Saturday, another heat advisory, and who knows if there will be thunderstorms today? There were some yesterday, apparently, but not here. It was a nice day, to be honest. I had my work meeting in the morning, did my at-home work, picked up my medication (I still can’t believe how much it costs) and then returned home where I did some chores around the house and some serious organization. My desk is pristine, uncluttered and lovely to look at–like something out of a magazine shoot for an article about a writer. I also worked on the laundry room some–as well as doing all the bed linens and three loads of clothes (I wish I were making that up). I did a load of dishes that needs putting away so I can put another load into the dishwasher.
I was quite the 1950s housewife yesterday, wasn’t I?
I also felt good for most of the day–rested, not fatigued, cheerful and no mind mush–which I hope is a lovely sign for today. I’m going to order groceries to be delivered so I don’t have to go anywhere today, and keep working on the house while writing here at my oh-so clean desk. I slept really well again last night and feel terrific this morning. The coffee is delicious this morning and I am about to make some toast to go with it. Paul has his trainer and then is going to do the treadmill for a few hours, so I’ll pretty much have the entire afternoon here alone to myself, which will enable me to focus and get a lot done. Yay me! I also intend to spend some time with Megan Abbott’s book this morning, as well as the other books I am currently in the midsts of; I also want to write some more on newsletters and get one–probably the one about Vicki Barr–sent out. I just ordered some groceries, and I’ll order some more from Instacart later on from the Fresh Market, too.
The excitement never stops.
We finished watching Untamed last night, which was very entertaining. Yosemite is beautiful, as always, and there were some shots of great heights and sheer drops that made me squirm a bit. Eric Bana is terrific in the least as a Federal agent for the park who is still grieving the death of his young son and the end of his marriage. I’m an Eric Bana fanboy, and he’s aging incredibly well, too, I might add. It was very interesting, and I also enjoyed the rest of the cast as well, who were terrific in their roles. As I said the other day, it reminded me of visits to the towns outside of Yosemite, where friends were from–Sonora, Coarsegold, Oakhurst–and those friends as well. I’m itching to write about the mountains again–I’d intended to do another Woodbridge novel, but somehow never got around to it, like so many others in the files. I was thinking last night about how I need to prune the books again because I know I won’t live long enough to read all the books in the house…and just realized again that I will never live long enough to write all the books, stories, and essays I have ideas for–let alone the ones I’ve started but never finished. It’s a bit depressing, but it also means I need to be a lot more selective about what I read and what I write–and I need to do more of both.
But in order to do so, I need to finish this and repair to my chair with El Dorado Drive before I start cleaning and organizing before getting cleaned up for the day. Have a lovely Saturday wherever you are, Constant Reader, and stay cool somehow in this massive heat wave developing this weekend. I’ll be here again tomorrow morning, okay?
Tuesday morning and I didn’t want to get out of bed It’s just so comfortable, you know? I ended up not running errands yesterday on my way home from work (so will have to run them tonight, I reckon). I came home, did some things, and then became a cat bed while I caught up on the world burning to the ground. We started watching Untamed last night on Netflix, which is a crime show set in Yosemite with Eric Bana, and certainly held our interest. There were times when I couldn’t watch–standing on the edge of a cliff, or rapellers, trapped on the side of said cliff face–where the extremity of the straight drop unsettled me (I was also deeply uncomfortable watching that Spider-Man Homecoming scene at the Washington Monument) and so I went into the kitchen until said scenes were over. I thought I might have some of my recurring nightmares about falling from a great height, but thank God, I was spared that horror. But the show also shows off how beautiful Yosemite is; when I lived in California I was only a few hours away and I had friends who grew up in those mountains, so I went up there periodically. (I also fictionalized one of those towns as Woodbridge in Sorceress and Sleeping Angel. I have another partial manuscript set there as well, which I should finish at some point.)
I hate being afraid of heights. It’s been a lifelong thing for me, and it’s unusual in that some things bother me while other things don’t. I love roller coasters, but there’s not enough money in the world to get me on a Ferris wheel. Balconies don’t bother me, but windows where you can look straight down from a great height? No thank you. Looking out an airplane window doesn’t phase me in the least, but ski lifts are terrifying. (I did get a bit uncomfortable during Superman when he went up into space before hurtling back down to earth, too.) I don’t know so much that it’s a fear of heights so much as it is falling from a great height. Or is that the same thing? I don’t know.
