fourth was misbegotten from the very beginning.

On this rewatch, Christopher Reeve was even more perfect than I remembered, and Margot Kidder, whom I always believed was miscast, actually fit the role much better than she had in my memories. But what made the movie work–just as how the Patty Jenkins Wonder Woman worked–was how Reeve, at that point a complete unknown whose biggest role had been on the soap Love of Life, fit the role like a hand in a glove. He looked the part, had the right body for the part, and he just was Clark and Superman–and the physical differences between the two different characters–entirely dependent on how Reeve held himself, stood, and his posture–I could see how you wouldn’t see one as the other. Obviously, there were some flaws–how on earth did Lois Lane afford a penthouse with that glorious view and patio deck on a reporter’s salary? How did reversing the Earth’s spinning turn back time so he could save Lois–and didn’t turning the clock back change a lot of other things as well? DC was still in its Golden Age–the Crisis on Infinite Earths reboot was still some years in the future–and so this film fits into that comic book era; they were trying to update the comics and giving their characters more of modern flare and new costumes for the most part at this time, before realizing their universe was so convoluted and confusing they needed to start over. This was the period when Wonder Woman had gotten rid of her powers; when Supergirl was poisoned, which led to her powers becoming unreliable and actually coming and going beyond her control; when two more Green Lanterns turned up on earth in addition to the original; and Green Arrow going more in a Batman-like grim direction.

But it was an uplfiting movie, putting a clear-cut hero on the screen, and it is to Reeve’s credit that he made Superman’s integrity, code of ethics, and kind concern for all humanity from a two-dimensionality to a fully fleshed out, completely believable character that you root for. The John Williams score was excellent, and it really was perfectly cast–I apologize to Margot Kidder for hating her performance for all these years. It was also interesting to see the New York of the 1970’s (passing off as Metropolis), and remembering the way the culture saw the city in that decade (the Cynical 70’s Film Festival has also done a really good job of this); in some ways the perception of New York hasn’t really changed much since then, but it isn’t the same city today that it was back then. It was, I think, in the latter half of the 1970’s that Hollywood began to turn away from the cynicism of the decade and began making movies with happy endings or that were more uplifting in general–Star Wars, Superman, Rocky–the melding of those polarities in film deeply influenced the films of the 1980’s.

And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader.

Love Story

Thursday morning, and I am working from home today. I have some errands that simply must be run this morning–fortunately I only have to work a half-day today–so once I get this posted and get my own act together, it’s off to the errands so I can come home and do data entry/make condom packs. I think I am going to rewatch the Christopher Reeve Superman–it’s a 1970’s movie, after all, and I don’t know yet if it will deserve a place in the Cynical 70’s Film Festival; I don’t think so, but I think it could be a fun reread while working with my hands.

I was very tired when I got home from work yesterday–so tired that I skipped the gym (!) and didn’t work on the book. Tonight when I finish my condom packing I am going to have to get back to the book, and figure if I can get two chapters done in one day I’ll be back on schedule. LSU’s lamb-to-the-slaughter game against Alabama isn’t until Saturday evening, so I should be able to get several chapters finished during the day that day, and maybe even more. Who knows? There’s a plethora of possibilities.

I slept late this morning–I did wake up at six, again at seven, and finally at eight. I feel much better: very rested, relaxed, my muscles feel good, and my back also doesn’t hurt at all. This is, needless to say, quite lovely, and while it is cold this morning, the cold is nowhere near as bitter as it was the last few mornings, so I can handle it. I haven’t even put on a cap to keep my head warm, which is a lovely thing. It’s very gray outside–the sky is covered with clouds, so it’s kind of grayish-gloomy; like winter mornings I remember from my childhood in the Midwest. I ordered electric blankets the other day–a friend on Facebook suggested it when I was complaining about the cold, and had one of those wow it never ever occurred to me to get electric blankets moments when I truly wonder about my intelligence and intellectual capacity. But in fairness to me, I don’t think I’ve ever owned an electric blanket, and we certainly didn’t have any when I was growing up….but thinking about it this morning, what a difference that could have made that bitterly cold winter I spent in Minneapolis twenty five years ago….

