The Dance

Someone told me once, long ago, that life was a dance. You could either stand in a corner or off to the side and watch; you could find a partner and go out on the dance floor and participate, or…you could go out on the dance floor by yourself and celebrate your life. I spent the first thirty-three years of my life on the side, watching and envying the people out on the dance floor. At thirty-three was when I decided I’d dance with myself if I had to–and within a year I wasn’t alone out there, and haven’t been since.

The dancing metaphor has come in handy more than once–my lengthy essay in Love Bourbon Street  was titled “I Haven’t Stopped Dancing Yet”–and while I don’t actually go out dancing anymore–the noise! the people! the late nights!–I still think of myself as out on the dance floor of life, under the glittering, sparkling disco ball while the bass is thumping and some diva is holding a note for what seems like five minutes.

Yesterday wasn’t a bad day, all things considered–although I suppose a very strong case could be made for days being judged currently on a scale of degrees of bad would perhaps be the easiest way to do it–but I got through, as did we all, and that’s another day in the dustbin of history. I am currently in this bizarre space of being  in the midst of something–as is everyone, again to varying degrees of bad–that is so vast and overwhelming that it cannot be considered in its entirety, for that path is the darkest one and must be avoided at all costs so I have to keep it at as much arm’s length as I can in order to cope with what my little piece of its reality is.

As much as I tamp down on it, it bubbles up periodically and runs wild for a horrifying moment or two, before I can get the lid forced back on and held down with all my strength until it subsides again.

And then I get on with it, as one does.

I started reading another du Maurier short story yesterday, “The Archduchess,” which is interesting and different and quite unlike anything of hers I’ve ever read before–always part of the delight of reading her work for the first time–and so I read on warily, wondering what she has in store for me the reader. I also managed to burp up about 500 or so words on my short story “Condos For Sale or Rent,” my quarantine noir story that has come literally from nowhere and is currently demanding my attention, and its urgency is impossible to resist or ignore–despite having any number of other stories and various projects requiring, yet not receiving, said attention–and while I am generally fairly good at harnessing my creativity and making it do what I want it to do (with varying degrees of success, but it generally winds up doing what I want in some way), now I just don’t have either the will or the energy to wrestle my creativity into where it should be. Anyway, I like the voice and I like that it’s set in the NOW. It’s an isolation/quarantine story, yes, and it has some potential, quite frankly. But we’ll see where it goes and how it turns out–but for now, I am having some serious fun with it.

And isn’t that what matters?

We finished watching Season 3 of Ozark last night, which means tonight we are most likely going to either continue with the insanity of Tiger King or move on to something else; I am thinking either Locke and Key on Netflix, or perhaps His Dark Materials on HBO; or something else entirely. There is a lot of really great stuff out there, and so that makes it even harder to decide what to watch. Or I could just read some more. I have to finish reading the du Maurier story, and I would also like to start the reread of Ammie Come Home, which is, naturally, one of my favorite books of all time.

And on that note, tis time to get back to the spice mines. Have a lovely Tuesday, Constant Reader.

colton-nipples

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