We’re also in another heat advisory, through tonight at seven–like every day when the tropical weather isn’t threatening. Our forecast doesn’t show rain again until late tomorrow afternoon, and my sinuses have been behaving, which is a very good sign. I also don’t feel terribly tired and/or worn out this morning, either–despite not wanting to get out of bed, but that’s because I was comfortable and relaxed, more than wanting to sleep later. Don’t get me wrong, I could probably fall asleep again if I went back to bed, but I feel alert this morning more so than I have in a really long time. Maybe that means I can get things done tonight after work instead of being a cat bed for the evening.
And I really do have a lot of work to do at home tonight.
It also seems like the infusions are controlling the ulcerative colitis, for which I am very grateful. I have yet to eat anything that has triggered it back into gear again, and I am also very grateful for that. I also realized yesterday–with my birthday looming–that I am eligible for Medicare next year, so I need to start looking into that as well. I also need to look at the employee handbook to see whether the agency will keep my insurance the way it is, or if I need to go on Medicare after all. Sigh. I hate dealing with this sort of thing, which means I always put it off, scan it when I need to, and never really have a thorough understanding of whatever it is once I am signed up for it–like my current insurances, both health and car.
I also posted a newsletter talking about Superman yesterday; you can read it here. I didn’t say everything I wanted to about the character and how it developed over the years. I didn’t even mention the key element of his personality and who he is: a symbol of hope. Truth be told, I could write about Superman every day for the rest of my life…well, I’d probably have to substitute other super-heroes along the way…but he is an excellent place to start. I hate that my memory has become so bad over the last few years–so much I don’t remember a lot anymore–that I don’t recall everything I’ve read about Superman (and/or DC Comics) over the years.
And on that note, I am going to bring this to a close and head into the spice mines for the day. Have a lovely and happy Tuesday, Constant Reader, and I will check back in with you in the morning tomorrow, okay?
And now it’s Tuesday. It’s a bit gloomy outside, and we’ll be getting rain again today (it’s been a very hot wet summer thus far), but I am awake and ready to go while I am sipping my coffee this morning. It also tastes quite good, I might add. I slept decently last night, and feel pretty good this morning. We have a light clinic schedule today, so I hope to be able to get caught up on paperwork and things today around said schedule. Woo-hoo!
Yesterday was a pretty good day, over all. I had a nice day at work in which I got a lot done, and then came home to chill out and relax with Sparky. I went through the manuscript, and didn’t have to do anything to chapters one and two (they need a revision, of course, but that can wait until the whole draft is finished and I start working my way back through it again) after all; it was chapters three and four that needed restructuring and pulling apart. I did the pulling apart and slapping back together last night; I need to reread the two chapters and revise them and make them flow more smoothly before I move on to chapter 5, I think. We’ll take care of that tonight, methinks. I am excited to be writing again, which is always a lovely thing.
We did watch another episode of Those About to Die, which I am not loving, but it’s a light entertainment, and it has a pretty good cast. Like Spartacus and all its iterations, there’s a lot of muscular men and some homoeroticism with some gay characters–not loving the way they are depicted for sure, but my internal jury is still out on that. I am still having trouble focusing on reading, but am hopeful I can make a breakthrough on that this weekend. I just keep getting more and more books that I am dying to read, so having “reader’s block” isn’t helpful as far as that is concerned. The new Ellen Byron is out today, starting a new series set in the California mountains that I knew so well from living there in the Big Valley1 and being close to all the major mountain parks like Kings Canyon, Sierra, and Yosemite. In fact, both Sorceress and Sleeping Angel are set in those mountains, in a town I loosely based on both Oakhurst and Sonora, so in some ways I am going back to my roots by reading her new release. I’ve not written about living in California very much here; I am currently writing a very long entry about my love/hate relationship with Kansas, which briefly flared up over the last weekend. The thing about me is that, despite being crazy and unbalanced and all those lovely things that come with my chemical imbalances, that no matter how miserable I was in the macro sense, in the micro sense I always wanted to have fun so I wouldn’t have to think about how miserable I was until I got to the point where it was overwhelming and miserable, and the thought that that was how I was going to have to live for the rest of my life was unimaginable.