I am still reading both The Bad Seed by William March and Lincoln by Gore Vidal; obviously I was too tired last night to make any headway on either. Paul and I did watch an episode of something that might turn into a guilty pleasure for us….Cajun Justice, about the sheriff of Plaquemines Parish. Louisiana was an enormously popular location for reality television shows back in the day–remember Duck Dynasty?–and since one of my co-workers is moving to Plaquemines Parish (Houma, specifically) she was the one who found this single season reality show…when she mentioned it to me the other day–when we first talked about her move down there, and it’s been a couple of weeks; it was around the time I was looking up Cajun/Louisiana folklore for a potential Christmas horror story, which is when I was finding all those wonderful bayou supernatural legends, like le feu follet and the lutin…which I was able to look up in Gumbo Ya-Ya. The show is kind of, I don’t know, offensive in some ways, as it depicts Cajuns and their culture as an exotic thing; lots of talk about voodoo and black magic and so forth. (This is part of the problem I had with writing about Cajuns and the supernatural; I’m afraid I’ll give in to the stereotypes rather than depict the culture and the people authentically.) I mean, I do want to write short stories illustrating Cajun culture and their interesting folklore and legends (Monsters of Louisiana), but I also want to do it correctly. Gumbo Ya-Ya is an excellent source material, a great starting place, but I am also very aware that its authors were also steeped in the white supremacy and racism of the time in which they wrote and compiled the book, which also makes it harder to decipher what is real and what isn’t.

All right, I’ve got dishes to put away and laundry to fold before I hit the errand trail, so have a happy Thursday, Constant Reader, and I’ll check in with you later.

Hold On

Good morning, Wednesday, how are you?

It’s very cold again this morning; I am swathed in a blanket and I also dug out the space heater. According to the weather, it is a mere 48 degrees this morning–warmer than yesterday, certainly, but still not exactly balmy as the sky begins to lighten and I sip my cappuccino and blearily try to withdraw from the arms of Morpheus. I was exhausted last night, and even went to bed before ten. No insomnia, I am pleased to report, last night. I slept deeply and well and–once the cobwebs clear–I will feel pretty well rested, which is kind of lovely.

I got another chapter of the book finished as well, which was also nice. It’s beginning to come together, and hopefully I can get another chapter done today. I need to go to the gym when I get off work today, so here’s hoping the weather gets warmer. The high is supposed to be in the low 60’s today–which is cold for a long walk, but I can hopefully hang with it. It depends, I suppose, on how tired I feel tonight when I get off work.

But the blanket and the space heater are working very well together this morning, and I am starting to feel warm now, which is lovely. I really don’t like cold weather. But why don’t you turn on the heat? you may well be asking yourselves. Because it’s an old New Orleans house, for one, and for another all the heat winds up on the second floor–so the first floor remains cold while the upstairs turns into a sauna. And so, those lovely windows around my desk with the sweet view and the wonderful natural light? Yeah, when it’s cold they are like cold conduits. The surface of my desk is very cold, my keyboard colder and, as Ali Valli commented on a Facebook post of mine the other day about the cold, “there’s nothing like a bathroom in an old south Louisiana house on a cold day.”

