Tennessee Waltz

Another major parade, another tragic death. Endymion was cancelled beyond float 12 last night, after yet another parade goer went under a tandem float and was killed. Remember how I said, after the Nyx tragedy Wednesday night, that it was a wonder it didn’t happen more often? Yeesh. The city has cancelled tandem floats for the rest of Carnival–what does that mean for the big ones, like the Bacchasaur or the Bacchagator, or the Orpheus train? Remains to be seen, I suppose, and I would imagine next year they are probably going to look at barricading the entire parade route–but I also wouldn’t think that would be practical or even possible. The routes are far too long, for one, and in many places there’s just sidewalk along the route, like in my neighborhood. How awful, how simply awful. I see in this morning’s news both Bacchus and Orpheus are complying with the city’s request…but ugh, how sad and what a pall over this year’s Mardi Gras.I can’t imagine what the families of the two victims are going through, nor how horrible it would be to have such a terrible, terrible Carnival tragedy happen to your family.

And of course, being me and being a crime writer, I did wonder if perhaps a serial killer is going to parades and shoving people under floats. There have been a couple of times, I will admit, during parades where I got so close to the floats and with the crowd pushing forward behind me, worried about going under one. It would definitely be a new twist on serial killers–although I suppose this would be more a thrill killer, wouldn’t it?

I definitely need to write another novel set during Carnival–and not just because of these awful tragedies. I said when I wrote Mardi Gras Mambo that I could write twenty novels about Mardi Gras and never run out of material and would barely scratch the surface. I’ve been thinking more about that ever since the first parades this year–about how the parades bring about a sense of community for New Orleanians that I’ve never experienced anywhere else, and the sense of community persists throughout the year. I even thought about opening another Scotty Carnival book with The Carnival parades used to come through the Quarter on Royal Street back before it became a major tourist event. The route was changed when the crowds got too big for the narrow streets–too much of a fire hazard, too impossible to get medical help in for anyone injured or taken ill during a parade–and so now they all turn onto Canal Street when they get there from St. Charles, and bypass the Quarter, which becomes a deserted wasteland during the parades with only the die hard drinkers not pushing and shoving their way onto the sidewalks and neutral grounds of the city’s major street.

That’s actually not a bad opening, to be honest. *makes note*

While I was doing condom outreach on Friday afternoon (in the bitter cold) I remembered an idea I had about a multi-person point of view novel set during Southern Decadence called No Morals Weekend, but I don’t really experience Southern Decadence very much anymore, other than the occasional sweat-soaked condom outreach experience. I guess I could always write it as a historical; which I am more and more leaning towards doing with some of my work. I almost inevitably and always set my books in an amorphous, cloudy now; but “Never Kiss a Stranger” is set in 1994, and I keep wondering if “Festival of the Redeemer” should be set in the past as well. The early days of the Internet but pre-smart phones seems like a lovely time to write about, quite frankly..although for “Festival”, it’s more about Venice being too overcrowded with tourists than smart phones. Then again it’s set during one of Venice’s biggest events, so of course the streets would be filled with people–which again ties in with my thinking about another Carnival novel: imagine how difficult it would be to follow a suspect along the parade route, through the crowds, trying to not lose sight of someone in a sea of humanity with beads and things flying through the air. I’d wanted to do such a think in Mardi Gras Mambo, and while it’s been so long since I wrote it, or paged through it with a quick reread, I am wondering if I talked about limited availability to get around town because of the parades, etc.

When I had a moment of downtime yesterday, I intended to curl back up with Ali Brandon’s Double Booked for Death, but couldn’t find it, so started rereading Mary Stewart’s The Moon-spinners, which I’ve only read once and not again. I couldn’t remember anything of the plot–as I’ve said before, I primarily revisit and reread her Airs Above the Ground and The Ivy Tree when I do revisit her work–but I did remember two things: it was set in Greece (Crete, actually) and it was made into a Disney film starring Hayley Mills, but the only resemblance the film bore to the book were the Greek setting and a female main character. As I was reading–and the opening is quite spectacular, and Stewart’s writing is Mystery Writers of America Grand Master level amazing and literate; the way she is able to make the setting absolutely real and her main character relatable, likable, and someone you want to root for–I kept thinking about how she is so frequently described or remembered as a romantic suspense author, and how not accurate I believe that to be. Sure, I may not remember all the plots as well as I perhaps should (stupid old brain), and it’s pretty apparent that our ballsy young heroine Nicola Farris is undoubtedly going to fall for the wounded young man she stumbled over in the mountains of Crete and is now helping; but with Stewart, any romance involved is definitely secondary to the suspense element of her novels…like she tacked it on because her publisher or agent or readers expected it. I’ll probably read some more of it today–although I did find my Ali Brandon novel buried in beads on the kitchen counter.

I also remembered, out on the parade route yesterday, that I had an idea for a book or short story about a murder on Fat Tuesday; when a family throws open their house on St. Charles Avenue for an all day open house type party, with people coming in and out all day, and then finding a murdered body in one of the bedrooms upstairs as the party winds down. I also started writing another short story, “He Didn’t Kill Her,” whose opening came to me fully formed last night and so I had to sit down at the computer and write the opening paragraphs.

Carnival definitely makes me feel reconnected to New Orleans and inspired again.

There are five parades today–the final one cancelled on Thursday is rolling today after Thoth and before Bacchus: so today’s order is: Okeanos, Mid-City, Thoth, Chaos, and finally Bacchus tonight. I don’t know how much time I can spend out there, to be honest…but it’s a jam-packed parade day, and then tomorrow is going to be another one of those hideously busy days, as I try to get caught up on the emails that have been languishing, run errands (including Costco, the madness indeed!), go to the gym, and prepare for the evening’s Proteus and Orpheus parades.

And now, back to the spice mines.

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