The closet is a horrible, strangling thing.
And yes, I will probably write about living in California at some point, unless I run out of time, which is always possible. I could get hit by a bus on my way home from work tonight–oh, last week, traffic driving home was absolutely miserable; it took me forty-five minutes to travel what is usually a fifteen minute drive last week, but last night I got home in slightly over ten minutes and there was no congestion anywhere, which was peculiar. Hoping that holds true for tonight.
I also have to say I am feeling a lot better about the world in general these last few days. I am actually feeling hopeful for the first time in a long time, and think we might be able to save this ship from sinking into fascism. I also am delighted the media has exposed itself for the craven opportunists they really are–the mask dropped forever–and it will be a long time before any of them will be forgiven by me. Good riddance to bad rubbish.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.
Yes, the San Joaquin Valley is The Big Valley of Barbara Stanwyck television fame. ↩︎
I also love the word “enchantress.” Go figure. Must be something about the sibilant s.
I moved from Kansas to Fresno, California in February of 1981. It was cold and there was snow on the ground when I boarded an Amtrak train at 2 in the morning with my mother. I fell asleep before the train left the station in Emporia; when I woke up it was gray outside and we were in western Kansas. The trip seemed endless, and our train was delayed because of weather crossing the Rocky Mountains; that part was terrifying, honestly. There were times when there was only enough room on the mountain ledges we rode over for the train tracks, and the wind was powerful enough to rock the train. I’ve always been afraid of heights, so obviously this was completely terrifying for me. I had brought books with me to read on the train, but I’d finished them all by the time we reached Barstow, California–missing our connecting train by half an hour–and thus were stuck there for twelve hours until the evening train to Fresno.
You haven’t lived until you’ve spent twelve hours in a train station in Barstow, California.
(Although reading everything in the magazine rack in that train station completely fueled my soap opera obsession–but that’s a story for another time.)
After I finished writing the first draft that became Sara I put the manuscript aside and started working on another one, which I called Sorceress.
Why was the move on Amtrak to California pertinent to the story of Sorceress and how it came to be? Because it’s one of the few books–in fact, the only book–I’ve written under my own name that is set in California (all the Todd Gregory ‘fratboy’ books are set in California).
It was a beautiful day to die.
The sun was shining and she could hear the birds singing in the trees outside. Through the window on the other side of the room she could see a gorgeous blue sky with wisps of white cloud drifting aimlessly. The house was silent around her, and she closed her eyes again, biting her lower lip.
Her throat was sore and she was thirsty.
There was a glass pitcher of water sitting on the nightstand just out of her reach. Drops of condensation glistened in the sunlight as they ran down the sides, pooling on the wood. She licked her lips and dry-swallowed again.
“Please.” She’d intended to shout, but all that came out was a hoarse whisper. Tears of frustration filled her eyes.
This can’t be happening to me, she thought as the tears began to run down her cheeks. She felt the wetness against her lips, flicking her tongue out to catch the moisture.
It might not be much, but it was something.
She tugged at the handcuffs again, and moaned as the raw skin around her wrists rubbed against the metal, dull arrows of pain shooting up her arms.
That isn’t going to work. You’ve got to think of something else. There has to be something.
As if on cue, the phone on the other side of the room began ringing.
If only I could reach the phone!
“If only I weren’t handcuffed to this stupid bed,” she said aloud.
If only, if only, if only.
A grandfather clock began tolling somewhere in the house.
Five o’clock. Maybe four more hours until the sun goes down.
She was safe until the sun went down.
She heard footsteps comingdown the hall towards the closed door.
“I’m thirsty!” she shouted. “Please! I’m so thirsty!”
The footsteps stopped. She was about to shout again when heard the footsteps start again—only now they were moving away from her door.
She closed her eyes.
Not a bad opening, huh?