I was too tired last night to read, so The Bad Seed remains on my end table, beseeching me to pick it up and keep reading, alas. We did watch another episode of A Teacher on Hulu last night, and I’m not really sure what I think about this show, to be honest, other than it’s not particularly good? We’re kind of hate-watching it at this point…if you’re not aware of it, it’s another one of those “high school teacher has an affair with one of her students” stories. I know it’s probably misogynist of me, but I hate stories where someone behaves self-destructively; the entire time you’re watching you’re saying to yourself, “I just can’t be sympathetic to someone who is really that stupid.” I’m not really sure why there is such a fascination with these stories–I also know they are a lot more common in real life than we might want to think or believe; it seems like every few months or so some young female teacher in one of the more rural parishes around New Orleans is busted for sleeping with a student–there was one case, I think, maybe in Destrehan?–where two female teachers were having sex with the same student, and maybe they were having three ways? I don’t remember. But there have been several rather famous cases–maybe Mary Kay LeTourneau being the most notorious, since she allegedly got her lover-student and some of his friends to kill her husband–which is the case the book and movie To Die For were based on. It has led to some interesting conversations between Paul and myself about teacher-student relationships–in particular, the incredible difference between when it’s a male teacher and when it’s a female, as well as how they are reported on and discussed–and how the women always seems to fall in love with/become obsessed with their young male student lovers, whereas the men are inevitably just predators. (The women are also predators, don’t get me wrong–but the men move from target to target whereas the women become, usually, fixated on one particular student.) The show’s not done particularly well, really; I really don’t understand why this particular teacher fixated on her student, and I’m not really certain I understand the male student (who is played by the same kid who played the gay male lead in the atrocious Love, Simon) either.

Yesterday saw the official end of a publishing tradition: BookExpo is dead, never to be revived or rescheduled or anything. The event was expiring already–digital books, publishing mergers, etc. kind of did it in completely; and the event was already starting to die off when I first started going, back in 2000. The last time I went–I think–was either 2006 or 2007, and I could already see a significant difference from previous years–not as many events, not as many authors, not as many publishers–and it was so expensive. For me, it was fun to go, if a bit overwhelming–and I always took every book that was offered to me, because I always felt bad for people offering–but it’s definitely the end of an era. It makes you stop and think, really; what else is never going to come back after the pandemic? Things aren’t going to ever go back to the way they were–too much has already changed, and some work-arounds are turning out to be, actually, better in the long run than the way things were done before.

And on that note, tis back to the spice mines with me. Hope you have a lovely and warm Wednesday!

Back to December

And suddenly, one morning you wake up and it’s December, and you think, for just a moment, wow, how did that happen? And you try to remember last December….which now seems as long ago and remote as the Middle Ages. I mean, doesn’t it? As I was saying to someone the other day, “remember when RWA burned to the ground? It hasn’t even been a year yet, but that seems as remote in the past now as the Knights of the Round Table and Camelot.

Yesterday was a nice day to ease back into working. I didn’t have any issue getting up, nor was I tired when I got home; good thing, as I needed to go to the gym. I’d skipped Sunday because when I walked there and back on Friday, somehow I managed to rub a blister onto the back of my left heel, and it was painful wearing shoes. It was also cold and rainy, and between the blister and cold rain…yeah, wasn’t feeling it too much, so I decided to wait till I got home from work on Monday and hope that I’d have the energy and the willpower to go. It was incredibly cold (for New Orleans, coming in after weeks of high 70’s/low 80’s weather), but I bundled up into my sweats and off I went.

But despite the cold, a lovely workout was had, and then I scurried home. It was the cold wind, really, that made it so bad.

It was also supposed to get down to 38 last night. It certainly feels like it this morning as I sip my cappuccino, my hands desperately trying to leech all the heat out of the cup. I did manage to work on the book last night as well (another chapter down; roughly eleven left to go, but if I get one per day done it’ll be finished in ten days and then can sit for a moment or two while I get ready for the final polish before turning it in), which was lovely. It’s taking shape and getting better; I really can’t wait to get it turned in. I need to finish a story, too, and I need to really get cracking on the Kansas book when this is all done and behind me.

The sun is rising, which means the gradual warming will begin, which is lovely. It’ll be cold though when I dash out to my car, and from my car into the office, but at least that means I can wear a sweater. I love sweaters, and don’t get many opportunities to wear them, so there’s that part, which I do like. I also like when the apartment is cold, which means wearing sweats and watching television or reading underneath blankets. (I’m under one right now, in fact, and it’s nice and toasty; one of those thin ones that somehow manages to keep me warm, like the ones they used to give you on airplanes.)