I started writing the novel Sorceress sometime in 1992 or 1993; I’m not sure which. Sorceress was the easiest of the early manuscripts for me to write, and this was because I knew the story, from start to finish, before I started writing it–which is incredibly rare for me; I even knew the middle, which I always have the most trouble with. I originally wrote Sorceress in the late 1980’s as a novella that originally clocked in at around seventeen thousand words. But even as I wrote that incredibly long short story (at the time all I knew about novellas was that Stephen King sometimes wrote really long stories, like “The Mist”) and had always put it aside, because I knew there was more story there and it needed to be longer–novel length, in fact. So when I finished the first draft of Sara and was ready to move on to something else, I decided to finally expand Sorceress out into a novel.
Fresno wasn’t a pretty city, by any means. It had a desert climate (the entire San Joaquin Valley has a desert climate) that was very dry and climbed to well over 100 degrees in the heart of the summer (sometimes even getting up to over 110) and was all brown, mostly; brown, palm and orange trees, and concrete in the unforgiving sun. My parents bought a house in a subdivision in a city that bordered Fresno yet somehow wasn’t considered a suburb. It had a pool, two orange trees, and several eucalyptus trees. These seemed exotic and cool and fun–until you realized how much fruit one tree, let alone two, could produce, and there was no way to keep up with them, either; inevitably, the back yard was always dank with the sickly-sweet smell of rotting oranges. The eucalyptus trees with their slim, silvery leaves were also a pain in the ass; those leaves would get into the pool, and unless fished out, became water-logged and sank to the bottom, where they would stain and/or discolor the bottom of the pool. It seemed like those little leaves were always fluttering through the air and unerringly landing in the water.
Never again will I live a place where I am responsible for a swimming pool.
But the true beauty of Fresno was its location. It was within a few hours’ drive of many wonderful places: Yosemite, Sierra, and Kings Canyon parks, San Francisco, and Los Angeles. LA was the furthest away–four hours down the Grapevine; and the final descent through the mountains into the plains on the other side was one of the steepest highways I’ve ever driven down–but in college I also made friends with students who came from some of those mountain communities–Sonora, Oakhurst, Coarsegold, Tuolumne–and wound up visiting them at times. I spent most of my time visiting the mounts in either Sonora or Tuolumne. I’d never spent much time in the mountains before or since, and the thing that always stuck in my head was how close the stars in the night sky seemed up there, almost like you could reach up and grab one. I decided to create my own version of these small mountain towns and call it Woodbridge. When I started writing Sorceress as a novel, I set it in the countryside in the mountains outside of “Woodbridge.” By this time, I had already discovered y/a horror, obviously, and so “Woodbridge” was going to be the anchor of all my stories–they were all going to be connected, and in some ways the center of that fictional universe I was building was going to be Woodbridge (Sleeping Angel is also set in Woodbridge). I also put a college there; a campus of the University of California (UC-Woodbridge) which also gave me college students to play with as well as the high school kids. Laura, my main character, was originally from the same area of Kansas where Sara was set; I even mentioned her in passing in Sara, as a friend who’d moved away to California and who had been betrayed after she left by her best friend and her boyfriend…which also figured into the plot of Sorceress.
Sorceress was also the first book I wrote where I followed the Gothic tropes: a young woman all alone in the world after the death of her parents is summoned by an elderly aunt she didn’t know existed to California. The elderly aunt has a huge Victorian mansion in the mountains, a man-servant/housekeeper/butler, and once there Laura begins to suspect that not only are things not the way they seem, but that her own life might be in danger. There’s also a hint of the paranormal here as well…and some of the kids Laura meets in Woodbridge also figured into some of my other books for young adults as well.
When I had the opportunity to write something on spec for Simon and Schuster teen in the summer of 2005, Sorceress was the one I chose to revise and rewrite for them. I felt it was the most complete and needed the least amount of work, plus I loved the entire Gothic mood of the story. Then of course Katrina came along and knocked that right out of my head; I kept trying to revise it but focus was incredibly difficult, and finally I gave up. This is the story I mentioned in conversation with a friend, who was later given a job as an acquisitions editor, and this is the story she wanted me to pitch to her. I did, but they didn’t pick it up, but when she went out on her own later and started her own small press specifically for juvenile and y/a fiction, she wanted Sorceress, so I dragged it back out and went to work on it again. It was released in 2010, I believe; it’s hard to remember dates these days for me. Anyway, this is the book where I told Bold Strokes I was publishing a y/a with a friend’s small press, which got the response “you know, we do y/a too” that led to me giving them both Sara and Sleeping Angel, and led to all the others.
I also wrote another Woodbridge story–a very long novella–that I intend to either revise as a novella or expand out into a novel. This story directly references events in Sorceress and Sleeping Angel, as well as characters…so while it might be entirely too late to release another book in that linked universe I originally intended to create, a good story is a good story. I just am not sure about the ending of that one, which is one of the reasons it remains in the drawer.
Rereading ‘salem’s Lot again, after many years, has proven to be quite a treat: there was clearly a reason why I loved this book so much and why I’ve reread it about a gazillion times. It has always been my favorite vampire novel, and certainly one of my favorite horror novels. It scared the shit out of me when I first read it back when I was a teenager, and it has always entertained me, every single I’ve read it, even though I know what’s going on in the town, what’s going to happen, who lives, who dies. I remember there’s been talk over the years–I think even Stephen King may have aided and abetted this at times–that there might be a sequel; I’ve long since given up on that hope–despite always wanting to know whatever became of Ben Mears and Mark Petrie…and did they ever return to that awful town in Maine?
In the 1980’s, I decided that I wanted to be a writer like Stephen King. I started writing horror short stories, and even came up with an idea for a full-length horror novel called The Enchantress; I still have those four chapters I wrote in my files before I finally put it away for good. The book itself, while influenced most strongly by King, was also influenced by Peter Straub’s Floating Dragon, which I had also recently read–I’d loved Ghost Story and If You Could See Me Now–and wanted to write about, the way King did so often, a small town where something supernatural–and terrifying–happens. I blatantly copied the narrative structure of Floating Dragon (oh look! Four different point of view characters! One an old man, one a child, one a man in his early thirties, and the other a woman with psychic abilities that have basically cursed her life!) but I was also trying to weave some other elements into the story that might not have ultimately worked; it was set in the panhandle of Florida, for one thing, and it had to do with the curse of a witch on four different families (a la Floating Dragon, only he didn’t have a witch), and I don’t think that would have ultimately worked. The idea was also built around a concept I had, an idea, about evil, killer mermaids. I eventually used some of the story and the concepts for Dark Tide, whose original working title was Mermaid Inn.
It’s funny that rereading ‘salem’s Lot brings back such weird memories, isn’t it? I may get around to writing The Enchantress someday–it just can’t be set in Florida, because it needs cliffs–so maybe I’ll move it to a fictional town on the California coast.
Like King–another thing I stole from him–almost all of my books are connected to each other in some way. For years, the connection between the Chanse and Scotty series were my cops–Venus Casanova and Blaine Tujague–appeared in both series; why have different homicide cops in the same city? I had originally intended to connect everything; Woodbridge in California, from Sleeping Angel and Sorceress are connected to the small town in Kansas from Sara; I don’t recall off the top of my head how Lake Thirteen plays into my world-building; but I think the Chicago suburb where the main character in that book is from was the same suburb that the kid from Sara was from, and so on. I always wanted to go back and write some more about Woodbridge; I kind of saw my teen/young adult fiction as being similar in type and style as the Fear Street series by R. L. Stine; which were all in the same town and often minor characters in one book was the main character in another. (Woodbridge was loosely based on Sonora, where some of my college friends were from; I visited them several times up there in the mountains and it was stunningly beautiful up there. One of the few great things about spending the 1980’s in Fresno was accessibility to Yosemite, Sierra National Forest, and Kings Canyon.)
I may get back to this at some point; Bury Me in Satin is connected in that it returns to the part of Alabama where the main character in Dark Tide is from, and more connections might develop as I write the book. I’ve pretty much decided to try to get the first draft of Bury Me in Satin written for Nanowrimo, which is something I’ve never done before; but why not? I am not going to officially participate, but why not use it as a goal to get the first draft of the story done?
I am on chapter nineteen of the revision of Royal Street Reveillon; one big strong last push is all it will take for me to get that finished by the end of the month, and I am enormously pleased at the prospect. It’s shaping up nicely; I think there are still a few holes in the story I am going to have to figure out how to plug later, but that’s perfectly fine.
Queer and Loathing in America 