The other thing about it being cold is it makes it harder for me to wake completely up. My insomnia came back last night with a vengeance–it’s been awhile, and I figured the cold, plus the exhaustion from the gym, would have put me under in no time at all. Instead, despite how lovely and warm the bed and blankets were, I never really feel into a deep, restful sleep. I am going to be extremely tired tonight, and may even go to bed earlier than I usually do; we shall see once I get home from the office today.

I do worry the world is going to close down again sometime soon–although I am fairly certain that even if we do, I’ll be considered an ‘essential worker’–I kind of think I am, even if I am not a medical professional; I help keep people safe and healthy (at least that’s the goal) and the service I do provide, which is necessary for our PrEP clients to get their prescriptions renewed, is kind of essential–but we did close the program down during the original lockdown, so….I just hope not. As little as I like getting up at six three mornings a week, I love interacting with my clients and getting out of the house and feeling useful. But I do think another one is coming; it’s just a matter of time, and as the infections rise thanks to Thanksgiving…imagine how people are going to be about Christmas.

And on that note, it’s time to get in the shower and pack my lunch and get my day rolling. Have a happy first of December, Constant Reader.

The Outside

And the vacation is over and it’s back to work this morning. Huzzah?

As I mentioned, I didn’t get nearly as much done as I had hoped over the vacation, but that always happens. I got back into the writing of the book, and that’s really the most important thing to me; I was beginning to think I was just going to keep blowing it off and then wake one morning and realize fuck it’s due next week and I haven’t done a fucking thing.

You know, like I always do.

But I made some good progress on the book; I started a couple of new short stories (whether they will amount to anything is a completely different subject, of course); I got a lot of rest, and I also managed to get some cabinets cleaned out and organized. Looking back, of course, it feels like I didn’t get an awful lot done and I am not entirely certain where all the time actually went–but I am counting the week as a win and will not give it to my tendency to be negative about myself, which is far too often my default.

I did finish reading Night of Camp David yesterday, and it’s timeliness was a bit astonishing, really; the concept of a president having a mental breakdown and being extremely paranoid is something I’ve seen at least twice in my lifetime, and hope to never see again. I started rereading William March’s classic The Bad Seed yesterday as well–I read it originally a very long time ago–when I was a teenager, I think; I checked it out of the library, as I recall–and I don’t really remember as much of it as I would like. I suspect most of my memories of the story are from the film, frankly.

We finished watching The Undoing last night, and I wasn’t terribly pleased with how it ended; it was an interesting episode, but it didn’t feel earned…no spoilers, of course, but I felt the ending was a bit of a cheat for those who’d watched the entire time, and too much was left unanswered, I felt. Your mileage might vary, of course. Overall we enjoyed it–the performances were great–but we were disappointed with the final episode, is all. We also watched another episode of Murder on Middle Beach, which was interesting–some new added twists and suspects mixed into it last night, and there’s only one more episode. I suspect the mystery of who actual committed the murder isn’t going to be solved in the final episode, but I do hope the young man making the documentary (about his mother’s murder) gets some kind of closure here, otherwise I am not sure what the point of the documentary was, other than the true-crime craze we seem to be experiencing right now in popular culture.

It’s very cold in New Orleans this morning–right now it’s forty-nine degrees, and not getting warmer today. The forecast for the week is abysmal–forties at night, sixties during the day–which is going to make getting up early and going to work a pain in the butt, as I am not a big fan of the cold under any circumstances.

And on that note, I need to start getting ready to head into the office. Have a lovely Monday, Constant Reader.

Welcome to New York

I love Valley of the Dolls.

I love Valley of the Dolls unequivocally. I’ve loved it since the first time I read the book, and every time I’ve reread it since that first time. I’ve watched the movie a dozen times–even if the first time I just stared, mouth agape, not believing what I was seeing–and I watched the televised mini-series remake in the 1980’s, and interesting casting choices aside, found it interesting. (There’s really a terrific article, essay, or book about all those glamorous, soapy mini-series that literally defined the 1980’s waiting to be written…)

When I was younger I was also really into the whole Hollywood thing; movie stars, Hollywood history, scandals, celebrity culture. I read a lot of biographies and memoirs of old Hollywood, watched tons of old movies (still do, in fact) and while I never really considered writing any Hollywood histories or star biographies, it was more of a hobby than anything else; just another one of my many interests. I love these books that talk about how movies get/got made (Sam Staggs has done some of these with some magnificent films–he’s covered All About Eve, Sunset Boulevard, A Streetcar Named Desire, and Imitation of Life), and so when I discovered there was one about the making of Valley of the Dolls, how could I resist? (And at some point, I would love to write a book of essays about what people consider trashy books, called Guilty Pleasures.)

The book is quite a fun read. It opens with a history of Jacqueline Susann’s life–she was, indeed, fascinating on her own–and her marriage; how she came to write her first book, Every Night, Josephine!; and how she had always wanted to be a star of some sort, and finally decided she would become a famous author, and started writing Valley of the Dolls. She succeeded far beyond her wildest dreams; the book sold a ridiculous amount of books and made everyone involved a fortune, so inevitably of course it was made into a film. (Again, another wormhole from reading the book–how fantastic would Liza Minnelli have been in a production of Mame in the 80’s or 90’s?)

Much as I love the film, the story of 20th Century Fox and the feuding father-son Zanucks for control of the studio in the 1960’s would also make a fucking fantastic book–as well as examining the studio’s films during the period; everything from disasters like Cleopatra and Dr. Dolittle to The Sound of Music, as the studio went from near bankruptcy to rolling in cash to bankruptcy again.

And I do love the film, even though it is flawed, not well done, and not well-written. For me, the strength of the book is the relationships between the women–particularly Jennifer, Anne, and Neely–and really, the book really is about how difficult it is to be a woman in show business. Helen Lawson is the cautionary tale of the star-monster, and Neely’s story is about how one become a star-monster. The character of Neely is a masterstroke, really; the sweet uneducated young talent whom everyone takes advantage of because of her naivete, who then grows into yet another Helen Lawson-like monster. This makes her betrayal of Anne in the final third of the book more meaningful and powerful; the elimination of the closeness of the women from the film robs it of its emotional heart. Having the movie end on a hopeful note was a mistake, if an understandable one; the sad ending of the novel, with Anne caring less and less about Lyon’s infidelities and gradually becoming addicted, like Neely and Jennifer before her, to the dolls to get through the day. I also thought them cutting all the stuff about Anne’s “fiancee” and his father Gino being chased after by Helen–as well as Anne and Helen’s weird friendship–also undercut the emotional impact of the story; the falling out between the two of them was also integral to the plot.

But I do enjoy the movie, even as I appreciate how badly it’s done. (in the book, Rebello at one point refers to its popularity as a camp classic, playing to audiences who shout out the lines with the characters, and says that it’s kind of ‘the gay Rocky Horror Picture Show’–which begs the question, um, what do you think Rocky Horror is?

If you’re a fan of the movie and/or the book, you will probably enjoy reading this book. I highly recommend it; it’s quite gossipy and fun, and it’s always interesting to see how the sausage gets made.

And Valley of the Dolls frankly needs a mini-series remake that is more true to the book. Have fun would it be to see someone like Patti LuPone take on the role of Helen Lawson? Songs by Stephen Sondheim? Margot Robbie as Anne? Lady Gaga as Neely? Peter Skarsgaard as Lyon? Darren Criss as Tony Polar? Natalie Dormer as Jennifer?

Ah, one can but dream.

…Ready for It

And here we are, the last day of my vacation. As much as I hate to see the time off come to a bitter end, I am also kind of ready to get back to the office and get back to work.

It’s rained off and on all weekend, which has wreaked havoc with my sinuses, and it’s rather dreary outside my windows this morning. I slept fairly decently last night–waking up every now and then–but overall, it was a good sleep. I feel a bit sore and tired this morning–I got a blister on my left heel walking to the gym Friday, which is really and truly annoying, particularly since I’ve had the shoes I was wearing for several months and have worn them every day without incident; so why all of a sudden did the damned shoe rub a blister onto my foot? I really don’t need more irritation, and now I am worried about whether walking to the gym today will exacerbate the problem. My back is also sore and my legs feel tired, but skipping today would mean having to go after work tomorrow and Wednesday, and really, neither of those is a really likely option. I prefer my Sunday-Wednesday-Friday schedule, thank you very much. Maybe if I bandage it up well….

The LSU game was terrible, just terrible, on both sides of the ball. Texas A&M didn’t look much better than LSU, frankly, and the announcers kept talking about how A&M could get into the play-offs…and I was all, really? The game just seemed like a lot of offensive ineptitude from both sides. And while both freshman quarterbacks got into the game, neither really accomplished much–and that’s on the offensive line. Nobody was blocking anyone, and when you don’t block anyone, your quarterback ends up getting sacked. The play calling was also a little suspect to me; this has been such a weird football season thus far–the Denver Broncos are coming to play the Saints today without any quarterbacks–the more I think it should have just been cancelled and all players given an extra year of eligibility. I really don’t see how they can legitimately have a play-off and crown a champion when some schools haven’t even played all the limited schedule games they had scheduled. Ah, well. The Saints game should be interesting today, at any rate.

I worked on the book some yesterday and feel a lot better about the whole thing overall. If I can get through this draft relatively quickly–one or two chapters per day–I can then let it sit for a week or so and then go back in with my red pencil and build up the subplot threads running through it as well as come up with the perfect ending to the book; it came to me last night, and I think it is the right ending. We shall see, I suppose.

I also finished reading Dolls! Dolls! Dolls! by Stephen Rebello last night, which is the behind-the-scenes, gossipy look at how the movie version of Valley of the Dolls came to be. I love both book and movie, so I’ll have a separate entry about that book. I read some more of Night of Camp David as well, which is an interesting animal as far as political thrillers are concerned. (Granted, I’ve not read many political thrillers.) I’m over halfway finished with it, which will then lead to the dilemma of what to read next. Heavy heaving sigh.

I fell into an Internet wormhole last night on my iPad during the Iron Bowl (which was just as disappointing than the LSU game; I watch the Iron Bowl because it usually is a good–if bizarre–game full of crazy plays, freakish scores, and the feeling that anything can happen at any time; a trouncing by Alabama isn’t particularly interesting to watch, frankly), and it started with someone posting a picture of a really hot guy on one of the Facebook “hot guy” groups I belong to–I did a little bit of research into the guy, and it turned out he was an actor, did some porn in the 1970’s, and then became a private investigator in Hollywood–someone else had already claimed the title “private eye to the stars” but this is basically what this guy also does. Yes, you can hear the wheels turning in my head, can’t you? As I daydreamed and explored this concept in my head–the games, as I have previously mentioned, weren’t really holding much of my attention–I couldn’t make up my mind as to whether this would be a better series to write about in the 1970’s or in the present. But I really love the concept of the porn-star-turned-private-eye, and even came up with a title for the first story: Slow Burn.

It’s kind of fun feeling creative again, I have to say, and to have finally picked back up the reins of the book at last. I think it’s a good book, too; the story is involving and evolving as I revise this most recent draft. (I’m also amazed and more than a little saddened, at how bad some of the writing is; but that’s what drafts are for, aren’t they?)

As my vacation slowly winds down, I am surprisingly not disappointed by how little I have gotten done over this week. I got some things done; started two new short stories, got the book back in progress, did some absolutely necessary tidying of kitchen cabinets and so forth, and I did get some reading done. I think I can face the office tomorrow without an issue, either–other than getting up early, which is going to take some serious readjusting again–and over all, feel pretty good about everything.

And now back the spice mines.

Treacherous

And it’s Saturday, and my vacation is slowly but surely drawing to a close. Heavy heaving sigh,

It’s been lovely, actually, even if I haven’t been particularly inspired to do a whole lot this entire time. It’s always easy–and kind of a cop-out–to say, well, you needed the physical, intellectual, and emotional rest, but I really need to cut myself a break every now and again. The endless struggle between “feeling lazy” and “everyone needs a break” is an endless war inside my head; inevitably, the things I need to get done will get done and at some point, I’ll forgive myself for the rest.

I had a very strange inspiration for a short story the other day, which I scribbled down and have some vague idea of where the story will go; it’s called “The Sound of Snow Falling” and the first line is: It was the ice storm that finally broke him. I love that first line; whether it will wind up being a good story remains to be seen. But one thing I’ve never mined in my fiction is my utter hatred for cold weather; perhaps it’s time.

I actually worked on the book yesterday afternoon! It was lovely, and while it still needs polishing up some, I am confident that now that I’ve gotten past whatever the fuck it was that kept me holding back from working on it, I am certain I am going to get this done sooner rather than later–which is a very good thing, as time is running out very quickly. Today I have to run some errands, so I am planning on working on the book before I do that. The Iron Bowl (Auburn-Alabama) is today, and LSU plays Texas A&M tonight, so I need to try to get as much done as I can before the 2:30 kick off.

I did go to the gym yesterday and today my back muscles are sore and tight, so I am going to need to use the heating pad at some point today–probably while I drink more coffee and read some more of Night of Camp David, which is kind of scarily prophetic, given it was published originally in 1965. We also watched this week’s episode of The Mandalorian, which did a marvelous job of tying the show into the the original trilogy, the prequels, and the final trilogy–apparently, it also tied the show into The Clone Wars, which I’ve never watched (and perhaps should). We also found out the Child’s name–Gorgu–and as always, the show was enormously entertaining (also: a guest spot by Michael Biehn, of The Terminator and Aliens fame!) and visually stunning and splendid. It did occur to me last night that the show–in which the Mandalorian’s quest is to find Gorgu’s people–can’t ever really separate them, as their relationship is at the beating heart of the show.

The show is really one of the highlights of my every weekend, frankly.

We weren’t ready for bed yet, and were trying to find some stand-up comedian special to watch before hand–to no avail–when Amazon Prime suggested Porky’s to us. I had actually run across the movie when looking for things to add to my watchlist, and the film–from 1981–was a watershed moment in “teen movies”–when they turned from the unrealistic fluff from Disney or message movies to sex comedies. I assumed the movie wouldn’t hold up–I remember thinking it was really funny when I was twenty and saw it in the theater–and I was correct; the humor falls very flat in almost every case; the way women are treated–and the way they are expected to simply put up with it (and do) is horrifying, It’s a comedy predicated on the idea that high school boys are always horny and always trying to get laid–none of the boys have a relationship of any kind with any women–and the only female cast members exist only as potential sex partners–Wendy is the female equivalent of the boys, and despite her easy way with her own favors, (basically the boys see her as a willing sex partner who can be persuaded to have sex with just about anyone) she is actually popular and has a lot of friends. (This struck me as wrong when I originally saw it–she would have had a bad reputation-–and none of the girls would have been friends with her) The other women in the cast are Miss Honeywell (a very young Kim Cattrall)–again, everyone calls her Lassie because she gets very aroused by the smell of the equipment room and howls loudly as she gets laid–and an uptight, overweight, gym teacher known as Beulah Ballbricker, that they all call Ball-breaker and I suppose her sexual repression and determination to keep the girl students safe from the lusts and perversions of the boys is played for laughs. She represents the sexual frustration and repression of the time, I suppose, that all the kids are rebelling against; but you also can’t help feel sorry for her in some ways.

The movie clearly doesn’t hold up–there are still some moments that are funny–but it depends entirely too much on very low sex humor for laughs, and its very vulgarity was what made it funny; it was shocking, and you would laugh back then because you couldn’t believe they were doing these things in a movie for laughs. Some forty years later, it’s no longer shocking, so it’s not funny anymore and it’s just plain vulgar. They also tacked on a subplot about prejudice and anti-semitism to, I suppose, give the movie a “serious” message about how stupid bigotry actually is in reality. And yet it–along with Fast Times at Ridgemont High and Animal House of a few years earlier–changed the teen movie forever, and paved the way for other movies of the 1980’s like Risky Business, Sixteen Candles, and The Last American Virgin. With the enormous success of this low-budget indie film, along with Ridgemont High and Animal House, Hollywood finally got the message that you can’t go wrong with sex comedies for teens–and teen movies, while still kind of extreme in some ways, began to more accurately reflect what life was like for teenagers, as opposed to the Frankie-Annette movies of the 1960’s and the Kurt Russell films for Disney in the 1970’s; or began developing films in which the teens were actually fully realized characters–I’m not sure how realistic the notion of running a brothel from your parents’ home in a wealthy suburb is. (Although now that I’ve said that, Risky Business was probably based on something that actually happened.)

There’s a really interesting essay or dissertation or even book there, methinks, but I’m not enough of a film expert to do such a thing–although it would make for interesting reading.

And on that note, I am heading into the spice mines. The caffeine is beginning to kick in, which is most lovely, and I am most anxious to get functional and to work on the book as quickly as I can. Have a lovely Saturday, Constant Reader.

So It Goes…

I often talk about how my education in the classics is severely limited, and by that, I also mean the classics in the genres as well. There are any number of great writers whose works I’ve never read–and given the ticking clock of my life, most likely will never get to–and I’ve sometimes wondered if that has had a negative impact on my own writing, on my own work; the greatest writers always inspire, and perhaps if I took some time to read their work it would improve my own.

Donald E. Westlake is one of those authors; someone I always intended to get around to yet somehow never have. Several years ago I read his Hard Crime Classic The Comedy is Finished and loved it. I also knew that the Rob Byrnes caper novels I love so much (most recently Strange Bedfellows–you really should check the books out) were inspired by Westlake’s Dortmunder series, and at some point in the perhaps not so distant past I acquired a copy of the first Dortmunder, The Hot Rock (which I knew had been filmed in the 1970’s and the film starred Robert Redford; I should add the film to the Cynical 70’s Film Festival), and even more recently, I picked it up and started to read it.

I finished it Thanksgiving day.

Dortmunder blew his nose. “Warden,” he said, “you don’t know how much I appreciate the personal attention you been paying me.” There wasn’t anything to do with the Kleenex, so he just held it balled up in his fist.

Warden Oates gave him a brisk smile, got up from behind his desk, walked around to Dortmunder’s side, patted him on the arm, and said, “It’s the ones I can save that give me the most pleasure.” He was a latter day Civil Service type–college-trained, athletic, energetic, reformistic, idealistic, and chummy. Dortmunder hated him.

The warden said, “I’ll walk you to the gate, Dortmunder.”

“You don’t have to do that, Warden,” Dortmunder said. The Kleenex was colf and gooey against his palm.

I greatly enjoyed reading this book, and I will definitely come back to the Dortmunder series again. It’s a caper book–a heist novel–and while I wouldn’t call it a page-turner, it definitely held my interest and kept me reading–mainly because I was curious to see what would go wrong next. The premise of the novel–and apparently, the series–is that Dortmunder is a very professional criminal; he plans and plans and plans, takes every possibility of what could possibly go wrong into account, and so every job should go smoothly–but of course, what he never takes into consideration is how humans will respond, and so things will always go wrong.

The Hot Rock itself is an emerald, worth (at the time) half a million dollars, and Dortmunder is brought into a plan to steal it. It is a sacred stone to a small, impoverished African nation, and was, of course, looted from their country during its colonial period. It is going to be displayed at a museum in New York City, and so Dortmunder and his gang of skilled but not terribly bright criminals plan to steal it. But things go wrong…and it turns out the stone will need to be stolen from yet another location….and on and on and on, with each successive heist more dangerous, more over the top, and more difficult, with each time the stone gets routed incorrectly; among the other places it must be stolen from include a police station, a mental hospital, and a bank.

Great, great fun; a little bit dated, but still a great read.